20898 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S1.D62
Description:
File documents an unsuccessful competition entry for the urban renewal of the Kop van Zuid harbour area in Rotterdam, Netherlands. The Rotterdam Arts council invited several architects to submit a proposal during the "Architecture International Rotterdam", a festival of architecture held during 1981 and 1982. Several architects were invited to propose an urban design for the northern part of the south bank of the river Nieuwe Maas. Material in this file was produced between 1981 and 1982. File contains reference drawings, design development drawings and presentation drawings. File also contains textual records, including a competition programme, correspondence and photographic material.
AP142.S1.D62
Description:
File documents an unsuccessful competition entry for the urban renewal of the Kop van Zuid harbour area in Rotterdam, Netherlands. The Rotterdam Arts council invited several architects to submit a proposal during the "Architecture International Rotterdam", a festival of architecture held during 1981 and 1982. Several architects were invited to propose an urban design for the northern part of the south bank of the river Nieuwe Maas. Material in this file was produced between 1981 and 1982. File contains reference drawings, design development drawings and presentation drawings. File also contains textual records, including a competition programme, correspondence and photographic material.
Personnes et institutions:
Date:
1981-1982
1981-1982
Titre:
Rotterdam "Kop van Zuid"
Actions:
AP142.S1.D62
Description:
File documents an unsuccessful competition entry for the urban renewal of the Kop van Zuid harbour area in Rotterdam, Netherlands. The Rotterdam Arts council invited several architects to submit a proposal during the "Architecture International Rotterdam", a festival of architecture held during 1981 and 1982. Several architects were invited to propose an urban design for the northern part of the south bank of the river Nieuwe Maas. Material in this file was produced between 1981 and 1982. File contains reference drawings, design development drawings and presentation drawings. File also contains textual records, including a competition programme, correspondence and photographic material.
Rotterdam "Kop van Zuid"
Actions:
AP142.S1.D62
Description:
File documents an unsuccessful competition entry for the urban renewal of the Kop van Zuid harbour area in Rotterdam, Netherlands. The Rotterdam Arts council invited several architects to submit a proposal during the "Architecture International Rotterdam", a festival of architecture held during 1981 and 1982. Several architects were invited to propose an urban design for the northern part of the south bank of the river Nieuwe Maas. Material in this file was produced between 1981 and 1982. File contains reference drawings, design development drawings and presentation drawings. File also contains textual records, including a competition programme, correspondence and photographic material.
Niveau de description archivistique:
File 62
File 62
Date:
1981-1982
1981-1982
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Berlin Masque
Berlin Masque
Numéro de référence:
AP145.S2.D47
Description:
File documents an unexecuted competition entry for an urban development in Berlin, West Germany. Material in this file was produced in 1981. File contains a sketchbook, conceptual drawings, design development drawings, presentation drawings, reference drawings, and a presentation model.
AP145.S2.D47
Description:
File documents an unexecuted competition entry for an urban development in Berlin, West Germany. Material in this file was produced in 1981. File contains a sketchbook, conceptual drawings, design development drawings, presentation drawings, reference drawings, and a presentation model.
Personnes et institutions:
Date:
[1981]
[1981]
Titre:
Berlin Masque
Actions:
AP145.S2.D47
Description:
File documents an unexecuted competition entry for an urban development in Berlin, West Germany. Material in this file was produced in 1981. File contains a sketchbook, conceptual drawings, design development drawings, presentation drawings, reference drawings, and a presentation model.
Berlin Masque
Actions:
AP145.S2.D47
Description:
File documents an unexecuted competition entry for an urban development in Berlin, West Germany. Material in this file was produced in 1981. File contains a sketchbook, conceptual drawings, design development drawings, presentation drawings, reference drawings, and a presentation model.
Niveau de description archivistique:
File 47
File 47
Date:
[1981]
[1981]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S1.D1
Description:
File documents an unsuccessful competition entry for the renewal of the via Farini sector in Milan, Italy. The proposal aimed to improve the urban character of an industrial area. Material in this file was produced in approximately 1960. File contains one presentation drawing.
AP142.S1.D1
Description:
File documents an unsuccessful competition entry for the renewal of the via Farini sector in Milan, Italy. The proposal aimed to improve the urban character of an industrial area. Material in this file was produced in approximately 1960. File contains one presentation drawing.
Personnes et institutions:
Date:
circa 1960
circa 1960
Titre:
Ristrutturazione della zona di via Farini, Milan, Italy
Actions:
AP142.S1.D1
Description:
File documents an unsuccessful competition entry for the renewal of the via Farini sector in Milan, Italy. The proposal aimed to improve the urban character of an industrial area. Material in this file was produced in approximately 1960. File contains one presentation drawing.
Ristrutturazione della zona di via Farini, Milan, Italy
Actions:
AP142.S1.D1
Description:
File documents an unsuccessful competition entry for the renewal of the via Farini sector in Milan, Italy. The proposal aimed to improve the urban character of an industrial area. Material in this file was produced in approximately 1960. File contains one presentation drawing.
Niveau de description archivistique:
Project
Project
Date:
circa 1960
circa 1960
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
Personnes et institutions:
Date:
1971-1989
1971-1989
Titre:
Performing Arts Centre, Cornell University, Ithaca, New York
Actions:
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
Performing Arts Centre, Cornell University, Ithaca, New York
Actions:
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
Niveau de description archivistique:
File 63
File 63
Date:
1971-1989
1971-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Tarnòw
Tarnòw
Numéro de référence:
AP163.S1.SS1.D21
Description:
File documents Victor Prus's urban planning project for Tarnòw, Poland. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly paint on paper. File contains presentation drawings and textual records.
AP163.S1.SS1.D21
Description:
File documents Victor Prus's urban planning project for Tarnòw, Poland. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly paint on paper. File contains presentation drawings and textual records.
Personnes et institutions:
Date:
between 1945 and 1950
between 1945 and 1950
Titre:
Tarnòw
Actions:
AP163.S1.SS1.D21
Description:
File documents Victor Prus's urban planning project for Tarnòw, Poland. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly paint on paper. File contains presentation drawings and textual records.
Tarnòw
Actions:
AP163.S1.SS1.D21
Description:
File documents Victor Prus's urban planning project for Tarnòw, Poland. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly paint on paper. File contains presentation drawings and textual records.
Niveau de description archivistique:
File 21
File 21
Date:
between 1945 and 1950
between 1945 and 1950
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP027.S1.D43
Description:
A study of the housing stock and community facilities with reference to regional development in the Interlake area of Manitoba. This project assesses the regional development possibilities and proposed future urban patterns based on land use, resource development, and economic goals anticipated by 1979.
AP027.S1.D43
Description:
A study of the housing stock and community facilities with reference to regional development in the Interlake area of Manitoba. This project assesses the regional development possibilities and proposed future urban patterns based on land use, resource development, and economic goals anticipated by 1979.
Personnes et institutions:
Sujet:
urbanisme
urbanisme
Date:
1967-1968
1967-1968
Titre:
Interlake Housing Study
Actions:
AP027.S1.D43
Description:
A study of the housing stock and community facilities with reference to regional development in the Interlake area of Manitoba. This project assesses the regional development possibilities and proposed future urban patterns based on land use, resource development, and economic goals anticipated by 1979.
Interlake Housing Study
Actions:
AP027.S1.D43
Description:
A study of the housing stock and community facilities with reference to regional development in the Interlake area of Manitoba. This project assesses the regional development possibilities and proposed future urban patterns based on land use, resource development, and economic goals anticipated by 1979.
Niveau de description archivistique:
File 43
File 43
Date:
1967-1968
1967-1968
Personnes et institutions:
Sujet:
urbanisme
urbanisme
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
CIAM IV, CIRPAC and London
CIAM IV, CIRPAC and London
Numéro de référence:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Personnes et institutions:
Date:
1933-1934
1933-1934
Titre:
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Niveau de description archivistique:
Series
Series
Date:
1933-1934
1933-1934
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Aditya Prakash fonds
Aditya Prakash fonds
Numéro de référence:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Personnes et institutions:
Date:
1947-2008
1947-2008
Titre:
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2008
1947-2008
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
Personnes et institutions:
Date:
1975-1978
1975-1978
Titre:
“The Historical Project”, “The Pilgrimage Chapel at Ronchamp", “Transformations, Decompositions, and Critiques: House X”
Actions:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
“The Historical Project”, “The Pilgrimage Chapel at Ronchamp", “Transformations, Decompositions, and Critiques: House X”
Actions:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
Classification:
documents textuels
documents textuels
Date:
1975-1978
1975-1978
Personnes et institutions:
