24984 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2016
2001-2016
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Classification:
documents textuels, graphique
Quantité:
11 textual record(s) and ephemera
documents textuels, graphique
Quantité:
11 textual record(s) and ephemera
Actions:
Numéro de référence:
DR1987:0866:001-011
Description:
- This group of correspondence, clippings and a copy of a resolution was compiled by the architect, Lloyd Wright, for his own record while he was persuing the commission for the Los Angeles Municipal Airport, Mines Field, California. While Wright received the approval of the Municipal Art Commission, his design was ultimately rejected by the Airport Committee in favour of a Spanish Colonial design. The correspondence is composed of carbon copies and mimeographs of a letter sent to the Municipal Art Commission requesting that the commission consider his design. There are several copies of this letter, probably because it was sent to individual committee members and a copy was made of each letter. Of the newspaper clippings, three relate to the Mines Field project; the most significant is a half-page spread with photographs of both Lloyd Wright's project and the successful Spanish Colonial design. Also on the same page are photographs of four of people involved in the commission, including Lloyd Wright, a councilman, a member of the art commission, and the airport manager. The two other Mines Field clippings announce the completion of an aircraft factory at Mines Field and the completion of the municipal airport within thirty days. The unrelated clipping announces a model airport to be built in Chicago. Also included with these documents are a copy of the resolution made by the Municipal Art Commission recommending Wright's design to the Airport Committee and an envelope addressed to Clifford Henderson, Director of Municipal Airports, City of Los Angeles.
DR1987:0866:001-011
Description:
- This group of correspondence, clippings and a copy of a resolution was compiled by the architect, Lloyd Wright, for his own record while he was persuing the commission for the Los Angeles Municipal Airport, Mines Field, California. While Wright received the approval of the Municipal Art Commission, his design was ultimately rejected by the Airport Committee in favour of a Spanish Colonial design. The correspondence is composed of carbon copies and mimeographs of a letter sent to the Municipal Art Commission requesting that the commission consider his design. There are several copies of this letter, probably because it was sent to individual committee members and a copy was made of each letter. Of the newspaper clippings, three relate to the Mines Field project; the most significant is a half-page spread with photographs of both Lloyd Wright's project and the successful Spanish Colonial design. Also on the same page are photographs of four of people involved in the commission, including Lloyd Wright, a councilman, a member of the art commission, and the airport manager. The two other Mines Field clippings announce the completion of an aircraft factory at Mines Field and the completion of the municipal airport within thirty days. The unrelated clipping announces a model airport to be built in Chicago. Also included with these documents are a copy of the resolution made by the Municipal Art Commission recommending Wright's design to the Airport Committee and an envelope addressed to Clifford Henderson, Director of Municipal Airports, City of Los Angeles.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed 1929
printed 1929
Titre:
Los Angeles Municipal Airport: Newspaper clippings, copies of a letter and a copy of a resolution relating to Lloyd Wright's design
Actions:
DR1987:0866:001-011
Description:
- This group of correspondence, clippings and a copy of a resolution was compiled by the architect, Lloyd Wright, for his own record while he was persuing the commission for the Los Angeles Municipal Airport, Mines Field, California. While Wright received the approval of the Municipal Art Commission, his design was ultimately rejected by the Airport Committee in favour of a Spanish Colonial design. The correspondence is composed of carbon copies and mimeographs of a letter sent to the Municipal Art Commission requesting that the commission consider his design. There are several copies of this letter, probably because it was sent to individual committee members and a copy was made of each letter. Of the newspaper clippings, three relate to the Mines Field project; the most significant is a half-page spread with photographs of both Lloyd Wright's project and the successful Spanish Colonial design. Also on the same page are photographs of four of people involved in the commission, including Lloyd Wright, a councilman, a member of the art commission, and the airport manager. The two other Mines Field clippings announce the completion of an aircraft factory at Mines Field and the completion of the municipal airport within thirty days. The unrelated clipping announces a model airport to be built in Chicago. Also included with these documents are a copy of the resolution made by the Municipal Art Commission recommending Wright's design to the Airport Committee and an envelope addressed to Clifford Henderson, Director of Municipal Airports, City of Los Angeles.
Los Angeles Municipal Airport: Newspaper clippings, copies of a letter and a copy of a resolution relating to Lloyd Wright's design
Actions:
DR1987:0866:001-011
Description:
- This group of correspondence, clippings and a copy of a resolution was compiled by the architect, Lloyd Wright, for his own record while he was persuing the commission for the Los Angeles Municipal Airport, Mines Field, California. While Wright received the approval of the Municipal Art Commission, his design was ultimately rejected by the Airport Committee in favour of a Spanish Colonial design. The correspondence is composed of carbon copies and mimeographs of a letter sent to the Municipal Art Commission requesting that the commission consider his design. There are several copies of this letter, probably because it was sent to individual committee members and a copy was made of each letter. Of the newspaper clippings, three relate to the Mines Field project; the most significant is a half-page spread with photographs of both Lloyd Wright's project and the successful Spanish Colonial design. Also on the same page are photographs of four of people involved in the commission, including Lloyd Wright, a councilman, a member of the art commission, and the airport manager. The two other Mines Field clippings announce the completion of an aircraft factory at Mines Field and the completion of the municipal airport within thirty days. The unrelated clipping announces a model airport to be built in Chicago. Also included with these documents are a copy of the resolution made by the Municipal Art Commission recommending Wright's design to the Airport Committee and an envelope addressed to Clifford Henderson, Director of Municipal Airports, City of Los Angeles.
Classification:
documents textuels, graphique
Quantité:
11 textual record(s) and ephemera
documents textuels, graphique
Quantité:
11 textual record(s) and ephemera
Date:
printed 1929
printed 1929
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Numéro de référence:
DR2012:0012:077:001:005
Description:
File containing photographs, printouts, a negative film frame, a stat, and notes related to the following events, locations, and/or projects: - Memo series (5 gelatin silver prints); - Montreal streets (3 gelatin silver prints); - A Kingston construction (2 gelatin silver prints); - Place Desjardins (2 gelatin silver prints); - Beaudry-Leman house, Outremont (1 gelatin silver print); - City of Maisonneuve, former fire station (1 gelatin silver print); - Aerial view of the construction Place Bonaventure (1 gelatin silver print); - The house of an architect (1 gelatin silver print); - Église Notre-Dame-des-Champs, Repentigny (2 gelatin silver prints); - Église Notre-Dame-de-Fatima, Jonquière, (1 gelatin silver print); - Unidentified house (1 gelatin silver print, 1 black-and-white negative); - Pliny on my mind, nos. 1 and 2 (1 gelatin silver print).
DR2012:0012:077:001:005
Description:
File containing photographs, printouts, a negative film frame, a stat, and notes related to the following events, locations, and/or projects: - Memo series (5 gelatin silver prints); - Montreal streets (3 gelatin silver prints); - A Kingston construction (2 gelatin silver prints); - Place Desjardins (2 gelatin silver prints); - Beaudry-Leman house, Outremont (1 gelatin silver print); - City of Maisonneuve, former fire station (1 gelatin silver print); - Aerial view of the construction Place Bonaventure (1 gelatin silver print); - The house of an architect (1 gelatin silver print); - Église Notre-Dame-des-Champs, Repentigny (2 gelatin silver prints); - Église Notre-Dame-de-Fatima, Jonquière, (1 gelatin silver print); - Unidentified house (1 gelatin silver print, 1 black-and-white negative); - Pliny on my mind, nos. 1 and 2 (1 gelatin silver print).
Personnes et institutions:
Date:
1964, 1976, 1983
1964, 1976, 1983
Titre:
Photographic materials related to events and projects
Actions:
DR2012:0012:077:001:005
Description:
File containing photographs, printouts, a negative film frame, a stat, and notes related to the following events, locations, and/or projects: - Memo series (5 gelatin silver prints); - Montreal streets (3 gelatin silver prints); - A Kingston construction (2 gelatin silver prints); - Place Desjardins (2 gelatin silver prints); - Beaudry-Leman house, Outremont (1 gelatin silver print); - City of Maisonneuve, former fire station (1 gelatin silver print); - Aerial view of the construction Place Bonaventure (1 gelatin silver print); - The house of an architect (1 gelatin silver print); - Église Notre-Dame-des-Champs, Repentigny (2 gelatin silver prints); - Église Notre-Dame-de-Fatima, Jonquière, (1 gelatin silver print); - Unidentified house (1 gelatin silver print, 1 black-and-white negative); - Pliny on my mind, nos. 1 and 2 (1 gelatin silver print).
Photographic materials related to events and projects
Actions:
DR2012:0012:077:001:005
Description:
File containing photographs, printouts, a negative film frame, a stat, and notes related to the following events, locations, and/or projects: - Memo series (5 gelatin silver prints); - Montreal streets (3 gelatin silver prints); - A Kingston construction (2 gelatin silver prints); - Place Desjardins (2 gelatin silver prints); - Beaudry-Leman house, Outremont (1 gelatin silver print); - City of Maisonneuve, former fire station (1 gelatin silver print); - Aerial view of the construction Place Bonaventure (1 gelatin silver print); - The house of an architect (1 gelatin silver print); - Église Notre-Dame-des-Champs, Repentigny (2 gelatin silver prints); - Église Notre-Dame-de-Fatima, Jonquière, (1 gelatin silver print); - Unidentified house (1 gelatin silver print, 1 black-and-white negative); - Pliny on my mind, nos. 1 and 2 (1 gelatin silver print).
Classification:
photographies
photographies
Date:
1964, 1976, 1983
1964, 1976, 1983
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1981:0804:001-145
Description:
Album containing views of England and one loose photograph glued onto a cardboard showing the Panorama dal Monte dei Cappuccini, Torino. The album views show mostly cathedrals of England in several cities: London, Lincoln, Norwich, Beverley, Salisbury, Ripon, Rochester, Exeter, Hereford, Lichfield, Gloucester, Ely, Peterborough, Carlisle, Wells, York and Hampton. Other buildings and rooms are the Guild Hall, Albert hall, Albert Memorial, House of Lords and of Commons, Crystal Palace, Buckingham Palace, Windsor Castle, Tower of London, Peer's Robeing Room, House of Lords, Royal Gallery, Crown Jewels Tower, Royal Alhambra Palace, the Thames embankment, Cleopatra's Needle, gardens, lakes and lighthouses. Two other views are of (probably) Sinab (Iran) and two others show paintings, a seascape by Beechey, 1878 and a still life.
PH1981:0804:001-145
Description:
Album containing views of England and one loose photograph glued onto a cardboard showing the Panorama dal Monte dei Cappuccini, Torino. The album views show mostly cathedrals of England in several cities: London, Lincoln, Norwich, Beverley, Salisbury, Ripon, Rochester, Exeter, Hereford, Lichfield, Gloucester, Ely, Peterborough, Carlisle, Wells, York and Hampton. Other buildings and rooms are the Guild Hall, Albert hall, Albert Memorial, House of Lords and of Commons, Crystal Palace, Buckingham Palace, Windsor Castle, Tower of London, Peer's Robeing Room, House of Lords, Royal Gallery, Crown Jewels Tower, Royal Alhambra Palace, the Thames embankment, Cleopatra's Needle, gardens, lakes and lighthouses. Two other views are of (probably) Sinab (Iran) and two others show paintings, a seascape by Beechey, 1878 and a still life.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1870s-1880s
1870s-1880s
Titre:
Miscellaneous views of landscape and architectural subjects, mostly British
Actions:
PH1981:0804:001-145
Description:
Album containing views of England and one loose photograph glued onto a cardboard showing the Panorama dal Monte dei Cappuccini, Torino. The album views show mostly cathedrals of England in several cities: London, Lincoln, Norwich, Beverley, Salisbury, Ripon, Rochester, Exeter, Hereford, Lichfield, Gloucester, Ely, Peterborough, Carlisle, Wells, York and Hampton. Other buildings and rooms are the Guild Hall, Albert hall, Albert Memorial, House of Lords and of Commons, Crystal Palace, Buckingham Palace, Windsor Castle, Tower of London, Peer's Robeing Room, House of Lords, Royal Gallery, Crown Jewels Tower, Royal Alhambra Palace, the Thames embankment, Cleopatra's Needle, gardens, lakes and lighthouses. Two other views are of (probably) Sinab (Iran) and two others show paintings, a seascape by Beechey, 1878 and a still life.
Miscellaneous views of landscape and architectural subjects, mostly British
Actions:
PH1981:0804:001-145
Description:
Album containing views of England and one loose photograph glued onto a cardboard showing the Panorama dal Monte dei Cappuccini, Torino. The album views show mostly cathedrals of England in several cities: London, Lincoln, Norwich, Beverley, Salisbury, Ripon, Rochester, Exeter, Hereford, Lichfield, Gloucester, Ely, Peterborough, Carlisle, Wells, York and Hampton. Other buildings and rooms are the Guild Hall, Albert hall, Albert Memorial, House of Lords and of Commons, Crystal Palace, Buckingham Palace, Windsor Castle, Tower of London, Peer's Robeing Room, House of Lords, Royal Gallery, Crown Jewels Tower, Royal Alhambra Palace, the Thames embankment, Cleopatra's Needle, gardens, lakes and lighthouses. Two other views are of (probably) Sinab (Iran) and two others show paintings, a seascape by Beechey, 1878 and a still life.
Classification:
photographies
photographies
Date:
1870s-1880s
1870s-1880s
Personnes et institutions:
Sujet:
architecture
architecture
Numéro de référence:
PH1986:0900.01
Description:
Album PH1986:0900.01 comprises 92 photographs of fountains, monuments, tombs, vases, models and studies by architect Michel Roux-Spitz. Subjects include: Monument aux Séminaristes français morts à la guerre, Séminaire Français à Rome (1922); Monument aux Morts de Lyon; Monument aux héros de Dixmude à Pierrefeu (Var) (1925); Monument Bokanowski à Toul (1924); Monument aux Morts de Thizy; Monument de la Victoire; Tombeau au cimetière Montparnasse à Paris; Tombeau de la famille Garin à Cholet; Tombeau de la famille Vetter à Lyon (1920-1923); Tombeau Redon; Tombeau de la famille Barral à Lyon; Tombeau de la famille Barras (sic) à Lyon; Monument au poète Camille Roy et à la Chanson Lyonnaise (1924); Fontaine Leriche; Fontaine avec sculpture de Cassou; Fontaine Cours La Reine à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau du Cimetière du Village à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau de la famille Robin. Artists mentioned are the sculptors Delamarre, Renard, C. Cassou, Martial, Leriche, a mosaic by Bouquet, ironwork by Szetlak and lighting by Perzel.
PH1986:0900.01
Description:
Album PH1986:0900.01 comprises 92 photographs of fountains, monuments, tombs, vases, models and studies by architect Michel Roux-Spitz. Subjects include: Monument aux Séminaristes français morts à la guerre, Séminaire Français à Rome (1922); Monument aux Morts de Lyon; Monument aux héros de Dixmude à Pierrefeu (Var) (1925); Monument Bokanowski à Toul (1924); Monument aux Morts de Thizy; Monument de la Victoire; Tombeau au cimetière Montparnasse à Paris; Tombeau de la famille Garin à Cholet; Tombeau de la famille Vetter à Lyon (1920-1923); Tombeau Redon; Tombeau de la famille Barral à Lyon; Tombeau de la famille Barras (sic) à Lyon; Monument au poète Camille Roy et à la Chanson Lyonnaise (1924); Fontaine Leriche; Fontaine avec sculpture de Cassou; Fontaine Cours La Reine à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau du Cimetière du Village à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau de la famille Robin. Artists mentioned are the sculptors Delamarre, Renard, C. Cassou, Martial, Leriche, a mosaic by Bouquet, ironwork by Szetlak and lighting by Perzel.
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Date:
1920-1925
1920-1925
Titre:
Fontaines - Monuments - Tombeaux - Vases - 1920-1925
Actions:
PH1986:0900.01
Description:
Album PH1986:0900.01 comprises 92 photographs of fountains, monuments, tombs, vases, models and studies by architect Michel Roux-Spitz. Subjects include: Monument aux Séminaristes français morts à la guerre, Séminaire Français à Rome (1922); Monument aux Morts de Lyon; Monument aux héros de Dixmude à Pierrefeu (Var) (1925); Monument Bokanowski à Toul (1924); Monument aux Morts de Thizy; Monument de la Victoire; Tombeau au cimetière Montparnasse à Paris; Tombeau de la famille Garin à Cholet; Tombeau de la famille Vetter à Lyon (1920-1923); Tombeau Redon; Tombeau de la famille Barral à Lyon; Tombeau de la famille Barras (sic) à Lyon; Monument au poète Camille Roy et à la Chanson Lyonnaise (1924); Fontaine Leriche; Fontaine avec sculpture de Cassou; Fontaine Cours La Reine à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau du Cimetière du Village à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau de la famille Robin. Artists mentioned are the sculptors Delamarre, Renard, C. Cassou, Martial, Leriche, a mosaic by Bouquet, ironwork by Szetlak and lighting by Perzel.
Fontaines - Monuments - Tombeaux - Vases - 1920-1925
Actions:
PH1986:0900.01
Description:
Album PH1986:0900.01 comprises 92 photographs of fountains, monuments, tombs, vases, models and studies by architect Michel Roux-Spitz. Subjects include: Monument aux Séminaristes français morts à la guerre, Séminaire Français à Rome (1922); Monument aux Morts de Lyon; Monument aux héros de Dixmude à Pierrefeu (Var) (1925); Monument Bokanowski à Toul (1924); Monument aux Morts de Thizy; Monument de la Victoire; Tombeau au cimetière Montparnasse à Paris; Tombeau de la famille Garin à Cholet; Tombeau de la famille Vetter à Lyon (1920-1923); Tombeau Redon; Tombeau de la famille Barral à Lyon; Tombeau de la famille Barras (sic) à Lyon; Monument au poète Camille Roy et à la Chanson Lyonnaise (1924); Fontaine Leriche; Fontaine avec sculpture de Cassou; Fontaine Cours La Reine à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau du Cimetière du Village à l'Exposition des Arts décoratifs 1925 à Paris; Tombeau de la famille Robin. Artists mentioned are the sculptors Delamarre, Renard, C. Cassou, Martial, Leriche, a mosaic by Bouquet, ironwork by Szetlak and lighting by Perzel.
Date:
1920-1925
1920-1925
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Numéro de référence:
AP181.S1.020
Description:
Original directory name: "26_Projektmappe". File shows the BMW Welt project development through two documents likely destined to be printed and bound. The documentation of the project is made using mostly images: plans, technical drawings, renderings, and photographs. File contains the InDesign original files for these documents, with supporting linked images and font files. It also contains PDF versions of the documents, although it is not possible to confirm that the PDF files are exact copies of the InDesign files. There is a significant amount of duplicates in subdirectories which were not deleted in order to avoid breaking dependencies between files. Most common file formats: Tagged Image File Format, Acrobat PDF 1.5 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, JPEG File Interchange Format, Adobe Illustrator
AP181.S1.020
Description:
Original directory name: "26_Projektmappe". File shows the BMW Welt project development through two documents likely destined to be printed and bound. The documentation of the project is made using mostly images: plans, technical drawings, renderings, and photographs. File contains the InDesign original files for these documents, with supporting linked images and font files. It also contains PDF versions of the documents, although it is not possible to confirm that the PDF files are exact copies of the InDesign files. There is a significant amount of duplicates in subdirectories which were not deleted in order to avoid breaking dependencies between files. Most common file formats: Tagged Image File Format, Acrobat PDF 1.5 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, JPEG File Interchange Format, Adobe Illustrator
Personnes et institutions:
Date:
1991-2007
1991-2007
Titre:
Portfolio for BMW Welt, Munich
Actions:
AP181.S1.020
Description:
Original directory name: "26_Projektmappe". File shows the BMW Welt project development through two documents likely destined to be printed and bound. The documentation of the project is made using mostly images: plans, technical drawings, renderings, and photographs. File contains the InDesign original files for these documents, with supporting linked images and font files. It also contains PDF versions of the documents, although it is not possible to confirm that the PDF files are exact copies of the InDesign files. There is a significant amount of duplicates in subdirectories which were not deleted in order to avoid breaking dependencies between files. Most common file formats: Tagged Image File Format, Acrobat PDF 1.5 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, JPEG File Interchange Format, Adobe Illustrator
Portfolio for BMW Welt, Munich
Actions:
AP181.S1.020
Description:
Original directory name: "26_Projektmappe". File shows the BMW Welt project development through two documents likely destined to be printed and bound. The documentation of the project is made using mostly images: plans, technical drawings, renderings, and photographs. File contains the InDesign original files for these documents, with supporting linked images and font files. It also contains PDF versions of the documents, although it is not possible to confirm that the PDF files are exact copies of the InDesign files. There is a significant amount of duplicates in subdirectories which were not deleted in order to avoid breaking dependencies between files. Most common file formats: Tagged Image File Format, Acrobat PDF 1.5 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, JPEG File Interchange Format, Adobe Illustrator
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Date:
1991-2007
1991-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Weavers' Studio
Weavers' Studio
Numéro de référence:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1991.PR02
Description:
The project series documents Pettena's work for the Nuovo Municipio, a new town hall building in Canazei in Italy, from 1990 to 1997. The project consisted of preserving and restoring a historic building designed by Ettore Sottsass in the 1930s and adding a new construction built in a gap between two sections of the building the two volumes of the building. "Through the glazed connection, the new volume maintains a certain distance from the existing volume and is itself split into two parts, creating in practice a pedestrian intersection between the new and the old building and between the two sections of the new building: a pedestrian intersection that is laid out on two distinct levels." [1] The project series contains sketches, site plans, floor plans, elevations and sections. It is also comprised of research material, such as copies of building plans by Ettore Sottsass Sr. The project is also documented through proposals and project descriptions, reports, contracts with the city of Canazei, correspondence with engineers, photographs of the construction, and videos of the building. The project series also includes press clippings about the project and an unidentified videorecording. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-new-town-hall-1990-97/ (last accessed 21 January 2020).
AP207.S1.1991.PR02
Description:
The project series documents Pettena's work for the Nuovo Municipio, a new town hall building in Canazei in Italy, from 1990 to 1997. The project consisted of preserving and restoring a historic building designed by Ettore Sottsass in the 1930s and adding a new construction built in a gap between two sections of the building the two volumes of the building. "Through the glazed connection, the new volume maintains a certain distance from the existing volume and is itself split into two parts, creating in practice a pedestrian intersection between the new and the old building and between the two sections of the new building: a pedestrian intersection that is laid out on two distinct levels." [1] The project series contains sketches, site plans, floor plans, elevations and sections. It is also comprised of research material, such as copies of building plans by Ettore Sottsass Sr. The project is also documented through proposals and project descriptions, reports, contracts with the city of Canazei, correspondence with engineers, photographs of the construction, and videos of the building. The project series also includes press clippings about the project and an unidentified videorecording. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-new-town-hall-1990-97/ (last accessed 21 January 2020).
Personnes et institutions:
Date:
1989-2015
1989-2015
Titre:
Nuovo Municipio [New Town Hall of Canazei], Canazei, Italy (1991)
Actions:
AP207.S1.1991.PR02
Description:
The project series documents Pettena's work for the Nuovo Municipio, a new town hall building in Canazei in Italy, from 1990 to 1997. The project consisted of preserving and restoring a historic building designed by Ettore Sottsass in the 1930s and adding a new construction built in a gap between two sections of the building the two volumes of the building. "Through the glazed connection, the new volume maintains a certain distance from the existing volume and is itself split into two parts, creating in practice a pedestrian intersection between the new and the old building and between the two sections of the new building: a pedestrian intersection that is laid out on two distinct levels." [1] The project series contains sketches, site plans, floor plans, elevations and sections. It is also comprised of research material, such as copies of building plans by Ettore Sottsass Sr. The project is also documented through proposals and project descriptions, reports, contracts with the city of Canazei, correspondence with engineers, photographs of the construction, and videos of the building. The project series also includes press clippings about the project and an unidentified videorecording. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-new-town-hall-1990-97/ (last accessed 21 January 2020).
Nuovo Municipio [New Town Hall of Canazei], Canazei, Italy (1991)
Actions:
AP207.S1.1991.PR02
Description:
The project series documents Pettena's work for the Nuovo Municipio, a new town hall building in Canazei in Italy, from 1990 to 1997. The project consisted of preserving and restoring a historic building designed by Ettore Sottsass in the 1930s and adding a new construction built in a gap between two sections of the building the two volumes of the building. "Through the glazed connection, the new volume maintains a certain distance from the existing volume and is itself split into two parts, creating in practice a pedestrian intersection between the new and the old building and between the two sections of the new building: a pedestrian intersection that is laid out on two distinct levels." [1] The project series contains sketches, site plans, floor plans, elevations and sections. It is also comprised of research material, such as copies of building plans by Ettore Sottsass Sr. The project is also documented through proposals and project descriptions, reports, contracts with the city of Canazei, correspondence with engineers, photographs of the construction, and videos of the building. The project series also includes press clippings about the project and an unidentified videorecording. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-new-town-hall-1990-97/ (last accessed 21 January 2020).
Niveau de description archivistique:
Project
Project
Date:
1989-2015
1989-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2014-2015
2014-2015
Titre:
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2014-2015
2014-2015
Personnes et institutions:
