680 Résultats
Classification:
livres
livres
Exemplaires:
Description:
276 pages : illustrations (some color), maps ; 33 cm
Description:
276 pages : illustrations (some color), maps ; 33 cm
Auteur:
Sujet:
- Rose windows.,
- Christian art and symbolism.,
- Glass painting and staining, Medieval.,
- Christian art and symbolism Medieval, 500-1500 Themes, motives.,
- Roses (Vitraux),
- Art chrétien 500-1500 (Moyen Âge) Thèmes, motifs.,
- Vitraux médiévaux.,
- rose windows.,
- Christian art and symbolism Medieval Themes, motives
Publication:
London : Thames & Hudson, 2005.
London : Thames & Hudson, 2005.
Titre:
The rose window : splendour and symbol / Painton Cowen.
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Description:
276 pages : illustrations (some color), maps ; 33 cm
The rose window : splendour and symbol / Painton Cowen.
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Description:
276 pages : illustrations (some color), maps ; 33 cm
Classification:
livres
livres
Publication:
London : Thames & Hudson, 2005.
London : Thames & Hudson, 2005.
Auteur:
Sujet:
- Rose windows.,
- Christian art and symbolism.,
- Glass painting and staining, Medieval.,
- Christian art and symbolism Medieval, 500-1500 Themes, motives.,
- Roses (Vitraux),
- Art chrétien 500-1500 (Moyen Âge) Thèmes, motifs.,
- Vitraux médiévaux.,
- rose windows.,
- Christian art and symbolism Medieval Themes, motives
Classification:
livres
livres
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Prix:
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Prix:
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Classification:
livres
livres
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Classification:
audio
audio
Description:
1 online resource.
Auteur:
Sujet:
- Anti-imperialist movements.,
- Art and music.,
- Audio-visual archives.,
- Imperialism.,
- Motion pictures.,
- Propaganda.,
- Sound.,
- Anti-impérialisme.,
- Archives audiovisuelles.,
- Propagande.,
- interviews.,
- Interviews,
- Podcasts,
- Émissions baladodiffusées.
Publication:
[Place of publication not identified] : Secession, 2026.
[Place of publication not identified] : Secession, 2026.
Titre:
Artists: Onyeka Igwe in conversation with Jeanette Pacher.
Actions:
Description:
1 online resource.
Artists: Onyeka Igwe in conversation with Jeanette Pacher.
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Description:
1 online resource.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Secession, 2026.
[Place of publication not identified] : Secession, 2026.
Auteur:
Sujet:
- Anti-imperialist movements.,
- Art and music.,
- Audio-visual archives.,
- Imperialism.,
- Motion pictures.,
- Propaganda.,
- Sound.,
- Anti-impérialisme.,
- Archives audiovisuelles.,
- Propagande.,
- interviews.,
- Interviews,
- Podcasts,
- Émissions baladodiffusées.
Classification:
livres
livres
Actions:
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Description:
261 pages : illustrations (some color) ; 29 cm
Description:
261 pages : illustrations (some color) ; 29 cm
Auteur:
- Radice, Barbara, 1943-,
- Ettore Sottsass. English,
- Sottsass, Ettore, 1917-2007.
Sujet:
- Sottsass, Ettore, 1917-2007.,
- Sottsass, Ettore, (1917- ) Critique et interprétation.,
- Sottsass, Ettore (Architekt, 1917-2007),
- Designers Italy Biography.,
- Designers Italie Biographies.,
- Designers,
- Bildband,
- Italy,
- Biographies.,
- Catalogues raisonnés.,
- Quotations (texts)
Publication:
New York : Rizzoli, 1993.
New York : Rizzoli, 1993.
Titre:
Ettore Sottsass : a critical biography / Barbara Radice ; [English language translation by Rodney Stringer].
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Description:
261 pages : illustrations (some color) ; 29 cm
Ettore Sottsass : a critical biography / Barbara Radice ; [English language translation by Rodney Stringer].
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Description:
261 pages : illustrations (some color) ; 29 cm
Classification:
livres
livres
Publication:
New York : Rizzoli, 1993.
New York : Rizzoli, 1993.
Auteur:
- Radice, Barbara, 1943-,
- Ettore Sottsass. English,
- Sottsass, Ettore, 1917-2007.
Sujet:
- Sottsass, Ettore, 1917-2007.,
- Sottsass, Ettore, (1917- ) Critique et interprétation.,
- Sottsass, Ettore (Architekt, 1917-2007),
- Designers Italy Biography.,
- Designers Italie Biographies.,
- Designers,
- Bildband,
- Italy,
- Biographies.,
- Catalogues raisonnés.,
- Quotations (texts)
Classification:
livres
livres
Exemplaires:
Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Auteur:
Sujet:
- Architectural Details Spain Madrid 2000-2010.,
- Storefronts Spain Madrid 2000-2010.,
- Show-windows Spain Madrid 2000-2010.,
- Metal Grilles (barrier elements) Spain Madrid 2000-2010.,
- Shop signs Spain Madrid 2000-2010.,
- Door pulls Spain Madrid 2000-2010.,
- Intercom systems Madrid 2000-2010.,
- Spanish Industrial designers.
Publication:
[Madrid] : Aldeasa, 2003.
[Madrid] : Aldeasa, 2003.
Titre:
Hasta fin de existencias = While stocks last / Leandro Lattes.
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Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Hasta fin de existencias = While stocks last / Leandro Lattes.
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Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Classification:
livres
livres
Publication:
[Madrid] : Aldeasa, 2003.
[Madrid] : Aldeasa, 2003.
Auteur:
Sujet:
- Architectural Details Spain Madrid 2000-2010.,
- Storefronts Spain Madrid 2000-2010.,
- Show-windows Spain Madrid 2000-2010.,
- Metal Grilles (barrier elements) Spain Madrid 2000-2010.,
- Shop signs Spain Madrid 2000-2010.,
- Door pulls Spain Madrid 2000-2010.,
- Intercom systems Madrid 2000-2010.,
- Spanish Industrial designers.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
127 pages : color illustrations ; 30 cm
Description:
127 pages : color illustrations ; 30 cm
Auteur:
- Gursky, Andreas, 1955-,
- Bürgi, Bernhard.,
- Söntgen, Beate.,
- Zimmer, Nina, 1973-,
- Öffentliche Kunstsammlung Basel.
Sujet:
- Gursky, Andreas, 1955- Exhibitions.,
- Gursky, Andreas, 1955-,
- Gursky, Andreas Photographie Geschichte 1999-2007 Ausstellung Basel <2007>,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Photographie Gursky, Andreas Geschichte 1999-2007 Ausstellung Basel <2007>,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- Catalogues d'exposition.
Publication:
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Titre:
Andreas Gursky / mit Beiträgen von Bernhard Mendes Bürgi, Beate Söntgen, Nina Zimmer.
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Description:
127 pages : color illustrations ; 30 cm
Andreas Gursky / mit Beiträgen von Bernhard Mendes Bürgi, Beate Söntgen, Nina Zimmer.
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Description:
127 pages : color illustrations ; 30 cm
Classification:
livres
livres
Publication:
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Auteur:
- Gursky, Andreas, 1955-,
- Bürgi, Bernhard.,
- Söntgen, Beate.,
- Zimmer, Nina, 1973-,
- Öffentliche Kunstsammlung Basel.
Sujet:
- Gursky, Andreas, 1955- Exhibitions.,
- Gursky, Andreas, 1955-,
- Gursky, Andreas Photographie Geschichte 1999-2007 Ausstellung Basel <2007>,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Photographie Gursky, Andreas Geschichte 1999-2007 Ausstellung Basel <2007>,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- Catalogues d'exposition.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
148 pages : illustrations ; 23 cm.
Description:
148 pages : illustrations ; 23 cm.
Auteur:
Sujet:
- Excavations (Archaeology) Turkey Ephesus (Extinct city),
- City planning Turkey Ephesus (Extinct city),
- Excavations (Archaeology) Turkey Bergama.,
- City planning Turkey Bergama.,
- City planning Turkey.,
- Urban renewal Turkey.,
- Urbanisme Turquie Asie Mineure.,
- Rénovation urbaine Turquie Asie Mineure.,
- Fouilles (Archéologie) Turquie Éphèse (Ville ancienne),
- Fouilles (Archéologie) Turquie Bergama.,
- 15.34 classical archaeology.,
- 21.73 urban development (architecture),
- Urban renewal,
- Classical antiquities,
- Civilization,
- Buildings.,
- City planning.,
- Excavations (Archaeology),
- Romeinse oudheid.,
- Stedenbouw.,
- Antiquités romaines.,
- Urbanisme.,
- Ephesus (Extinct city) History.,
- Ephesus (Extinct city) Buildings, structures, etc.,
- Bergama (Turkey) History.,
- Bergama (Turkey) Buildings, structures, etc.,
- Turkey Antiquities, Roman.,
- Turkey Civilization.,
- Ephesus (Extinct city),
- Perga (Extinct city),
- Bergama (Turkey),
- Asie Mineure Antiquités romaines.,
- Asie Mineure Civilisation.,
- Éphèse (Ville ancienne),
- Perge (Ville ancienne),
- Bergama (Turquie),
- Éphèse (Ville ancienne) Histoire.,
- Éphèse (Ville ancienne) Constructions.,
- Bergama (Turquie) Histoire.,
- Bergama (Turquie) Constructions.,
- Turkey Perga (Extinct city),
- Turkey,
- Turkey Bergama.,
- Turkey Ephesus (Extinct city),
- Asie Mineure.,
- Roman urban history Minor Asia,
- History.
Publication:
Pessac : Ausonius, 2004.
Pessac : Ausonius, 2004.
Titre:
Eṕhèse et Pergame : urbanisme et commanditaires en Asie mineure romaine / Helmut Halfmann.
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Description:
148 pages : illustrations ; 23 cm.
Eṕhèse et Pergame : urbanisme et commanditaires en Asie mineure romaine / Helmut Halfmann.
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Description:
148 pages : illustrations ; 23 cm.
Classification:
livres
livres
Publication:
Pessac : Ausonius, 2004.
Pessac : Ausonius, 2004.
Auteur:
Sujet:
- Excavations (Archaeology) Turkey Ephesus (Extinct city),
- City planning Turkey Ephesus (Extinct city),
- Excavations (Archaeology) Turkey Bergama.,
- City planning Turkey Bergama.,
- City planning Turkey.,
- Urban renewal Turkey.,
- Urbanisme Turquie Asie Mineure.,
- Rénovation urbaine Turquie Asie Mineure.,
- Fouilles (Archéologie) Turquie Éphèse (Ville ancienne),
- Fouilles (Archéologie) Turquie Bergama.,
- 15.34 classical archaeology.,
- 21.73 urban development (architecture),
- Urban renewal,
- Classical antiquities,
- Civilization,
- Buildings.,
- City planning.,
- Excavations (Archaeology),
- Romeinse oudheid.,
- Stedenbouw.,
- Antiquités romaines.,
- Urbanisme.,
- Ephesus (Extinct city) History.,
- Ephesus (Extinct city) Buildings, structures, etc.,
- Bergama (Turkey) History.,
- Bergama (Turkey) Buildings, structures, etc.,
- Turkey Antiquities, Roman.,
- Turkey Civilization.,
- Ephesus (Extinct city),
- Perga (Extinct city),
- Bergama (Turkey),
- Asie Mineure Antiquités romaines.,
- Asie Mineure Civilisation.,
- Éphèse (Ville ancienne),
- Perge (Ville ancienne),
- Bergama (Turquie),
- Éphèse (Ville ancienne) Histoire.,
- Éphèse (Ville ancienne) Constructions.,
- Bergama (Turquie) Histoire.,
- Bergama (Turquie) Constructions.,
- Turkey Perga (Extinct city),
- Turkey,
- Turkey Bergama.,
- Turkey Ephesus (Extinct city),
- Asie Mineure.,
- Roman urban history Minor Asia,
- History.
Classification:
audio
audio
Titre:
Jean Cooney.
Jean Cooney.
Actions:
Description:
1 online resource.
Auteur:
Sujet:
- Artists.,
- Public art.,
- Video art.,
- Artistes.,
- Art Intégration à l'architecture.,
- Art vidéo.,
- video art.,
- Interviews.,
- Podcasts.,
- interviews.,
- Émissions baladodiffusées.
Publication:
[Place of publication not identified] : Art and Obsolescence, 2023.
[Place of publication not identified] : Art and Obsolescence, 2023.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Art and Obsolescence, 2023.
[Place of publication not identified] : Art and Obsolescence, 2023.
Auteur:
Sujet:
- Artists.,
- Public art.,
- Video art.,
- Artistes.,
- Art Intégration à l'architecture.,
- Art vidéo.,
- video art.,
- Interviews.,
- Podcasts.,
- interviews.,
- Émissions baladodiffusées.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xx, 677 pages : illustrations, maps ; 25 cm
- Bibliothèque main 232291 | N5262.M3 G6 2003 | Disponible
- Bibliothèque main 232292 | N5262.M3 G6 2003 | sheet | Disponible
Description:
xx, 677 pages : illustrations, maps ; 25 cm
Auteur:
- Gordon, Alden R.,
- Ayçaguer-Ron, Carolyne.,
- Gilbert, Maria L. (Maria Leilani), 1963-,
- Spatz, Elizabeth A.,
- Teter, Patricia A.
Sujet:
- Marigny, Abel François Poisson, marquis de, 1727-1781 Art collections.,
- Marigny, Abel François Poisson, marquis de, 1727-1781 Homes and haunts.,
- Marigny, Abel François Poisson, marquis de, 1727-1781.,
- Marigny, Abel François Poisson de 1727-1781,
- Marigny, Abel François Poisson ((de)),
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Art Private collections France.,
- Art Collections privées France.,
- Art Private collections.,
- Homes.,
- Sammlung,
- Kunstcollecties.,
- Particuliere verzamelingen.,
- Inventarissen.,
- France.,
- 1781-1781,
- Quelle,
- Inventories.
Publication:
Los Angeles, CA : Provenance Index of the Getty Research Institute, 2003.
Los Angeles, CA : Provenance Index of the Getty Research Institute, 2003.
Titre:
The houses and collections of the Marquis de Marigny / Alden R. Gordon ; edited by Carolyne Ayçaguer-Ron ; assisted by Maria L. Gilbert, Elizabeth A. Spatz, Patricia A. Teter.
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Description:
xx, 677 pages : illustrations, maps ; 25 cm
The houses and collections of the Marquis de Marigny / Alden R. Gordon ; edited by Carolyne Ayçaguer-Ron ; assisted by Maria L. Gilbert, Elizabeth A. Spatz, Patricia A. Teter.
Actions:
Exemplaires:
- Bibliothèque main 232291 | N5262.M3 G6 2003 | Disponible
- Bibliothèque main 232292 | N5262.M3 G6 2003 | sheet | Disponible
Description:
xx, 677 pages : illustrations, maps ; 25 cm
Classification:
livres
livres
Publication:
Los Angeles, CA : Provenance Index of the Getty Research Institute, 2003.
Los Angeles, CA : Provenance Index of the Getty Research Institute, 2003.
Auteur:
- Gordon, Alden R.,
- Ayçaguer-Ron, Carolyne.,
- Gilbert, Maria L. (Maria Leilani), 1963-,
- Spatz, Elizabeth A.,
- Teter, Patricia A.
Sujet:
- Marigny, Abel François Poisson, marquis de, 1727-1781 Art collections.,
- Marigny, Abel François Poisson, marquis de, 1727-1781 Homes and haunts.,
- Marigny, Abel François Poisson, marquis de, 1727-1781.,
- Marigny, Abel François Poisson de 1727-1781,
- Marigny, Abel François Poisson ((de)),
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Art Private collections France.,
- Art Collections privées France.,
- Art Private collections.,
- Homes.,
- Sammlung,
- Kunstcollecties.,
- Particuliere verzamelingen.,
- Inventarissen.,
- France.,
- 1781-1781,
- Quelle,
- Inventories.
