1059 Résultats
Classification:
livres
livres
Prix:
$39.95
(disponible sur commande)
Résumé:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory(...)
$39.95
(disponible sur commande)
Résumé:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory(...)
Titre:
Euphoria and dystophia: the Banff New Media Institute dialogues
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. Each thematic chapter features an introduction, an original essay and carefully edited transcriptions drawn from thousands of hours of audio material with artists and theorists such as Laurie Anderson, Herve Fische, Kim Sawchuck, Zainub Verjee, Bill Vorn and many others. Also included is the catalogue of the exhibition, The Art Formerly Known As New Media, and a DVD based on the electronic journal, HorizonZero. Featured artists include Geoff Lillemon, Matthew Sloly, Maria Lantin, Shu Lea Cheang, Sara Diamond, Michael Naimark, Greg Niemeyer, Catherine Richards and Martin Wattenberg, Maciej Wisniewski. With a Forward by Kellogg Booth and an Afterword by Susan Kennard
Euphoria and dystophia: the Banff New Media Institute dialogues
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. Each thematic chapter features an introduction, an original essay and carefully edited transcriptions drawn from thousands of hours of audio material with artists and theorists such as Laurie Anderson, Herve Fische, Kim Sawchuck, Zainub Verjee, Bill Vorn and many others. Also included is the catalogue of the exhibition, The Art Formerly Known As New Media, and a DVD based on the electronic journal, HorizonZero. Featured artists include Geoff Lillemon, Matthew Sloly, Maria Lantin, Shu Lea Cheang, Sara Diamond, Michael Naimark, Greg Niemeyer, Catherine Richards and Martin Wattenberg, Maciej Wisniewski. With a Forward by Kellogg Booth and an Afterword by Susan Kennard
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Prix:
$48.99
(disponible en magasin)
Résumé:
''Graphic Assembly'' unearths the role played by montage and collage in the development of architectural culture over the past century, revealing their unexamined yet crucial significance. Craig Buckley brings together experimental architectural practices based in London, Paris, Vienna, and Florence, showing how breakthroughs in optical media and printing technologies(...)
$48.99
(disponible en magasin)
Résumé:
''Graphic Assembly'' unearths the role played by montage and collage in the development of architectural culture over the past century, revealing their unexamined yet crucial significance. Craig Buckley brings together experimental architectural practices based in London, Paris, Vienna, and Florence, showing how breakthroughs in optical media and printing technologies(...)
Titre:
Graphic assembly: Montage, media, and experimental architecture in the 1960s
Actions:
Prix:
$48.99
(disponible en magasin)
Résumé:
''Graphic Assembly'' unearths the role played by montage and collage in the development of architectural culture over the past century, revealing their unexamined yet crucial significance. Craig Buckley brings together experimental architectural practices based in London, Paris, Vienna, and Florence, showing how breakthroughs in optical media and printing technologies enabled avant-garde architects to reimagine their field.
Graphic assembly: Montage, media, and experimental architecture in the 1960s
Actions:
Prix:
$48.99
(disponible en magasin)
Résumé:
''Graphic Assembly'' unearths the role played by montage and collage in the development of architectural culture over the past century, revealing their unexamined yet crucial significance. Craig Buckley brings together experimental architectural practices based in London, Paris, Vienna, and Florence, showing how breakthroughs in optical media and printing technologies enabled avant-garde architects to reimagine their field.
Classification:
livres
livres
Publication:
décembre 2018
décembre 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xiii, 296 pages : illustrations ; 22 cm
Description:
xiii, 296 pages : illustrations ; 22 cm
Auteur:
Sujet:
- Architecture and technology.,
- Architecture Aesthetics.,
- Mechanical engineering.,
- Architecture et technologie.,
- Architecture Esthétique.,
- Génie mécanique.,
- mechanical engineering.,
- Architekturtheorie,
- Ästhetik,
- Architektur,
- Technik,
- Bouwkunst.,
- Machines.,
- Cultuurfilosofie.
Publication:
Cambridge, Mass. : MIT Press, ©2003.
Cambridge, Mass. : MIT Press, ©2003.
Titre:
Artificial love : a story of machines and architecture / Paul Shepheard.
Actions:
Exemplaires:
Description:
xiii, 296 pages : illustrations ; 22 cm
Artificial love : a story of machines and architecture / Paul Shepheard.
Actions:
Exemplaires:
Description:
xiii, 296 pages : illustrations ; 22 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©2003.
Cambridge, Mass. : MIT Press, ©2003.
Auteur:
Sujet:
- Architecture and technology.,
- Architecture Aesthetics.,
- Mechanical engineering.,
- Architecture et technologie.,
- Architecture Esthétique.,
- Génie mécanique.,
- mechanical engineering.,
- Architekturtheorie,
- Ästhetik,
- Architektur,
- Technik,
- Bouwkunst.,
- Machines.,
- Cultuurfilosofie.
Classification:
livres
livres
Actions:
Prix:
$65.00
(disponible sur commande)
Résumé:
Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giuliana Bruno explores the histories of projection and atmosphere in visual culture and their continued importance to contemporary artists who are(...)
$65.00
(disponible sur commande)
Résumé:
Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giuliana Bruno explores the histories of projection and atmosphere in visual culture and their continued importance to contemporary artists who are(...)
Titre:
Atmospheres of projection: Environmentality in art and screen media
Actions:
Prix:
$65.00
(disponible sur commande)
Résumé:
Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giuliana Bruno explores the histories of projection and atmosphere in visual culture and their continued importance to contemporary artists who are reinventing the projective imagination with atmospheric thinking and the use of elemental media. She reveals how atmosphere is formed and mediated, how it can change, and what projection can do to modify a site. In so doing, she gives new life to the alchemic possibilities of transformative projective atmospheres. Showing how their “environmentality” produces sites of exchange and relationality, this book binds art to the ecology of atmosphere.
Atmospheres of projection: Environmentality in art and screen media
Actions:
Prix:
$65.00
(disponible sur commande)
Résumé:
Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giuliana Bruno explores the histories of projection and atmosphere in visual culture and their continued importance to contemporary artists who are reinventing the projective imagination with atmospheric thinking and the use of elemental media. She reveals how atmosphere is formed and mediated, how it can change, and what projection can do to modify a site. In so doing, she gives new life to the alchemic possibilities of transformative projective atmospheres. Showing how their “environmentality” produces sites of exchange and relationality, this book binds art to the ecology of atmosphere.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Prix:
$51.95
(disponible sur commande)
Résumé:
"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social(...)
$51.95
(disponible sur commande)
Résumé:
"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2003, Cambridge, Massachusetts
juillet 2003, Cambridge, Massachusetts
Titre:
The organizational complex : architecture, media, and corporate space
Actions:
Prix:
$51.95
(disponible sur commande)
Résumé:
"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social relations and transformed the postwar landscape. In-depth case studies of architect Eero Saarinen's work for General Motors, IBM, and Bell Laboratories and analyses of office buildings designed by Skidmore, Owings & Merrill trace the emergence of a systems-based model of organization in architecture, in which the modular curtain wall acts as both an organizational device and a carrier of the corporate image. Such an image--of the corporation as a flexible, integrated system--is seen to correspond with a "humanization" of corporate life, as corporations decentralize both spatially and administratively. Parallel analyses follow the assimilation of cybernetics into aesthetics in the writings of artist and visual theorist Gyorgy Kepes, as art merges with techno-science in the service of a dynamic new "pattern-seeing." Image and system thus converge in the organizational complex, while top-down power dissolves into networked, pattern-based control. Architecture, as one among many media technologies, supplies the patterns--images of organic integration designed to regulate new and unstable human-machine assemblages.
The organizational complex : architecture, media, and corporate space
Actions:
Prix:
$51.95
(disponible sur commande)
Résumé:
"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social relations and transformed the postwar landscape. In-depth case studies of architect Eero Saarinen's work for General Motors, IBM, and Bell Laboratories and analyses of office buildings designed by Skidmore, Owings & Merrill trace the emergence of a systems-based model of organization in architecture, in which the modular curtain wall acts as both an organizational device and a carrier of the corporate image. Such an image--of the corporation as a flexible, integrated system--is seen to correspond with a "humanization" of corporate life, as corporations decentralize both spatially and administratively. Parallel analyses follow the assimilation of cybernetics into aesthetics in the writings of artist and visual theorist Gyorgy Kepes, as art merges with techno-science in the service of a dynamic new "pattern-seeing." Image and system thus converge in the organizational complex, while top-down power dissolves into networked, pattern-based control. Architecture, as one among many media technologies, supplies the patterns--images of organic integration designed to regulate new and unstable human-machine assemblages.
Classification:
livres
livres
Publication:
juillet 2003, Cambridge, Massachusetts
juillet 2003, Cambridge, Massachusetts
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Exemplaires:
Description:
95 pages : illustrations (some color) ; 22 x 28 cm
Description:
95 pages : illustrations (some color) ; 22 x 28 cm
Auteur:
Sujet:
- Avant Garde Musikgruppe,
- Letterheads History 20th century.,
- Stationery History 20th century.,
- Business announcements History 20th century.,
- Avant-garde (Aesthetics),
- En-têtes de lettre Histoire 20e siècle.,
- Papeterie de bureau Histoire 20e siècle.,
- Avant-garde (Art),
- Annonces commerciales Histoire 20e siècle.,
- avant-garde.,
- Business announcements,
- Letterheads,
- Stationery,
- Briefkopf,
- Design,
- Avantgarde,
- Briefhoofden.,
- Grafische vormgeving.,
- Typografie.,
- History,
- Books.
Publication:
New York : Princeton Architectural Press, 1996.
New York : Princeton Architectural Press, 1996.
Titre:
Letters from the avant-garde : modern graphic design / Ellen Lupton and Elaine Lustig Cohen.
Actions:
Exemplaires:
Description:
95 pages : illustrations (some color) ; 22 x 28 cm
Letters from the avant-garde : modern graphic design / Ellen Lupton and Elaine Lustig Cohen.
Actions:
Exemplaires:
Description:
95 pages : illustrations (some color) ; 22 x 28 cm
Classification:
livres
livres
Publication:
New York : Princeton Architectural Press, 1996.
New York : Princeton Architectural Press, 1996.
Auteur:
Sujet:
- Avant Garde Musikgruppe,
- Letterheads History 20th century.,
- Stationery History 20th century.,
- Business announcements History 20th century.,
- Avant-garde (Aesthetics),
- En-têtes de lettre Histoire 20e siècle.,
- Papeterie de bureau Histoire 20e siècle.,
- Avant-garde (Art),
- Annonces commerciales Histoire 20e siècle.,
- avant-garde.,
- Business announcements,
- Letterheads,
- Stationery,
- Briefkopf,
- Design,
- Avantgarde,
- Briefhoofden.,
- Grafische vormgeving.,
- Typografie.,
- History,
- Books.
Classification:
livres
livres
Prix:
$57.95
(disponible sur commande)
Résumé:
This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material(...)
$57.95
(disponible sur commande)
Résumé:
This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material(...)
Titre:
Happiness by design: modernism and media in the Eames era
Actions:
Prix:
$57.95
(disponible sur commande)
Résumé:
This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material culture, Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age.
Happiness by design: modernism and media in the Eames era
Actions:
Prix:
$57.95
(disponible sur commande)
Résumé:
This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material culture, Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age.
Classification:
livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Exemplaires:
Description:
ix, 157 pages : illustrations ; 23 cm
Description:
ix, 157 pages : illustrations ; 23 cm
Auteur:
- Latour, Bruno,,
- Nous n'avons jamais été modernes. English,
- Porter, Catherine, 1941-
Sujet:
- Science Social aspects.,
- Technology Social aspects.,
- Science Philosophy.,
- Science History.,
- Science.,
- Sociology.,
- Geschichte,
- Gesellschaft,
- Naturwissenschaft,
- Philosophie,
- Sciences Aspect social.,
- Sciences Histoire.,
- Sciences.,
- Sociologie.,
- sciences (philosophy),
- sociology.,
- science (modern discipline),
- 73.02 philosophy and theory of ethnology.,
- 02.11 sociology of science.,
- Anthropologie,
- Moderne,
- Techniksoziologie,
- Wissenschaft,
- Wissenschaftssoziologie,
- Cultural anthropology.,
- Sociology of science.,
- Modernity.,
- History
Publication:
Cambridge, Massachusetts : Harvard University Press, 1993., ©1993
Cambridge, Massachusetts : Harvard University Press, 1993., ©1993
Titre:
We have never been modern / Bruno Latour ; translated by Catherine Porter.
Actions:
Exemplaires:
Description:
ix, 157 pages : illustrations ; 23 cm
We have never been modern / Bruno Latour ; translated by Catherine Porter.
Actions:
Exemplaires:
Description:
ix, 157 pages : illustrations ; 23 cm
Classification:
livres
livres
Publication:
Cambridge, Massachusetts : Harvard University Press, 1993., ©1993
Cambridge, Massachusetts : Harvard University Press, 1993., ©1993
Auteur:
- Latour, Bruno,,
- Nous n'avons jamais été modernes. English,
- Porter, Catherine, 1941-
Sujet:
- Science Social aspects.,
- Technology Social aspects.,
- Science Philosophy.,
- Science History.,
- Science.,
- Sociology.,
- Geschichte,
- Gesellschaft,
- Naturwissenschaft,
- Philosophie,
- Sciences Aspect social.,
- Sciences Histoire.,
- Sciences.,
- Sociologie.,
- sciences (philosophy),
- sociology.,
- science (modern discipline),
- 73.02 philosophy and theory of ethnology.,
- 02.11 sociology of science.,
- Anthropologie,
- Moderne,
- Techniksoziologie,
- Wissenschaft,
- Wissenschaftssoziologie,
- Cultural anthropology.,
- Sociology of science.,
- Modernity.,
- History
Classification:
livres
livres
Actions:
Exemplaires:
Description:
ix, 254 pages : illustrations (some color) ; 27 cm
Description:
ix, 254 pages : illustrations (some color) ; 27 cm
Auteur:
Sujet:
- Prints, French 19th century.,
- Painting Study and teaching France History.,
- Photography France History 19th century.,
- Estampes françaises 19e siècle.,
- Peinture Étude et enseignement France Histoire.,
- Photographie France Histoire 19e siècle.,
- Estampe française 19e siècle.,
- Painting Study and teaching,
- Photography,
- Prints, French,
- Fotografie,
- Vergleich,
- Buchdruck,
- Presse,
- Malerei,
- Schilderkunst.,
- Grafische kunst.,
- Wisselwerking.,
- France,
- Frankreich,
- History
Publication:
New Haven : Yale University Press, ©2001.
New Haven : Yale University Press, ©2001.
Titre:
Parallel lines : printmakers, painters, and photographers in nineteenth-century France / Stephen Bann.
Actions:
Exemplaires:
Description:
ix, 254 pages : illustrations (some color) ; 27 cm
Parallel lines : printmakers, painters, and photographers in nineteenth-century France / Stephen Bann.
Actions:
Exemplaires:
Description:
ix, 254 pages : illustrations (some color) ; 27 cm
Classification:
livres
livres
Publication:
New Haven : Yale University Press, ©2001.
New Haven : Yale University Press, ©2001.
Auteur:
Sujet:
- Prints, French 19th century.,
- Painting Study and teaching France History.,
- Photography France History 19th century.,
- Estampes françaises 19e siècle.,
- Peinture Étude et enseignement France Histoire.,
- Photographie France Histoire 19e siècle.,
- Estampe française 19e siècle.,
- Painting Study and teaching,
- Photography,
- Prints, French,
- Fotografie,
- Vergleich,
- Buchdruck,
- Presse,
- Malerei,
- Schilderkunst.,
- Grafische kunst.,
- Wisselwerking.,
- France,
- Frankreich,
- History
Classification:
livres
livres
Actions:
Exemplaires:
Description:
viii, 421 pages : illustrations, maps ; 26 cm.
Description:
viii, 421 pages : illustrations, maps ; 26 cm.
Auteur:
Sujet:
- Accademia di San Luca Congresses.,
- Accademia di San Luca,
- Accademia nazionale di San Luca,
- Rom Accademia Nazionale di San Luca.,
- Aufsatzsammlung.,
- Conference papers and proceedings
Publication:
Washington [D.C.] : National Gallery of Art ; New Haven [Conn.] : Distributed by Yale University Press, ©2009.
Washington [D.C.] : National Gallery of Art ; New Haven [Conn.] : Distributed by Yale University Press, ©2009.
Titre:
The Accademia seminars : the Accademia di San Luca in Rome, c. 1590-1635 / edited by Peter M. Lukehart.
Actions:
Exemplaires:
Description:
viii, 421 pages : illustrations, maps ; 26 cm.
The Accademia seminars : the Accademia di San Luca in Rome, c. 1590-1635 / edited by Peter M. Lukehart.
Actions:
Exemplaires:
Description:
viii, 421 pages : illustrations, maps ; 26 cm.
Classification:
livres
livres
Publication:
Washington [D.C.] : National Gallery of Art ; New Haven [Conn.] : Distributed by Yale University Press, ©2009.
Washington [D.C.] : National Gallery of Art ; New Haven [Conn.] : Distributed by Yale University Press, ©2009.
Auteur:
Sujet:
- Accademia di San Luca Congresses.,
- Accademia di San Luca,
- Accademia nazionale di San Luca,
- Rom Accademia Nazionale di San Luca.,
- Aufsatzsammlung.,
- Conference papers and proceedings
