687 Résultats
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as(...)
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as(...)
Titre:
Old Paris and changing New York
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project ''Changing New York''.
Old Paris and changing New York
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project ''Changing New York''.
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livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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In W. G. Sebald: Image, Archive, Modernity, J. J. Long identifies a wider "meta-problem" in Sebald's work—the problem of modernity. The numerous archival institutions and processes that lie at the heart of modernity are repeatedly explored in Sebald's novels. Photography, museums, libraries, and other institutions for producing and preserving knowledge are among Sebald's(...)
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In W. G. Sebald: Image, Archive, Modernity, J. J. Long identifies a wider "meta-problem" in Sebald's work—the problem of modernity. The numerous archival institutions and processes that lie at the heart of modernity are repeatedly explored in Sebald's novels. Photography, museums, libraries, and other institutions for producing and preserving knowledge are among Sebald's(...)
Titre:
W.G. Sebald: Image, archive, modernity
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In W. G. Sebald: Image, Archive, Modernity, J. J. Long identifies a wider "meta-problem" in Sebald's work—the problem of modernity. The numerous archival institutions and processes that lie at the heart of modernity are repeatedly explored in Sebald's novels. Photography, museums, libraries, and other institutions for producing and preserving knowledge are among Sebald's main obsessions. Long advances an interpretation of the author's oeuvre, arguing that Sebald's project needs to be understood as a response not merely to post-Holocaust trauma but to the longer history of modernity.
W.G. Sebald: Image, archive, modernity
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In W. G. Sebald: Image, Archive, Modernity, J. J. Long identifies a wider "meta-problem" in Sebald's work—the problem of modernity. The numerous archival institutions and processes that lie at the heart of modernity are repeatedly explored in Sebald's novels. Photography, museums, libraries, and other institutions for producing and preserving knowledge are among Sebald's main obsessions. Long advances an interpretation of the author's oeuvre, arguing that Sebald's project needs to be understood as a response not merely to post-Holocaust trauma but to the longer history of modernity.
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livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Théorie de l’art
Théorie de l’art
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form(...)
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form(...)
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Guido Guidi: Lunario 1968-1999
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form echoes throughout the works: in a woman’s face, or a child’s playing ball caught between light and shadow. Guidi’s barren, lunar landscapes give way in the 1980s to colour photographs, all of which culminate in the dramatic partial solar-eclipse of August 11, 1999. Throughout Lunario, Guido Guidi comes back to the moon as a source of stylistic and thematic inspiration: a symbol of melancholy and madness, changeability and a constant reminder of the transience of everyday life.
Guido Guidi: Lunario 1968-1999
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form echoes throughout the works: in a woman’s face, or a child’s playing ball caught between light and shadow. Guidi’s barren, lunar landscapes give way in the 1980s to colour photographs, all of which culminate in the dramatic partial solar-eclipse of August 11, 1999. Throughout Lunario, Guido Guidi comes back to the moon as a source of stylistic and thematic inspiration: a symbol of melancholy and madness, changeability and a constant reminder of the transience of everyday life.
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livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Monographies photo
Monographies photo
Classification:
périodiques
périodiques
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A special profile of two projects by Dublin-based Grafton Architects is foremost in this instalment, with a detailed look at the Toulouse School of Economics and the Town House at Kingston University, London. Ana Souto surveys new educational complexes, presenting works by Vo Trong Nghia Architects, Barclay & Crousse Architecture, and more. Recently completed art spaces(...)
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A special profile of two projects by Dublin-based Grafton Architects is foremost in this instalment, with a detailed look at the Toulouse School of Economics and the Town House at Kingston University, London. Ana Souto surveys new educational complexes, presenting works by Vo Trong Nghia Architects, Barclay & Crousse Architecture, and more. Recently completed art spaces(...)
Titre:
C3 407: Grafton Architecs, Learning Encounter Complexes, Transformative Art Spaces
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A special profile of two projects by Dublin-based Grafton Architects is foremost in this instalment, with a detailed look at the Toulouse School of Economics and the Town House at Kingston University, London. Ana Souto surveys new educational complexes, presenting works by Vo Trong Nghia Architects, Barclay & Crousse Architecture, and more. Recently completed art spaces are also featured, such as the Polygon Gallery in Vancouver by Patkau Architects and BIG’s first project in Norway, The Twist. Also in this issue, projects that mark a new tradition in Chinese architecture: Changjiang Art Museum, Xie Zilong Photography Museum, Aranya Art Centre, and more.
C3 407: Grafton Architecs, Learning Encounter Complexes, Transformative Art Spaces
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A special profile of two projects by Dublin-based Grafton Architects is foremost in this instalment, with a detailed look at the Toulouse School of Economics and the Town House at Kingston University, London. Ana Souto surveys new educational complexes, presenting works by Vo Trong Nghia Architects, Barclay & Crousse Architecture, and more. Recently completed art spaces are also featured, such as the Polygon Gallery in Vancouver by Patkau Architects and BIG’s first project in Norway, The Twist. Also in this issue, projects that mark a new tradition in Chinese architecture: Changjiang Art Museum, Xie Zilong Photography Museum, Aranya Art Centre, and more.
Classification:
périodiques
périodiques
Publication:
janvier 2020
janvier 2020
Sujet:
Revues
Revues
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the(...)
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the(...)
Sujet:
Monographies photo
Monographies photo
Publication:
mars 2006, San Francisco
mars 2006, San Francisco
Titre:
After the ruins 1906 and 2006 : rephotographing the San Francisco earthquake and fire
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the days following the 1906 earthquake and fires and precisely duplicated each photograph's vantage point. The result is a comparison that challenges our preconceptions about time, history, and culture. This publication accompanies an exhibition at The Fine Arts Museums of San Francisco. After the Ruins, 1906 and 2006 features a vivid essay by noted environmental historian Philip Fradkin on the events surrounding and following the 1906 earthquake, which he describes as "the equivalent of an intensive, three-day bombing raid, complete with many tons of dynamite that acted as incendiary devices." A lyrical essay by acclaimed writer Rebecca Solnit considers the meaning of ruins, resurrection, and the evolving geography and history of San Francisco.
After the ruins 1906 and 2006 : rephotographing the San Francisco earthquake and fire
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the days following the 1906 earthquake and fires and precisely duplicated each photograph's vantage point. The result is a comparison that challenges our preconceptions about time, history, and culture. This publication accompanies an exhibition at The Fine Arts Museums of San Francisco. After the Ruins, 1906 and 2006 features a vivid essay by noted environmental historian Philip Fradkin on the events surrounding and following the 1906 earthquake, which he describes as "the equivalent of an intensive, three-day bombing raid, complete with many tons of dynamite that acted as incendiary devices." A lyrical essay by acclaimed writer Rebecca Solnit considers the meaning of ruins, resurrection, and the evolving geography and history of San Francisco.
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livres
livres
Publication:
mars 2006, San Francisco
mars 2006, San Francisco
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Since 2008, German photographer Winfried Bullinger (born 1965) has traveled around Eastern and Central Africa, capturing the vernacular architecture of these regions. In this physical archive of his long-term project, Bullinger portrays a diverse array of African pastoralists’ homes, including tents, open dwellings and huts. Despite their variety, the structures are all(...)
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Since 2008, German photographer Winfried Bullinger (born 1965) has traveled around Eastern and Central Africa, capturing the vernacular architecture of these regions. In this physical archive of his long-term project, Bullinger portrays a diverse array of African pastoralists’ homes, including tents, open dwellings and huts. Despite their variety, the structures are all(...)
Titre:
Winfried Bullinger: Pastoralist Homes
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Since 2008, German photographer Winfried Bullinger (born 1965) has traveled around Eastern and Central Africa, capturing the vernacular architecture of these regions. In this physical archive of his long-term project, Bullinger portrays a diverse array of African pastoralists’ homes, including tents, open dwellings and huts. Despite their variety, the structures are all made from materials available directly on site; they are radically efficient and sustainable. Implementing a silver-gelatin technique, Bullinger shoots with a large-format camera and honors the capricious natural light of day. Although he captures few inhabitants in his images, Bullinger records their many traces. Indeed, his photographs are born from a dialogue with the inhabitants and reveal architecture as a direct response, refined over centuries, to a people’s specific environment and culture. Bullinger’s conscientious formal and interpersonal decisions culminate in this valuable record of rapidly disappearing African architectural heritage.
Winfried Bullinger: Pastoralist Homes
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Since 2008, German photographer Winfried Bullinger (born 1965) has traveled around Eastern and Central Africa, capturing the vernacular architecture of these regions. In this physical archive of his long-term project, Bullinger portrays a diverse array of African pastoralists’ homes, including tents, open dwellings and huts. Despite their variety, the structures are all made from materials available directly on site; they are radically efficient and sustainable. Implementing a silver-gelatin technique, Bullinger shoots with a large-format camera and honors the capricious natural light of day. Although he captures few inhabitants in his images, Bullinger records their many traces. Indeed, his photographs are born from a dialogue with the inhabitants and reveal architecture as a direct response, refined over centuries, to a people’s specific environment and culture. Bullinger’s conscientious formal and interpersonal decisions culminate in this valuable record of rapidly disappearing African architectural heritage.
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livres
livres
Publication:
juin 2025
juin 2025
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Robert Polidori's metropolis
Robert Polidori's metropolis
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
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Monographies photo
Monographies photo
Publication:
novembre 2004, New York
novembre 2004, New York
Titre:
Robert Polidori's metropolis
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
Robert Polidori's metropolis
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
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livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Sagacity
Sagacity
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Nearly 50 years after its inception, Italian photographer Fulvio Ventura’s "Sagacity" is finally seeing the light of day. Begun in 1975 and originally scheduled for publication in 1978 by Luigi Ghirri’s short-lived Punto e Virgola imprint, Ventura continued to amass his photographic archive organically for the next four decades as an open-ended project called "Sagacity,(...)
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Nearly 50 years after its inception, Italian photographer Fulvio Ventura’s "Sagacity" is finally seeing the light of day. Begun in 1975 and originally scheduled for publication in 1978 by Luigi Ghirri’s short-lived Punto e Virgola imprint, Ventura continued to amass his photographic archive organically for the next four decades as an open-ended project called "Sagacity,(...)
Titre:
Sagacity
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Nearly 50 years after its inception, Italian photographer Fulvio Ventura’s "Sagacity" is finally seeing the light of day. Begun in 1975 and originally scheduled for publication in 1978 by Luigi Ghirri’s short-lived Punto e Virgola imprint, Ventura continued to amass his photographic archive organically for the next four decades as an open-ended project called "Sagacity, Sunstar and Salamandra" (a title copied from a portentous inscription discovered by chance on a brass plate in the window of a typesetter). This was Ventura’s living body of work, inspired by an evolving passion for esoteric philosophies, the mysteries of happenstance, the sound of jazz, and the literature of surrealism and mythology. The images in this volume, gathered over many years in various locations around Europe, are spontaneous yet full of intention, cryptic but playful, and often strikingly cinematic – an altogether cohesive and self-contained psychic world, bound by visible and invisible energies.
Sagacity
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Nearly 50 years after its inception, Italian photographer Fulvio Ventura’s "Sagacity" is finally seeing the light of day. Begun in 1975 and originally scheduled for publication in 1978 by Luigi Ghirri’s short-lived Punto e Virgola imprint, Ventura continued to amass his photographic archive organically for the next four decades as an open-ended project called "Sagacity, Sunstar and Salamandra" (a title copied from a portentous inscription discovered by chance on a brass plate in the window of a typesetter). This was Ventura’s living body of work, inspired by an evolving passion for esoteric philosophies, the mysteries of happenstance, the sound of jazz, and the literature of surrealism and mythology. The images in this volume, gathered over many years in various locations around Europe, are spontaneous yet full of intention, cryptic but playful, and often strikingly cinematic – an altogether cohesive and self-contained psychic world, bound by visible and invisible energies.
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livres
livres
Publication:
février 2021
février 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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This publication showcases the acclaimed landscape designer's urban renewal effort for downtown Denver in the 1970s. Drawing on the rugged beauty of the city's natural surroundings for inspiration, Halprin created a signature landmark of sunken fountains, walls, and berms that served as an urban promenade and an oasis from the surrounding streets. This monograph honors(...)
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This publication showcases the acclaimed landscape designer's urban renewal effort for downtown Denver in the 1970s. Drawing on the rugged beauty of the city's natural surroundings for inspiration, Halprin created a signature landmark of sunken fountains, walls, and berms that served as an urban promenade and an oasis from the surrounding streets. This monograph honors(...)
Titre:
Lawrence Halprin's Skyline park
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This publication showcases the acclaimed landscape designer's urban renewal effort for downtown Denver in the 1970s. Drawing on the rugged beauty of the city's natural surroundings for inspiration, Halprin created a signature landmark of sunken fountains, walls, and berms that served as an urban promenade and an oasis from the surrounding streets. This monograph honors the legacy of Halprin's original work by presenting the most complete documentation available of the park's conception, construction, and use before its total redesign in 2003. This first book on Halprin's modern landscape project features new photography, archival drawings, and original documentation.
Lawrence Halprin's Skyline park
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This publication showcases the acclaimed landscape designer's urban renewal effort for downtown Denver in the 1970s. Drawing on the rugged beauty of the city's natural surroundings for inspiration, Halprin created a signature landmark of sunken fountains, walls, and berms that served as an urban promenade and an oasis from the surrounding streets. This monograph honors the legacy of Halprin's original work by presenting the most complete documentation available of the park's conception, construction, and use before its total redesign in 2003. This first book on Halprin's modern landscape project features new photography, archival drawings, and original documentation.
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livres
livres
Publication:
août 2012
août 2012
Classification:
livres
livres
Titre:
Qiu Yangzi: Rotation
Qiu Yangzi: Rotation
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''Rotation'' is an ongoing photographic series exploring how urban development reshapes our relationship with space—public, personal, and imagined. It invites viewers to reconsider orientation, perspective, and the fragility of boundaries between the built environment and the body. Referencing the disorientation of outer space—where gravity dissolves the idea of ‘up’(...)
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''Rotation'' is an ongoing photographic series exploring how urban development reshapes our relationship with space—public, personal, and imagined. It invites viewers to reconsider orientation, perspective, and the fragility of boundaries between the built environment and the body. Referencing the disorientation of outer space—where gravity dissolves the idea of ‘up’(...)
Titre:
Qiu Yangzi: Rotation
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''Rotation'' is an ongoing photographic series exploring how urban development reshapes our relationship with space—public, personal, and imagined. It invites viewers to reconsider orientation, perspective, and the fragility of boundaries between the built environment and the body. Referencing the disorientation of outer space—where gravity dissolves the idea of ‘up’ and ‘down’—the series plays with visual perspective and suspension. Many images are shot through glass, integrating reflections that allude to invisible connections between people and places. This use of light and surface evokes a sense of weightlessness and fluid identity. Since 2021, Rotation has evolved through collaborations with over 20 organizations across cities such as London, Berlin, Stockholm, and Warsaw. With more than 70 works created so far, the project continues to map spatial perception through image-making—blurring lines between architecture, motion, and memory.
Qiu Yangzi: Rotation
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''Rotation'' is an ongoing photographic series exploring how urban development reshapes our relationship with space—public, personal, and imagined. It invites viewers to reconsider orientation, perspective, and the fragility of boundaries between the built environment and the body. Referencing the disorientation of outer space—where gravity dissolves the idea of ‘up’ and ‘down’—the series plays with visual perspective and suspension. Many images are shot through glass, integrating reflections that allude to invisible connections between people and places. This use of light and surface evokes a sense of weightlessness and fluid identity. Since 2021, Rotation has evolved through collaborations with over 20 organizations across cities such as London, Berlin, Stockholm, and Warsaw. With more than 70 works created so far, the project continues to map spatial perception through image-making—blurring lines between architecture, motion, and memory.
Classification:
livres
livres
Publication:
janvier 2026
janvier 2026
Sujet:
Monographies photo
Monographies photo
