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Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV(...)
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Résumé:
Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV(...)
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novembre 2010
novembre 2010
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The apartment plot : urban living in American film and popular culture, 1945 to 1975
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Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from "The Honeymooners" and" The Mary Tyler Moore Show "to" Subways are for Sleeping "and" Apartment 3-G." By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based.
The apartment plot : urban living in American film and popular culture, 1945 to 1975
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Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from "The Honeymooners" and" The Mary Tyler Moore Show "to" Subways are for Sleeping "and" Apartment 3-G." By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based.
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novembre 2010
novembre 2010
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Full Unemployment Cinema 2011
Full Unemployment Cinema 2011
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Full Unemployment Cinema 2011
Full Unemployment Cinema 2011
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Alex Wilson Community Garden Competition : competition documents, 1996-1997.
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Alex Wilson Community Garden Competition : competition documents, 1996-1997.
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James Carl : plot
James Carl : plot
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James Carl likes to mix things up - to confound references and test limits and then step back and watch things get funny. He combines a precise examination of the lexicon of sculpture with an abiding interest in the artifacts of public social life, filtered through the ubiquitous technologies and materials of contemporary industrialism. Each work complicates and expands(...)
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James Carl likes to mix things up - to confound references and test limits and then step back and watch things get funny. He combines a precise examination of the lexicon of sculpture with an abiding interest in the artifacts of public social life, filtered through the ubiquitous technologies and materials of contemporary industrialism. Each work complicates and expands(...)
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mars 2003, Vancouver
mars 2003, Vancouver
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James Carl : plot
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James Carl likes to mix things up - to confound references and test limits and then step back and watch things get funny. He combines a precise examination of the lexicon of sculpture with an abiding interest in the artifacts of public social life, filtered through the ubiquitous technologies and materials of contemporary industrialism. Each work complicates and expands our recognition and understanding of simple objects and space.
James Carl : plot
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James Carl likes to mix things up - to confound references and test limits and then step back and watch things get funny. He combines a precise examination of the lexicon of sculpture with an abiding interest in the artifacts of public social life, filtered through the ubiquitous technologies and materials of contemporary industrialism. Each work complicates and expands our recognition and understanding of simple objects and space.
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mars 2003, Vancouver
mars 2003, Vancouver
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xvi, 308 pages : illustrations, maps ; 27 cm
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xvi, 308 pages : illustrations, maps ; 27 cm
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Charlottesville ; London : University of Virginia Press, 2018.
Charlottesville ; London : University of Virginia Press, 2018.
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Buildings of Arkansas / Cyrus A. Sutherland ; with Gregory Herman, Claudia Shannon, Jean Sizemore, and Jeannie M. Whayne ; and contributions by Bob Besom, Zac Cothren, Ray Hanley, Holly Hope, Diane Tebbetts, Terrell Tebbetts, and Ralph Wilcox.
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xvi, 308 pages : illustrations, maps ; 27 cm
Buildings of Arkansas / Cyrus A. Sutherland ; with Gregory Herman, Claudia Shannon, Jean Sizemore, and Jeannie M. Whayne ; and contributions by Bob Besom, Zac Cothren, Ray Hanley, Holly Hope, Diane Tebbetts, Terrell Tebbetts, and Ralph Wilcox.
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xvi, 308 pages : illustrations, maps ; 27 cm
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Charlottesville ; London : University of Virginia Press, 2018.
Charlottesville ; London : University of Virginia Press, 2018.
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Triple Canopy Sternberg Press Tensta Konsthall 2016
Triple Canopy Sternberg Press Tensta Konsthall 2016
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Triple Canopy Sternberg Press Tensta Konsthall 2016
Triple Canopy Sternberg Press Tensta Konsthall 2016
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267 pages : illustrations (some color) ; 27 cm.
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267 pages : illustrations (some color) ; 27 cm.
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Barcelona ; New York : Actar ; Barcelona ; New York : Distributed by ActarBirkhäuserD, 2010.
Barcelona ; New York : Actar ; Barcelona ; New York : Distributed by ActarBirkhäuserD, 2010.
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On farming / editors, Mason White, Maya Przybylski.
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267 pages : illustrations (some color) ; 27 cm.
On farming / editors, Mason White, Maya Przybylski.
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267 pages : illustrations (some color) ; 27 cm.
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Barcelona ; New York : Actar ; Barcelona ; New York : Distributed by ActarBirkhäuserD, 2010.
Barcelona ; New York : Actar ; Barcelona ; New York : Distributed by ActarBirkhäuserD, 2010.
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xxxii, 346 pages : illustrations (chiefly color) ; 27 cm
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xxxii, 346 pages : illustrations (chiefly color) ; 27 cm
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New York, NY : Routledge, 2015.
New York, NY : Routledge, 2015.
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Phyto : principles and resources for site remediation and landscape design / Kate Kennen and Niall Kirkwood.
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xxxii, 346 pages : illustrations (chiefly color) ; 27 cm
Phyto : principles and resources for site remediation and landscape design / Kate Kennen and Niall Kirkwood.
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xxxii, 346 pages : illustrations (chiefly color) ; 27 cm
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New York, NY : Routledge, 2015.
New York, NY : Routledge, 2015.
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895 pages : illustrations ; 22 cm
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895 pages : illustrations ; 22 cm
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Paris : Cahiers du cinéma, 2005.
Paris : Cahiers du cinéma, 2005.
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La ville au cinéma : encyclopédie / sous la direction de Thierry Jousse et Thierry Paquot.
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895 pages : illustrations ; 22 cm
La ville au cinéma : encyclopédie / sous la direction de Thierry Jousse et Thierry Paquot.
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895 pages : illustrations ; 22 cm
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Paris : Cahiers du cinéma, 2005.
Paris : Cahiers du cinéma, 2005.
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16 pages : illustrations ; 28 cm
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16 pages : illustrations ; 28 cm
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Montréal : Cinémathèque québécoise, Musée du cinéma, ©1979.
Montréal : Cinémathèque québécoise, Musée du cinéma, ©1979.
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Le cinéma / Václav Tille ; précédé d'un texte de présentation de Barthélemy Amengual.
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16 pages : illustrations ; 28 cm
Le cinéma / Václav Tille ; précédé d'un texte de présentation de Barthélemy Amengual.
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16 pages : illustrations ; 28 cm
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Montréal : Cinémathèque québécoise, Musée du cinéma, ©1979.
Montréal : Cinémathèque québécoise, Musée du cinéma, ©1979.
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