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volumes (203 pages), 24 unnumbered pages of plates : illustrations (some color) ; 27 cm
Stanford, California : Stanford University Press, 2015-
The miracle of analogy, or, The history of photography / Kaja Silverman.
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volumes (203 pages), 24 unnumbered pages of plates : illustrations (some color) ; 27 cm
livres
Stanford, California : Stanford University Press, 2015-
$57.50
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Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and(...)
Practice: architecture + technique + representation
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Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and production of buildings. This second edition includes revised essays together with previously unpublished work. Allen's seminal piece on "Field Conditions" is included in this reworked, revised and redesigned volume. This is a compelling read for student and practitioner alike.
Théorie de l’architecture
$67.50
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Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way(...)
Modern architecture and other essays
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Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way architecture is thought about and made. This extensively illustrated volume distills Scully's incalculable contribution. Neil Levine, a former student of Scully's, selects twenty essays that reveal the breadth and depth of Scully's work from the 1950s through the 1990s.
Théorie de l’architecture
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.Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries. He leads the reader from Jean-François Blondel to Eugène Viollet-le-Duc to Mies van der Rohe to Diller + Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius's De Architectura, and the Louvre. In the title essay,(...)
Noah's Ark; Essays on Architecture
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.Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries. He leads the reader from Jean-François Blondel to Eugène Viollet-le-Duc to Mies van der Rohe to Diller + Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius's De Architectura, and the Louvre. In the title essay, Damisch moves easily from Diderot's Encylopédie to Noah's Ark (discussing the provisioning, access, floor plan) to the Pan American Building to Le Corbusier to Ground Zero. Noah's Ark marks the origin of construction, and thus of architecture itself. Diderot's Encylopédie entry on architecture followed his entry on Noah's Ark; architecture could only find its way after the Flood.
Théorie de l’architecture
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Following on from the two previous issues which tackled various representations of power in architecture, this third number goes a step further and demonstrates how power is using architecture not just simply to express itself, but to organise itself. The central thesis reflected in this timely and wide-ranging collection of articles and images is that power structures(...)
Volume 7 : architecture of power, part 3
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Following on from the two previous issues which tackled various representations of power in architecture, this third number goes a step further and demonstrates how power is using architecture not just simply to express itself, but to organise itself. The central thesis reflected in this timely and wide-ranging collection of articles and images is that power structures and power relations think architecturally in order to be successful.
Revues
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Virtuous situations from the industrial past and some ideas for the ‘climatic metropolis’ to come (cases of Brussels and Paris) compiles examples and projections that question the shape given to the city and territory at a moment of paradigm shift. The rapid evolution of climate change is leading to a clear state of emergency that is going to redefine the values and(...)
CENTRAL office for architecture and urbanism & Maxime Delvaux
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Virtuous situations from the industrial past and some ideas for the ‘climatic metropolis’ to come (cases of Brussels and Paris) compiles examples and projections that question the shape given to the city and territory at a moment of paradigm shift. The rapid evolution of climate change is leading to a clear state of emergency that is going to redefine the values and forms of our society and its territories. Several signs of a gradual paradigm shift have appeared and citizen voices are being raised against a social model that is at odds with the environment. Looking towards the past, a fascinated reading of a city’s ability to transform itself radically when necessary, is proposed. The change, generated by the race towards industrialization and social emancipation, forced metropolises such as Brussels and Paris to develop new urban functions and logics. This evolution took shape in territories that were not yet highly urbanized, but also within the city itself, in negotiation with the existing context. A series of 23 situations from the industrial age draws a panorama of virtuous examples, illustrating an assumed cohabitation between the urban fabric and the infrastructural, productive and energy needs at a precise moment of radical change in Paris and Brussels. The development of the ‘climatic metropolis’ must imperatively be based on design values and principles capable of generating a common vision. In this perspective, we propose some ideas for reflection formalized by projects tied to the built stories from the past, outlining potential situations of a new state to come for the European city.
Architecture, monographies
$33.95
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Can architectural discourse rethink itself in terms of a radical emancipatory project? And if so, what would be the contours of such a discourse?
Can architecture be an emancipatory project? Dialogues on architecture and the left
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Can architectural discourse rethink itself in terms of a radical emancipatory project? And if so, what would be the contours of such a discourse?
Théorie de l’architecture
Architecture and abstraction
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In this theoretical study of abstraction in architecture—the first of its kind—Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms—the purposeful reduction of the complexities of design to its essentials—Aureli shows that abstraction instead arises from(...)
Architecture and abstraction
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In this theoretical study of abstraction in architecture—the first of its kind—Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms—the purposeful reduction of the complexities of design to its essentials—Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, Architecture and Abstraction presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged—even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.
Théorie de l’architecture
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Beginning from the rise of modern history in the eighteenth century, this book examines how changing ideas in the discipline of history itself has affected architecture from the beginning of modernity up to the present day.
Architecture re-assembled : the use (and abuse) of history
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Beginning from the rise of modern history in the eighteenth century, this book examines how changing ideas in the discipline of history itself has affected architecture from the beginning of modernity up to the present day.
Théorie de l’architecture
livres
Description:
xv, 341 pages : illustrations (some color), maps ; 24 cm
Honolulu : University of Hawaii Press, [1996], ©1996
Angkor Wat : time, space, and kingship / Eleanor Mannikka.
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Description:
xv, 341 pages : illustrations (some color), maps ; 24 cm
livres
Honolulu : University of Hawaii Press, [1996], ©1996