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xvi, 252 pages : illustrations (chiefly color) ; 25 cm
New York : Penguin Press, 2022., ©2022
The intimate city : walking New York / Michael Kimmelman.
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xvi, 252 pages : illustrations (chiefly color) ; 25 cm
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New York : Penguin Press, 2022., ©2022
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
MIT architecture, the Keller gallery exhibition catalogs 2013-2014
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2013-2014 Volume includes catalogues for: - "Personal Space" by PostlerFerguson - "99 Marginal Street" by Landing Studio - "Space-Time 1964/2014" by Jorge-Otero Pailos with the MIT Edgerton Center and the MIT Museum - "Get to Work" by Room Studio featuring A:LOG - "New Massings for New Masses" by Milliøns: John J. May and Zeina Koreitem Essay contributors include: Andrew Atwood, Martha Buskirk, Kiel Moe, Andrei Pop, Laura Raskin, and Mechtild Widrich.
Architecture contemporaine
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
MIT architecture, the Keller gallery exhibition catalogs 2012-2013
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2012-2013 Volume includes exhibition catalogues for: -"Objects by Architects" curated by Sarah Hirschman -"Feeling Contexts" by C+S Architects: Carlo Cappai and Maria Alessandra Segantini -"Patterning by Heat" by Felicia Davis and Delia Dumitrescu -"Certain Aspects of Architectural Form" by William O'Brien Jr. -"Incremental Change" by Anne Filson and Gary Rohrbacher Essay contributors include: Christianna Bonin, Matthijs Bouw, Silvio Carta, Fulvio Irace, Michael Kubo, Mariel Villere, Nader Tehrani
Architecture contemporaine
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
MIT architecture, the Keller gallery exhibition catalogs 2011-2012
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. Each book in this volume has a distinct accent color used both for the saddle-stitch sewn pamphlet binding and for marginalia inside. The 2011-2012 Volume includes catalogues for: -"Lightweight Concrete" by Timothy Cooke and John E. Fernandez -"The Making of Things" by Ali Tayar -"The New Normal" Justin Lavallee and Nicholas Gelpi, Instructors, -"Walsh Street House: Robin Boyd" -"Waterworks" by Carole Starr Schein Essay contributors include: Shiben Bannerji, Andrew J. Manto, Timothy Cooke, John E. Fernandez, and Daniela Covarrubias.
Architecture contemporaine
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De Zwarte Hond was founded 40 years ago in Groningen and has evolved from an established architectural practice into a multidisciplinary studio with more than 120 people. With offices in the Netherlands and Germany, the firm combines social commitment with high-quality architectural and urban design projects. Going beyond mere architecture and urbanism by taking(...)
Optimistic activism : Architecture, urbanism and the power of generosity
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De Zwarte Hond was founded 40 years ago in Groningen and has evolved from an established architectural practice into a multidisciplinary studio with more than 120 people. With offices in the Netherlands and Germany, the firm combines social commitment with high-quality architectural and urban design projects. Going beyond mere architecture and urbanism by taking responsibility for the quality of the built environment in a wider sense, the office considers itself more a movement rather than a traditional design office. Optimistic Activism is presented across two exhibition spaces: the HOW illustrates the collaborative way of working, where generosity shapes both the spatial and social approach. The WHAT showcases twelve projects through models, drawings and photographs, demonstrating how social engagement, design expertise and craftsmanship translate into built reality. Through their methods and projects, De Zwarte Hond generates optimistic impulses, creating places that bring people together and enrich community life.
Architecture, monographies
Ordinary beauty: An Italian scenario by Associates Architecture, An open investigation through
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''Ordinary Beauty'' — by combining two seemingly antithetical values—aims to foster a generation of architects who, on a daily basis, dismantle the wall separating the ordinary from beauty, construction from architecture. A generation that begins with people and life itself, reclaiming the ordinary and elevating it to a common practice of architectural quality—first(...)
Architecture, monographies
octobre 2025
Ordinary beauty: An Italian scenario by Associates Architecture, An open investigation through
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''Ordinary Beauty'' — by combining two seemingly antithetical values—aims to foster a generation of architects who, on a daily basis, dismantle the wall separating the ordinary from beauty, construction from architecture. A generation that begins with people and life itself, reclaiming the ordinary and elevating it to a common practice of architectural quality—first imagining a new way of living, then designing the very spaces that will house that new life. A generation that recognizes the responsibility of re- storing beauty to ordinary themes, because every day architec- ture can reveal the invisible power of beauty.
Architecture, monographies
$37.50
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After September 11, Smith asserts, late modern architecture suddenly seemed an indulgence. With close readings of key buildings - including Jørn Utzon’s Sydney Opera House, Minoru Yamasaki’s World Trade Center, Frank Gehry’s Guggenheim Museum Bilbao, and Richard Meier’s Getty Center - Smith traces the growth of the architecture of modernity and then charts its aftermath(...)
The architecture of aftermath
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After September 11, Smith asserts, late modern architecture suddenly seemed an indulgence. With close readings of key buildings - including Jørn Utzon’s Sydney Opera House, Minoru Yamasaki’s World Trade Center, Frank Gehry’s Guggenheim Museum Bilbao, and Richard Meier’s Getty Center - Smith traces the growth of the architecture of modernity and then charts its aftermath in the conditions of contemporaneity. Smith focuses on the very culture of aftermath itself, exploring how global politics, clashing cultures, and symbolic warfare have changed the way we experience destination architecture. Like other artists everywhere, architects are responding to the idea of aftermath by questioning the viability of their forms and the validity of their purposes.
Théorie de l’architecture
livres
Description:
xvi, 192 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
[Washington, D.C.] : Preservation Press ; New York : John Wiley, ©1996.
A complex fate : Gustav Stickley and the Craftsman Movement / Barry Sanders.
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xvi, 192 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
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[Washington, D.C.] : Preservation Press ; New York : John Wiley, ©1996.
livres
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3 volumes : illustrations (some color) ; 24 x 29 cm
Basel ; Boston ; Berlin : Birkhäuser Verlag, [1997], ©1997
Polychromie architecturale : Le Corbusiers Farbenklaviaturen von 1931 und 1959 = Le Corbusier's color keyboards from 1931 and 1959 = Les claviers de couleurs de Le Corbusier de 1931 et de 1959 / Arthur Rüegg (ed.).
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3 volumes : illustrations (some color) ; 24 x 29 cm
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Basel ; Boston ; Berlin : Birkhäuser Verlag, [1997], ©1997
livres
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155 pages : illustrations (some color) ; 26 x 31 cm
[Austin, Texas] : Harry Ransom Humanities Research Center, 2003., [Austin, Texas] : Distributed by the University of Texas Press, [date of distribution not identified]
Make it new : the rise of modernism / Kurt Heinzelman, general editor.
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155 pages : illustrations (some color) ; 26 x 31 cm
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[Austin, Texas] : Harry Ransom Humanities Research Center, 2003., [Austin, Texas] : Distributed by the University of Texas Press, [date of distribution not identified]