8325 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH280815
Description:
Group consists of model for various memorials in Chandigarh, India, including the Tower of Shadows, the Martyr's Memorial and the Open Hand Monument in sector 1, designed by Le Corbusier. There are also photographs of the Ranjit Singh Memorial.
ARCH280815
Description:
Group consists of model for various memorials in Chandigarh, India, including the Tower of Shadows, the Martyr's Memorial and the Open Hand Monument in sector 1, designed by Le Corbusier. There are also photographs of the Ranjit Singh Memorial.
Personnes et institutions:
Date:
1952-c.1970
1952-c.1970
Titre:
Photographs of model for memorial in Chandigarh, India
Actions:
ARCH280815
Description:
Group consists of model for various memorials in Chandigarh, India, including the Tower of Shadows, the Martyr's Memorial and the Open Hand Monument in sector 1, designed by Le Corbusier. There are also photographs of the Ranjit Singh Memorial.
Photographs of model for memorial in Chandigarh, India
Actions:
ARCH280815
Description:
Group consists of model for various memorials in Chandigarh, India, including the Tower of Shadows, the Martyr's Memorial and the Open Hand Monument in sector 1, designed by Le Corbusier. There are also photographs of the Ranjit Singh Memorial.
Classification:
photographies
photographies
Date:
1952-c.1970
1952-c.1970
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Titre:
View at the Lesser Obelisk
View at the Lesser Obelisk
Actions:
Numéro de référence:
DR1982:0096:015
Description:
- A view of the garden as seen from Queen Caroline's Monument and looking toward the Rotunda across a rectangular pond. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
DR1982:0096:015
Description:
- A view of the garden as seen from Queen Caroline's Monument and looking toward the Rotunda across a rectangular pond. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Date:
designed 1733-1738
designed 1733-1738
Titre:
View at the Lesser Obelisk
Actions:
DR1982:0096:015
Description:
- A view of the garden as seen from Queen Caroline's Monument and looking toward the Rotunda across a rectangular pond. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
View at the Lesser Obelisk
Actions:
DR1982:0096:015
Description:
- A view of the garden as seen from Queen Caroline's Monument and looking toward the Rotunda across a rectangular pond. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
Classification:
oeuvres d'art
oeuvres d'art
Date:
designed 1733-1738
designed 1733-1738
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH258486
Description:
Correspondance, incluant des procès-verbaux, et des brouillons de codes, relatifs à la Comité du Code du bâtiment, à la Comité du Monument Laurier, à la Sous-comité des Expositions et des Congrès, et à la Comité du chalet de l'île Sainte-Hélène.
ARCH258486
Description:
Correspondance, incluant des procès-verbaux, et des brouillons de codes, relatifs à la Comité du Code du bâtiment, à la Comité du Monument Laurier, à la Sous-comité des Expositions et des Congrès, et à la Comité du chalet de l'île Sainte-Hélène.
Personnes et institutions:
Date:
1943-1969
1943-1969
Titre:
Correspondance, incluant des procès-verbaux, et des brouillons de codes de divers comités de la Ville de Montréal
Actions:
ARCH258486
Description:
Correspondance, incluant des procès-verbaux, et des brouillons de codes, relatifs à la Comité du Code du bâtiment, à la Comité du Monument Laurier, à la Sous-comité des Expositions et des Congrès, et à la Comité du chalet de l'île Sainte-Hélène.
Correspondance, incluant des procès-verbaux, et des brouillons de codes de divers comités de la Ville de Montréal
Actions:
ARCH258486
Description:
Correspondance, incluant des procès-verbaux, et des brouillons de codes, relatifs à la Comité du Code du bâtiment, à la Comité du Monument Laurier, à la Sous-comité des Expositions et des Congrès, et à la Comité du chalet de l'île Sainte-Hélène.
Classification:
documents textuels
documents textuels
Date:
1943-1969
1943-1969
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1763
1763
Titre:
Elevation for the tomb of Benedict XIV, Rome
Actions:
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
Elevation for the tomb of Benedict XIV, Rome
Actions:
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
Classification:
dessins
dessins
Date:
1763
1763
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
Personnes et institutions:
Date:
1998-1999
1998-1999
Titre:
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1998-1999
1998-1999
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition souligne le rôle primordial du Panthéon dans la vie artistique et politique française depuis les débuts du projet en 1774 jusqu’au 20e siècle. Coïncidant avec les célébrations internationales du bicentenaire de la Révolution française, elle porte essentiellement sur l’une des principales manifestations architecturales de la Révolution : la transformation de(...)
L’exposition souligne le rôle primordial du Panthéon dans la vie artistique et politique française depuis les débuts du projet en 1774 jusqu’au 20e siècle. Coïncidant avec les célébrations internationales du bicentenaire de la Révolution française, elle porte essentiellement sur l’une des principales manifestations architecturales de la Révolution : la transformation de(...)
Localisation:
Salles principales
Salles principales
Date:
19 septembre 1989 au 19 novembre 1989
19 septembre 1989 au 19 novembre 1989
Titre:
Le Panthéon, symbole des révolutions
Actions:
Description:
L’exposition souligne le rôle primordial du Panthéon dans la vie artistique et politique française depuis les débuts du projet en 1774 jusqu’au 20e siècle. Coïncidant avec les célébrations internationales du bicentenaire de la Révolution française, elle porte essentiellement sur l’une des principales manifestations architecturales de la Révolution : la transformation de(...)
Le Panthéon, symbole des révolutions
Actions:
Description:
L’exposition souligne le rôle primordial du Panthéon dans la vie artistique et politique française depuis les débuts du projet en 1774 jusqu’au 20e siècle. Coïncidant avec les célébrations internationales du bicentenaire de la Révolution française, elle porte essentiellement sur l’une des principales manifestations architecturales de la Révolution : la transformation de(...)
Classification:
expositions
expositions
Date:
19 septembre 1989 au
19 novembre 1989
19 septembre 1989 au
19 novembre 1989
Localisation:
Salles principales
Salles principales
Classification:
photographies
Quantité:
17 photograph(s)
photographies
Quantité:
17 photograph(s)
Numéro de référence:
ARCH269634
Description:
Group consists of photographs Capitol complex in Chandigarh, India. There are photographs of the High Court, the Secretariat and the Assembly, including some photographs of the interior of the Assembly. There are also photographs of general views on the Capitol and photographs of the Open Hand monument.
ARCH269634
Description:
Group consists of photographs Capitol complex in Chandigarh, India. There are photographs of the High Court, the Secretariat and the Assembly, including some photographs of the interior of the Assembly. There are also photographs of general views on the Capitol and photographs of the Open Hand monument.
Personnes et institutions:
Titre:
Photographs of the Capitol Complex in Chandigarh, India
Actions:
ARCH269634
Description:
Group consists of photographs Capitol complex in Chandigarh, India. There are photographs of the High Court, the Secretariat and the Assembly, including some photographs of the interior of the Assembly. There are also photographs of general views on the Capitol and photographs of the Open Hand monument.
Photographs of the Capitol Complex in Chandigarh, India
Actions:
ARCH269634
Description:
Group consists of photographs Capitol complex in Chandigarh, India. There are photographs of the High Court, the Secretariat and the Assembly, including some photographs of the interior of the Assembly. There are also photographs of general views on the Capitol and photographs of the Open Hand monument.
Classification:
photographies
Quantité:
17 photograph(s)
photographies
Quantité:
17 photograph(s)
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Amancio Williams
Fonds Amancio Williams
Numéro de référence:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Personnes et institutions:
Date:
1848-2010s
1848-2010s
Titre:
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1848-2010s
1848-2010s
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153692
Description:
3 essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine: Constant Désiré Despradelle- A Representative of the Parisian Beaux-Arts-System at M.I.T, The Age of Philip Johnson, New York's Projected Monument of Post-Modernism: Philip Johnson's Project for the New At&T Building; includes reasearch and photographic material
ARCH153692
Description:
3 essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine: Constant Désiré Despradelle- A Representative of the Parisian Beaux-Arts-System at M.I.T, The Age of Philip Johnson, New York's Projected Monument of Post-Modernism: Philip Johnson's Project for the New At&T Building; includes reasearch and photographic material
Personnes et institutions:
Date:
1977-1981
1977-1981
Titre:
Essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine
Actions:
ARCH153692
Description:
3 essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine: Constant Désiré Despradelle- A Representative of the Parisian Beaux-Arts-System at M.I.T, The Age of Philip Johnson, New York's Projected Monument of Post-Modernism: Philip Johnson's Project for the New At&T Building; includes reasearch and photographic material
Essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine
Actions:
ARCH153692
Description:
3 essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine: Constant Désiré Despradelle- A Representative of the Parisian Beaux-Arts-System at M.I.T, The Age of Philip Johnson, New York's Projected Monument of Post-Modernism: Philip Johnson's Project for the New At&T Building; includes reasearch and photographic material
Classification:
documents textuels
documents textuels
Date:
1977-1981
1977-1981
Personnes et institutions:
