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In "Apollo's Eye", geographer Denis Cosgrove examines the historical implications for the West of conceiving and representing the earth as a globe: a unified, spherical body. Cosgrove traces how ideas of globalism and globalization have shifted historically in relation to changing images of the earth, from antiquity to the Space Age. He connects the evolving image(...)
Apollo's eye : a cartographic genealogy of the earth in the Western imagination
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In "Apollo's Eye", geographer Denis Cosgrove examines the historical implications for the West of conceiving and representing the earth as a globe: a unified, spherical body. Cosgrove traces how ideas of globalism and globalization have shifted historically in relation to changing images of the earth, from antiquity to the Space Age. He connects the evolving image of a unified globe to politically powerful conceptions of human unity. Cosgrove constructs a genealogy of global images from classical Greece and Rome to the present, giving special attention to the early sixteenth century, when Europeans circumnavigated the earth, relocated it within their understanding of the cosmos, and revolutionized its representation in models and maps. Each chapter focuses on specific images of the globe or whole earth, reproduced in a wealth of illustrations. Cosgrove's analysis traces a pattern of associations between global images and the formation of Western identities, paying tribute to the complex cosmographic tradition out of which today's geographical imagination has emerged.
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mars 2001, Baltimore
Dessin d’architecture
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Linoleum is a natural material with quite an eventful history of use since its invention in 1864 by the British entrepreneur Frederik Walton. Its first golden age was between 1900 and 1930, when numerous renowned designers - among them Josef Hoffmann or Bruno Paul -(...)
Linoleum : history, design, archtiecture 1882 - 2000
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Linoleum is a natural material with quite an eventful history of use since its invention in 1864 by the British entrepreneur Frederik Walton. Its first golden age was between 1900 and 1930, when numerous renowned designers - among them Josef Hoffmann or Bruno Paul - designed both collections and patterns. Even Peter Behrens - before he became the "artistic counselor" to AEG in Berlin in 1908 - tried his hand at designing linoleum patterns, to the point of developing a complete "corporate design" from stationary to catalogs to exhibition architecture for the Anker- Linoleum-Werke at Delmenhorst. Bauhaus architects such as Bruno Taut or Mies van der Rohe used linoleum in housing projects as an inexpensive and hardwearing but also decorative floor-covering. This book is the first to present this historically and ecologically equally important material in its various guises. Experts in the field contributed essays about the history of linoleum, its "discovery" by modernist designers and architects and its renaissance in contemporary design and architecture.
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mars 2001, Ostfilden
Matériaux et éclairage
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Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias(...)
Fair America: world's fairs in the United States
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Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.
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The first of a unique series of translations of Scamozzi's L'Idea della Architettura Universale. The northern Italian architect, Vincenzo Scamozzi, (1548-1616) designed a number of important palaces, villas and churches in and around Vicenza, Padua and Venice. In addition, he completed a comprehensive study of ancient classical architecture. including the possibilities(...)
Architecture, monographies
janvier 2003, Amsterdam
Vincenzo Scamozzi, Venetian architect book III : the idea of a universal architecture, villas and country estates
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The first of a unique series of translations of Scamozzi's L'Idea della Architettura Universale. The northern Italian architect, Vincenzo Scamozzi, (1548-1616) designed a number of important palaces, villas and churches in and around Vicenza, Padua and Venice. In addition, he completed a comprehensive study of ancient classical architecture. including the possibilities for its application in a modern context. The first edition of the book was published in 1615. Scamozzi distinguishes himself from his predecessors Vitruvius and Palladio by the scientific approach he follows in his treatise, in which his own designs appear as examples. The clear and detailed account of the historical and geographical background to the principles of classical architecture led to the book's wide popularity in the Northern Netherlands throughout the 17th century. Scamozzi's text was regarded as the most suitable manual for mastering the rules of building, and his theories had a considerable impact upon classical architecture in the Dutch Golden Age.
Architecture, monographies
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This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing(...)
Théorie de la photographie
octobre 2002, New Haven / London
Print the legend : photography and the American West
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This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing technology, photographers soon set out across the overland trails, recorded the shifting fortunes of California’s goldseekers, pictured native peoples, and documented the spectacular topography of the American West. The new medium of photography made vivid a landscape few Americans had seen for themselves. Resurrecting scores of little-known images of the nineteenth-century American West, "Print the legend" offers engaging tales of ambitious photographic adventurers, missing photographs, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photographs and, consequently, to envision their nation.
Théorie de la photographie
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For centuries, cities have grown and expanded onto previously saturated grounds; 'reclaiming' land from estuaries, marshes, mangroves, and seabeds. While these artificial coastlines are sites of tremendous real estate, civic, and infrastructural investments, they are also the most vulnerable to the effects of climate change. ''Terra-Sorta-Firma'' documents the global(...)
Terra-sorta-firma: reclaiming the littoral gradient
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For centuries, cities have grown and expanded onto previously saturated grounds; 'reclaiming' land from estuaries, marshes, mangroves, and seabeds. While these artificial coastlines are sites of tremendous real estate, civic, and infrastructural investments, they are also the most vulnerable to the effects of climate change. ''Terra-Sorta-Firma'' documents the global extent of reclaimed coastal lands, and provides a framework for comparison across varying geographies, cultures, and histories. It renders visible the ubiquity and precarity of urban coastal reclamation in an age of increased environmental and economic indeterminacy. The five parts of the book question urbanism’s political, economic, and physical binary relationship to wet and dry grounds in search of a new understanding of land in a state of permanent flux. This book challenges designers, developers, policymakers, engineers, and urbanists to reconsider the design and construction of land itself, and to re-imagine this most fundamental of all infrastructures along a gradient of inundation.
Architecture écologique
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Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven based in Western Canada. Some Magnetic Force is the first collection to gather the surviving writings by the Winnipeg artist. Spanning from 1930 to 1954, the texts gathered here begin during the mature period of his artistic development at age forty and conclude with(...)
Some magnetic force: Lionel Lemoine Fitzgerald writings
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Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven based in Western Canada. Some Magnetic Force is the first collection to gather the surviving writings by the Winnipeg artist. Spanning from 1930 to 1954, the texts gathered here begin during the mature period of his artistic development at age forty and conclude with personal reflections late in life on the nature of art and his career. Michael Parke-Taylor has uncovered and chronologically organized FitzGerald’s letters, diary, lectures, and reports to show how FitzGerald understood the development of his practice, communicated the philosophy of art to his art students, confronted challenges in his career, as well as revealing his spiritual aspirations, views about the natural world, and his private desires. These writings also elucidate the material and reputational realities of artistic production in places beyond the period’s dominant Canadian art centres of Toronto, Montreal, and Ottawa.
Théorie de l’art
Videotape: Object lessons
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Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War. In the West, its advent deepened the(...)
septembre 2025
Videotape: Object lessons
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Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War. In the West, its advent deepened the trends of the age: individualism, consumerism, the fragmentation of society, and the consolidation of corporate power in the entertainment industry and its victory over the regulatory powers of the state. In the East, it encouraged new forms of socialization and economic exchanges, while announcing the gradual crumbling of government control over the imagination of the people. By the mid-1990s, the VHS format was displaced by the DVD. The DVD would eventually give way to streaming. Yet the cultural legacy of the videotape continues to inform our relationship to technology, privacy, and to entertainment.
British Watchtowers
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of(...)
British Watchtowers
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of watchtowers to survey the occupied territories of Northern Ireland. These high tech towers, constructed in the mid 1980s, primarily in the mountainous border region of South Armagh, were landmarks in a 30-year conflict in and over Northern Ireland, euphemistically called "The Troubles." The Towers were finally demolished between 2003 and 2007 as part of the British government's "demilitarization" program for Northern Ireland. For over a year Donovan Wylie photographed these towers, working entirely from an elevated position enabled by military helicopter, observing the observers and ensuring that their actions were not forgotten.
Monographies photo
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Crossover is the very first publication by the Delft School of Design (DSD), a laboratory for research and experimentation in architecture, urbanism and technologies of construction at the TU Delft. Its investigations cover a wide variety of subjects, from theoretical considerations and historical studies to urban and architectural practices and contemporary structural(...)
Théorie de l’architecture
décembre 2006, Rotterdam
Crossover : architecture, urbanism, technology
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Crossover is the very first publication by the Delft School of Design (DSD), a laboratory for research and experimentation in architecture, urbanism and technologies of construction at the TU Delft. Its investigations cover a wide variety of subjects, from theoretical considerations and historical studies to urban and architectural practices and contemporary structural design. What they all have in common is the emerging condition of architectural and urban knowledge in both the academic context and professional practice. Since its inception in 2003, the DSD has developed a strategy or field of inquiry for mapping new means of approaching the complexity of the contemporary urban and architectural conditions. Traditional approaches are seen to be increasingly inadequate in the face of this complexity. This is in part due to the nature of the information age. Yet, on the other hand, new technologies offer us the challenge and the potential to represent our world in unprecedenteded ways.
livres
décembre 2006, Rotterdam
Théorie de l’architecture