12030 Résultats
Classification:
livres
livres
Titre:
Gary Chang : suitcase house
Gary Chang : suitcase house
Actions:
Prix:
$48.00
(disponible sur commande)
Résumé:
Casting a question mark upon the proverbial image of home, Gary Chang's Suitcase House attempts to rethink the nature of intimacy, privacy, spontaneity, and flexibility. Chang's uncanny prototype proposes a 40-meter long empty rectangular space built on wood strata, flexibly divisible by a series of sliding and folding partitions. That in and of itself is hardly(...)
$48.00
(disponible sur commande)
Résumé:
Casting a question mark upon the proverbial image of home, Gary Chang's Suitcase House attempts to rethink the nature of intimacy, privacy, spontaneity, and flexibility. Chang's uncanny prototype proposes a 40-meter long empty rectangular space built on wood strata, flexibly divisible by a series of sliding and folding partitions. That in and of itself is hardly(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
août 2004, Hong Kong
août 2004, Hong Kong
Titre:
Gary Chang : suitcase house
Actions:
Prix:
$48.00
(disponible sur commande)
Résumé:
Casting a question mark upon the proverbial image of home, Gary Chang's Suitcase House attempts to rethink the nature of intimacy, privacy, spontaneity, and flexibility. Chang's uncanny prototype proposes a 40-meter long empty rectangular space built on wood strata, flexibly divisible by a series of sliding and folding partitions. That in and of itself is hardly earth-shattering. But lift a pneumatic panel in the floor and up pops a bathroom, a kitchen, a bedroom, cabinets. It's pop-up book meets designer living, and all in 250 square meters of space. A playful game for homeowners, the Suitcase House was designed along with 11 other radical houses for the Artists Commune project near the Great Wall in Beijing. Foreword by Liane Lefaivre.
Gary Chang : suitcase house
Actions:
Prix:
$48.00
(disponible sur commande)
Résumé:
Casting a question mark upon the proverbial image of home, Gary Chang's Suitcase House attempts to rethink the nature of intimacy, privacy, spontaneity, and flexibility. Chang's uncanny prototype proposes a 40-meter long empty rectangular space built on wood strata, flexibly divisible by a series of sliding and folding partitions. That in and of itself is hardly earth-shattering. But lift a pneumatic panel in the floor and up pops a bathroom, a kitchen, a bedroom, cabinets. It's pop-up book meets designer living, and all in 250 square meters of space. A playful game for homeowners, the Suitcase House was designed along with 11 other radical houses for the Artists Commune project near the Great Wall in Beijing. Foreword by Liane Lefaivre.
Classification:
livres
livres
Publication:
août 2004, Hong Kong
août 2004, Hong Kong
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Actions:
Prix:
$84.00
(disponible sur commande)
Résumé:
Since 1974, when his very first built house, which he designed as a student, was honored with the most important Belgian architecture award, Jo Crepain has developed an impressive body of work. Most of these structures can be found in Belgium, especially the earlier ones; later assignments have ranged throughout the Netherlands. The large diversity and continuous(...)
$84.00
(disponible sur commande)
Résumé:
Since 1974, when his very first built house, which he designed as a student, was honored with the most important Belgian architecture award, Jo Crepain has developed an impressive body of work. Most of these structures can be found in Belgium, especially the earlier ones; later assignments have ranged throughout the Netherlands. The large diversity and continuous(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
août 2004, Oostkamp
août 2004, Oostkamp
Titre:
Jo Crepain : architect '73 - '03
Actions:
Prix:
$84.00
(disponible sur commande)
Résumé:
Since 1974, when his very first built house, which he designed as a student, was honored with the most important Belgian architecture award, Jo Crepain has developed an impressive body of work. Most of these structures can be found in Belgium, especially the earlier ones; later assignments have ranged throughout the Netherlands. The large diversity and continuous innovation evident in his architectural oeuvre can be understood as a consequence of an incessant search--and one which has yielded some of the most striking structures in recent Belgian architectural history. For Crepain, building is in the first place a psychological phenomenon, and a house is the last place left on earth where we can hope to recover a piece of paradise lost--not only for an elite few, but for as many people as possible. This hefty monograph considers a lifetime of work, from 1973 to 2003, presenting dozens of individual projects through textual descriptions, photographs, and floor plans, as well as extended essays on different periods of Crepain's output.
Jo Crepain : architect '73 - '03
Actions:
Prix:
$84.00
(disponible sur commande)
Résumé:
Since 1974, when his very first built house, which he designed as a student, was honored with the most important Belgian architecture award, Jo Crepain has developed an impressive body of work. Most of these structures can be found in Belgium, especially the earlier ones; later assignments have ranged throughout the Netherlands. The large diversity and continuous innovation evident in his architectural oeuvre can be understood as a consequence of an incessant search--and one which has yielded some of the most striking structures in recent Belgian architectural history. For Crepain, building is in the first place a psychological phenomenon, and a house is the last place left on earth where we can hope to recover a piece of paradise lost--not only for an elite few, but for as many people as possible. This hefty monograph considers a lifetime of work, from 1973 to 2003, presenting dozens of individual projects through textual descriptions, photographs, and floor plans, as well as extended essays on different periods of Crepain's output.
Classification:
livres
livres
Publication:
août 2004, Oostkamp
août 2004, Oostkamp
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
Books have to share attention with other media of potent performance and attraction. A parallel exists between the vast proliferation and incredible intricacy of program in the new library, and the equally explosive multiplication of information media and social obligations that have to be accommodated with. Our ambition is to redefine the Library as an institution no(...)
$29.95
(disponible sur commande)
Résumé:
Books have to share attention with other media of potent performance and attraction. A parallel exists between the vast proliferation and incredible intricacy of program in the new library, and the equally explosive multiplication of information media and social obligations that have to be accommodated with. Our ambition is to redefine the Library as an institution no(...)
Titre:
Seattle public library : OMA/LMN
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
Books have to share attention with other media of potent performance and attraction. A parallel exists between the vast proliferation and incredible intricacy of program in the new library, and the equally explosive multiplication of information media and social obligations that have to be accommodated with. Our ambition is to redefine the Library as an institution no longer exclusively dedicated to the book, but as an information store where all potent form of media - new and old - are presented equally and legibly. -OMA/LMN
Seattle public library : OMA/LMN
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
Books have to share attention with other media of potent performance and attraction. A parallel exists between the vast proliferation and incredible intricacy of program in the new library, and the equally explosive multiplication of information media and social obligations that have to be accommodated with. Our ambition is to redefine the Library as an institution no longer exclusively dedicated to the book, but as an information store where all potent form of media - new and old - are presented equally and legibly. -OMA/LMN
Classification:
livres
livres
Publication:
octobre 2004
octobre 2004
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Who owns the water?
Who owns the water?
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Industrialization and population growth have brought about a global water crisis. Nature can no longer compensate the exploitation of our freshwater and our oceans. One billion people have no reliable access to clean drinking water; two billion live in precarious hygienic conditions. Famine, poverty, epidemics, and infant mortality are closely linked with the water(...)
$60.00
(disponible sur commande)
Résumé:
Industrialization and population growth have brought about a global water crisis. Nature can no longer compensate the exploitation of our freshwater and our oceans. One billion people have no reliable access to clean drinking water; two billion live in precarious hygienic conditions. Famine, poverty, epidemics, and infant mortality are closely linked with the water(...)
Titre:
Who owns the water?
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Industrialization and population growth have brought about a global water crisis. Nature can no longer compensate the exploitation of our freshwater and our oceans. One billion people have no reliable access to clean drinking water; two billion live in precarious hygienic conditions. Famine, poverty, epidemics, and infant mortality are closely linked with the water crisis. Social, ecological, political, and economic conflicts obstruct efforts to resolve the global water crisis. Water is an instrument of power. The key question reads: Is water a commodity or is free access to water an inalienable human right? By approaching water from a phenomenological perspective, Who owns the Water? seeks to persuade the reader that an element that is constantly flowing and changing defies all claims to own it, be they political or economic, and is instead the responsibility of the entire international community.
Who owns the water?
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Industrialization and population growth have brought about a global water crisis. Nature can no longer compensate the exploitation of our freshwater and our oceans. One billion people have no reliable access to clean drinking water; two billion live in precarious hygienic conditions. Famine, poverty, epidemics, and infant mortality are closely linked with the water crisis. Social, ecological, political, and economic conflicts obstruct efforts to resolve the global water crisis. Water is an instrument of power. The key question reads: Is water a commodity or is free access to water an inalienable human right? By approaching water from a phenomenological perspective, Who owns the Water? seeks to persuade the reader that an element that is constantly flowing and changing defies all claims to own it, be they political or economic, and is instead the responsibility of the entire international community.
Classification:
livres
livres
Publication:
mai 2006
mai 2006
Sujet:
Architecture écologique
Architecture écologique
Classification:
livres
livres
Actions:
Prix:
$64.95
(disponible sur commande)
Résumé:
Yoshio Taniguchi was selected from among an elite field of international architects to design The Museum of Modern Art's new building - his first commission outside his native Japan. This volume, which accompanies an exhibition of the same name highlights the project and eight others. Designed by Massimo Vignelli, the book features an essay by Terence Riley, The Philip(...)
$64.95
(disponible sur commande)
Résumé:
Yoshio Taniguchi was selected from among an elite field of international architects to design The Museum of Modern Art's new building - his first commission outside his native Japan. This volume, which accompanies an exhibition of the same name highlights the project and eight others. Designed by Massimo Vignelli, the book features an essay by Terence Riley, The Philip(...)
Titre:
Yoshio Taniguchi : nine museums
Actions:
Prix:
$64.95
(disponible sur commande)
Résumé:
Yoshio Taniguchi was selected from among an elite field of international architects to design The Museum of Modern Art's new building - his first commission outside his native Japan. This volume, which accompanies an exhibition of the same name highlights the project and eight others. Designed by Massimo Vignelli, the book features an essay by Terence Riley, The Philip Johnson Chief Curator of Architecture and Design at MoMA, that examines the many overlapping contexts that inform Taniguchi's approach to architecture and the art of building, with an emphasis on The Museum of Modern Art's new building.
Yoshio Taniguchi : nine museums
Actions:
Prix:
$64.95
(disponible sur commande)
Résumé:
Yoshio Taniguchi was selected from among an elite field of international architects to design The Museum of Modern Art's new building - his first commission outside his native Japan. This volume, which accompanies an exhibition of the same name highlights the project and eight others. Designed by Massimo Vignelli, the book features an essay by Terence Riley, The Philip Johnson Chief Curator of Architecture and Design at MoMA, that examines the many overlapping contexts that inform Taniguchi's approach to architecture and the art of building, with an emphasis on The Museum of Modern Art's new building.
Classification:
livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Digital media revisited
Digital media revisited
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary(...)
$33.95
(disponible sur commande)
Résumé:
Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2004, Cambridge, Mass.
septembre 2004, Cambridge, Mass.
Titre:
Digital media revisited
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary theory, semiotics, philosophy, aesthetics, ethics, media studies, sociology, and education, the contributors construct new positions from which to observe digital media in fresh and meaningful ways. Throughout they explore to what extent interpretation of and experimentation with digital media can inform theory. It also asks how our understanding of digital media can contribute to our understanding of social and cultural change.
Digital media revisited
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary theory, semiotics, philosophy, aesthetics, ethics, media studies, sociology, and education, the contributors construct new positions from which to observe digital media in fresh and meaningful ways. Throughout they explore to what extent interpretation of and experimentation with digital media can inform theory. It also asks how our understanding of digital media can contribute to our understanding of social and cultural change.
Classification:
livres
livres
Publication:
septembre 2004, Cambridge, Mass.
septembre 2004, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$37.95
(disponible sur commande)
Résumé:
In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to(...)
$37.95
(disponible sur commande)
Résumé:
In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to(...)
Titre:
The Claude glass : use and meaning of the black mirror in Western art
Actions:
Prix:
$37.95
(disponible sur commande)
Résumé:
In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to reflect a view and make tonal values and areas of light and shade visible. In a groundbreaking account, Maillet goes well beyond this particular function of the glass and situates it within a richer archaeology of Western thought, exploring the uncertainties and anxieties about mirrors, reflections, and their potential distortions. He takes us from the magical and occult background of the "black mirror," through a full evaluation of its importance in the age of the picturesque, to its persistence in a range of technological and representational practices, including photography, film, and contemporary art. The Claude Glass is a lasting contribution to the history of Western visual culture.
The Claude glass : use and meaning of the black mirror in Western art
Actions:
Prix:
$37.95
(disponible sur commande)
Résumé:
In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to reflect a view and make tonal values and areas of light and shade visible. In a groundbreaking account, Maillet goes well beyond this particular function of the glass and situates it within a richer archaeology of Western thought, exploring the uncertainties and anxieties about mirrors, reflections, and their potential distortions. He takes us from the magical and occult background of the "black mirror," through a full evaluation of its importance in the age of the picturesque, to its persistence in a range of technological and representational practices, including photography, film, and contemporary art. The Claude Glass is a lasting contribution to the history of Western visual culture.
Classification:
livres
livres
Publication:
octobre 2004, New York
octobre 2004, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$51.95
(disponible sur commande)
Résumé:
In one of the earliest and perhaps the most brilliant of all art historical surveys, Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and(...)
$51.95
(disponible sur commande)
Résumé:
In one of the earliest and perhaps the most brilliant of all art historical surveys, Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and(...)
Titre:
Historical grammar of the visual arts
Actions:
Prix:
$51.95
(disponible sur commande)
Résumé:
In one of the earliest and perhaps the most brilliant of all art historical surveys, Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions. Riegl's Historical Grammar of the Visual Arts, which brings together the diverse threads of his thought, is now available to an English-language audience, in a masterful translation by Jacqueline E. Jung.
Historical grammar of the visual arts
Actions:
Prix:
$51.95
(disponible sur commande)
Résumé:
In one of the earliest and perhaps the most brilliant of all art historical surveys, Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions. Riegl's Historical Grammar of the Visual Arts, which brings together the diverse threads of his thought, is now available to an English-language audience, in a masterful translation by Jacqueline E. Jung.
Classification:
livres
livres
Publication:
septembre 2004, New York
septembre 2004, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Prosthetic gods
Prosthetic gods
Actions:
Prix:
$45.95
(disponible sur commande)
Résumé:
How to imagine not only a new art or architecture but a new self of subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, E.T. Marinetti and Wyndham Lewis, Alfred Loos and Max Ernst.
$45.95
(disponible sur commande)
Résumé:
How to imagine not only a new art or architecture but a new self of subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, E.T. Marinetti and Wyndham Lewis, Alfred Loos and Max Ernst.
Titre:
Prosthetic gods
Actions:
Prix:
$45.95
(disponible sur commande)
Résumé:
How to imagine not only a new art or architecture but a new self of subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, E.T. Marinetti and Wyndham Lewis, Alfred Loos and Max Ernst.
Prosthetic gods
Actions:
Prix:
$45.95
(disponible sur commande)
Résumé:
How to imagine not only a new art or architecture but a new self of subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, E.T. Marinetti and Wyndham Lewis, Alfred Loos and Max Ernst.
Classification:
livres
livres
Publication:
novembre 2004, Cambridge
novembre 2004, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Gehry draws
Gehry draws
Actions:
Prix:
$84.95
(disponible sur commande)
Résumé:
Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 32 major projects (both built and unbuilt) with more than 500 drawings (many of which have never before been published) and more than 400 additional(...)
$84.95
(disponible sur commande)
Résumé:
Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 32 major projects (both built and unbuilt) with more than 500 drawings (many of which have never before been published) and more than 400 additional(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
octobre 2004, Cambridge, Mass.
octobre 2004, Cambridge, Mass.
Titre:
Gehry draws
Actions:
Prix:
$84.95
(disponible sur commande)
Résumé:
Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 32 major projects (both built and unbuilt) with more than 500 drawings (many of which have never before been published) and more than 400 additional illustrations -- providing a privileged view of the creative practice of a master architect. Horst Bredekamp's introduction relates Gehry's drawing methods to the concept of "disegno," as practiced by Leonardo and Durer -- not only the act of drawing and modeling but also the dynamics of creative thinking -- and shows how Gehry thinks through the curving movements of his hand on paper. Gehry himself describes for Bredekamp his method in several explanatory sketches, and Bredekamp applies this to a study of drawings made for specific Gehry commissions. Gehry Draws is produced in collaboration with Frank Gehry and his team at Gehry Partners. Project synopses and commentary by Gehry and two of his Partners and Project Designers, Edwin Chan and Craig Webb, guide us through the full range of Gehry production, from the small details of furniture design to such large-scale undertakings as the Disney Concert Hall and the Guggenheim Museum in Bilbao. The drawings, illustrations, and text in Gehry Draws definitively place drawing at the heart of Frank Gehry's creative process.
Gehry draws
Actions:
Prix:
$84.95
(disponible sur commande)
Résumé:
Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 32 major projects (both built and unbuilt) with more than 500 drawings (many of which have never before been published) and more than 400 additional illustrations -- providing a privileged view of the creative practice of a master architect. Horst Bredekamp's introduction relates Gehry's drawing methods to the concept of "disegno," as practiced by Leonardo and Durer -- not only the act of drawing and modeling but also the dynamics of creative thinking -- and shows how Gehry thinks through the curving movements of his hand on paper. Gehry himself describes for Bredekamp his method in several explanatory sketches, and Bredekamp applies this to a study of drawings made for specific Gehry commissions. Gehry Draws is produced in collaboration with Frank Gehry and his team at Gehry Partners. Project synopses and commentary by Gehry and two of his Partners and Project Designers, Edwin Chan and Craig Webb, guide us through the full range of Gehry production, from the small details of furniture design to such large-scale undertakings as the Disney Concert Hall and the Guggenheim Museum in Bilbao. The drawings, illustrations, and text in Gehry Draws definitively place drawing at the heart of Frank Gehry's creative process.
Classification:
livres
livres
Publication:
octobre 2004, Cambridge, Mass.
octobre 2004, Cambridge, Mass.
Sujet:
Architecture, monographies
Architecture, monographies
