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Participate considers historical and contemporary models of creation that provide ideas for harnessing user-generated content through participatory design. The authors discuss how designers can lead the new breed of widely distributed amateur creatives rather than be overrun by them.
Participate: designing with user-generated content
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Participate considers historical and contemporary models of creation that provide ideas for harnessing user-generated content through participatory design. The authors discuss how designers can lead the new breed of widely distributed amateur creatives rather than be overrun by them.
Théorie du design
$45.00
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"The Business of Design" debunks the myth that business sense and creative talent are mutually exclusive. From billing to branding, client management to marketing and licensing, this publication reveals the tools necessary to create and run a thriving design business in today's ultra-competitive marketplace.
The business of design: balancing creativity and profitability
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"The Business of Design" debunks the myth that business sense and creative talent are mutually exclusive. From billing to branding, client management to marketing and licensing, this publication reveals the tools necessary to create and run a thriving design business in today's ultra-competitive marketplace.
Théorie du design
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Imagine a house constructed in less than forty-eight hours, without using lumber or nails, that is more resistant to fire, earthquakes, and hurricanes than any traditionally built structure. This may sound like the latest development in prefab housing or green architecture, but the design dates back to 1941 when architect Wallace Neff (1895n1982) developed Airform(...)
No nails, no lumber: The bubble houses of Wallace Neff
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Imagine a house constructed in less than forty-eight hours, without using lumber or nails, that is more resistant to fire, earthquakes, and hurricanes than any traditionally built structure. This may sound like the latest development in prefab housing or green architecture, but the design dates back to 1941 when architect Wallace Neff (1895n1982) developed Airform construction as a solution to the global housing crisis.
Architecture, monographies
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Over the course of a career that spanned forty-five years, William Wilson Wurster (1895–1973) designed hundreds of residences up and down the West Coast. Like Finnish architect Alvar Aalto, with whom Wurster maintained a close professional exchange, Wurster blends modernism with the vernacular. Wurster described these homes as "frames for living": spaces that could be(...)
Architecture, monographies
septembre 2011
The houses of William Wurster: frames for living
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Over the course of a career that spanned forty-five years, William Wilson Wurster (1895–1973) designed hundreds of residences up and down the West Coast. Like Finnish architect Alvar Aalto, with whom Wurster maintained a close professional exchange, Wurster blends modernism with the vernacular. Wurster described these homes as "frames for living": spaces that could be fully transformed by the occupant to meet their needs and desires, well-designed canvases for homemaking. Authors Caitlin Lempres Brostrom, AIA, and Richard C. Peters, FAIA, draw upon extensive historical research as well as personal relationships with Wurster to tell the story of his career, including both residential and institutional building. The Houses of William Wurster features new and archival footage of thirty-three of the architect's best-known houses and includes a foreword by Donlyn Lyndon.
Architecture, monographies
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It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the(...)
Oak: one tree, three years, fifty paintings
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It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the same oak scores of times over a period of three years, in extremes of weather and light, at all times of day and night. Oak is nature's creed of endurance (the tree was standing when Jane Austen was just a baby) and of one man's promise to find beauty in a painful world.
Typography sketchbooks
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Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings(...)
octobre 2011
Typography sketchbooks
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Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings provide fascinating insights into the expressive quality of letters and words. Aimed at all those who use type, whether by hand or on-screen, this pleasing compendium stresses the importance of good typography at a time when reading habits are changing and celebrates a craft that has endured for centuries.
livres
$25.00
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voir A Place in Mind, Véhicule press, 9781550652826 pour l'édition canadien
The nature of place: a search for authenticity
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voir A Place in Mind, Véhicule press, 9781550652826 pour l'édition canadien
livres
novembre 2011
Théorie de l’architecture
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Interior design, as a relatively young discipline within the academic world of design, has historically been interpreted as an extension of other fine arts. Narratives exist, but they all too often treat interior design as a function of architecture or display rather than experience. An independent interior design theory is virtually nonexistent. Professor Lois Weinthal(...)
Toward a new interior: an anthology of interior design theory
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Interior design, as a relatively young discipline within the academic world of design, has historically been interpreted as an extension of other fine arts. Narratives exist, but they all too often treat interior design as a function of architecture or display rather than experience. An independent interior design theory is virtually nonexistent. Professor Lois Weinthal envisions a future where interior design is treated with parity to architecture and industrial design, a future with a new interior.
Design d’intérieur
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Jean Prouvé's Ferembal House was built in Nancy, France, in 1948, as the office for a can factory. Composed of five axial frames clad with wooden panels, set on a tall masonry base and occupying less than 600 square feet in a single raised story, this prefabricated structure was a classic example of Prouvé's advocacy of mobile architecture. Thirty years later, however,(...)
Architecture, monographies
juillet 2011
Prouvé / Nouvel : Ferembal house
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Jean Prouvé's Ferembal House was built in Nancy, France, in 1948, as the office for a can factory. Composed of five axial frames clad with wooden panels, set on a tall masonry base and occupying less than 600 square feet in a single raised story, this prefabricated structure was a classic example of Prouvé's advocacy of mobile architecture. Thirty years later, however, the company went out of business and the factory was demolished. Fortunately a Nancy resident had the wherewithal to dismantle and preserve Prouvé's innovative building, putting it into storage. In 1991, the well-known Parisian design gallerist Patrick Seguin traveled to Nancy to locate the Ferembal House. Seguin spent the next ten years raising the funds to renovate it, working in tandem with Prouvé experts, and in 2007 invited his longstanding friend, the architect Jean Nouvel, to undertake a creative adaptation of the House. Drawing on contemporary technical resources, Nouvel brilliantly extended and systematized its fundamental modularity with stackable Ductal blocks and a floor of removable slabs. The results were exhibited in the Tuileries Gardens in Paris, in 2010. This comprehensive account of Prouvé's posthumous collaboration with Nouvel recounts the tale of the Ferembal House with archival photographs and plans of the original structure and a detailed account of Nouvel's inspired interventions.
Architecture, monographies
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This issue features "animate landscapes" by James A. Craig and Matt Ozga-Lawn of Stasus. The project - an experimental film institute - mediates between its postindustrial site in Warsaw and the Edinburgh studio in which it was developed. By identifying, interrogating, and immaterial conditions of both landscape and studio, Stasus creates a new scape that draws on the(...)
Pamphlet architecture 32: resilience
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This issue features "animate landscapes" by James A. Craig and Matt Ozga-Lawn of Stasus. The project - an experimental film institute - mediates between its postindustrial site in Warsaw and the Edinburgh studio in which it was developed. By identifying, interrogating, and immaterial conditions of both landscape and studio, Stasus creates a new scape that draws on the resilience of its constituent elements.
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