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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
$60.00
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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$60.00
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
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livres
livres
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
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livres
livres
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$39.95
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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$39.95
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Classification:
audio
audio
Description:
1 online resource.
Auteur:
Sujet:
- Anti-imperialist movements.,
- Art and music.,
- Audio-visual archives.,
- Imperialism.,
- Motion pictures.,
- Propaganda.,
- Sound.,
- Anti-impérialisme.,
- Archives audiovisuelles.,
- Propagande.,
- interviews.,
- Interviews,
- Podcasts,
- Émissions baladodiffusées.
Publication:
[Place of publication not identified] : Secession, 2026.
[Place of publication not identified] : Secession, 2026.
Titre:
Artists: Onyeka Igwe in conversation with Jeanette Pacher.
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Description:
1 online resource.
Artists: Onyeka Igwe in conversation with Jeanette Pacher.
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Description:
1 online resource.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Secession, 2026.
[Place of publication not identified] : Secession, 2026.
Auteur:
Sujet:
- Anti-imperialist movements.,
- Art and music.,
- Audio-visual archives.,
- Imperialism.,
- Motion pictures.,
- Propaganda.,
- Sound.,
- Anti-impérialisme.,
- Archives audiovisuelles.,
- Propagande.,
- interviews.,
- Interviews,
- Podcasts,
- Émissions baladodiffusées.
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livres
livres
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Description:
261 pages : illustrations (some color) ; 29 cm
Description:
261 pages : illustrations (some color) ; 29 cm
Auteur:
- Radice, Barbara, 1943-,
- Ettore Sottsass. English,
- Sottsass, Ettore, 1917-2007.
Sujet:
- Sottsass, Ettore, 1917-2007.,
- Sottsass, Ettore, (1917- ) Critique et interprétation.,
- Sottsass, Ettore (Architekt, 1917-2007),
- Designers Italy Biography.,
- Designers Italie Biographies.,
- Designers,
- Bildband,
- Italy,
- Biographies.,
- Catalogues raisonnés.,
- Quotations (texts)
Publication:
New York : Rizzoli, 1993.
New York : Rizzoli, 1993.
Titre:
Ettore Sottsass : a critical biography / Barbara Radice ; [English language translation by Rodney Stringer].
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Description:
261 pages : illustrations (some color) ; 29 cm
Ettore Sottsass : a critical biography / Barbara Radice ; [English language translation by Rodney Stringer].
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Description:
261 pages : illustrations (some color) ; 29 cm
Classification:
livres
livres
Publication:
New York : Rizzoli, 1993.
New York : Rizzoli, 1993.
Auteur:
- Radice, Barbara, 1943-,
- Ettore Sottsass. English,
- Sottsass, Ettore, 1917-2007.
Sujet:
- Sottsass, Ettore, 1917-2007.,
- Sottsass, Ettore, (1917- ) Critique et interprétation.,
- Sottsass, Ettore (Architekt, 1917-2007),
- Designers Italy Biography.,
- Designers Italie Biographies.,
- Designers,
- Bildband,
- Italy,
- Biographies.,
- Catalogues raisonnés.,
- Quotations (texts)
Classification:
livres
livres
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Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Auteur:
Sujet:
- Architectural Details Spain Madrid 2000-2010.,
- Storefronts Spain Madrid 2000-2010.,
- Show-windows Spain Madrid 2000-2010.,
- Metal Grilles (barrier elements) Spain Madrid 2000-2010.,
- Shop signs Spain Madrid 2000-2010.,
- Door pulls Spain Madrid 2000-2010.,
- Intercom systems Madrid 2000-2010.,
- Spanish Industrial designers.
Publication:
[Madrid] : Aldeasa, 2003.
[Madrid] : Aldeasa, 2003.
Titre:
Hasta fin de existencias = While stocks last / Leandro Lattes.
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Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Hasta fin de existencias = While stocks last / Leandro Lattes.
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Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Classification:
livres
livres
Publication:
[Madrid] : Aldeasa, 2003.
[Madrid] : Aldeasa, 2003.
Auteur:
Sujet:
- Architectural Details Spain Madrid 2000-2010.,
- Storefronts Spain Madrid 2000-2010.,
- Show-windows Spain Madrid 2000-2010.,
- Metal Grilles (barrier elements) Spain Madrid 2000-2010.,
- Shop signs Spain Madrid 2000-2010.,
- Door pulls Spain Madrid 2000-2010.,
- Intercom systems Madrid 2000-2010.,
- Spanish Industrial designers.
Classification:
livres
livres
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Description:
127 pages : color illustrations ; 30 cm
Description:
127 pages : color illustrations ; 30 cm
Auteur:
- Gursky, Andreas, 1955-,
- Bürgi, Bernhard.,
- Söntgen, Beate.,
- Zimmer, Nina, 1973-,
- Öffentliche Kunstsammlung Basel.
Sujet:
- Gursky, Andreas, 1955- Exhibitions.,
- Gursky, Andreas, 1955-,
- Gursky, Andreas Photographie Geschichte 1999-2007 Ausstellung Basel <2007>,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Photographie Gursky, Andreas Geschichte 1999-2007 Ausstellung Basel <2007>,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- Catalogues d'exposition.
Publication:
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Titre:
Andreas Gursky / mit Beiträgen von Bernhard Mendes Bürgi, Beate Söntgen, Nina Zimmer.
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Description:
127 pages : color illustrations ; 30 cm
Andreas Gursky / mit Beiträgen von Bernhard Mendes Bürgi, Beate Söntgen, Nina Zimmer.
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Description:
127 pages : color illustrations ; 30 cm
Classification:
livres
livres
Publication:
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Auteur:
- Gursky, Andreas, 1955-,
- Bürgi, Bernhard.,
- Söntgen, Beate.,
- Zimmer, Nina, 1973-,
- Öffentliche Kunstsammlung Basel.
Sujet:
- Gursky, Andreas, 1955- Exhibitions.,
- Gursky, Andreas, 1955-,
- Gursky, Andreas Photographie Geschichte 1999-2007 Ausstellung Basel <2007>,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Photographie Gursky, Andreas Geschichte 1999-2007 Ausstellung Basel <2007>,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- Catalogues d'exposition.
Classification:
livres
livres
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Description:
148 pages : illustrations ; 23 cm.
Description:
148 pages : illustrations ; 23 cm.
Auteur:
Sujet:
- Excavations (Archaeology) Turkey Ephesus (Extinct city),
- City planning Turkey Ephesus (Extinct city),
- Excavations (Archaeology) Turkey Bergama.,
- City planning Turkey Bergama.,
- City planning Turkey.,
- Urban renewal Turkey.,
- Urbanisme Turquie Asie Mineure.,
- Rénovation urbaine Turquie Asie Mineure.,
- Fouilles (Archéologie) Turquie Éphèse (Ville ancienne),
- Fouilles (Archéologie) Turquie Bergama.,
- 15.34 classical archaeology.,
- 21.73 urban development (architecture),
- Urban renewal,
- Classical antiquities,
- Civilization,
- Buildings.,
- City planning.,
- Excavations (Archaeology),
- Romeinse oudheid.,
- Stedenbouw.,
- Antiquités romaines.,
- Urbanisme.,
- Ephesus (Extinct city) History.,
- Ephesus (Extinct city) Buildings, structures, etc.,
- Bergama (Turkey) History.,
- Bergama (Turkey) Buildings, structures, etc.,
- Turkey Antiquities, Roman.,
- Turkey Civilization.,
- Ephesus (Extinct city),
- Perga (Extinct city),
- Bergama (Turkey),
- Asie Mineure Antiquités romaines.,
- Asie Mineure Civilisation.,
- Éphèse (Ville ancienne),
- Perge (Ville ancienne),
- Bergama (Turquie),
- Éphèse (Ville ancienne) Histoire.,
- Éphèse (Ville ancienne) Constructions.,
- Bergama (Turquie) Histoire.,
- Bergama (Turquie) Constructions.,
- Turkey Perga (Extinct city),
- Turkey,
- Turkey Bergama.,
- Turkey Ephesus (Extinct city),
- Asie Mineure.,
- Roman urban history Minor Asia,
- History.
Publication:
Pessac : Ausonius, 2004.
Pessac : Ausonius, 2004.
Titre:
Eṕhèse et Pergame : urbanisme et commanditaires en Asie mineure romaine / Helmut Halfmann.
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Description:
148 pages : illustrations ; 23 cm.
Eṕhèse et Pergame : urbanisme et commanditaires en Asie mineure romaine / Helmut Halfmann.
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Description:
148 pages : illustrations ; 23 cm.
Classification:
livres
livres
Publication:
Pessac : Ausonius, 2004.
Pessac : Ausonius, 2004.
Auteur:
Sujet:
- Excavations (Archaeology) Turkey Ephesus (Extinct city),
- City planning Turkey Ephesus (Extinct city),
- Excavations (Archaeology) Turkey Bergama.,
- City planning Turkey Bergama.,
- City planning Turkey.,
- Urban renewal Turkey.,
- Urbanisme Turquie Asie Mineure.,
- Rénovation urbaine Turquie Asie Mineure.,
- Fouilles (Archéologie) Turquie Éphèse (Ville ancienne),
- Fouilles (Archéologie) Turquie Bergama.,
- 15.34 classical archaeology.,
- 21.73 urban development (architecture),
- Urban renewal,
- Classical antiquities,
- Civilization,
- Buildings.,
- City planning.,
- Excavations (Archaeology),
- Romeinse oudheid.,
- Stedenbouw.,
- Antiquités romaines.,
- Urbanisme.,
- Ephesus (Extinct city) History.,
- Ephesus (Extinct city) Buildings, structures, etc.,
- Bergama (Turkey) History.,
- Bergama (Turkey) Buildings, structures, etc.,
- Turkey Antiquities, Roman.,
- Turkey Civilization.,
- Ephesus (Extinct city),
- Perga (Extinct city),
- Bergama (Turkey),
- Asie Mineure Antiquités romaines.,
- Asie Mineure Civilisation.,
- Éphèse (Ville ancienne),
- Perge (Ville ancienne),
- Bergama (Turquie),
- Éphèse (Ville ancienne) Histoire.,
- Éphèse (Ville ancienne) Constructions.,
- Bergama (Turquie) Histoire.,
- Bergama (Turquie) Constructions.,
- Turkey Perga (Extinct city),
- Turkey,
- Turkey Bergama.,
- Turkey Ephesus (Extinct city),
- Asie Mineure.,
- Roman urban history Minor Asia,
- History.
Classification:
audio
audio
Titre:
Jean Cooney.
Jean Cooney.
Actions:
Description:
1 online resource.
Auteur:
Sujet:
- Artists.,
- Public art.,
- Video art.,
- Artistes.,
- Art Intégration à l'architecture.,
- Art vidéo.,
- video art.,
- Interviews.,
- Podcasts.,
- interviews.,
- Émissions baladodiffusées.
Publication:
[Place of publication not identified] : Art and Obsolescence, 2023.
[Place of publication not identified] : Art and Obsolescence, 2023.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Art and Obsolescence, 2023.
[Place of publication not identified] : Art and Obsolescence, 2023.
Auteur:
Sujet:
- Artists.,
- Public art.,
- Video art.,
- Artistes.,
- Art Intégration à l'architecture.,
- Art vidéo.,
- video art.,
- Interviews.,
- Podcasts.,
- interviews.,
- Émissions baladodiffusées.
Classification:
livres
livres
Exemplaires:
Description:
xiii, 338 pages : illustrations, maps ; 24 cm
Description:
xiii, 338 pages : illustrations, maps ; 24 cm
Auteur:
Sujet:
- Economic history.,
- Amsterdam (Netherlands) History.,
- Amsterdam (Netherlands) Economic conditions.,
- Netherlands Amsterdam.,
- History.
Publication:
Cambridge, Mass. : Harvard University Press, 2000.
Cambridge, Mass. : Harvard University Press, 2000.
Titre:
Amsterdam / Geert Mak ; translated by Philipp Blom.
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Description:
xiii, 338 pages : illustrations, maps ; 24 cm
Amsterdam / Geert Mak ; translated by Philipp Blom.
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Description:
xiii, 338 pages : illustrations, maps ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : Harvard University Press, 2000.
Cambridge, Mass. : Harvard University Press, 2000.
Auteur:
Sujet:
- Economic history.,
- Amsterdam (Netherlands) History.,
- Amsterdam (Netherlands) Economic conditions.,
- Netherlands Amsterdam.,
- History.
Classification:
audio
audio
Titre:
Rahel Aima.
Rahel Aima.
Actions:
Description:
1 online resource.
Auteur:
- Goodden, Sky,,
- Aima, Rahel,,
- Andrews, Chris,,
- Irish, Jacob,,
- Wetmore, Lauren,,
- Library Stack,,
- Library Stack.
Sujet:
- Art as an investment.,
- Art criticism.,
- Art--Collectors and collecting.,
- Capital movements.,
- Globalization.,
- Sexual minority culture.,
- Art comme valeur de placement.,
- Critique d'art.,
- Mouvements de capitaux.,
- Mondialisation.,
- Culture des minorités sexuelles.,
- art criticism.,
- globalism.,
- Art Economic aspects,
- Art Collectors and collecting,
- Culture and globalization,
- Podcasts.,
- Émissions baladodiffusées.
Publication:
[Place of publication not identified] : Momus, 2022.
[Place of publication not identified] : Momus, 2022.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Momus, 2022.
[Place of publication not identified] : Momus, 2022.
Auteur:
- Goodden, Sky,,
- Aima, Rahel,,
- Andrews, Chris,,
- Irish, Jacob,,
- Wetmore, Lauren,,
- Library Stack,,
- Library Stack.
Sujet:
- Art as an investment.,
- Art criticism.,
- Art--Collectors and collecting.,
- Capital movements.,
- Globalization.,
- Sexual minority culture.,
- Art comme valeur de placement.,
- Critique d'art.,
- Mouvements de capitaux.,
- Mondialisation.,
- Culture des minorités sexuelles.,
- art criticism.,
- globalism.,
- Art Economic aspects,
- Art Collectors and collecting,
- Culture and globalization,
- Podcasts.,
- Émissions baladodiffusées.
