118882 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH260020
Description:
Erickson/Massey project proposals labelled 'Permanent Files': Carleton University School of Architecture, BC Building, Dillworth Estates development plan, Edmonton South-East Development, South East Vancouver Elementary School, British Columbia proposal for Expo 70 Osaka Japan, Fisherman's Quay False Creek, Glenwood Park, Institute for the Future physical development plan, Shannon Mews, Royal Columbian Hospital, University of Lethbridge Development Plan and Project One, University of Victoria development and married student housing, Simon Fraser University (reprinted article from Architectural Record, London, 1968)
ARCH260020
Description:
Erickson/Massey project proposals labelled 'Permanent Files': Carleton University School of Architecture, BC Building, Dillworth Estates development plan, Edmonton South-East Development, South East Vancouver Elementary School, British Columbia proposal for Expo 70 Osaka Japan, Fisherman's Quay False Creek, Glenwood Park, Institute for the Future physical development plan, Shannon Mews, Royal Columbian Hospital, University of Lethbridge Development Plan and Project One, University of Victoria development and married student housing, Simon Fraser University (reprinted article from Architectural Record, London, 1968)
Personnes et institutions:
Date:
1968-1969
1968-1969
Titre:
Permanent files for various projects
Actions:
ARCH260020
Description:
Erickson/Massey project proposals labelled 'Permanent Files': Carleton University School of Architecture, BC Building, Dillworth Estates development plan, Edmonton South-East Development, South East Vancouver Elementary School, British Columbia proposal for Expo 70 Osaka Japan, Fisherman's Quay False Creek, Glenwood Park, Institute for the Future physical development plan, Shannon Mews, Royal Columbian Hospital, University of Lethbridge Development Plan and Project One, University of Victoria development and married student housing, Simon Fraser University (reprinted article from Architectural Record, London, 1968)
Permanent files for various projects
Actions:
ARCH260020
Description:
Erickson/Massey project proposals labelled 'Permanent Files': Carleton University School of Architecture, BC Building, Dillworth Estates development plan, Edmonton South-East Development, South East Vancouver Elementary School, British Columbia proposal for Expo 70 Osaka Japan, Fisherman's Quay False Creek, Glenwood Park, Institute for the Future physical development plan, Shannon Mews, Royal Columbian Hospital, University of Lethbridge Development Plan and Project One, University of Victoria development and married student housing, Simon Fraser University (reprinted article from Architectural Record, London, 1968)
Classification:
documents textuels
documents textuels
Date:
1968-1969
1968-1969
Personnes et institutions:
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Date:
septembre 1997 au août 1998
septembre 1997 au août 1998
Titre:
Chercheurs en résidence 1997-1998
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Chercheurs en résidence 1997-1998
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Classification:
recherche
recherche
Date:
septembre 1997 au
août 1998
septembre 1997 au
août 1998
Niveau de description archivistique:
Projet
Projet
Titre:
Red Line (1972)
Red Line (1972)
Numéro de référence:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
Personnes et institutions:
Date:
circa 1972-2015
circa 1972-2015
Titre:
Red Line (1972)
Actions:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
Red Line (1972)
Actions:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
Personnes et institutions:
Date:
1963-1964
1963-1964
Titre:
Bata Limited Office Building, Don Mills, Ontario (1962-1965)
Actions:
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
Bata Limited Office Building, Don Mills, Ontario (1962-1965)
Actions:
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
Niveau de description archivistique:
Project
Project
Date:
1963-1964
1963-1964
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2009
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Date:
23 mars 2009 au 30 octobre 2009
23 mars 2009 au 30 octobre 2009
Titre:
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Classification:
recherche
recherche
Date:
23 mars 2009 au
30 octobre 2009
23 mars 2009 au
30 octobre 2009
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.2000.PR08
Description:
This project series documents buildings for Concordia University's downtown campus in Montréal from 2000-2009. The office identified the project number as 0004. This project eventually became known as Le Quartier Concordia. This project was the winning submission of an architectural competition by Kuwabara Payne McKenna Blumberg Architects, in joint-venture with Fichten Soiferman et Associés Architectes, to design an integrated, vertical campus to revitalize and reinvent the University. This project consisted of three interconnected high-rise buildings on either side of Montreal's Guy Street, below De Maisonneuve Boulevard, to rehouse three important faculties: Visual Arts, Engineering and Computer Science, and the John Molson School of Business. These three buildings had glazed curtain wall exteriors with copper-coloured metal lines that created visual consistency inside and outside of all three buildings. Large art installations were also included on the façades. Triple-height atriums on the ground floors of the Engineering Building and the John Molson building added welcoming, public areas to the campus, and connected pedestrians to the Guy-Concordia metro station below. The tops of these two buildings featured massive north-south canopies that pointed from Montreal's Mont Royal down to the St. Lawrence River. The shorter Visual Arts building was directly connected to the Engineering building and today they are known together as the EV Building. The building interiors, comprised largely of stone tiles and concrete, featured large, multi-storey spiral staircases in a nod to the famous exterior spiral stairs of Montreal homes.[1] The Engineering and Visual Arts buildings were completed in 2005 and the John Molson building in 2009. Recladding of the exterior of another campus building to match these was completed in 2011.[2] It should be noted that these project materials were donated to the CCA part way through the project's realization. The project is recorded through drawings and textual records dating from 2000-2003. The drawings are mostly originals but reprographic copies and printouts of CAD drawings are also included. The drawings consist of sketches, digital renderings, plans, elevations, sections, perspectives, details and construction drawings. The textual records are arranged within the drawings and consist of research. [1]Contributions from Phyllis Lambert et al., The Architecture of Kuwabara, Payne, McKenna, Blumberg (Boston, MA: Birkhäuser-Publishers for Architecture, 2004), 180. [2]"Le Quartier Concordia." KPMB. Accessed July 11, 2019. http://www.kpmb.com/project/concordia-university-john-molson-school-of-business/
AP056.S1.2000.PR08
Description:
This project series documents buildings for Concordia University's downtown campus in Montréal from 2000-2009. The office identified the project number as 0004. This project eventually became known as Le Quartier Concordia. This project was the winning submission of an architectural competition by Kuwabara Payne McKenna Blumberg Architects, in joint-venture with Fichten Soiferman et Associés Architectes, to design an integrated, vertical campus to revitalize and reinvent the University. This project consisted of three interconnected high-rise buildings on either side of Montreal's Guy Street, below De Maisonneuve Boulevard, to rehouse three important faculties: Visual Arts, Engineering and Computer Science, and the John Molson School of Business. These three buildings had glazed curtain wall exteriors with copper-coloured metal lines that created visual consistency inside and outside of all three buildings. Large art installations were also included on the façades. Triple-height atriums on the ground floors of the Engineering Building and the John Molson building added welcoming, public areas to the campus, and connected pedestrians to the Guy-Concordia metro station below. The tops of these two buildings featured massive north-south canopies that pointed from Montreal's Mont Royal down to the St. Lawrence River. The shorter Visual Arts building was directly connected to the Engineering building and today they are known together as the EV Building. The building interiors, comprised largely of stone tiles and concrete, featured large, multi-storey spiral staircases in a nod to the famous exterior spiral stairs of Montreal homes.[1] The Engineering and Visual Arts buildings were completed in 2005 and the John Molson building in 2009. Recladding of the exterior of another campus building to match these was completed in 2011.[2] It should be noted that these project materials were donated to the CCA part way through the project's realization. The project is recorded through drawings and textual records dating from 2000-2003. The drawings are mostly originals but reprographic copies and printouts of CAD drawings are also included. The drawings consist of sketches, digital renderings, plans, elevations, sections, perspectives, details and construction drawings. The textual records are arranged within the drawings and consist of research. [1]Contributions from Phyllis Lambert et al., The Architecture of Kuwabara, Payne, McKenna, Blumberg (Boston, MA: Birkhäuser-Publishers for Architecture, 2004), 180. [2]"Le Quartier Concordia." KPMB. Accessed July 11, 2019. http://www.kpmb.com/project/concordia-university-john-molson-school-of-business/
Personnes et institutions:
Date:
2000-2003
2000-2003
Titre:
Concordia University, Montréal (2000-2009)
Actions:
AP056.S1.2000.PR08
Description:
This project series documents buildings for Concordia University's downtown campus in Montréal from 2000-2009. The office identified the project number as 0004. This project eventually became known as Le Quartier Concordia. This project was the winning submission of an architectural competition by Kuwabara Payne McKenna Blumberg Architects, in joint-venture with Fichten Soiferman et Associés Architectes, to design an integrated, vertical campus to revitalize and reinvent the University. This project consisted of three interconnected high-rise buildings on either side of Montreal's Guy Street, below De Maisonneuve Boulevard, to rehouse three important faculties: Visual Arts, Engineering and Computer Science, and the John Molson School of Business. These three buildings had glazed curtain wall exteriors with copper-coloured metal lines that created visual consistency inside and outside of all three buildings. Large art installations were also included on the façades. Triple-height atriums on the ground floors of the Engineering Building and the John Molson building added welcoming, public areas to the campus, and connected pedestrians to the Guy-Concordia metro station below. The tops of these two buildings featured massive north-south canopies that pointed from Montreal's Mont Royal down to the St. Lawrence River. The shorter Visual Arts building was directly connected to the Engineering building and today they are known together as the EV Building. The building interiors, comprised largely of stone tiles and concrete, featured large, multi-storey spiral staircases in a nod to the famous exterior spiral stairs of Montreal homes.[1] The Engineering and Visual Arts buildings were completed in 2005 and the John Molson building in 2009. Recladding of the exterior of another campus building to match these was completed in 2011.[2] It should be noted that these project materials were donated to the CCA part way through the project's realization. The project is recorded through drawings and textual records dating from 2000-2003. The drawings are mostly originals but reprographic copies and printouts of CAD drawings are also included. The drawings consist of sketches, digital renderings, plans, elevations, sections, perspectives, details and construction drawings. The textual records are arranged within the drawings and consist of research. [1]Contributions from Phyllis Lambert et al., The Architecture of Kuwabara, Payne, McKenna, Blumberg (Boston, MA: Birkhäuser-Publishers for Architecture, 2004), 180. [2]"Le Quartier Concordia." KPMB. Accessed July 11, 2019. http://www.kpmb.com/project/concordia-university-john-molson-school-of-business/
Concordia University, Montréal (2000-2009)
Actions:
AP056.S1.2000.PR08
Description:
This project series documents buildings for Concordia University's downtown campus in Montréal from 2000-2009. The office identified the project number as 0004. This project eventually became known as Le Quartier Concordia. This project was the winning submission of an architectural competition by Kuwabara Payne McKenna Blumberg Architects, in joint-venture with Fichten Soiferman et Associés Architectes, to design an integrated, vertical campus to revitalize and reinvent the University. This project consisted of three interconnected high-rise buildings on either side of Montreal's Guy Street, below De Maisonneuve Boulevard, to rehouse three important faculties: Visual Arts, Engineering and Computer Science, and the John Molson School of Business. These three buildings had glazed curtain wall exteriors with copper-coloured metal lines that created visual consistency inside and outside of all three buildings. Large art installations were also included on the façades. Triple-height atriums on the ground floors of the Engineering Building and the John Molson building added welcoming, public areas to the campus, and connected pedestrians to the Guy-Concordia metro station below. The tops of these two buildings featured massive north-south canopies that pointed from Montreal's Mont Royal down to the St. Lawrence River. The shorter Visual Arts building was directly connected to the Engineering building and today they are known together as the EV Building. The building interiors, comprised largely of stone tiles and concrete, featured large, multi-storey spiral staircases in a nod to the famous exterior spiral stairs of Montreal homes.[1] The Engineering and Visual Arts buildings were completed in 2005 and the John Molson building in 2009. Recladding of the exterior of another campus building to match these was completed in 2011.[2] It should be noted that these project materials were donated to the CCA part way through the project's realization. The project is recorded through drawings and textual records dating from 2000-2003. The drawings are mostly originals but reprographic copies and printouts of CAD drawings are also included. The drawings consist of sketches, digital renderings, plans, elevations, sections, perspectives, details and construction drawings. The textual records are arranged within the drawings and consist of research. [1]Contributions from Phyllis Lambert et al., The Architecture of Kuwabara, Payne, McKenna, Blumberg (Boston, MA: Birkhäuser-Publishers for Architecture, 2004), 180. [2]"Le Quartier Concordia." KPMB. Accessed July 11, 2019. http://www.kpmb.com/project/concordia-university-john-molson-school-of-business/
Niveau de description archivistique:
Project
Project
Date:
2000-2003
2000-2003
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP114.S1.SS3.D1
Description:
The file includes slides of architectural projects in which Gene Summers was involved and slides of works of art by various artists, photographic portraits of Gene Summers, and posters.
AP114.S1.SS3.D1
Description:
The file includes slides of architectural projects in which Gene Summers was involved and slides of works of art by various artists, photographic portraits of Gene Summers, and posters.
Personnes et institutions:
Date:
circa 1969 - 1991
circa 1969 - 1991
Titre:
Photographs
Actions:
AP114.S1.SS3.D1
Description:
The file includes slides of architectural projects in which Gene Summers was involved and slides of works of art by various artists, photographic portraits of Gene Summers, and posters.
Photographs
Actions:
AP114.S1.SS3.D1
Description:
The file includes slides of architectural projects in which Gene Summers was involved and slides of works of art by various artists, photographic portraits of Gene Summers, and posters.
Niveau de description archivistique:
File 1
File 1
Date:
circa 1969 - 1991
circa 1969 - 1991
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
House for Dr. E. Farnsworth
House for Dr. E. Farnsworth
Numéro de référence:
AP032.S1.SS2.D3.SD14
Description:
This subseries consists of photographs and reprographic copies of architectural, structural, and consultant drawings from 1949 - 1950 for the House for Dr. E. Farnsworth project in Plano, Illinois.
AP032.S1.SS2.D3.SD14
Description:
This subseries consists of photographs and reprographic copies of architectural, structural, and consultant drawings from 1949 - 1950 for the House for Dr. E. Farnsworth project in Plano, Illinois.
Personnes et institutions:
Date:
1949-1950
1949-1950
Titre:
House for Dr. E. Farnsworth
Actions:
AP032.S1.SS2.D3.SD14
Description:
This subseries consists of photographs and reprographic copies of architectural, structural, and consultant drawings from 1949 - 1950 for the House for Dr. E. Farnsworth project in Plano, Illinois.
House for Dr. E. Farnsworth
Actions:
AP032.S1.SS2.D3.SD14
Description:
This subseries consists of photographs and reprographic copies of architectural, structural, and consultant drawings from 1949 - 1950 for the House for Dr. E. Farnsworth project in Plano, Illinois.
Niveau de description archivistique:
Sub-file 14
Sub-file 14
Date:
1949-1950
1949-1950
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP041.S1.1985.D4
Description:
Project series documents the planning and construction of an installation at the Canadian Pavilion during the 1986 Venice Biennale. It include architectural drawings, photographic materials, and textual records.
AP041.S1.1985.D4
Description:
Project series documents the planning and construction of an installation at the Canadian Pavilion during the 1986 Venice Biennale. It include architectural drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1985-1986
1985-1986
Titre:
A construction in Venice
Actions:
AP041.S1.1985.D4
Description:
Project series documents the planning and construction of an installation at the Canadian Pavilion during the 1986 Venice Biennale. It include architectural drawings, photographic materials, and textual records.
A construction in Venice
Actions:
AP041.S1.1985.D4
Description:
Project series documents the planning and construction of an installation at the Canadian Pavilion during the 1986 Venice Biennale. It include architectural drawings, photographic materials, and textual records.
Niveau de description archivistique:
Project
Project
Date:
1985-1986
1985-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP041.S1.1998.D1
Description:
Project series documents Melvin Charney's designs for a baseball stadium, likely the Montreal Expos, in Montréal, Québec. It includes architectural drawings (elevations, and plans), and sketches.
AP041.S1.1998.D1
Description:
Project series documents Melvin Charney's designs for a baseball stadium, likely the Montreal Expos, in Montréal, Québec. It includes architectural drawings (elevations, and plans), and sketches.
Personnes et institutions:
Date:
1998-1999
1998-1999
Titre:
Plans for an unidentified baseball stadium, possibly in Montréal, Québec
Actions:
AP041.S1.1998.D1
Description:
Project series documents Melvin Charney's designs for a baseball stadium, likely the Montreal Expos, in Montréal, Québec. It includes architectural drawings (elevations, and plans), and sketches.
Plans for an unidentified baseball stadium, possibly in Montréal, Québec
Actions:
AP041.S1.1998.D1
Description:
Project series documents Melvin Charney's designs for a baseball stadium, likely the Montreal Expos, in Montréal, Québec. It includes architectural drawings (elevations, and plans), and sketches.
Niveau de description archivistique:
Project
Project
Date:
1998-1999
1998-1999
Personnes et institutions:
