Dolomites project 2010
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"Dolomites Project 2010 is a monographic exhibition of the work of Olivo Barbieri.Olivo Barbieri describes mountains as "planned architecture". The Dolomites have existed for the past 250 million years, and the material of which they are formed originated in the depths of the oceans. Barbieri interprets them as symbolic, moving forms, and in the line of the summits sees a(...)
Dolomites project 2010
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"Dolomites Project 2010 is a monographic exhibition of the work of Olivo Barbieri.Olivo Barbieri describes mountains as "planned architecture". The Dolomites have existed for the past 250 million years, and the material of which they are formed originated in the depths of the oceans. Barbieri interprets them as symbolic, moving forms, and in the line of the summits sees a "story of the world seen upside-down". Barbieri’s work invites the observer to reflect on the environment and the ecological sustainability of these extraordinary examples of natural architecture.
Monographies photo
Hans-Christian Schink
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With his photographs of telephone cables rigged in an otherwise pristine Vietnamese jungle, or utility poles and wires strung across Niigata's snowy landscape, Leipzig-based photographer Hans-Christian Schink (born 1961) has documented the clash between civilization and nature for over three decades, exerting a major influence on the German photographic scene. He first(...)
Hans-Christian Schink
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With his photographs of telephone cables rigged in an otherwise pristine Vietnamese jungle, or utility poles and wires strung across Niigata's snowy landscape, Leipzig-based photographer Hans-Christian Schink (born 1961) has documented the clash between civilization and nature for over three decades, exerting a major influence on the German photographic scene. He first garnered attention for his series 'Verkehrsprojekte Deutsche Einheit,' for which he spent seven years documenting new traffic-related constructions in eastern Germany. Regardless of location, Schink's images bear testimony to humankind's brutal inscriptions upon the environment--damage to which they draw particular attention through the careful omission of human presence. Schink's avoidance of more overtly critical content only further intensifies the memorability of his photographs. This publication surveys the artist's work from 1980 to the present day.
Monographies photo
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German photographer Sibylle Bergemann (1941-2010) made her living in fashion photography, but it was with her portraits of everyday life in East Germany over the 45 years of its existence that she gained acclaim. This catalogue presents dreamlike, delicate images, - created to fight the way that humans forget, avoiding any sort of categorization in terms of time and space.
Sibylle Bergemann: the polaroids
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German photographer Sibylle Bergemann (1941-2010) made her living in fashion photography, but it was with her portraits of everyday life in East Germany over the 45 years of its existence that she gained acclaim. This catalogue presents dreamlike, delicate images, - created to fight the way that humans forget, avoiding any sort of categorization in terms of time and space.
Monographies photo
XL photography 4
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important(...)
Photographie- collections
septembre 2011
XL photography 4
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important representatives from the so-called Becher School, led by Bernd and Hilla Becher, to exciting new work by the next generation of young photographers, as well as significant contributions by photojournalists. The fourth volume in this excellent series, "XL Photography 4" documents the collection's holdings and its evolution over the last decade. It features outstanding recent works by emerging and mid-career artists such as Beate Gutschow, Tobias Zielony, Sze Tsung Leong and Pieter Hugo, as well as established masterworks by Werner Bischoff, Joseph Szabo and Philip Jones Griffiths.
Photographie- collections
Street life & home stories
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Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich,(...)
Street life & home stories
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Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich, "Street Life and Home Stories" features the work of 25 artists from the collection who transform city streets and domestic environments into staged scenarios. The world-renowned artists in this volume include Francis Alÿs, Nobuyoshi Araki, Diane Arbus, Stan Douglas, William Eggleston, Michael Elmgreen & Ingar Dragset, Ed van der Elsken, Walker Evans, Hans-Peter Feldmann, Nan Goldin, Paul Graham, Evelyn Hofer, Candida Hofer, Sarah Jones, Steve McQueen, Robin Rhode, Daniela Rossell, August Sander, Cindy Sherman, Laurie Simmons, Thomas Struth, Wolfgang Tillmans, Jeff Wall and Tobias Zielony.
Photographie- collections
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What is it that makes notebooks so fascinating? Anthropologist Michael Taussig, for whom fieldwork notebooks are indispensable, discusses notorious notetakers Walter Benjamin, Roland Barthes, Le Corbusier and Joan Didion among others.
Documenta series 01: Michael Taussig, fieldwork notebooks
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What is it that makes notebooks so fascinating? Anthropologist Michael Taussig, for whom fieldwork notebooks are indispensable, discusses notorious notetakers Walter Benjamin, Roland Barthes, Le Corbusier and Joan Didion among others.
Théorie de l’art
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The first Documenta took place in Kassel in 1955. In this lecture from 1987, Vancouver artist Ian Wallace discusses the occasion as an expression of the postwar cultural and political climate.
Documenta series 02: Ian Wallace, the first documenta 1955
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The first Documenta took place in Kassel in 1955. In this lecture from 1987, Vancouver artist Ian Wallace discusses the occasion as an expression of the postwar cultural and political climate.
Théorie de l’art
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Through stories, diaries, critical reflection and letters, Documenta 13's artistic director Carolyn Christov-Bakargiev describes some of the key issues around the 2012 exhibition.
Documenta series 03: Carolyn Christov-Bakargiev, letter to a friend
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Through stories, diaries, critical reflection and letters, Documenta 13's artistic director Carolyn Christov-Bakargiev describes some of the key issues around the 2012 exhibition.
Théorie de l’art
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For this series, artist Lawrence Weiner has made an artist's book of new statements and instructions, in exactly the same format (A6) and with the same number of pages (24) as his first contribution to Documenta, in 1972.
Documenta series 08: Lawrence Weiner, if in fact there is a context
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For this series, artist Lawrence Weiner has made an artist's book of new statements and instructions, in exactly the same format (A6) and with the same number of pages (24) as his first contribution to Documenta, in 1972.
Théorie de l’art
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In this notebook, artist William Kentridge and science historian and filmmaker Peter L. Galison preview their Documenta 13 collaboration on the subject of non-standardized temporality, realized in drawing, text, music and film.
Documenta series 09: William Kentridge and Peter L. Galison, the refusal of time
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In this notebook, artist William Kentridge and science historian and filmmaker Peter L. Galison preview their Documenta 13 collaboration on the subject of non-standardized temporality, realized in drawing, text, music and film.
Théorie de l’art