Self-care
$19.95
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Résumé:
Self-care réunit les voix de 11 écrivain·es qui, à partir de leur situation de personnes minorisées, se penchent sur différents aspects du soin de soi. Résolument politique, cet ouvrage collectif de textes de fiction (poésie, récits, nouvelles et textes hybrides) pense l’affect, les mécanismes de défense, les obsessions, les impulsions, la mélancolie, la douleur chronique(...)
Self-care
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$19.95
(disponible sur commande)
Résumé:
Self-care réunit les voix de 11 écrivain·es qui, à partir de leur situation de personnes minorisées, se penchent sur différents aspects du soin de soi. Résolument politique, cet ouvrage collectif de textes de fiction (poésie, récits, nouvelles et textes hybrides) pense l’affect, les mécanismes de défense, les obsessions, les impulsions, la mélancolie, la douleur chronique ou l’anxiété comme des voies privilégiées pour aborder toutes les manières de prendre soin de soi, qu’elles soient new age, ancestrales, individualistes, solidaires ou (anti) capitalistes. Sans bouder les sheet masks et les eye patches, ces auteurices méditent, font du yoga, pratiquent une sexualité complexe, s’engagent politiquement et, surtout, écrivent. Leurs textes sont dotés d’un tel sentiment d’urgence qu’ils prouvent que le self-care des personnes socialement marginalisées est toujours investi d’une quête plus grande : pour elles, prendre soin de soi, c’est aussi se réparer et se recréer collectivement.
Social
livres
Description:
2 volumes ; 17 cm.
London : W. Heinemann ; New York : G.P. Putnam's Sons, 1933-1935.
The Metaphysics / Aristotle ; with an English translation by Hugh Tredennick.
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2 volumes ; 17 cm.
livres
London : W. Heinemann ; New York : G.P. Putnam's Sons, 1933-1935.
livres
Description:
xiv, 314 pages : illustrations ; 27 cm
Cambridge ; New York : Cambridge University Press, 2000.
Confraternities and the visual arts in Renaissance Italy : ritual, spectacle, image / edited by Barbara Wisch, Diane Cole Ahl.
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xiv, 314 pages : illustrations ; 27 cm
livres
Cambridge ; New York : Cambridge University Press, 2000.
livres
Description:
198 pages : illustrations (chiefly color), plans, portraits ; 27 cm
Valenciennes : Musée des Beaux-Arts de Valenciennes, 2013.
Constant Moyaux (1835-1911) : du compas au pinceau : l'architecture révélée.
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198 pages : illustrations (chiefly color), plans, portraits ; 27 cm
livres
Valenciennes : Musée des Beaux-Arts de Valenciennes, 2013.
livres
Description:
190 pages : illustrations ; 23 cm.
Paris : Aubier Montaigne, 1978.
Voyage au Canada fait depuis l'an 1751 à 1761 / par J.-C. B. ; préface de Claude Manceron.
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190 pages : illustrations ; 23 cm.
livres
Paris : Aubier Montaigne, 1978.
$60.00
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Résumé:
Bricks can be cleaned, timber hardens with age, and metal develops a pleasing patina without deteriorating, making them all perfect for reuse. Considering the many options for reusing building materials, this book offers a viable alternative to using those manufactured from virgin resources. This inspiring book is an antidote to the unsustainable use of materials,(...)
Reclaimed: new homes from old materials
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$60.00
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Bricks can be cleaned, timber hardens with age, and metal develops a pleasing patina without deteriorating, making them all perfect for reuse. Considering the many options for reusing building materials, this book offers a viable alternative to using those manufactured from virgin resources. This inspiring book is an antidote to the unsustainable use of materials, focusing on contemporary homes made with reused components or materials that might once have been considered waste. Divided into four key categoriesbrick— timber, metal, and a range of recycled materials— every home showcases design ingenuity and award-winning architecture. Featuring twenty-four unique houses and apartments, from a barn-inspired house made entirely with reclaimed bricks to a semidetached Edwardian with recycled benchtops and cabinets made from plastic chopping boards and bottle tops, every project shows what can be achieved with creativity and flair. Reclaimed showcases clever design while celebrating the myriad possibilities of closely aligning building with ethics and sustainability.
Architecture résidentielle
Clouds and bombs
$62.50
(disponible en magasin)
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Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into(...)
Clouds and bombs
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$62.50
(disponible en magasin)
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Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into something in between an almost classical etching, with strong sculptural aspects, and a deliberately pixelated digital meta-reality. By doing this, Hein points to the very origin of the picture – historically, technically and conceptually. In the age of fake news, the book is asking one simple question; is what you see true or false? Is it beauty or horror, a paraphrase of an illusive Chinese proverb or a meta-reality created by the mastermind. Hopefully the answer will remain in flux just as fluid and transient as the clouds themselves.
Monographies photo
$47.00
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The tracking of our personal information, activities, and medical data through our digital devices is an increasingly recognizable field in which the lines between caretaking and control have blurred. In this age of surveillance, mothers' behaviors and bodies are observed, made public, exposed, scrutinized, and policed like never before. This volume gathers together the(...)
Supervision: On motherhood and surveillance
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$47.00
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The tracking of our personal information, activities, and medical data through our digital devices is an increasingly recognizable field in which the lines between caretaking and control have blurred. In this age of surveillance, mothers' behaviors and bodies are observed, made public, exposed, scrutinized, and policed like never before. This volume gathers together the work of fifty contributors from diverse disciplines that include the visual arts, legal scholarship, ethnic studies, sociology, gender studies, poetry, and activism to ask what the relationship is between how we watch and how we are watched, and how the attention that mothers pay to their children might foster a kind of counterattention to the many ways in which mothers are scrutinized. A groundbreaking collection, thisis a project about vision (and supervision), and all the ways in which vision intersects with surveillance and politics, through motherhood and personal history as well as through the histories and relations of the societies in which we live.
Théorie de l’art
A museum of one's own
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks(...)
A museum of one's own
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$54.95
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks instead at another new institution, the collection museum. Emerging in London with the Wallace Collection, the collection museum spread rapidly in Gilded Age America. To the discontent of many Europeans, cash-flush Americans like J.P. Morgan and Henry Clay Frick went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds.
$35.95
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In this volume, Mario Carpo points to one key practice of modernity: the making of identical copies. Carpo highlights two examples of identicality crucial to the shaping of architectural modernity: in the fifteenth century, Leon Battista Alberti's invention of architectural design, according to which a building is an identical copy of the architect's design; and, in the(...)
The alphabet and the algorithm
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$35.95
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In this volume, Mario Carpo points to one key practice of modernity: the making of identical copies. Carpo highlights two examples of identicality crucial to the shaping of architectural modernity: in the fifteenth century, Leon Battista Alberti's invention of architectural design, according to which a building is an identical copy of the architect's design; and, in the nineteenth and twentieth centuries, the mass production of identical copies from mechanical master models, matrixes, imprints, or molds. The modern power of the identical, Carpo argues, came to an end with the rise of digital technologies. Everything digital is variable. Carpo compares new forms of postindustrial digital craftsmanship to hand-making and the cultures and technologies of variations that existed before the coming of machine-made, identical copies. Carpo reviews the unfolding of digitally based design and construction from the early 1990s to the present, and suggests a new agenda for architecture in an age of variable objects and of generic and participatory authorship.