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168 pages : illustrations ; 28 cm
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168 pages : illustrations ; 28 cm
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Youngstown, N.Y. : Old Fort Niagara Association, ©1996.
Youngstown, N.Y. : Old Fort Niagara Association, ©1996.
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Siege--1759 : the campaign against Niagara / by Brian Leigh Dunnigan.
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168 pages : illustrations ; 28 cm
Siege--1759 : the campaign against Niagara / by Brian Leigh Dunnigan.
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168 pages : illustrations ; 28 cm
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Youngstown, N.Y. : Old Fort Niagara Association, ©1996.
Youngstown, N.Y. : Old Fort Niagara Association, ©1996.
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$13.95
(disponible en magasin)
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday(...)
$13.95
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday(...)
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Barry Lewis: Sellafield Nuclear Site 1985
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday Times Magazine after reports found an increased incidence of leukaemia and non-Hodgkin lymphoma in children and young adults under 25 years of age living in Seascale, a village near Sellafield on the west coast of Cumbria. A government report suggested that these spikes were unlikely to have been caused by radiation exposure though the causes of these clusters of leukaemia around Sellafield was still not clear. 100Kg of plutonium had been pumped out of Sellafield into the Irish sea during the previous 40 years and 60Kg was unaccounted for. Any plutonium dust that is washed inshore, and when the tide goes out, could dry and blow inland. A single speck of plutonium inhaled is enough to trigger cancer. Sellafield is now a sprawling rubbish dump on the Cumbrian coast, with the world's largest store of plutonium that stores and treats decades of nuclear waste from atomic power generation and weapons programmes.The buildings are expected to be finally torn down by 2125 at a cost of approaching £100 billion and have its nuclear waste buried deep underground at a location still undecided.
Barry Lewis: Sellafield Nuclear Site 1985
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday Times Magazine after reports found an increased incidence of leukaemia and non-Hodgkin lymphoma in children and young adults under 25 years of age living in Seascale, a village near Sellafield on the west coast of Cumbria. A government report suggested that these spikes were unlikely to have been caused by radiation exposure though the causes of these clusters of leukaemia around Sellafield was still not clear. 100Kg of plutonium had been pumped out of Sellafield into the Irish sea during the previous 40 years and 60Kg was unaccounted for. Any plutonium dust that is washed inshore, and when the tide goes out, could dry and blow inland. A single speck of plutonium inhaled is enough to trigger cancer. Sellafield is now a sprawling rubbish dump on the Cumbrian coast, with the world's largest store of plutonium that stores and treats decades of nuclear waste from atomic power generation and weapons programmes.The buildings are expected to be finally torn down by 2125 at a cost of approaching £100 billion and have its nuclear waste buried deep underground at a location still undecided.
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avril 2026
avril 2026
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Monographies photo
Monographies photo
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$19.95
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Examining three site-specific sculptures created by internationally renowned sculptor Beverly Pepper between 1989 and 1996, art historian Barbara Rose documents the development of Pepper's design on the land, exploring both their resonance with the sites and their timeless quality. This book also includes an interview with the artist.
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Examining three site-specific sculptures created by internationally renowned sculptor Beverly Pepper between 1989 and 1996, art historian Barbara Rose documents the development of Pepper's design on the land, exploring both their resonance with the sites and their timeless quality. This book also includes an interview with the artist.
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Beverly Pepper : three site-specific sculptures
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Examining three site-specific sculptures created by internationally renowned sculptor Beverly Pepper between 1989 and 1996, art historian Barbara Rose documents the development of Pepper's design on the land, exploring both their resonance with the sites and their timeless quality. This book also includes an interview with the artist.
Beverly Pepper : three site-specific sculptures
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Examining three site-specific sculptures created by internationally renowned sculptor Beverly Pepper between 1989 and 1996, art historian Barbara Rose documents the development of Pepper's design on the land, exploring both their resonance with the sites and their timeless quality. This book also includes an interview with the artist.
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avril 1998, Washington
avril 1998, Washington
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livres soldés
livres soldés
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$30.95
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In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society,(...)
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In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society,(...)
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Space site intervention: situating installation art
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In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture. Erika Suderburg is professor of art at the University of California, Riverside.
Space site intervention: situating installation art
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In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture. Erika Suderburg is professor of art at the University of California, Riverside.
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mars 2000, Minneapolis
mars 2000, Minneapolis
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Espaces Public
Espaces Public
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livres
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$28.00
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as(...)
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as(...)
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Biennials as sites of historical narration
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness.
Biennials as sites of historical narration
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness.
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août 2022
août 2022
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Biennale
Biennale
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viii, 220, [8] pages 23 cm
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viii, 220, [8] pages 23 cm
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Peterborough, C.W. : Printed at the Office of the Peterborough review, 1867.
Peterborough, C.W. : Printed at the Office of the Peterborough review, 1867.
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A sketch of the early settlement and subsequent progress of the town of Peterborough and of each township in the county of Peterborough / by Thomas W. Poole, M.D.
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viii, 220, [8] pages 23 cm
A sketch of the early settlement and subsequent progress of the town of Peterborough and of each township in the county of Peterborough / by Thomas W. Poole, M.D.
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viii, 220, [8] pages 23 cm
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Peterborough, C.W. : Printed at the Office of the Peterborough review, 1867.
Peterborough, C.W. : Printed at the Office of the Peterborough review, 1867.
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vidéo
vidéo
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Digital minimal.
Digital minimal.
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1 videocassette (Mini-DV) (60 min., 46 sec.) : sound, color ; 1/4 in. master
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1 videocassette (Mini-DV) (60 min., 46 sec.) : sound, color ; 1/4 in. master
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[2006]
[2006]
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Digital minimal.
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1 videocassette (Mini-DV) (60 min., 46 sec.) : sound, color ; 1/4 in. master
Digital minimal.
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1 videocassette (Mini-DV) (60 min., 46 sec.) : sound, color ; 1/4 in. master
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vidéo
vidéo
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[2006]
[2006]
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livres
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Urban agricultural heritage / Frank Lohrberg, Katharina Christenn, Axel Timpe, Ayça Sancar (eds.).
Urban agricultural heritage / Frank Lohrberg, Katharina Christenn, Axel Timpe, Ayça Sancar (eds.).
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217 pages : illustrations (chiefly color), charts, maps, plans ; 28 cm
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217 pages : illustrations (chiefly color), charts, maps, plans ; 28 cm
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Basel : Birkhäuser, part of Walter de Gruyter, [2023], ©2023
Basel : Birkhäuser, part of Walter de Gruyter, [2023], ©2023
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Urban agricultural heritage / Frank Lohrberg, Katharina Christenn, Axel Timpe, Ayça Sancar (eds.).
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217 pages : illustrations (chiefly color), charts, maps, plans ; 28 cm
Urban agricultural heritage / Frank Lohrberg, Katharina Christenn, Axel Timpe, Ayça Sancar (eds.).
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217 pages : illustrations (chiefly color), charts, maps, plans ; 28 cm
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Basel : Birkhäuser, part of Walter de Gruyter, [2023], ©2023
Basel : Birkhäuser, part of Walter de Gruyter, [2023], ©2023
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livres
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The role of artifacts in the study of foodways in New France, 1720-60 / Jean-François Blanchette.
The role of artifacts in the study of foodways in New France, 1720-60 / Jean-François Blanchette.
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184 pages : illustrations ; 28 cm
Description:
184 pages : illustrations ; 28 cm
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Ottawa : National Historic Parks and Sites Branch, Parks Canada, Environment Canada, 1981.
Ottawa : National Historic Parks and Sites Branch, Parks Canada, Environment Canada, 1981.
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The role of artifacts in the study of foodways in New France, 1720-60 / Jean-François Blanchette.
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184 pages : illustrations ; 28 cm
The role of artifacts in the study of foodways in New France, 1720-60 / Jean-François Blanchette.
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184 pages : illustrations ; 28 cm
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Ottawa : National Historic Parks and Sites Branch, Parks Canada, Environment Canada, 1981.
Ottawa : National Historic Parks and Sites Branch, Parks Canada, Environment Canada, 1981.
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xx pages, 17 unnumbered leaves of plates : color facsimiles ; 35 x 48 cm
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xx pages, 17 unnumbered leaves of plates : color facsimiles ; 35 x 48 cm
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México : Universidad Nacional Autónoma de México, Instituto de Investigaciones Históricas, 1984.
México : Universidad Nacional Autónoma de México, Instituto de Investigaciones Históricas, 1984.
Titre:
Los palacios de los zapotecos en Mitla / E.A.E. Mühlenpfordt ; edición y estudio introductorio de Juan A. Ortega y Medina y Jesús Monjarás Ruiz.
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xx pages, 17 unnumbered leaves of plates : color facsimiles ; 35 x 48 cm
Los palacios de los zapotecos en Mitla / E.A.E. Mühlenpfordt ; edición y estudio introductorio de Juan A. Ortega y Medina y Jesús Monjarás Ruiz.
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xx pages, 17 unnumbered leaves of plates : color facsimiles ; 35 x 48 cm
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México : Universidad Nacional Autónoma de México, Instituto de Investigaciones Históricas, 1984.
México : Universidad Nacional Autónoma de México, Instituto de Investigaciones Históricas, 1984.
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