638 Résultats
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The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book he looks at eight of his(...)
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The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book he looks at eight of his(...)
Titre:
Theoretical anxiety and design strategies in the work of eight contemporary architects
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The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book he looks at eight of his contemporaries -- all architects of international stature -- and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects -- James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron -- has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the "tacit treatises" that can be found on the shelves of a university library, but lively encounters of architectural equals. More than 500 illustrations accompany the text.
Theoretical anxiety and design strategies in the work of eight contemporary architects
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The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book he looks at eight of his contemporaries -- all architects of international stature -- and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects -- James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron -- has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the "tacit treatises" that can be found on the shelves of a university library, but lively encounters of architectural equals. More than 500 illustrations accompany the text.
Classification:
livres
livres
Publication:
mai 2004, Cambridge, Mass.
mai 2004, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Architecture now! vol 2
Architecture now! vol 2
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The fine line between art and architecture is rapidly becoming harder to perceive. With the aid of sophisticated computer programs, today's most innovative architects are working on designs so conceptual they could not be realized in the physical world. Nevertheless, these sorts of forward-thinking projects are an important influence on the architectural climate. At(...)
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The fine line between art and architecture is rapidly becoming harder to perceive. With the aid of sophisticated computer programs, today's most innovative architects are working on designs so conceptual they could not be realized in the physical world. Nevertheless, these sorts of forward-thinking projects are an important influence on the architectural climate. At(...)
Titre:
Architecture now! vol 2
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The fine line between art and architecture is rapidly becoming harder to perceive. With the aid of sophisticated computer programs, today's most innovative architects are working on designs so conceptual they could not be realized in the physical world. Nevertheless, these sorts of forward-thinking projects are an important influence on the architectural climate. At the dawn of the 21st century, architecture is entering a paradigm shift; no longer can it be completely distinguished from art. Be they built from bytes or bricks, the projects in this book represent the imagination of the planet's most talented and creative architects. For all the latest and most important architectural projects and trends, look no further than this volume, the follow-up to our popular and groundbreaking book Architecture Now! Including: Allmann Sattler, Wappner, Tadao Ando, Shigeru Ban, Behnisch, Behnisch & Partner, Bolles & Wilson, Simeon Bruner/Cott & Associates, Santiago Calatrava, Alberto Campo Baeza, Coop Himmelb(l)au, Neil Denari, Diller & Scofidio, Winka Dubbeldam, Jean-Marie Duthilleul, Frank O. Gehry, Sean Godsell, Nicholas Grimshaw, Heikkinen-Komonen, John Hejduk, Steven Holl, Hans Hollein, Toyo Ito, Jakob + MacFarlane, Michael Jantzen, Jones, Partners, Rick Joy, Rei Kawakubo, Waro Kishi, Kohn Shnier Architects, Rem Koolhaas, Kengo Kuma, Lacaton & Vassal, Greg Lynn, Richard Meier, Samuel Mockbee + Rural Studio, Morphosis, Jean Nouvel, Marcos Novak, NOX, Manolo Nunez-Yanofsky, Oosterhuis.nl, Pei Partnership, Pugh + Scarpa, Michele Saee, Harry Seidler, Snøhetta Architects, Julie Snow, Jyrki Tasa, Bernard Tschumi, James Turrell, UN Studio, Ben van Berkel, Various Architects, Hendrik Vermoortel, Makoto Sei Watanabe, Wesley Wei, Williams + Tsien, Jean-Michel Wilmotte
Architecture now! vol 2
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The fine line between art and architecture is rapidly becoming harder to perceive. With the aid of sophisticated computer programs, today's most innovative architects are working on designs so conceptual they could not be realized in the physical world. Nevertheless, these sorts of forward-thinking projects are an important influence on the architectural climate. At the dawn of the 21st century, architecture is entering a paradigm shift; no longer can it be completely distinguished from art. Be they built from bytes or bricks, the projects in this book represent the imagination of the planet's most talented and creative architects. For all the latest and most important architectural projects and trends, look no further than this volume, the follow-up to our popular and groundbreaking book Architecture Now! Including: Allmann Sattler, Wappner, Tadao Ando, Shigeru Ban, Behnisch, Behnisch & Partner, Bolles & Wilson, Simeon Bruner/Cott & Associates, Santiago Calatrava, Alberto Campo Baeza, Coop Himmelb(l)au, Neil Denari, Diller & Scofidio, Winka Dubbeldam, Jean-Marie Duthilleul, Frank O. Gehry, Sean Godsell, Nicholas Grimshaw, Heikkinen-Komonen, John Hejduk, Steven Holl, Hans Hollein, Toyo Ito, Jakob + MacFarlane, Michael Jantzen, Jones, Partners, Rick Joy, Rei Kawakubo, Waro Kishi, Kohn Shnier Architects, Rem Koolhaas, Kengo Kuma, Lacaton & Vassal, Greg Lynn, Richard Meier, Samuel Mockbee + Rural Studio, Morphosis, Jean Nouvel, Marcos Novak, NOX, Manolo Nunez-Yanofsky, Oosterhuis.nl, Pei Partnership, Pugh + Scarpa, Michele Saee, Harry Seidler, Snøhetta Architects, Julie Snow, Jyrki Tasa, Bernard Tschumi, James Turrell, UN Studio, Ben van Berkel, Various Architects, Hendrik Vermoortel, Makoto Sei Watanabe, Wesley Wei, Williams + Tsien, Jean-Michel Wilmotte
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livres
livres
Publication:
novembre 2002, Cologne
novembre 2002, Cologne
Classification:
livres
livres
Titre:
The new downtown library
The new downtown library
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The past twenty years have seen a building boom for downtown public libraries. From Brooklyn to Seattle, architects, civic leaders, and citizens in major U.S. cities have worked to reassert the relevance of the central library. While the libraries’ primary functions—as public spaces where information is gathered, organized, preserved, and made available for use—have not(...)
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The past twenty years have seen a building boom for downtown public libraries. From Brooklyn to Seattle, architects, civic leaders, and citizens in major U.S. cities have worked to reassert the relevance of the central library. While the libraries’ primary functions—as public spaces where information is gathered, organized, preserved, and made available for use—have not(...)
Publication:
janvier 2007, Minneapolis / London
janvier 2007, Minneapolis / London
Titre:
The new downtown library
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The past twenty years have seen a building boom for downtown public libraries. From Brooklyn to Seattle, architects, civic leaders, and citizens in major U.S. cities have worked to reassert the relevance of the central library. While the libraries’ primary functions—as public spaces where information is gathered, organized, preserved, and made available for use—have not changed over the years, the processes by which they accomplish these goals have. These new processes, and the public debates surrounding them, have radically influenced the utility and design of new library buildings. In The New Downtown Library, Shannon Mattern draws on a diverse range of sources to investigate how libraries serve as multiuse public spaces, anchors in urban redevelopment, civic icons, and showcases of renowned architects like Rem Koolhaas, Cesar Pelli, and Enrique Norton. Mattern’s clear and careful analysis reveals the complexity of contemporary dialogues in library design, highlighting the roles that staff, the public, and other special interest groups play. Mattern also describes how the libraries manifest changing demographics, new ways of organizing collections and delivering media, and current philosophies of librarianship. By identifying unifying themes as well as examining the differences among various design projects, Mattern brings to light the social forces, as well as their architectural expressions, that form the essence of new libraries and their vital place in public life. Featured libraries are located in Brooklyn, Cincinnati, Cleveland, Chicago, Denver, Los Angeles, Minneapolis, Nashville, New York, Phoenix, Salt Lake City, San Antonio, San Francisco, Seattle, and Toledo.
The new downtown library
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The past twenty years have seen a building boom for downtown public libraries. From Brooklyn to Seattle, architects, civic leaders, and citizens in major U.S. cities have worked to reassert the relevance of the central library. While the libraries’ primary functions—as public spaces where information is gathered, organized, preserved, and made available for use—have not changed over the years, the processes by which they accomplish these goals have. These new processes, and the public debates surrounding them, have radically influenced the utility and design of new library buildings. In The New Downtown Library, Shannon Mattern draws on a diverse range of sources to investigate how libraries serve as multiuse public spaces, anchors in urban redevelopment, civic icons, and showcases of renowned architects like Rem Koolhaas, Cesar Pelli, and Enrique Norton. Mattern’s clear and careful analysis reveals the complexity of contemporary dialogues in library design, highlighting the roles that staff, the public, and other special interest groups play. Mattern also describes how the libraries manifest changing demographics, new ways of organizing collections and delivering media, and current philosophies of librarianship. By identifying unifying themes as well as examining the differences among various design projects, Mattern brings to light the social forces, as well as their architectural expressions, that form the essence of new libraries and their vital place in public life. Featured libraries are located in Brooklyn, Cincinnati, Cleveland, Chicago, Denver, Los Angeles, Minneapolis, Nashville, New York, Phoenix, Salt Lake City, San Antonio, San Francisco, Seattle, and Toledo.
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livres
livres
Publication:
janvier 2007, Minneapolis / London
janvier 2007, Minneapolis / London
Classification:
livres
livres
Titre:
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
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Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original(...)
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Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original(...)
Sujet:
Muséologie
Muséologie
Publication:
septembre 2005, Cambridge, Mass.
septembre 2005, Cambridge, Mass.
Titre:
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
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Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original essays, unpublished images, and texts that not only document the different Manifesta exhibits but also examine the cultural, curatorial, and political terrain of the Europe from which they sprang. Including contributions from philosophers, historians, and anthropologists, interviews with architect Rem Koolhaas and historian Jacques Le Goff, and essays by such curators and writers as Okwui Enwezor, Boris Groys, Maria Hlavajova, and Hans Ulrich Obrist, the collection traces the cultural and political developments of Europe in the 1990s. It reflects the debates incited by exhibitions such as "Magiciens de la terre", Documenta, and "After the wall" and explores the changing roles of curators and artists in the new geo-political context. The issues discussed include the effect of communism's collapse on Eastern Europe, the role of biennials in the context of globalization, and the ephemerality of exhibitions versus the permanence of the museum. The book's second section traces the history of Manifesta, from its conceptual foundations and contributions to artistic practices of the 1990s to the relationship of a roving biennial to themes of multiculturalism, migration and diaspora. At a moment when biennials continue to proliferate worldwide, "The Manifesta decade" takes Manifesta as a case study to look critically at the landscape from which new exhibition paradigms have emerged. The book's 100 images, both color and black and white, include unpublished installation shots of each Manifesta exhibition.
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
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Prix:
$43.95
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Résumé:
Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original essays, unpublished images, and texts that not only document the different Manifesta exhibits but also examine the cultural, curatorial, and political terrain of the Europe from which they sprang. Including contributions from philosophers, historians, and anthropologists, interviews with architect Rem Koolhaas and historian Jacques Le Goff, and essays by such curators and writers as Okwui Enwezor, Boris Groys, Maria Hlavajova, and Hans Ulrich Obrist, the collection traces the cultural and political developments of Europe in the 1990s. It reflects the debates incited by exhibitions such as "Magiciens de la terre", Documenta, and "After the wall" and explores the changing roles of curators and artists in the new geo-political context. The issues discussed include the effect of communism's collapse on Eastern Europe, the role of biennials in the context of globalization, and the ephemerality of exhibitions versus the permanence of the museum. The book's second section traces the history of Manifesta, from its conceptual foundations and contributions to artistic practices of the 1990s to the relationship of a roving biennial to themes of multiculturalism, migration and diaspora. At a moment when biennials continue to proliferate worldwide, "The Manifesta decade" takes Manifesta as a case study to look critically at the landscape from which new exhibition paradigms have emerged. The book's 100 images, both color and black and white, include unpublished installation shots of each Manifesta exhibition.
Classification:
livres
livres
Publication:
septembre 2005, Cambridge, Mass.
septembre 2005, Cambridge, Mass.
Sujet:
Muséologie
Muséologie
Classification:
périodiques
périodiques
Titre:
Quaderns 229 : borders
Quaderns 229 : borders
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Issue 229 of the magazine Quaderns explores the theme of the border in its literal sense -the border as a political and cultural separation between countries or geographical areas- but also as a place which gives rise to cultural crossovers alongside its function as separator. This issue looks firstly at the transformation of two formerly divided(...)
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Issue 229 of the magazine Quaderns explores the theme of the border in its literal sense -the border as a political and cultural separation between countries or geographical areas- but also as a place which gives rise to cultural crossovers alongside its function as separator. This issue looks firstly at the transformation of two formerly divided(...)
Sujet:
Revues
Revues
Publication:
juin 2001, Barcelona
juin 2001, Barcelona
Titre:
Quaderns 229 : borders
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Issue 229 of the magazine Quaderns explores the theme of the border in its literal sense -the border as a political and cultural separation between countries or geographical areas- but also as a place which gives rise to cultural crossovers alongside its function as separator. This issue looks firstly at the transformation of two formerly divided cities, Berlin and Beirut, which are currently undergoing processes of integration of what used to be opposing sectors and of recovery as city-centre spaces of the wastelands generated by division. Then it analyses the present-day situation in two border areas characterised by strong economic and cultural contrasts between the two sides of the dividing line: the border between the United States and Mexico, and the Strait of Gibraltar. The works of architects and artists who have recently worked in these places are taken as a starting point for debate about the strategies brought to bear in frontier territory by urbanism, art and architecture. The issue includes an introductory text by Saskia Sassen and features Mathias Sauerbruch on Berlin, Álvaro Siza on Ceuta, Rafael Moneo and Ousama Kabbani on Beirut, and Gloria Anzaldúa on the border between Mexico and the United States. It also presents a series of works actually carried out in these cities by Sauerbruch & Hutton, Álvaro Siza and Rafael Moneo, along with projects by Berger-Parkinnen, Kollhof & Kollhoff, Gustav Lange, OMA/Rem Koolhaas and Peter Zumthor, among others, and features a dossier with projects carried out in other countries by Catalan architects, including works by Miralles-Tagliabue, J. Ll. Mateo and Elías Torres. The theme is completed by an extensive photo reportage by Camilo José Vergara about the Mexican border.
Quaderns 229 : borders
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Issue 229 of the magazine Quaderns explores the theme of the border in its literal sense -the border as a political and cultural separation between countries or geographical areas- but also as a place which gives rise to cultural crossovers alongside its function as separator. This issue looks firstly at the transformation of two formerly divided cities, Berlin and Beirut, which are currently undergoing processes of integration of what used to be opposing sectors and of recovery as city-centre spaces of the wastelands generated by division. Then it analyses the present-day situation in two border areas characterised by strong economic and cultural contrasts between the two sides of the dividing line: the border between the United States and Mexico, and the Strait of Gibraltar. The works of architects and artists who have recently worked in these places are taken as a starting point for debate about the strategies brought to bear in frontier territory by urbanism, art and architecture. The issue includes an introductory text by Saskia Sassen and features Mathias Sauerbruch on Berlin, Álvaro Siza on Ceuta, Rafael Moneo and Ousama Kabbani on Beirut, and Gloria Anzaldúa on the border between Mexico and the United States. It also presents a series of works actually carried out in these cities by Sauerbruch & Hutton, Álvaro Siza and Rafael Moneo, along with projects by Berger-Parkinnen, Kollhof & Kollhoff, Gustav Lange, OMA/Rem Koolhaas and Peter Zumthor, among others, and features a dossier with projects carried out in other countries by Catalan architects, including works by Miralles-Tagliabue, J. Ll. Mateo and Elías Torres. The theme is completed by an extensive photo reportage by Camilo José Vergara about the Mexican border.
Classification:
périodiques
périodiques
Publication:
juin 2001, Barcelona
juin 2001, Barcelona
Sujet:
Revues
Revues
Classification:
livres
livres
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$72.00
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In this collection, Hans-Ulrich Obrist interviews everyone, including Marina Abramovic & Gregory Chaitin / Vito Acconci / JG Ballard / Matthew Barney / Dara Birnbaum / Christian & Luc Boltanski / Stefano Boeri / Daniel Buren / Giancarlo de Carlo / Maurizio Cattelan / Johannes Cladders / Constant / Giancarlo de Carlo / Olafur Eliasson / Brian Eno / Esquivell / Yona(...)
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In this collection, Hans-Ulrich Obrist interviews everyone, including Marina Abramovic & Gregory Chaitin / Vito Acconci / JG Ballard / Matthew Barney / Dara Birnbaum / Christian & Luc Boltanski / Stefano Boeri / Daniel Buren / Giancarlo de Carlo / Maurizio Cattelan / Johannes Cladders / Constant / Giancarlo de Carlo / Olafur Eliasson / Brian Eno / Esquivell / Yona(...)
Publication:
janvier 1900, Milan
janvier 1900, Milan
Titre:
Hans Ulrich Obrist : interviews, volume 1
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In this collection, Hans-Ulrich Obrist interviews everyone, including Marina Abramovic & Gregory Chaitin / Vito Acconci / JG Ballard / Matthew Barney / Dara Birnbaum / Christian & Luc Boltanski / Stefano Boeri / Daniel Buren / Giancarlo de Carlo / Maurizio Cattelan / Johannes Cladders / Constant / Giancarlo de Carlo / Olafur Eliasson / Brian Eno / Esquivell / Yona Friedman / Hans Georg Gadamer / Gilbert and George / Edouard Glissant / Felix Gonzalez-Torres / Dominique Gonzalez Foerster / Douglas Gordon / Dan Graham / Joseph Grigely / Zaha Hadid / Stuart Hall / Thomas Hirschhorn /Carsten Höller / Walter Hopps / Roni Horn / Yong Ping Huang / Pontus Hulten / Pierre Huygue / Arata Isozaki / Billy Klüver / Rem Koolhaas / Bul Lee / Sarat Maharaj and Francisco Varela / Ernest Mancoba / Roberto Matta / Cildo Meireles / Jonas Mekas / Mario Merz / Santu Mofokeng / Yoko Ono / Gabriel Orozco / Frei Otto / Lygia Pape / Claude Parent / Philippe Parreno / Michelangelo Pistoletto / Ilya Prigogine / Jacques Ranciere / Gerhard Richter / Pipilotti Rist / Israel Rosenfield / Jean Rouch / Anri Sala / Katzuyo Sejima / Ettore Sottsass / Luc Steels / Rirkrit Tiravanija / Agnès Varda / Lawrence Weiner / Franz West / Cerith Wyn Evans / Anton Zeilinger It is not an exaggeration to write that Hans-Ulrich Obrist is everywhere, has curated everything and has interviewed everyone. If "peripatetic" is the word most overused to describe him, it is not inappropriate. The Swiss-born, everywhere-based curator and head of the Programme Migrateurs at the Musée d’Art Moderne de la Ville de Paris has an unstoppable wanderlust and a related symptom: his penchant for interviewing anyone and everyone who piques his curiosity, be they artist, scientist, writer, curator, composer, architect, thinker, etc. Since 1993, Obrist has conducted more than 300 interviews, 75 of which are collected here in a selection that respects the cultural and professional diversity of the interviewees. Each interview is introduced by a short text outlining the biography of the interviewee and giving some contextual information on the recording of the interview.
Hans Ulrich Obrist : interviews, volume 1
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$72.00
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Résumé:
In this collection, Hans-Ulrich Obrist interviews everyone, including Marina Abramovic & Gregory Chaitin / Vito Acconci / JG Ballard / Matthew Barney / Dara Birnbaum / Christian & Luc Boltanski / Stefano Boeri / Daniel Buren / Giancarlo de Carlo / Maurizio Cattelan / Johannes Cladders / Constant / Giancarlo de Carlo / Olafur Eliasson / Brian Eno / Esquivell / Yona Friedman / Hans Georg Gadamer / Gilbert and George / Edouard Glissant / Felix Gonzalez-Torres / Dominique Gonzalez Foerster / Douglas Gordon / Dan Graham / Joseph Grigely / Zaha Hadid / Stuart Hall / Thomas Hirschhorn /Carsten Höller / Walter Hopps / Roni Horn / Yong Ping Huang / Pontus Hulten / Pierre Huygue / Arata Isozaki / Billy Klüver / Rem Koolhaas / Bul Lee / Sarat Maharaj and Francisco Varela / Ernest Mancoba / Roberto Matta / Cildo Meireles / Jonas Mekas / Mario Merz / Santu Mofokeng / Yoko Ono / Gabriel Orozco / Frei Otto / Lygia Pape / Claude Parent / Philippe Parreno / Michelangelo Pistoletto / Ilya Prigogine / Jacques Ranciere / Gerhard Richter / Pipilotti Rist / Israel Rosenfield / Jean Rouch / Anri Sala / Katzuyo Sejima / Ettore Sottsass / Luc Steels / Rirkrit Tiravanija / Agnès Varda / Lawrence Weiner / Franz West / Cerith Wyn Evans / Anton Zeilinger It is not an exaggeration to write that Hans-Ulrich Obrist is everywhere, has curated everything and has interviewed everyone. If "peripatetic" is the word most overused to describe him, it is not inappropriate. The Swiss-born, everywhere-based curator and head of the Programme Migrateurs at the Musée d’Art Moderne de la Ville de Paris has an unstoppable wanderlust and a related symptom: his penchant for interviewing anyone and everyone who piques his curiosity, be they artist, scientist, writer, curator, composer, architect, thinker, etc. Since 1993, Obrist has conducted more than 300 interviews, 75 of which are collected here in a selection that respects the cultural and professional diversity of the interviewees. Each interview is introduced by a short text outlining the biography of the interviewee and giving some contextual information on the recording of the interview.
Classification:
livres
livres
Publication:
janvier 1900, Milan
janvier 1900, Milan
Classification:
livres
livres
Titre:
OMA NY: Search term
OMA NY: Search term
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$170.00
(disponible en magasin)
Résumé:
Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown(...)
$170.00
(disponible en magasin)
Résumé:
Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown(...)
Titre:
OMA NY: Search term
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$170.00
(disponible en magasin)
Résumé:
Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA’s philosophy even as they expand its portfolio geographically. Featured projects include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec’s Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators—Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani—who provide insight onto areas of the firm’s interests and preoccupations beyond the realm of architecture.
OMA NY: Search term
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Prix:
$170.00
(disponible en magasin)
Résumé:
Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA’s philosophy even as they expand its portfolio geographically. Featured projects include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec’s Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators—Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani—who provide insight onto areas of the firm’s interests and preoccupations beyond the realm of architecture.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$63.95
(disponible sur commande)
Résumé:
From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem(...)
$63.95
(disponible sur commande)
Résumé:
From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem(...)
Sujet:
Design d’intérieur
Design d’intérieur
Publication:
janvier 1900, Milan
janvier 1900, Milan
Titre:
Total living : fashion, architecture, design, art, communication
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Prix:
$63.95
(disponible sur commande)
Résumé:
From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem Koolhaas, Helmut Lang, Le Corbusier, Levi's, Mandarina Duck, Marni, Steven Meisel, Alessandro Mendini, Ludwig Mies van der Rohe, Issey Miyake, Moschino, Helmut Newton, Nike, NL Architects, Ora-Ito Studio, John Powson, Prada, Emilio Pucci, Ralph Lauren, Claudio Silvestrin, Hedi Slimane, Paul Smith, Ettore Sottsass, Philippe Starck, Versace, Louis Vuitton, Bruce Weber, Yves Saint Laurent. Styles and lifestyles are fast becoming uniform under labels and definitions of fashion, and as an industry and a cultural form. Total Living is the point of no return in a project which, step-by-step, develops strategies whose goal it is to offer an even more sophisticated and targeted lifestyle. It is a place where there are definitions for clothes, behavior modes, and even the atmoshpheres and spaces in which one moves. Assuming the contours of a landscape of the future, this scenario raises topical themes and problems connected with the overwhelming power of consumerism. Accompanying scholarly essays consider the thematic universes of fashion designers and brands; models of total living in 20th century history; references to total living in mass culture; living and eating; arty fashion and fashionable art; the world of fashion design; the languages of shopping; urban fashion districts; and advertising as a narrative. A rich and interconnected iconographic passage visually narrates the various forms and ramifications of total living today and in the recent past through a succession of utopias, life-projects, urban visions, architecture, special homes, stores, art galleries, museums, and editorial pages and ads from fashion and lifestyle magazines. With texts by Papla Antonelli, Francesco Bonami, Michele Ciavarella, Emanuela de Cecco, Riccardo Dirindin, Roberto Monelli, Herbert Muschamp, Chee Pearlman, Michele Sernini, Dietmar Steiner, and Deyan Sudjic.
Total living : fashion, architecture, design, art, communication
Actions:
Prix:
$63.95
(disponible sur commande)
Résumé:
From total look to total living: Alchimia, Tadao Ando, Armani, Vanessa Beecroft, Benetton, Pierre Cardin, CP Company, Courrèges, Diesel, Diller & Scofidio, Droog Design, Final Home, Dan Flavin, Tom Ford, Future Systems, Eileen Gray, Gucci, Andreas Gursky, Halston, Herzog & De Meuron, Tommy Hilfiger, Damien Hirst, Ikea, Philip Johnson, Rei Kawakubo, Calvin Klein, Rem Koolhaas, Helmut Lang, Le Corbusier, Levi's, Mandarina Duck, Marni, Steven Meisel, Alessandro Mendini, Ludwig Mies van der Rohe, Issey Miyake, Moschino, Helmut Newton, Nike, NL Architects, Ora-Ito Studio, John Powson, Prada, Emilio Pucci, Ralph Lauren, Claudio Silvestrin, Hedi Slimane, Paul Smith, Ettore Sottsass, Philippe Starck, Versace, Louis Vuitton, Bruce Weber, Yves Saint Laurent. Styles and lifestyles are fast becoming uniform under labels and definitions of fashion, and as an industry and a cultural form. Total Living is the point of no return in a project which, step-by-step, develops strategies whose goal it is to offer an even more sophisticated and targeted lifestyle. It is a place where there are definitions for clothes, behavior modes, and even the atmoshpheres and spaces in which one moves. Assuming the contours of a landscape of the future, this scenario raises topical themes and problems connected with the overwhelming power of consumerism. Accompanying scholarly essays consider the thematic universes of fashion designers and brands; models of total living in 20th century history; references to total living in mass culture; living and eating; arty fashion and fashionable art; the world of fashion design; the languages of shopping; urban fashion districts; and advertising as a narrative. A rich and interconnected iconographic passage visually narrates the various forms and ramifications of total living today and in the recent past through a succession of utopias, life-projects, urban visions, architecture, special homes, stores, art galleries, museums, and editorial pages and ads from fashion and lifestyle magazines. With texts by Papla Antonelli, Francesco Bonami, Michele Ciavarella, Emanuela de Cecco, Riccardo Dirindin, Roberto Monelli, Herbert Muschamp, Chee Pearlman, Michele Sernini, Dietmar Steiner, and Deyan Sudjic.
Classification:
livres
livres
Publication:
janvier 1900, Milan
janvier 1900, Milan
Sujet:
Design d’intérieur
Design d’intérieur
