6673 Résultats
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livres
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The only thing better than one boring building is hundreds of them. Far from the glamourous and avant-garde architectural features that make Los Angeles justifiably famous are the humble apartment buildings known as "dingbats." But "Pretty Vacant" dares to elevate the low-rise, the boxy, the not remarkably well-constructed to the architecturally sublime. In this brick of(...)
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Résumé:
The only thing better than one boring building is hundreds of them. Far from the glamourous and avant-garde architectural features that make Los Angeles justifiably famous are the humble apartment buildings known as "dingbats." But "Pretty Vacant" dares to elevate the low-rise, the boxy, the not remarkably well-constructed to the architecturally sublime. In this brick of(...)
Titre:
Pretty vacant : the Los Angeles dingbat observed
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The only thing better than one boring building is hundreds of them. Far from the glamourous and avant-garde architectural features that make Los Angeles justifiably famous are the humble apartment buildings known as "dingbats." But "Pretty Vacant" dares to elevate the low-rise, the boxy, the not remarkably well-constructed to the architecturally sublime. In this brick of a book, through scads of photographs of these underappreciated gems, their boundless surfacey charms are soon obvious. Combining funky textures, streamlined sconces, and future-retro ornamentation, these buildings practically define LA vernacular in their optimistic mix of mid-century modishness and darling details. Clive Piercy's photographs provide a streetside glimpse into the curious lives of these buildings, with charming names that range from the regal (Kings Studios) to the space-age (The Galaxie). Assembled in a compact but weighty package with more than 480 images, "Pretty Vacant" provides a snapshot tour and kitschy homage to this underdog architectural form.
Pretty vacant : the Los Angeles dingbat observed
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The only thing better than one boring building is hundreds of them. Far from the glamourous and avant-garde architectural features that make Los Angeles justifiably famous are the humble apartment buildings known as "dingbats." But "Pretty Vacant" dares to elevate the low-rise, the boxy, the not remarkably well-constructed to the architecturally sublime. In this brick of a book, through scads of photographs of these underappreciated gems, their boundless surfacey charms are soon obvious. Combining funky textures, streamlined sconces, and future-retro ornamentation, these buildings practically define LA vernacular in their optimistic mix of mid-century modishness and darling details. Clive Piercy's photographs provide a streetside glimpse into the curious lives of these buildings, with charming names that range from the regal (Kings Studios) to the space-age (The Galaxie). Assembled in a compact but weighty package with more than 480 images, "Pretty Vacant" provides a snapshot tour and kitschy homage to this underdog architectural form.
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livres
livres
Publication:
août 2003, San Francisco
août 2003, San Francisco
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
In the flow
In the flow
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In the early twentieth century, art and its institutions came under critique from a new democratic and egalitarian spirit. The notion of works of art as sacred objects was decried and subsequently they would be understood merely as things. This meant an attack on realism, as well as on the traditional preservative mission of the museum. Art theorist Boris Groys argues(...)
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In the early twentieth century, art and its institutions came under critique from a new democratic and egalitarian spirit. The notion of works of art as sacred objects was decried and subsequently they would be understood merely as things. This meant an attack on realism, as well as on the traditional preservative mission of the museum. Art theorist Boris Groys argues(...)
Titre:
In the flow
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$22.99
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In the early twentieth century, art and its institutions came under critique from a new democratic and egalitarian spirit. The notion of works of art as sacred objects was decried and subsequently they would be understood merely as things. This meant an attack on realism, as well as on the traditional preservative mission of the museum. Art theorist Boris Groys argues this led to the development of “direct realism”: an art that would not produce objects, but practices that would not survive. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art’s distinction. In this new work, Groys explores art in the age of the thingless medium, the Internet. Groys claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
In the flow
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In the early twentieth century, art and its institutions came under critique from a new democratic and egalitarian spirit. The notion of works of art as sacred objects was decried and subsequently they would be understood merely as things. This meant an attack on realism, as well as on the traditional preservative mission of the museum. Art theorist Boris Groys argues this led to the development of “direct realism”: an art that would not produce objects, but practices that would not survive. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art’s distinction. In this new work, Groys explores art in the age of the thingless medium, the Internet. Groys claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
Classification:
livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$34.95
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Mobility - the movements of people, things, and ideas, as well as their associated cultural meanings - has been a key factor in shaping Canadians' perceptions of and interactions with their country. Approaching the burgeoning field of environmental history in Canada through the lens of mobility reveals some of the distinctive ways in which Canadians have come to terms(...)
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Mobility - the movements of people, things, and ideas, as well as their associated cultural meanings - has been a key factor in shaping Canadians' perceptions of and interactions with their country. Approaching the burgeoning field of environmental history in Canada through the lens of mobility reveals some of the distinctive ways in which Canadians have come to terms(...)
Publication:
juin 2016
juin 2016
Titre:
Moving natures: mobility and environment in Canadian history
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Mobility - the movements of people, things, and ideas, as well as their associated cultural meanings - has been a key factor in shaping Canadians' perceptions of and interactions with their country. Approaching the burgeoning field of environmental history in Canada through the lens of mobility reveals some of the distinctive ways in which Canadians have come to terms with the country's climate and landscape. Spanning Canada's diverse regions, throughout its history, from the closing of the age of sail to the contemporary era of just-on-time delivery, Moving Natures: Mobility and the Environment in Canadian History examines a wide range of topics, from the impact of seasonal climactic conditions on different transportation modes, to the environmental consequences of building mobility corridors and pathways, to the relationship between changing forms of mobility with tourism and other recreational activities. Contributors make use of traditional archival sources, as well as historical geographic information systems (HGIS), qualitative and quantitative analysis, and critical theory.
Moving natures: mobility and environment in Canadian history
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$34.95
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Mobility - the movements of people, things, and ideas, as well as their associated cultural meanings - has been a key factor in shaping Canadians' perceptions of and interactions with their country. Approaching the burgeoning field of environmental history in Canada through the lens of mobility reveals some of the distinctive ways in which Canadians have come to terms with the country's climate and landscape. Spanning Canada's diverse regions, throughout its history, from the closing of the age of sail to the contemporary era of just-on-time delivery, Moving Natures: Mobility and the Environment in Canadian History examines a wide range of topics, from the impact of seasonal climactic conditions on different transportation modes, to the environmental consequences of building mobility corridors and pathways, to the relationship between changing forms of mobility with tourism and other recreational activities. Contributors make use of traditional archival sources, as well as historical geographic information systems (HGIS), qualitative and quantitative analysis, and critical theory.
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livres
livres
Publication:
juin 2016
juin 2016
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livres
livres
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$41.95
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"If it isn't Electric, it isn't Modern." Such was the slogan of the Philadelphia Electric Company, developer of an unprecedented network of massive metropolitan power stations servicing greater Philadelphia at the turn of the twentieth century. These once-brilliant sentinels of civic utility and activity were designed to convey solidity and immensity in an age of deep(...)
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"If it isn't Electric, it isn't Modern." Such was the slogan of the Philadelphia Electric Company, developer of an unprecedented network of massive metropolitan power stations servicing greater Philadelphia at the turn of the twentieth century. These once-brilliant sentinels of civic utility and activity were designed to convey solidity and immensity in an age of deep(...)
Sujet:
Structures d’ingénierie
Structures d’ingénierie
Publication:
novembre 2016
novembre 2016
Titre:
Palazzos of power : central station of the Phalidelphia Electric Company
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"If it isn't Electric, it isn't Modern." Such was the slogan of the Philadelphia Electric Company, developer of an unprecedented network of massive metropolitan power stations servicing greater Philadelphia at the turn of the twentieth century. These once-brilliant sentinels of civic utility and activity were designed to convey solidity and immensity in an age of deep public skepticism. They now stand vacant and decaying, a blight in the eyes of city planners and a beacon to urban explorers.'the first book on the buildings and machines that made possible the electrification of the United States, "Palazzos of power" offers a visual and analytical exploration of architecture, technology, place, loss, and reuse. With a foreword by David Nye, this collection of Joseph Elliott's large-format photographs reveal the urban landscape, monumental spaces, giant machinery, and intricate controls that made up the central station. Aaron Wunsch's essay provides historical context on the social and political climate.
Palazzos of power : central station of the Phalidelphia Electric Company
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"If it isn't Electric, it isn't Modern." Such was the slogan of the Philadelphia Electric Company, developer of an unprecedented network of massive metropolitan power stations servicing greater Philadelphia at the turn of the twentieth century. These once-brilliant sentinels of civic utility and activity were designed to convey solidity and immensity in an age of deep public skepticism. They now stand vacant and decaying, a blight in the eyes of city planners and a beacon to urban explorers.'the first book on the buildings and machines that made possible the electrification of the United States, "Palazzos of power" offers a visual and analytical exploration of architecture, technology, place, loss, and reuse. With a foreword by David Nye, this collection of Joseph Elliott's large-format photographs reveal the urban landscape, monumental spaces, giant machinery, and intricate controls that made up the central station. Aaron Wunsch's essay provides historical context on the social and political climate.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Structures d’ingénierie
Structures d’ingénierie
Classification:
périodiques
périodiques
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Once there was life without books. It’s hard to imagine what that must have been like: an age of stories and knowledge of the world which stretched no farther than a day’s walk. The introduction of the written source constituted nothing less than the creation of a time and space capsule. The story, the idea, insight, knowledge were suddenly free of their messenger and(...)
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Once there was life without books. It’s hard to imagine what that must have been like: an age of stories and knowledge of the world which stretched no farther than a day’s walk. The introduction of the written source constituted nothing less than the creation of a time and space capsule. The story, the idea, insight, knowledge were suddenly free of their messenger and(...)
Titre:
Volume 15 Destination Library
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Once there was life without books. It’s hard to imagine what that must have been like: an age of stories and knowledge of the world which stretched no farther than a day’s walk. The introduction of the written source constituted nothing less than the creation of a time and space capsule. The story, the idea, insight, knowledge were suddenly free of their messenger and were all able to bridge distances, able to surface, vanish and reappear. Just as there was a time before the book, there will also be a time after it. In this issue ‘The Last Book’ project is taken up, but as to the consequences of publishing exclusively online – the loss of filters such as the publisher, editor and publication costs – we can only guess. Yet it is clear that our centuries old house of knowledge is undergoing a fundamental renovation, beginning with the solid base of the library.
Volume 15 Destination Library
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Once there was life without books. It’s hard to imagine what that must have been like: an age of stories and knowledge of the world which stretched no farther than a day’s walk. The introduction of the written source constituted nothing less than the creation of a time and space capsule. The story, the idea, insight, knowledge were suddenly free of their messenger and were all able to bridge distances, able to surface, vanish and reappear. Just as there was a time before the book, there will also be a time after it. In this issue ‘The Last Book’ project is taken up, but as to the consequences of publishing exclusively online – the loss of filters such as the publisher, editor and publication costs – we can only guess. Yet it is clear that our centuries old house of knowledge is undergoing a fundamental renovation, beginning with the solid base of the library.
Classification:
périodiques
périodiques
Publication:
mai 2008, Amsterdam
mai 2008, Amsterdam
Sujet:
Revues
Revues
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livres
livres
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting(...)
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting(...)
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Publication:
janvier 1900, New York, London
janvier 1900, New York, London
Titre:
The Chomsky - Foucault debate on human nature
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting dialogue is one of the most original, provocative, and spontaneous exchanges to have occurred between contemporary philosophers, and above all serves as a concise introduction to their basic theories. What begins as a philosophical argument rooted in linguistics (Chomsky) and the theory of knowledge (Foucault), soon evolves into a broader discussion encompassing a wide range of topics, from science, history, and behaviorism to creativity, freedom, and the struggle for justice in the realm of politics. In addition to the debate itself, this volume features a newly written introduction by Foucault scholar John Rajchman and includes substantial additional texts by Chomsky and Foucault.
The Chomsky - Foucault debate on human nature
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting dialogue is one of the most original, provocative, and spontaneous exchanges to have occurred between contemporary philosophers, and above all serves as a concise introduction to their basic theories. What begins as a philosophical argument rooted in linguistics (Chomsky) and the theory of knowledge (Foucault), soon evolves into a broader discussion encompassing a wide range of topics, from science, history, and behaviorism to creativity, freedom, and the struggle for justice in the realm of politics. In addition to the debate itself, this volume features a newly written introduction by Foucault scholar John Rajchman and includes substantial additional texts by Chomsky and Foucault.
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livres
livres
Publication:
janvier 1900, New York, London
janvier 1900, New York, London
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$62.50
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Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the(...)
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Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the(...)
Sujet:
Monographies photo
Monographies photo
Publication:
juin 2005, Vienna
juin 2005, Vienna
Titre:
Blue : inventing the river Danube
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Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the middle of the 19th century onwards. They depict the development of the continent's second largest river, and its cultural and economic significance for central and south-easthern Europe. The river as it is today is the theme of the artistic work by Iosif Kiraly (Bucharest)and Sophie Ristelhueber (Paris). In winter and spring 2004/2005 the two photographers travelled along the Danube, eastwards and westwards. Kiraly visited places that have been shaped by the industrial age. Ristelhueber followed the Danube along its last few miles to Sulina, the place where the Danube ends and the Black Sea begins.
Blue : inventing the river Danube
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Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the middle of the 19th century onwards. They depict the development of the continent's second largest river, and its cultural and economic significance for central and south-easthern Europe. The river as it is today is the theme of the artistic work by Iosif Kiraly (Bucharest)and Sophie Ristelhueber (Paris). In winter and spring 2004/2005 the two photographers travelled along the Danube, eastwards and westwards. Kiraly visited places that have been shaped by the industrial age. Ristelhueber followed the Danube along its last few miles to Sulina, the place where the Danube ends and the Black Sea begins.
Classification:
livres
livres
Publication:
juin 2005, Vienna
juin 2005, Vienna
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$26.95
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In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to(...)
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Résumé:
In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to(...)
Titre:
The Claude glass: use and meaning of the black mirror in western art
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In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to reflect a view and make tonal values and areas of light and shade visible. In a groundbreaking account, Maillet goes well beyond this particular function of the glass and situates it within a richer archaeology of Western thought, exploring the uncertainties and anxieties about mirrors, reflections, and their potential distortions. He takes us from the magical and occult background of the 'black mirror', through a full evaluation of its importance in the age of the picturesque, to its persistence in a range of technological and representational practices, including photography, film, and contemporary art. "The Claude Glass" is a lasting contribution to the history of Western visual culture.
The Claude glass: use and meaning of the black mirror in western art
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$26.95
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In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to reflect a view and make tonal values and areas of light and shade visible. In a groundbreaking account, Maillet goes well beyond this particular function of the glass and situates it within a richer archaeology of Western thought, exploring the uncertainties and anxieties about mirrors, reflections, and their potential distortions. He takes us from the magical and occult background of the 'black mirror', through a full evaluation of its importance in the age of the picturesque, to its persistence in a range of technological and representational practices, including photography, film, and contemporary art. "The Claude Glass" is a lasting contribution to the history of Western visual culture.
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The arcades project
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin(...)
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 1999, Cambridge, Mass.
novembre 1999, Cambridge, Mass.
Titre:
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris, glass-roofed rows of shops that were early centers of consumerism, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things, a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris, glass-roofed rows of shops that were early centers of consumerism, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things, a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.
Classification:
livres
livres
Publication:
novembre 1999, Cambridge, Mass.
novembre 1999, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$69.75
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In "Apollo's Eye", geographer Denis Cosgrove examines the historical implications for the West of conceiving and representing the earth as a globe: a unified, spherical body. Cosgrove traces how ideas of globalism and globalization have shifted historically in relation to changing images of the earth, from antiquity to the Space Age. He connects the evolving image(...)
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In "Apollo's Eye", geographer Denis Cosgrove examines the historical implications for the West of conceiving and representing the earth as a globe: a unified, spherical body. Cosgrove traces how ideas of globalism and globalization have shifted historically in relation to changing images of the earth, from antiquity to the Space Age. He connects the evolving image(...)
Titre:
Apollo's eye : a cartographic genealogy of the earth in the Western imagination
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In "Apollo's Eye", geographer Denis Cosgrove examines the historical implications for the West of conceiving and representing the earth as a globe: a unified, spherical body. Cosgrove traces how ideas of globalism and globalization have shifted historically in relation to changing images of the earth, from antiquity to the Space Age. He connects the evolving image of a unified globe to politically powerful conceptions of human unity. Cosgrove constructs a genealogy of global images from classical Greece and Rome to the present, giving special attention to the early sixteenth century, when Europeans circumnavigated the earth, relocated it within their understanding of the cosmos, and revolutionized its representation in models and maps. Each chapter focuses on specific images of the globe or whole earth, reproduced in a wealth of illustrations. Cosgrove's analysis traces a pattern of associations between global images and the formation of Western identities, paying tribute to the complex cosmographic tradition out of which today's geographical imagination has emerged.
Apollo's eye : a cartographic genealogy of the earth in the Western imagination
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In "Apollo's Eye", geographer Denis Cosgrove examines the historical implications for the West of conceiving and representing the earth as a globe: a unified, spherical body. Cosgrove traces how ideas of globalism and globalization have shifted historically in relation to changing images of the earth, from antiquity to the Space Age. He connects the evolving image of a unified globe to politically powerful conceptions of human unity. Cosgrove constructs a genealogy of global images from classical Greece and Rome to the present, giving special attention to the early sixteenth century, when Europeans circumnavigated the earth, relocated it within their understanding of the cosmos, and revolutionized its representation in models and maps. Each chapter focuses on specific images of the globe or whole earth, reproduced in a wealth of illustrations. Cosgrove's analysis traces a pattern of associations between global images and the formation of Western identities, paying tribute to the complex cosmographic tradition out of which today's geographical imagination has emerged.
Classification:
livres
livres
Publication:
mars 2001, Baltimore
mars 2001, Baltimore
Sujet:
Dessin d’architecture
Dessin d’architecture
