24946 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Personnes et institutions:
Date:
1971-2017
1971-2017
Titre:
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
1971-2017
1971-2017
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2000
1995-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Personnes et institutions:
Date:
circa 1981 - 1990
circa 1981 - 1990
Titre:
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Niveau de description archivistique:
Project
Project
Date:
circa 1981 - 1990
circa 1981 - 1990
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1979:0162.03:001-032
Description:
This unbound album comprises 32 photographs (incomplete, missing .33, .34, .35 according to List of plates), title pages and a list of plates (as follows): Le Nouvel Opéra de Paris. Statues décoratives Le Nouvel Opéra de Paris. Statues décoratives. Groupes et bas-reliefs par Charles Garnier, architecte, membre de l'Institut D et Cie, Paris, Librairie Générale de l'Architecture et des Travaux Publics, Ducher et Cie Éditeurs, 51, rue des Écoles, 51, 1875 Table des Planches Groupes de la façade principale 1. - La danse - Carpeaux 2. - La Poésie - Jouffroy 3. - Le Drame - Perraud 4. - La Musique - Guillaume 5. - Apollon - Millet 6. - Pégase - Lequesne 7. - Pégase - Lequesne Statues dans le Grand Foyer 8. - L'Imagination - Bourgeois 9. - La Beauté - Soitoux 10. - La Grâce - Loison 11. - La Pensée - Franceschi 12. - La Dignité - Sanzel 13. - L'Indépendance - Varnier 14. - La Fantaisie - Chambard 15. - La Passion - Debut 16. - La Foi - Olliva 17. - L'Élégance - Iselin 18. - La Philosophie - Tournois 19. - La Modération - Gauthier 20. - L'Espérance - Bruyer 21. - La Force - Eude 22. - La Sagesse - Talluet 23. - La Volonté - Janson 24. - La Prudence - Frison 25. - La Tradition - Cambos 26. - La Science - Marcelin 27. - La Modestie - Vilain Dessus de portes de l'avant-foyer 28. - Pavage et Gaz - Cugnot 29. - Plomberie et Taille de pierre - Guitton 30. - Peinture et Fumisterie - Chevalier 31. - Terrasse et Charpente - Delaplanche 32. - Tapisserie et Menuiserie - Vital-Dubray 33. - Maçonnerie et Serrurerie - Barrias 34. - Mosaïque et Mécanique - Mathieu-Meunier 35. - Arc doubleau de la scène - Chabaud
PH1979:0162.03:001-032
Description:
This unbound album comprises 32 photographs (incomplete, missing .33, .34, .35 according to List of plates), title pages and a list of plates (as follows): Le Nouvel Opéra de Paris. Statues décoratives Le Nouvel Opéra de Paris. Statues décoratives. Groupes et bas-reliefs par Charles Garnier, architecte, membre de l'Institut D et Cie, Paris, Librairie Générale de l'Architecture et des Travaux Publics, Ducher et Cie Éditeurs, 51, rue des Écoles, 51, 1875 Table des Planches Groupes de la façade principale 1. - La danse - Carpeaux 2. - La Poésie - Jouffroy 3. - Le Drame - Perraud 4. - La Musique - Guillaume 5. - Apollon - Millet 6. - Pégase - Lequesne 7. - Pégase - Lequesne Statues dans le Grand Foyer 8. - L'Imagination - Bourgeois 9. - La Beauté - Soitoux 10. - La Grâce - Loison 11. - La Pensée - Franceschi 12. - La Dignité - Sanzel 13. - L'Indépendance - Varnier 14. - La Fantaisie - Chambard 15. - La Passion - Debut 16. - La Foi - Olliva 17. - L'Élégance - Iselin 18. - La Philosophie - Tournois 19. - La Modération - Gauthier 20. - L'Espérance - Bruyer 21. - La Force - Eude 22. - La Sagesse - Talluet 23. - La Volonté - Janson 24. - La Prudence - Frison 25. - La Tradition - Cambos 26. - La Science - Marcelin 27. - La Modestie - Vilain Dessus de portes de l'avant-foyer 28. - Pavage et Gaz - Cugnot 29. - Plomberie et Taille de pierre - Guitton 30. - Peinture et Fumisterie - Chevalier 31. - Terrasse et Charpente - Delaplanche 32. - Tapisserie et Menuiserie - Vital-Dubray 33. - Maçonnerie et Serrurerie - Barrias 34. - Mosaïque et Mécanique - Mathieu-Meunier 35. - Arc doubleau de la scène - Chabaud
Personnes et institutions:
Date:
published 1875
published 1875
Titre:
Le Nouvel Opéra de Paris. Statues Décoratives. Groupes et Bas-reliefs par Charles Garnier
Actions:
PH1979:0162.03:001-032
Description:
This unbound album comprises 32 photographs (incomplete, missing .33, .34, .35 according to List of plates), title pages and a list of plates (as follows): Le Nouvel Opéra de Paris. Statues décoratives Le Nouvel Opéra de Paris. Statues décoratives. Groupes et bas-reliefs par Charles Garnier, architecte, membre de l'Institut D et Cie, Paris, Librairie Générale de l'Architecture et des Travaux Publics, Ducher et Cie Éditeurs, 51, rue des Écoles, 51, 1875 Table des Planches Groupes de la façade principale 1. - La danse - Carpeaux 2. - La Poésie - Jouffroy 3. - Le Drame - Perraud 4. - La Musique - Guillaume 5. - Apollon - Millet 6. - Pégase - Lequesne 7. - Pégase - Lequesne Statues dans le Grand Foyer 8. - L'Imagination - Bourgeois 9. - La Beauté - Soitoux 10. - La Grâce - Loison 11. - La Pensée - Franceschi 12. - La Dignité - Sanzel 13. - L'Indépendance - Varnier 14. - La Fantaisie - Chambard 15. - La Passion - Debut 16. - La Foi - Olliva 17. - L'Élégance - Iselin 18. - La Philosophie - Tournois 19. - La Modération - Gauthier 20. - L'Espérance - Bruyer 21. - La Force - Eude 22. - La Sagesse - Talluet 23. - La Volonté - Janson 24. - La Prudence - Frison 25. - La Tradition - Cambos 26. - La Science - Marcelin 27. - La Modestie - Vilain Dessus de portes de l'avant-foyer 28. - Pavage et Gaz - Cugnot 29. - Plomberie et Taille de pierre - Guitton 30. - Peinture et Fumisterie - Chevalier 31. - Terrasse et Charpente - Delaplanche 32. - Tapisserie et Menuiserie - Vital-Dubray 33. - Maçonnerie et Serrurerie - Barrias 34. - Mosaïque et Mécanique - Mathieu-Meunier 35. - Arc doubleau de la scène - Chabaud
Le Nouvel Opéra de Paris. Statues Décoratives. Groupes et Bas-reliefs par Charles Garnier
Actions:
PH1979:0162.03:001-032
Description:
This unbound album comprises 32 photographs (incomplete, missing .33, .34, .35 according to List of plates), title pages and a list of plates (as follows): Le Nouvel Opéra de Paris. Statues décoratives Le Nouvel Opéra de Paris. Statues décoratives. Groupes et bas-reliefs par Charles Garnier, architecte, membre de l'Institut D et Cie, Paris, Librairie Générale de l'Architecture et des Travaux Publics, Ducher et Cie Éditeurs, 51, rue des Écoles, 51, 1875 Table des Planches Groupes de la façade principale 1. - La danse - Carpeaux 2. - La Poésie - Jouffroy 3. - Le Drame - Perraud 4. - La Musique - Guillaume 5. - Apollon - Millet 6. - Pégase - Lequesne 7. - Pégase - Lequesne Statues dans le Grand Foyer 8. - L'Imagination - Bourgeois 9. - La Beauté - Soitoux 10. - La Grâce - Loison 11. - La Pensée - Franceschi 12. - La Dignité - Sanzel 13. - L'Indépendance - Varnier 14. - La Fantaisie - Chambard 15. - La Passion - Debut 16. - La Foi - Olliva 17. - L'Élégance - Iselin 18. - La Philosophie - Tournois 19. - La Modération - Gauthier 20. - L'Espérance - Bruyer 21. - La Force - Eude 22. - La Sagesse - Talluet 23. - La Volonté - Janson 24. - La Prudence - Frison 25. - La Tradition - Cambos 26. - La Science - Marcelin 27. - La Modestie - Vilain Dessus de portes de l'avant-foyer 28. - Pavage et Gaz - Cugnot 29. - Plomberie et Taille de pierre - Guitton 30. - Peinture et Fumisterie - Chevalier 31. - Terrasse et Charpente - Delaplanche 32. - Tapisserie et Menuiserie - Vital-Dubray 33. - Maçonnerie et Serrurerie - Barrias 34. - Mosaïque et Mécanique - Mathieu-Meunier 35. - Arc doubleau de la scène - Chabaud
Classification:
photographies
photographies
Date:
published 1875
published 1875
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
DR2012:0012:050
Description:
File containing assorted posters and mailouts for the following events, etc.: - poster for Quebec release of For a few dollars more; - mailout for Robert Rauschenberg exhibition at Sonnabend Gallery; - poster for Robert Rauchenberg's White paintings at Leo Castelli Gallery; - posters for Melvin Charney: other monuments, six works exhibition at the Art Gallery of Ontario; - poster for Between observation and intervention: the painted photographs of Melvin Charney; - mailout for Frank Stella lithographs at Castelli Graphics [Leo Castelli Gallery]; - invitation for the opening of Montréal, plus ou moins?; - poster for Edward Rushca Liquid word series at the Alexandre Iolas Gallery; - poster for a conference at the Technische Hogeschool Eindhoven in which Melvin Charney participated; - poster and unfolded brochure for Corridart; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Melvin Charney's exhibition Other monuments: 1970-1976 at Gund Hall, Harvard University; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Jasper Johns exhibition at Leo Castelli Gallery; - colour and black-and-white publication dummies for a book about Melvin Charney by the Musée d'art contemporain de Montréal; - poster for exhibition for the 6th residential course of the Labratorio internazionale di Architettura e Disegno Urbano.
DR2012:0012:050
Description:
File containing assorted posters and mailouts for the following events, etc.: - poster for Quebec release of For a few dollars more; - mailout for Robert Rauschenberg exhibition at Sonnabend Gallery; - poster for Robert Rauchenberg's White paintings at Leo Castelli Gallery; - posters for Melvin Charney: other monuments, six works exhibition at the Art Gallery of Ontario; - poster for Between observation and intervention: the painted photographs of Melvin Charney; - mailout for Frank Stella lithographs at Castelli Graphics [Leo Castelli Gallery]; - invitation for the opening of Montréal, plus ou moins?; - poster for Edward Rushca Liquid word series at the Alexandre Iolas Gallery; - poster for a conference at the Technische Hogeschool Eindhoven in which Melvin Charney participated; - poster and unfolded brochure for Corridart; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Melvin Charney's exhibition Other monuments: 1970-1976 at Gund Hall, Harvard University; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Jasper Johns exhibition at Leo Castelli Gallery; - colour and black-and-white publication dummies for a book about Melvin Charney by the Musée d'art contemporain de Montréal; - poster for exhibition for the 6th residential course of the Labratorio internazionale di Architettura e Disegno Urbano.
Personnes et institutions:
Date:
between 1965 and 2008, predominant 1976-1981
between 1965 and 2008, predominant 1976-1981
Titre:
Posters and mailouts for various events
Actions:
DR2012:0012:050
Description:
File containing assorted posters and mailouts for the following events, etc.: - poster for Quebec release of For a few dollars more; - mailout for Robert Rauschenberg exhibition at Sonnabend Gallery; - poster for Robert Rauchenberg's White paintings at Leo Castelli Gallery; - posters for Melvin Charney: other monuments, six works exhibition at the Art Gallery of Ontario; - poster for Between observation and intervention: the painted photographs of Melvin Charney; - mailout for Frank Stella lithographs at Castelli Graphics [Leo Castelli Gallery]; - invitation for the opening of Montréal, plus ou moins?; - poster for Edward Rushca Liquid word series at the Alexandre Iolas Gallery; - poster for a conference at the Technische Hogeschool Eindhoven in which Melvin Charney participated; - poster and unfolded brochure for Corridart; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Melvin Charney's exhibition Other monuments: 1970-1976 at Gund Hall, Harvard University; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Jasper Johns exhibition at Leo Castelli Gallery; - colour and black-and-white publication dummies for a book about Melvin Charney by the Musée d'art contemporain de Montréal; - poster for exhibition for the 6th residential course of the Labratorio internazionale di Architettura e Disegno Urbano.
Posters and mailouts for various events
Actions:
DR2012:0012:050
Description:
File containing assorted posters and mailouts for the following events, etc.: - poster for Quebec release of For a few dollars more; - mailout for Robert Rauschenberg exhibition at Sonnabend Gallery; - poster for Robert Rauchenberg's White paintings at Leo Castelli Gallery; - posters for Melvin Charney: other monuments, six works exhibition at the Art Gallery of Ontario; - poster for Between observation and intervention: the painted photographs of Melvin Charney; - mailout for Frank Stella lithographs at Castelli Graphics [Leo Castelli Gallery]; - invitation for the opening of Montréal, plus ou moins?; - poster for Edward Rushca Liquid word series at the Alexandre Iolas Gallery; - poster for a conference at the Technische Hogeschool Eindhoven in which Melvin Charney participated; - poster and unfolded brochure for Corridart; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Melvin Charney's exhibition Other monuments: 1970-1976 at Gund Hall, Harvard University; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Jasper Johns exhibition at Leo Castelli Gallery; - colour and black-and-white publication dummies for a book about Melvin Charney by the Musée d'art contemporain de Montréal; - poster for exhibition for the 6th residential course of the Labratorio internazionale di Architettura e Disegno Urbano.
Classification:
graphique
graphique
Date:
between 1965 and 2008, predominant 1976-1981
between 1965 and 2008, predominant 1976-1981
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
Personnes et institutions:
Date:
1956-2001
1956-2001
Titre:
Photographs of various projects by Melvin Charney and reference photographs of artworks
Actions:
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
Photographs of various projects by Melvin Charney and reference photographs of artworks
Actions:
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
Classification:
photographies
photographies
Date:
1956-2001
1956-2001
Personnes et institutions:
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Numéro de référence:
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
Personnes et institutions:
Date:
1995-2007
1995-2007
Titre:
Presentations, BMW Welt, Munich
Actions:
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
Presentations, BMW Welt, Munich
Actions:
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Date:
1995-2007
1995-2007
Personnes et institutions:
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Numéro de référence:
AP181.S1.018
Description:
Original directory name: "24_TRIAS-Masterplan". File contains preliminary design records for a pedestrian bridge that would connect BMW Welt to the BMW Museum. Drawings, plans, wireframes, presentations, and photographs of models show scenarios to ease visitors’ journey between BMW Welt, BMW Museum and the BMW plant. Aside from plans and elevations, in CAD or PDF formats for the most part, there are a few analyses of the structure and its relation to the other structures of the BMW complex. There are also lists of drawings and technical descriptions of the project. Records are chiefly organized by consultants and date. Early files from 1997 are AutoCAD Font Mapping Table (.fmp) on which other files are dependent to open correctly. File contains a handful of drawings with the extension 3dxml that were generated with CATIA V5. Files from the sofiCAD plug-in for AutoCAD were also found and were maintained as other files might have dependencies on them. Most duplicates are dependency files found in various sub-directories. Most common file formats: AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format, Microstation CAD Drawing
AP181.S1.018
Description:
Original directory name: "24_TRIAS-Masterplan". File contains preliminary design records for a pedestrian bridge that would connect BMW Welt to the BMW Museum. Drawings, plans, wireframes, presentations, and photographs of models show scenarios to ease visitors’ journey between BMW Welt, BMW Museum and the BMW plant. Aside from plans and elevations, in CAD or PDF formats for the most part, there are a few analyses of the structure and its relation to the other structures of the BMW complex. There are also lists of drawings and technical descriptions of the project. Records are chiefly organized by consultants and date. Early files from 1997 are AutoCAD Font Mapping Table (.fmp) on which other files are dependent to open correctly. File contains a handful of drawings with the extension 3dxml that were generated with CATIA V5. Files from the sofiCAD plug-in for AutoCAD were also found and were maintained as other files might have dependencies on them. Most duplicates are dependency files found in various sub-directories. Most common file formats: AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format, Microstation CAD Drawing
Personnes et institutions:
Date:
1997-2007
1997-2007
Titre:
Design of bridge to the BMW Museum, BMW Welt, Munich
Actions:
AP181.S1.018
Description:
Original directory name: "24_TRIAS-Masterplan". File contains preliminary design records for a pedestrian bridge that would connect BMW Welt to the BMW Museum. Drawings, plans, wireframes, presentations, and photographs of models show scenarios to ease visitors’ journey between BMW Welt, BMW Museum and the BMW plant. Aside from plans and elevations, in CAD or PDF formats for the most part, there are a few analyses of the structure and its relation to the other structures of the BMW complex. There are also lists of drawings and technical descriptions of the project. Records are chiefly organized by consultants and date. Early files from 1997 are AutoCAD Font Mapping Table (.fmp) on which other files are dependent to open correctly. File contains a handful of drawings with the extension 3dxml that were generated with CATIA V5. Files from the sofiCAD plug-in for AutoCAD were also found and were maintained as other files might have dependencies on them. Most duplicates are dependency files found in various sub-directories. Most common file formats: AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format, Microstation CAD Drawing
Design of bridge to the BMW Museum, BMW Welt, Munich
Actions:
AP181.S1.018
Description:
Original directory name: "24_TRIAS-Masterplan". File contains preliminary design records for a pedestrian bridge that would connect BMW Welt to the BMW Museum. Drawings, plans, wireframes, presentations, and photographs of models show scenarios to ease visitors’ journey between BMW Welt, BMW Museum and the BMW plant. Aside from plans and elevations, in CAD or PDF formats for the most part, there are a few analyses of the structure and its relation to the other structures of the BMW complex. There are also lists of drawings and technical descriptions of the project. Records are chiefly organized by consultants and date. Early files from 1997 are AutoCAD Font Mapping Table (.fmp) on which other files are dependent to open correctly. File contains a handful of drawings with the extension 3dxml that were generated with CATIA V5. Files from the sofiCAD plug-in for AutoCAD were also found and were maintained as other files might have dependencies on them. Most duplicates are dependency files found in various sub-directories. Most common file formats: AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format, Microstation CAD Drawing
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Date:
1997-2007
1997-2007
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
Personnes et institutions:
Date:
1990-2012, predominant 1990-1996
1990-2012, predominant 1990-1996
Titre:
Architectural projects
Actions:
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
Architectural projects
Actions:
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
Niveau de description archivistique:
series
series
Date:
1990-2012, predominant 1990-1996
1990-2012, predominant 1990-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
House X
House X
Numéro de référence:
AP143.S4.D20
Description:
File documents an unexecuted project for House X, designed for Mr. and Mrs. Arnold Aronoff for a 40-acre site on Lahser Road, Bloomfield Hills, Michigan. The ground floor consists of a kitchen, dining room, breakfast room, laundry room, two powder rooms and two garages. The second floor consists of a master suite with study, two bedrooms, bathroom, family and living rooms, bar, bathhouse and deck. The third floor consists of a solarium, terrace, bedroom and maid's room with bathroom. A swimming pool, tennis court and gatehouse are situated on the grounds. Thirteen schemes were developed for this project: A, A1, B, C, C1, C2, D, E, E1, E2, F, G, H. Only schemes G and H were developed into detailed floor plans. The drawings have been organized by drawing type, because of the subtle variations which characterize each scheme. Eisenman manipulates the four "els" (fragmentary forms - the three-sided portion of a hollow cube - that he introduced in House X to replace the cube, the preferred generating volume of his first five houses) in over 200 conceptual drawings (DR1994:0138:001-0219). There are numerous design development and complete sets of working drawings (design development drawings: DR1994:0138:239-541; working drawings: DR1994:0138:1182-1457). The project was extensively published, and the file includes a number of drawings and models created for exhibition and publication, including photographs of models (DR1994:0138:1481-1501), pieces of the "axonometric model" constructed after the project had been abandoned (DR1994:0138:1458-1476), and coloured paper cut-outs for collages (cut-outs, DR1994:0138:0929-0933 and DR1994:0138:1477-1480; collage: DR1994:0138:0928). The file also includes drawings and reprographic copies for the following projects: a residence for Mr. and Mrs. Aronoff,designed by Irving E. Palmquist, (DR1994:0138:1512-1521); Bernstein House, Mamaroneck, New York, designed by John Hejduk (DR1994:0138:1524-1531); Maison Domino by Le Corbusier (DR1994:0138:0944-0965); and land subdivision and houses for Arnold Aronoff, designed by Eisenman (DR1994:0138:0434-0441). Material in this file was produced between 1960 and 1977. File contains conceptual drawings, design development drawings, photographic materials, presentation drawings, presentation panels, publication drawings, record drawings, schematic drawings, a study model, textual records, and working drawings.
AP143.S4.D20
Description:
File documents an unexecuted project for House X, designed for Mr. and Mrs. Arnold Aronoff for a 40-acre site on Lahser Road, Bloomfield Hills, Michigan. The ground floor consists of a kitchen, dining room, breakfast room, laundry room, two powder rooms and two garages. The second floor consists of a master suite with study, two bedrooms, bathroom, family and living rooms, bar, bathhouse and deck. The third floor consists of a solarium, terrace, bedroom and maid's room with bathroom. A swimming pool, tennis court and gatehouse are situated on the grounds. Thirteen schemes were developed for this project: A, A1, B, C, C1, C2, D, E, E1, E2, F, G, H. Only schemes G and H were developed into detailed floor plans. The drawings have been organized by drawing type, because of the subtle variations which characterize each scheme. Eisenman manipulates the four "els" (fragmentary forms - the three-sided portion of a hollow cube - that he introduced in House X to replace the cube, the preferred generating volume of his first five houses) in over 200 conceptual drawings (DR1994:0138:001-0219). There are numerous design development and complete sets of working drawings (design development drawings: DR1994:0138:239-541; working drawings: DR1994:0138:1182-1457). The project was extensively published, and the file includes a number of drawings and models created for exhibition and publication, including photographs of models (DR1994:0138:1481-1501), pieces of the "axonometric model" constructed after the project had been abandoned (DR1994:0138:1458-1476), and coloured paper cut-outs for collages (cut-outs, DR1994:0138:0929-0933 and DR1994:0138:1477-1480; collage: DR1994:0138:0928). The file also includes drawings and reprographic copies for the following projects: a residence for Mr. and Mrs. Aronoff,designed by Irving E. Palmquist, (DR1994:0138:1512-1521); Bernstein House, Mamaroneck, New York, designed by John Hejduk (DR1994:0138:1524-1531); Maison Domino by Le Corbusier (DR1994:0138:0944-0965); and land subdivision and houses for Arnold Aronoff, designed by Eisenman (DR1994:0138:0434-0441). Material in this file was produced between 1960 and 1977. File contains conceptual drawings, design development drawings, photographic materials, presentation drawings, presentation panels, publication drawings, record drawings, schematic drawings, a study model, textual records, and working drawings.
Personnes et institutions:
Date:
1960-1977
1960-1977
Titre:
House X
Actions:
AP143.S4.D20
Description:
File documents an unexecuted project for House X, designed for Mr. and Mrs. Arnold Aronoff for a 40-acre site on Lahser Road, Bloomfield Hills, Michigan. The ground floor consists of a kitchen, dining room, breakfast room, laundry room, two powder rooms and two garages. The second floor consists of a master suite with study, two bedrooms, bathroom, family and living rooms, bar, bathhouse and deck. The third floor consists of a solarium, terrace, bedroom and maid's room with bathroom. A swimming pool, tennis court and gatehouse are situated on the grounds. Thirteen schemes were developed for this project: A, A1, B, C, C1, C2, D, E, E1, E2, F, G, H. Only schemes G and H were developed into detailed floor plans. The drawings have been organized by drawing type, because of the subtle variations which characterize each scheme. Eisenman manipulates the four "els" (fragmentary forms - the three-sided portion of a hollow cube - that he introduced in House X to replace the cube, the preferred generating volume of his first five houses) in over 200 conceptual drawings (DR1994:0138:001-0219). There are numerous design development and complete sets of working drawings (design development drawings: DR1994:0138:239-541; working drawings: DR1994:0138:1182-1457). The project was extensively published, and the file includes a number of drawings and models created for exhibition and publication, including photographs of models (DR1994:0138:1481-1501), pieces of the "axonometric model" constructed after the project had been abandoned (DR1994:0138:1458-1476), and coloured paper cut-outs for collages (cut-outs, DR1994:0138:0929-0933 and DR1994:0138:1477-1480; collage: DR1994:0138:0928). The file also includes drawings and reprographic copies for the following projects: a residence for Mr. and Mrs. Aronoff,designed by Irving E. Palmquist, (DR1994:0138:1512-1521); Bernstein House, Mamaroneck, New York, designed by John Hejduk (DR1994:0138:1524-1531); Maison Domino by Le Corbusier (DR1994:0138:0944-0965); and land subdivision and houses for Arnold Aronoff, designed by Eisenman (DR1994:0138:0434-0441). Material in this file was produced between 1960 and 1977. File contains conceptual drawings, design development drawings, photographic materials, presentation drawings, presentation panels, publication drawings, record drawings, schematic drawings, a study model, textual records, and working drawings.
House X
Actions:
AP143.S4.D20
Description:
File documents an unexecuted project for House X, designed for Mr. and Mrs. Arnold Aronoff for a 40-acre site on Lahser Road, Bloomfield Hills, Michigan. The ground floor consists of a kitchen, dining room, breakfast room, laundry room, two powder rooms and two garages. The second floor consists of a master suite with study, two bedrooms, bathroom, family and living rooms, bar, bathhouse and deck. The third floor consists of a solarium, terrace, bedroom and maid's room with bathroom. A swimming pool, tennis court and gatehouse are situated on the grounds. Thirteen schemes were developed for this project: A, A1, B, C, C1, C2, D, E, E1, E2, F, G, H. Only schemes G and H were developed into detailed floor plans. The drawings have been organized by drawing type, because of the subtle variations which characterize each scheme. Eisenman manipulates the four "els" (fragmentary forms - the three-sided portion of a hollow cube - that he introduced in House X to replace the cube, the preferred generating volume of his first five houses) in over 200 conceptual drawings (DR1994:0138:001-0219). There are numerous design development and complete sets of working drawings (design development drawings: DR1994:0138:239-541; working drawings: DR1994:0138:1182-1457). The project was extensively published, and the file includes a number of drawings and models created for exhibition and publication, including photographs of models (DR1994:0138:1481-1501), pieces of the "axonometric model" constructed after the project had been abandoned (DR1994:0138:1458-1476), and coloured paper cut-outs for collages (cut-outs, DR1994:0138:0929-0933 and DR1994:0138:1477-1480; collage: DR1994:0138:0928). The file also includes drawings and reprographic copies for the following projects: a residence for Mr. and Mrs. Aronoff,designed by Irving E. Palmquist, (DR1994:0138:1512-1521); Bernstein House, Mamaroneck, New York, designed by John Hejduk (DR1994:0138:1524-1531); Maison Domino by Le Corbusier (DR1994:0138:0944-0965); and land subdivision and houses for Arnold Aronoff, designed by Eisenman (DR1994:0138:0434-0441). Material in this file was produced between 1960 and 1977. File contains conceptual drawings, design development drawings, photographic materials, presentation drawings, presentation panels, publication drawings, record drawings, schematic drawings, a study model, textual records, and working drawings.
Niveau de description archivistique:
File 20
File 20
Date:
1960-1977
1960-1977
Personnes et institutions:
