20050 Résultats
Classification:
événements
événements
Actions:
Description:
Inscrire les femmes dans lhistoire de larchitecture nécessite de repenser à la fois les pratiques archivistiques et les approches historiographiques. Dans ce séminaire, Touloumi sinspirera de son expérience de collecte et de catalogage des œuvres de larchitecte et crocheteuse Christine Benglia-Bevington (1936–2020) pour discuter de la praxis féministe dans les archives.(...)
Inscrire les femmes dans lhistoire de larchitecture nécessite de repenser à la fois les pratiques archivistiques et les approches historiographiques. Dans ce séminaire, Touloumi sinspirera de son expérience de collecte et de catalogage des œuvres de larchitecte et crocheteuse Christine Benglia-Bevington (1936–2020) pour discuter de la praxis féministe dans les archives.(...)
Localisation:
Salle d'étude, CCA
Salle d'étude, CCA
Date:
3 juillet 2025, 18h à 19h30
3 juillet 2025, 18h à 19h30
Titre:
Fils communs : fabriquer les archives de femmes
Actions:
Description:
Inscrire les femmes dans lhistoire de larchitecture nécessite de repenser à la fois les pratiques archivistiques et les approches historiographiques. Dans ce séminaire, Touloumi sinspirera de son expérience de collecte et de catalogage des œuvres de larchitecte et crocheteuse Christine Benglia-Bevington (1936–2020) pour discuter de la praxis féministe dans les archives.(...)
Fils communs : fabriquer les archives de femmes
Actions:
Description:
Inscrire les femmes dans lhistoire de larchitecture nécessite de repenser à la fois les pratiques archivistiques et les approches historiographiques. Dans ce séminaire, Touloumi sinspirera de son expérience de collecte et de catalogage des œuvres de larchitecte et crocheteuse Christine Benglia-Bevington (1936–2020) pour discuter de la praxis féministe dans les archives.(...)
Classification:
événements
événements
Date:
3 juillet 2025
18h à 19h30
3 juillet 2025
18h à 19h30
Localisation:
Salle d'étude, CCA
Salle d'étude, CCA
Classification:
articles
articles
Dossier:
Une histoire de références
Une histoire de références
Numéro de référence:
ARCH250488
Description:
copieur / copying machine
ARCH250488
Description:
copieur / copying machine
Personnes et institutions:
Personnes et institutions:
Classification:
documents textuels
Quantité:
2 textual record(s)
documents textuels
Quantité:
2 textual record(s)
Numéro de référence:
ARCH184126
Description:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" (2 leaves) et "List of Pictures in Canadian Exhibition" (3 leaves)
ARCH184126
Description:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" (2 leaves) et "List of Pictures in Canadian Exhibition" (3 leaves)
Personnes et institutions:
Date:
ca. 1942
ca. 1942
Titre:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" et "List of Pictures in Canadian Exhibition"
Actions:
ARCH184126
Description:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" (2 leaves) et "List of Pictures in Canadian Exhibition" (3 leaves)
"Canadian Exhibition - Andover, Mass. - Contents of Cases" et "List of Pictures in Canadian Exhibition"
Actions:
ARCH184126
Description:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" (2 leaves) et "List of Pictures in Canadian Exhibition" (3 leaves)
Classification:
documents textuels
Quantité:
2 textual record(s)
documents textuels
Quantité:
2 textual record(s)
Date:
ca. 1942
ca. 1942
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Personnes et institutions:
Date:
1999-2000
1999-2000
Titre:
Exhibition on James Wines at the Venice Biennale (2000)
Actions:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Exhibition on James Wines at the Venice Biennale (2000)
Actions:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Niveau de description archivistique:
Subseries
Subseries
Date:
1999-2000
1999-2000
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
Personnes et institutions:
Date:
1964, 1971
1964, 1971
Titre:
Conference of Architects for the Study of the Environment (CASE)
Actions:
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
Conference of Architects for the Study of the Environment (CASE)
Actions:
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
Niveau de description archivistique:
Series
Series
Date:
1964, 1971
1964, 1971
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2004
Chercheurs en résidence 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Sujet : Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Département d’histoire de l’art, Université hébraïque de Jérusalem, Israël Sujet : And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Gand, Belgique Sujet : The Sacred History(...)
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Sujet : Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Département d’histoire de l’art, Université hébraïque de Jérusalem, Israël Sujet : And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Gand, Belgique Sujet : The Sacred History(...)
Date:
janvier 2004 au août 2004
janvier 2004 au août 2004
Titre:
Chercheurs en résidence 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Sujet : Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Département d’histoire de l’art, Université hébraïque de Jérusalem, Israël Sujet : And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Gand, Belgique Sujet : The Sacred History(...)
Chercheurs en résidence 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Sujet : Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Département d’histoire de l’art, Université hébraïque de Jérusalem, Israël Sujet : And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Gand, Belgique Sujet : The Sacred History(...)
Classification:
recherche
recherche
Date:
janvier 2004 au
août 2004
janvier 2004 au
août 2004
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds John Hejduk
Fonds John Hejduk
Numéro de référence:
AP145
Résumé:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
AP145
Résumé:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Personnes et institutions:
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
Titre:
Fonds John Hejduk
Actions:
AP145
Résumé:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Fonds John Hejduk
Actions:
AP145
Résumé:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Localisation:
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Date:
13 novembre 2019 au 26 juillet 2020
13 novembre 2019 au 26 juillet 2020
Classification:
expositions
expositions
Date:
13 novembre 2019 au
26 juillet 2020
13 novembre 2019 au
26 juillet 2020
Localisation:
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Brian Boigon
Fonds Brian Boigon
Numéro de référence:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Personnes et institutions:
Date:
1981 - 2015
1981 - 2015
Titre:
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1981 - 2015
1981 - 2015
Personnes et institutions:
