Palladio's Rome
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Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the(...)
Architecture, monographies
janvier 1900, New Haven, London
Palladio's Rome
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Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio's guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael's famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travellers, this book offers insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.
Architecture, monographies
Ville Palladiane
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Ville Palladiane takes shape through details, margins, atmospheres, and traces of contemporary life within the historic villas designed by Andrea Palladio. A complex and classical theme - at times seemingly obvious - was approached by students with curiosity, enthusiasm, and a touch of genuine naïveté, resulting in a visual narrative that captures Palladio’s timeless, yet(...)
Ville Palladiane
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Ville Palladiane takes shape through details, margins, atmospheres, and traces of contemporary life within the historic villas designed by Andrea Palladio. A complex and classical theme - at times seemingly obvious - was approached by students with curiosity, enthusiasm, and a touch of genuine naïveté, resulting in a visual narrative that captures Palladio’s timeless, yet strikingly modern, architectural universe. This volume is part of Prospettive, a photographic documentation project by the Istituto Centrale per il Catalogo e la Documentazione, curated by Carlo Birrozzi and Alessandro Coco. Produced during the 2023–24 Architectural Photography course led by Alberto Sinigaglia at ISIA Urbino, the work contributes to ICCD’s ongoing exploration of architectural themes through student perspectives.
Monographies photo
Endo Shuhei : paramodern
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of(...)
Endo Shuhei : paramodern
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of particular material, galvanized sheet metal. The resulting spaces are fluid, dynamic, mobile, ambiguous, incomplete and even indeterminate. Shuhei curves, doubles, folds and twists a series of metal sheets to the point of dissolving the limits between interior and exterior, between surface and volume, between floor and roof, achieving dramatic effect with a great economy of means.
Architecture, monographies
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This collection of a number of key essays by the New York-based architect and writer Mark Rakatansky proposes an innovative framework for architecture to enact the complex tectonic dramas of social and culture space. Following its title, the book is arrayed in three sections: Tectonic, Acts of, Desire and Doubt. In each, Rakatansky covers a series of subjects in a(...)
AA words 9: tectonic acts of desire and doubt
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This collection of a number of key essays by the New York-based architect and writer Mark Rakatansky proposes an innovative framework for architecture to enact the complex tectonic dramas of social and culture space. Following its title, the book is arrayed in three sections: Tectonic, Acts of, Desire and Doubt. In each, Rakatansky covers a series of subjects in a writerly voice that varies from the third-person narrative of the scholarly essays to the transcript of an email exchange with fellow academic Sarah Whiting discussing recent books by architect Greg Lynn. Transformational performances of architectural identity are explored in discussions of fabrication, social parametrics, building envelopes, spatial narratives, animation, migrancy, and in illuminating readings into the works of Louis Kahn, Robin Evans, John Coltrane, Giulio Romano and Andrea Palladio.
Théorie de l’architecture
livres
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xvi, 533 pages : illustrations ; 26 cm
London ; New York : Routledge, Taylor & Francis Group, 2004.
The emergence of modern architecture : a documentary history from 1000 to 1810 / Liane Lefaivre and Alexander Tzonis.
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xvi, 533 pages : illustrations ; 26 cm
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London ; New York : Routledge, Taylor & Francis Group, 2004.
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With more than 150 illustrations, this monograph offers the first in-depth look at the genesis of the Steiger House, a masterpiece of modern Swiss architecture, situated in the Doldertal in Zurich near other modernist houses, such as the Doldertal Houses by Roth and Breuer (1936) and the Fellowship Home (1960). Its central hall relates to Villa la Rotonda by Andrea(...)
Architecture, monographies
février 2025
The Steiger House Doldertal, Zurich 1959. Rudolf Steiger, Flora Steiger
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With more than 150 illustrations, this monograph offers the first in-depth look at the genesis of the Steiger House, a masterpiece of modern Swiss architecture, situated in the Doldertal in Zurich near other modernist houses, such as the Doldertal Houses by Roth and Breuer (1936) and the Fellowship Home (1960). Its central hall relates to Villa la Rotonda by Andrea Palladio. Detailed analyses illustrate the central layout and outline the chronology, typology and construction of the building. Further contributions illuminate its relation to local topography, the cultural context of the building, and important historical and contemporary architectural references, including the Steiger House's famous neighbors, the Doldertal Houses. The Swiss architect couple Flora Steiger-Crawford (1899–1991, also a sculptor) and Rudolf Steiger (1900–82) are important representatives of the Swiss avant-garde, and Flora Crawford was the first female architect to graduate from ETH Zurich.
Architecture, monographies
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Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different—houses that stand outside of these expectations and instead are conceived to(...)
The manifesto house: Buildings that changed the future of architecture
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Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different—houses that stand outside of these expectations and instead are conceived to embody whole new theories or agendas. We call these "manifesto houses." For the first time, this compelling thread in the history of architecture is surveyed by Owen Hopkins. He brings together a collection of twenty-one such manifesto houses, exploring the visions for architecture conjured by Andrea Palladio, Eileen Gray, Frank Lloyd Wright, Harry Seidler, Lina Bo Bardi, Anupama Kundoo, and Sou Fujimoto, among others. "The manifesto house" looks in detail at the ideas and ambitions embodied in each house, the contexts that shaped them, and their impact and influence on the future of architecture.
Théorie de l’architecture
On Bramante
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In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between(...)
On Bramante
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In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between architecture and politics, and to look back—with neither nostalgia nor contempt—at the tradition of Western classicism. Starting from a discussion of the difference in the work of Bramante in Milan (1481–1499) and Rome (1499–1514), Tamburelli highlights the peculiarities of Bramante’s architecture, especially in comparison to that of his predecessor Leon Battista Alberti and successor Andrea Palladio. This in turn opens up new possibilities for appreciating his spatial experiments, and to derive from Bramante’s abstraction and disassociation of form from function a revised theory of space for contemporary architecture. Such a theory might even advance a newfound political understanding of classicism, and a model—perhaps more valid now than ever before—for a public architecture.
Architecture, monographies
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea(...)
Inigo Jones: the architect of kings
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio. Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has largely gone unnoted. This book examines both of these overlooked issues. Vaughan Hart identifies well-established links between the classical column and the crown prior to Jones, in early Stuart masques, processions, heraldry, paintings, and poems. He goes on to discuss Jones's preference for a "masculine and unaffected" architecture, demonstrating that this plain style was consistent with the Puritan artistic sensitivities of Stuart England. For the first time, the work of Inigo Jones is understood in its national religious and political context.
Architecture, monographies
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The sketch is a window into the architects mind. As creative designers, architects are interested in how other architects, particularly successful ones, think through the use of drawings to approach their work. Historically designers have sought inspiration for their own work through an insight into the minds and workings of people they often regard as geniuses. This(...)
Architects' drawings: a selection of sketches by world famous archittects through history
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The sketch is a window into the architects mind. As creative designers, architects are interested in how other architects, particularly successful ones, think through the use of drawings to approach their work. Historically designers have sought inspiration for their own work through an insight into the minds and workings of people they often regard as geniuses. This collection of sketches aims to provide this insight. Here for the first time, a wide range of world famous architects' sketches from the Renaissance to the present day can be seen in a single volume. The sketches have been selected to represent the concepts or philosophies of the key movements in architecture in order to develop an overall picture of the role of the sketch in the development of architecture. The book illustrates the work of designers as diverse as Andrea Palladio, Erich Mendelsohn, Sir Edwin Lutyens, Gianlorenzo Bernini, Le Corbusier, Michelangelo, Alvar Aalto, Sir John Soane, Francesco Borromini, Walter Gropius, and contemporary architects Tadao Ando, Zaha Hadid and Frank Gehry to name but a few. Each chronologically placed sketch is accompanied by text providing details about the architect’s life, a look at the sketch in context, and the connection to specific buildings where appropriate. Style, media and meaning are also discussed, developing an explanation of the architect’s thinking and intentions.
Dessin d’architecture