Lynne Cohen
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L'oeuvre de Lynne Cohen se caractérise par la représentation d'espace publics ou semi-privés et de lieux de travail qui se distinguent par leur neutralité et l'absence de figures humaines dans une facture qui fait école sur la scène internationale.
Lynne Cohen
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L'oeuvre de Lynne Cohen se caractérise par la représentation d'espace publics ou semi-privés et de lieux de travail qui se distinguent par leur neutralité et l'absence de figures humaines dans une facture qui fait école sur la scène internationale.
Monographies photo
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La villa Noailles a souhaité arrêter un instant Iwan Baan, un étonnant voyageur qui ne cesse de parcourir la planète pour repérer et capturer certaines architectures du temps présent, afin de saisir la vie qui se déroule avec elles. Ces 52 regards photographiques sur 52 semaines sont autant d'étapes de son parcours sans fin autour du globe. Ce qui l'intéresse, c'est(...)
Iwan Baan: autour du monde, journal d'une année d'architecture / around the world, diary of a year of architecture
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La villa Noailles a souhaité arrêter un instant Iwan Baan, un étonnant voyageur qui ne cesse de parcourir la planète pour repérer et capturer certaines architectures du temps présent, afin de saisir la vie qui se déroule avec elles. Ces 52 regards photographiques sur 52 semaines sont autant d'étapes de son parcours sans fin autour du globe. Ce qui l'intéresse, c'est cette vie qui se joue dans et autour de ces nouveaux édifices tels que le 1 1 1 1 des architectes Herzog & de Meuron à Miami, ou l'Académie des arts de Wang Shu en Chine, mais aussi le musée Knut Hamsun en Norvège de Steven Holl, l'opéra Za-Koenji de Toyo Ito à Tokyo... Ces architectes, et d'autres, témoignent généreusement ici du rôle singulier tenu par Iwan Baan dans la photographie d'architecture ainsi que des liens en mutation entre les deux disciplines.
Monographies photo
Québec, je me souviens
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Québec, je me souviens brosse un tableau du Québec en 80 pages de photographies. L'ouvrage présente le Québec sous divers angles afin de fidèlement rendre compte de sa diversité et de ce qui en fait une terre unique. Parmi les thèmes abordés : Le Québec créatif; Le Québec des grands espaces; Le Québec urbain; Le patrimoine et l’architecture au Québec; Les grands attraits(...)
Québec, je me souviens
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Québec, je me souviens brosse un tableau du Québec en 80 pages de photographies. L'ouvrage présente le Québec sous divers angles afin de fidèlement rendre compte de sa diversité et de ce qui en fait une terre unique. Parmi les thèmes abordés : Le Québec créatif; Le Québec des grands espaces; Le Québec urbain; Le patrimoine et l’architecture au Québec; Les grands attraits du Québec; L’art de vivre à la québécoise; Le peuple québécois.
Architecture du Québec
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Mixing and matching an abandoned Story Book Forest, historical Victory Gardens and a bar called Joe's, in this artist's book Amy O'Neill unfurls middle-American stories to create a feral landscape in which childhood memories rule. The project is designed by O'Neill for the Centre Culturel Suisse in Paris.
Amy O'Neil: forests, gardens and Joe's
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Mixing and matching an abandoned Story Book Forest, historical Victory Gardens and a bar called Joe's, in this artist's book Amy O'Neill unfurls middle-American stories to create a feral landscape in which childhood memories rule. The project is designed by O'Neill for the Centre Culturel Suisse in Paris.
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This publication unites recent collages, drawings, posters and sculptural works by Jakob Kolding (born 1971), examining different concepts of architectural space. Starting from an early fascination with modernist planning, the Danish artist shifted his focus toward a more general interest in the complex socio-economic and political conditions of city life, and more(...)
Jakob Kolding : shifting realities
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This publication unites recent collages, drawings, posters and sculptural works by Jakob Kolding (born 1971), examining different concepts of architectural space. Starting from an early fascination with modernist planning, the Danish artist shifted his focus toward a more general interest in the complex socio-economic and political conditions of city life, and more recently to more psychological conceptions of such spaces.
Absalon
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This catalogue is the first overview of the Israeli artist Absalon. Housed in plain white paper-over-board covers, it is comprised of two bound sections of differing heights, the back of which is glued to the interior rear card cover, in a spin on the ‘monograph as dossier’ format. Absalon built a considerable ouevre during his brief life (1964-1993), and this austerely(...)
Absalon
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This catalogue is the first overview of the Israeli artist Absalon. Housed in plain white paper-over-board covers, it is comprised of two bound sections of differing heights, the back of which is glued to the interior rear card cover, in a spin on the ‘monograph as dossier’ format. Absalon built a considerable ouevre during his brief life (1964-1993), and this austerely designed volume effectively constitutes an Absalon catalogue raisonné. Absalon’s best known works, the Cellules, rewrite Cezanne’s “treat nature as the cylinder, the sphere and the cone” to read “treat architecture as the cell, the bunker and the turret.” Not that the Cellules are straightforwardly architecture: they equally evoke Minimalist sculpture, Matt Mullican’s maquettes, Kurt Schwitters’ Merzbauen and the Concrete sculptures of George Vantongerloo. But the model that the Cellules most overtly evoke is the monastic cell.
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Josep M. Sert, has been called the last great mural painter, one of the last aesthetes of religious art. While very famous before, Sert has now faded into oblivion. Today Sert is mostly known for his murals done in the Waldorff-Astroria and Paris' city hall and the Rockefeller centre. This publication puts Josep M. Sert back in the public eye and sheds light on the(...)
Josep M. Sert: photographic archive of the model
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Josep M. Sert, has been called the last great mural painter, one of the last aesthetes of religious art. While very famous before, Sert has now faded into oblivion. Today Sert is mostly known for his murals done in the Waldorff-Astroria and Paris' city hall and the Rockefeller centre. This publication puts Josep M. Sert back in the public eye and sheds light on the craftsmanship with which J.M. Sert created his paintings. With never-before-seen images from Michele Chomette.
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Quirky trolls, misshapen weirdos, grumpy old folks and dozy youngsters: German architect Arno Lederer (born 1947) captures them all in his enchanting sketches. These affectionately mocking portraits—possibly colleagues, critics or simply imagined characters—express a gleeful defiance of the proprieties and constraints of social politeness.
Arno Lederer: Charakterkopfe & kauze/ Originals & eccentrics
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Quirky trolls, misshapen weirdos, grumpy old folks and dozy youngsters: German architect Arno Lederer (born 1947) captures them all in his enchanting sketches. These affectionately mocking portraits—possibly colleagues, critics or simply imagined characters—express a gleeful defiance of the proprieties and constraints of social politeness.
Jorinde Voigt: nexus
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In her drawings, German artist Jorinde Voigt (born 1977) develops a code of abstractionist signage that at first appears deeply subjective but soon reveals itself as the product of strict rules and systems. Blurring borders between science and art, these drawings analyze the structures of diverse cultural patterns via abstract parameters such as speed, frequency and orientation.
Jorinde Voigt: nexus
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In her drawings, German artist Jorinde Voigt (born 1977) develops a code of abstractionist signage that at first appears deeply subjective but soon reveals itself as the product of strict rules and systems. Blurring borders between science and art, these drawings analyze the structures of diverse cultural patterns via abstract parameters such as speed, frequency and orientation.
Expositions collectives
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ROSSMARKT3 is a multi annual sculpture project for Frankfurt’s Roßmarkt. It is based on the idea of new participation: city inhabitants themselves decide on the art for their public area. In 2010 a citizens’ jury came together, consisting of 25 sixth form students from Frankfurt, in order to research the Roßmarkt in a study together with experts from various(...)
Tomàs Saraceno: cloud cities/ air-port-city
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ROSSMARKT3 is a multi annual sculpture project for Frankfurt’s Roßmarkt. It is based on the idea of new participation: city inhabitants themselves decide on the art for their public area. In 2010 a citizens’ jury came together, consisting of 25 sixth form students from Frankfurt, in order to research the Roßmarkt in a study together with experts from various disciplines. The jury chose and commissioned the artist Tomás Saraceno, who comes from Argentina, with the creation of a temporary sculpture for the square, which will be opened in December 2010.