1053 Résultats
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"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social(...)
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Résumé:
"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2003, Cambridge, Massachusetts
juillet 2003, Cambridge, Massachusetts
Titre:
The organizational complex : architecture, media, and corporate space
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Résumé:
"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social relations and transformed the postwar landscape. In-depth case studies of architect Eero Saarinen's work for General Motors, IBM, and Bell Laboratories and analyses of office buildings designed by Skidmore, Owings & Merrill trace the emergence of a systems-based model of organization in architecture, in which the modular curtain wall acts as both an organizational device and a carrier of the corporate image. Such an image--of the corporation as a flexible, integrated system--is seen to correspond with a "humanization" of corporate life, as corporations decentralize both spatially and administratively. Parallel analyses follow the assimilation of cybernetics into aesthetics in the writings of artist and visual theorist Gyorgy Kepes, as art merges with techno-science in the service of a dynamic new "pattern-seeing." Image and system thus converge in the organizational complex, while top-down power dissolves into networked, pattern-based control. Architecture, as one among many media technologies, supplies the patterns--images of organic integration designed to regulate new and unstable human-machine assemblages.
The organizational complex : architecture, media, and corporate space
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$51.95
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Résumé:
"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social relations and transformed the postwar landscape. In-depth case studies of architect Eero Saarinen's work for General Motors, IBM, and Bell Laboratories and analyses of office buildings designed by Skidmore, Owings & Merrill trace the emergence of a systems-based model of organization in architecture, in which the modular curtain wall acts as both an organizational device and a carrier of the corporate image. Such an image--of the corporation as a flexible, integrated system--is seen to correspond with a "humanization" of corporate life, as corporations decentralize both spatially and administratively. Parallel analyses follow the assimilation of cybernetics into aesthetics in the writings of artist and visual theorist Gyorgy Kepes, as art merges with techno-science in the service of a dynamic new "pattern-seeing." Image and system thus converge in the organizational complex, while top-down power dissolves into networked, pattern-based control. Architecture, as one among many media technologies, supplies the patterns--images of organic integration designed to regulate new and unstable human-machine assemblages.
Classification:
livres
livres
Publication:
juillet 2003, Cambridge, Massachusetts
juillet 2003, Cambridge, Massachusetts
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$57.95
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Résumé:
This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material(...)
$57.95
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Résumé:
This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material(...)
Titre:
Happiness by design: modernism and media in the Eames era
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This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material culture, Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age.
Happiness by design: modernism and media in the Eames era
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This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material culture, Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age.
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livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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Description:
95 pages : illustrations (some color) ; 22 x 28 cm
Description:
95 pages : illustrations (some color) ; 22 x 28 cm
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- Avant Garde Musikgruppe,
- Letterheads History 20th century.,
- Stationery History 20th century.,
- Business announcements History 20th century.,
- Avant-garde (Aesthetics),
- En-têtes de lettre Histoire 20e siècle.,
- Papeterie de bureau Histoire 20e siècle.,
- Avant-garde (Art),
- Annonces commerciales Histoire 20e siècle.,
- avant-garde.,
- Business announcements,
- Letterheads,
- Stationery,
- Briefkopf,
- Design,
- Avantgarde,
- Briefhoofden.,
- Grafische vormgeving.,
- Typografie.,
- History,
- Books.
Publication:
New York : Princeton Architectural Press, 1996.
New York : Princeton Architectural Press, 1996.
Titre:
Letters from the avant-garde : modern graphic design / Ellen Lupton and Elaine Lustig Cohen.
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95 pages : illustrations (some color) ; 22 x 28 cm
Letters from the avant-garde : modern graphic design / Ellen Lupton and Elaine Lustig Cohen.
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95 pages : illustrations (some color) ; 22 x 28 cm
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Publication:
New York : Princeton Architectural Press, 1996.
New York : Princeton Architectural Press, 1996.
Auteur:
Sujet:
- Avant Garde Musikgruppe,
- Letterheads History 20th century.,
- Stationery History 20th century.,
- Business announcements History 20th century.,
- Avant-garde (Aesthetics),
- En-têtes de lettre Histoire 20e siècle.,
- Papeterie de bureau Histoire 20e siècle.,
- Avant-garde (Art),
- Annonces commerciales Histoire 20e siècle.,
- avant-garde.,
- Business announcements,
- Letterheads,
- Stationery,
- Briefkopf,
- Design,
- Avantgarde,
- Briefhoofden.,
- Grafische vormgeving.,
- Typografie.,
- History,
- Books.
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Description:
ix, 157 pages : illustrations ; 23 cm
Description:
ix, 157 pages : illustrations ; 23 cm
Auteur:
- Latour, Bruno,,
- Nous n'avons jamais été modernes. English,
- Porter, Catherine, 1941-
Sujet:
- Science Social aspects.,
- Technology Social aspects.,
- Science Philosophy.,
- Science History.,
- Science.,
- Sociology.,
- Geschichte,
- Gesellschaft,
- Naturwissenschaft,
- Philosophie,
- Sciences Aspect social.,
- Sciences Histoire.,
- Sciences.,
- Sociologie.,
- sciences (philosophy),
- sociology.,
- science (modern discipline),
- 73.02 philosophy and theory of ethnology.,
- 02.11 sociology of science.,
- Anthropologie,
- Moderne,
- Techniksoziologie,
- Wissenschaft,
- Wissenschaftssoziologie,
- Cultural anthropology.,
- Sociology of science.,
- Modernity.,
- History
Publication:
Cambridge, Massachusetts : Harvard University Press, 1993., ©1993
Cambridge, Massachusetts : Harvard University Press, 1993., ©1993
Titre:
We have never been modern / Bruno Latour ; translated by Catherine Porter.
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ix, 157 pages : illustrations ; 23 cm
We have never been modern / Bruno Latour ; translated by Catherine Porter.
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ix, 157 pages : illustrations ; 23 cm
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livres
livres
Publication:
Cambridge, Massachusetts : Harvard University Press, 1993., ©1993
Cambridge, Massachusetts : Harvard University Press, 1993., ©1993
Auteur:
- Latour, Bruno,,
- Nous n'avons jamais été modernes. English,
- Porter, Catherine, 1941-
Sujet:
- Science Social aspects.,
- Technology Social aspects.,
- Science Philosophy.,
- Science History.,
- Science.,
- Sociology.,
- Geschichte,
- Gesellschaft,
- Naturwissenschaft,
- Philosophie,
- Sciences Aspect social.,
- Sciences Histoire.,
- Sciences.,
- Sociologie.,
- sciences (philosophy),
- sociology.,
- science (modern discipline),
- 73.02 philosophy and theory of ethnology.,
- 02.11 sociology of science.,
- Anthropologie,
- Moderne,
- Techniksoziologie,
- Wissenschaft,
- Wissenschaftssoziologie,
- Cultural anthropology.,
- Sociology of science.,
- Modernity.,
- History
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ix, 254 pages : illustrations (some color) ; 27 cm
Description:
ix, 254 pages : illustrations (some color) ; 27 cm
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- Prints, French 19th century.,
- Painting Study and teaching France History.,
- Photography France History 19th century.,
- Estampes françaises 19e siècle.,
- Peinture Étude et enseignement France Histoire.,
- Photographie France Histoire 19e siècle.,
- Estampe française 19e siècle.,
- Painting Study and teaching,
- Photography,
- Prints, French,
- Fotografie,
- Vergleich,
- Buchdruck,
- Presse,
- Malerei,
- Schilderkunst.,
- Grafische kunst.,
- Wisselwerking.,
- France,
- Frankreich,
- History
Publication:
New Haven : Yale University Press, ©2001.
New Haven : Yale University Press, ©2001.
Titre:
Parallel lines : printmakers, painters, and photographers in nineteenth-century France / Stephen Bann.
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ix, 254 pages : illustrations (some color) ; 27 cm
Parallel lines : printmakers, painters, and photographers in nineteenth-century France / Stephen Bann.
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ix, 254 pages : illustrations (some color) ; 27 cm
Classification:
livres
livres
Publication:
New Haven : Yale University Press, ©2001.
New Haven : Yale University Press, ©2001.
Auteur:
Sujet:
- Prints, French 19th century.,
- Painting Study and teaching France History.,
- Photography France History 19th century.,
- Estampes françaises 19e siècle.,
- Peinture Étude et enseignement France Histoire.,
- Photographie France Histoire 19e siècle.,
- Estampe française 19e siècle.,
- Painting Study and teaching,
- Photography,
- Prints, French,
- Fotografie,
- Vergleich,
- Buchdruck,
- Presse,
- Malerei,
- Schilderkunst.,
- Grafische kunst.,
- Wisselwerking.,
- France,
- Frankreich,
- History
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viii, 421 pages : illustrations, maps ; 26 cm.
Description:
viii, 421 pages : illustrations, maps ; 26 cm.
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- Accademia di San Luca Congresses.,
- Accademia di San Luca,
- Accademia nazionale di San Luca,
- Rom Accademia Nazionale di San Luca.,
- Aufsatzsammlung.,
- Conference papers and proceedings
Publication:
Washington [D.C.] : National Gallery of Art ; New Haven [Conn.] : Distributed by Yale University Press, ©2009.
Washington [D.C.] : National Gallery of Art ; New Haven [Conn.] : Distributed by Yale University Press, ©2009.
Titre:
The Accademia seminars : the Accademia di San Luca in Rome, c. 1590-1635 / edited by Peter M. Lukehart.
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viii, 421 pages : illustrations, maps ; 26 cm.
The Accademia seminars : the Accademia di San Luca in Rome, c. 1590-1635 / edited by Peter M. Lukehart.
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viii, 421 pages : illustrations, maps ; 26 cm.
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livres
Publication:
Washington [D.C.] : National Gallery of Art ; New Haven [Conn.] : Distributed by Yale University Press, ©2009.
Washington [D.C.] : National Gallery of Art ; New Haven [Conn.] : Distributed by Yale University Press, ©2009.
Auteur:
Sujet:
- Accademia di San Luca Congresses.,
- Accademia di San Luca,
- Accademia nazionale di San Luca,
- Rom Accademia Nazionale di San Luca.,
- Aufsatzsammlung.,
- Conference papers and proceedings
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Description:
353 pages
Description:
353 pages
Auteur:
Sujet:
- Nelson, George, 1908-1986.,
- Designers United States Biography.,
- Designers.,
- United States.,
- Biographies.
Publication:
Cambridge, Mass. : MIT Press, ©1994.
Cambridge, Mass. : MIT Press, ©1994.
Titre:
George Nelson : the design of modern design / Stanley Abercrombie ; foreword by Ettore Sottsass, Jr. ; appendixes compiled by Judith Nasatir.
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353 pages
George Nelson : the design of modern design / Stanley Abercrombie ; foreword by Ettore Sottsass, Jr. ; appendixes compiled by Judith Nasatir.
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353 pages
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Publication:
Cambridge, Mass. : MIT Press, ©1994.
Cambridge, Mass. : MIT Press, ©1994.
Auteur:
Sujet:
- Nelson, George, 1908-1986.,
- Designers United States Biography.,
- Designers.,
- United States.,
- Biographies.
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livres
livres
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Description:
xiii, 259 pages, 40 pages of plates : illustrations ; 24 cm.
Description:
xiii, 259 pages, 40 pages of plates : illustrations ; 24 cm.
Auteur:
Sujet:
- Borromini, Francesco, 1599-1667 Criticism and interpretation.,
- Borromini, Francesco, 1599-1667.,
- Civilization.,
- Architektur,
- Philosophie,
- Architectuurtheorieën.,
- Vorm.,
- Architects Italy 17th century.,
- Rome (Italy) Civilization 17th century.,
- Rome (Italie) Civilisation 17e siècle.,
- Italy Rome.,
- Italian architects.,
- Architecture (object genre) Italy 1630-1670.,
- Churches Italy 1630-1670.,
- Philosophy Italy 1630-1670.,
- Architectural theory Italy 1630-1670.,
- Barromini, Francesco.,
- Criticism, interpretation, etc.
Publication:
Lewiston, N.Y. : E. Mellen Press, ©2002.
Lewiston, N.Y. : E. Mellen Press, ©2002.
Titre:
The relation between architectural forms and philosophical structures in the work of Francesco Borromini in seventeenth-century Rome / John Hendrix.
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xiii, 259 pages, 40 pages of plates : illustrations ; 24 cm.
The relation between architectural forms and philosophical structures in the work of Francesco Borromini in seventeenth-century Rome / John Hendrix.
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xiii, 259 pages, 40 pages of plates : illustrations ; 24 cm.
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livres
Publication:
Lewiston, N.Y. : E. Mellen Press, ©2002.
Lewiston, N.Y. : E. Mellen Press, ©2002.
Auteur:
Sujet:
- Borromini, Francesco, 1599-1667 Criticism and interpretation.,
- Borromini, Francesco, 1599-1667.,
- Civilization.,
- Architektur,
- Philosophie,
- Architectuurtheorieën.,
- Vorm.,
- Architects Italy 17th century.,
- Rome (Italy) Civilization 17th century.,
- Rome (Italie) Civilisation 17e siècle.,
- Italy Rome.,
- Italian architects.,
- Architecture (object genre) Italy 1630-1670.,
- Churches Italy 1630-1670.,
- Philosophy Italy 1630-1670.,
- Architectural theory Italy 1630-1670.,
- Barromini, Francesco.,
- Criticism, interpretation, etc.
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xiv, 241 pages : illustrations (some color) ; 24 cm
Description:
xiv, 241 pages : illustrations (some color) ; 24 cm
Auteur:
Sujet:
- Art and technology.,
- Art and society.,
- Technology Social aspects.,
- Virtual reality in art Social aspects.,
- Computer art Social aspects.,
- Virtual reality Social aspects.,
- Aesthetics.,
- Realism.,
- Popular culture.,
- Social change.,
- Popular Culture,
- Art et technologie.,
- Art et société.,
- Réalité virtuelle dans l'art Aspect social.,
- Réalité virtuelle Aspect social.,
- Réalisme.,
- Culture populaire.,
- popular culture.,
- Kongress,
- Digitale Fotografie,
- Fotografie,
- Ästhetik,
- Esthetica.,
- Virtuell verklighet.,
- Digital konst.,
- Konst och teknik.,
- Digitala medier.,
- Aufsatzsammlung.,
- Kongress Glasgow 2003.
Publication:
London ; New York : I.B. Tauris, 2007.
London ; New York : I.B. Tauris, 2007.
Titre:
The state of the real : aesthetics in the digital age / edited by Damian Sutton, Susan Brind, Ray McKenzie.
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xiv, 241 pages : illustrations (some color) ; 24 cm
The state of the real : aesthetics in the digital age / edited by Damian Sutton, Susan Brind, Ray McKenzie.
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xiv, 241 pages : illustrations (some color) ; 24 cm
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livres
livres
Publication:
London ; New York : I.B. Tauris, 2007.
London ; New York : I.B. Tauris, 2007.
Auteur:
Sujet:
- Art and technology.,
- Art and society.,
- Technology Social aspects.,
- Virtual reality in art Social aspects.,
- Computer art Social aspects.,
- Virtual reality Social aspects.,
- Aesthetics.,
- Realism.,
- Popular culture.,
- Social change.,
- Popular Culture,
- Art et technologie.,
- Art et société.,
- Réalité virtuelle dans l'art Aspect social.,
- Réalité virtuelle Aspect social.,
- Réalisme.,
- Culture populaire.,
- popular culture.,
- Kongress,
- Digitale Fotografie,
- Fotografie,
- Ästhetik,
- Esthetica.,
- Virtuell verklighet.,
- Digital konst.,
- Konst och teknik.,
- Digitala medier.,
- Aufsatzsammlung.,
- Kongress Glasgow 2003.
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$41.99
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Résumé:
Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most(...)
$41.99
(disponible en magasin)
Résumé:
Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most(...)
Publication:
janvier 2023
janvier 2023
Titre:
A theory of assembly: From museums to memes
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$41.99
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Résumé:
Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most powerful and pervasive cultural forms in the digital era is assembly. Whether as subtle photographic sequences, satirical Venn diagrams, or networked archives, projects based in assembly do not so much narrate or represent the world as rearrange it. This work of rearranging can take place at any scale, from a simple pairing of images, undertaken by one person, to the entire history of internet memes, undertaken by millions. With examples ranging from GIFs and paintings to museum exhibitions and social movement hashtags, Parry shows how, in the internet age, assembly has come to equal narrative and representation in its reach and influence, particularly as a response to ecological and social violence. He also emphasizes the ambivalence of assembly—the way it can be both emancipatory and antidemocratic.
A theory of assembly: From museums to memes
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Prix:
$41.99
(disponible en magasin)
Résumé:
Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most powerful and pervasive cultural forms in the digital era is assembly. Whether as subtle photographic sequences, satirical Venn diagrams, or networked archives, projects based in assembly do not so much narrate or represent the world as rearrange it. This work of rearranging can take place at any scale, from a simple pairing of images, undertaken by one person, to the entire history of internet memes, undertaken by millions. With examples ranging from GIFs and paintings to museum exhibitions and social movement hashtags, Parry shows how, in the internet age, assembly has come to equal narrative and representation in its reach and influence, particularly as a response to ecological and social violence. He also emphasizes the ambivalence of assembly—the way it can be both emancipatory and antidemocratic.
Classification:
livres
livres
Publication:
janvier 2023
janvier 2023
