articles
La nature recomposée
États-Unis, Marilyn Bridges, Matthew Coolidge, Nazca, Pérou, Peru, photographie, photography, United States
30 août 2010
Marilyn Bridges et des zones réglementées exotiques de l’armée américaine
Texte de Matthew Coolidge
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articles
30 août 2010
La nature recomposée
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
7 décembre 2023, 18h30
Documenter les déplacements III
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Description:
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
PH2000:0281
architecture, ingénierie
22 August 1949
architecture, ingénierie
La non-école
À quoi pourrait ressembler l’école? C’est la question qu’a posée aux étudiants notre conservatrice invitée, Monica Nouwens, au cours du cinquième Camp de jour. Pendant une semaine durant l’été de 2012, les étudiants de La non-école ont exploré les espaces intérieurs et environnants de quelques écoles, et ils ont repoussé les limites de l’appareil photo utilisé comme(...)
30 juillet 2012 au 3 août 2012
La non-école
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Description:
À quoi pourrait ressembler l’école? C’est la question qu’a posée aux étudiants notre conservatrice invitée, Monica Nouwens, au cours du cinquième Camp de jour. Pendant une semaine durant l’été de 2012, les étudiants de La non-école ont exploré les espaces intérieurs et environnants de quelques écoles, et ils ont repoussé les limites de l’appareil photo utilisé comme(...)
articles
En direct de la nature
La nature recomposée
Allemagne, Arts and Crafts, Arts et artisanats, Germany, ornament, ornement, photographie, photography, plant, Walter Benjamin
22 janvier 2010
La nature recomposée
Projet
AP140.S2.SS1.D57
Description:
File documents a successful competition entry and an executed project for the Wissenschaftszentrum Berlin für Sozialforschung, a social research centre located in Berlin, Germany. An addition to unit E of the Wissenschaftszentrum Berlin für Sozialforschung was built in 1994 and 1995, according to the design by the firm of James Stirling, Michael Wilford, and Associates and based on the 1983 planning permission. Material in this file was produced between 1974 and 1993. File contains reference documents, several conceptual and design development drawings, and presentation drawings submitted for the competition or produced for publication purposes. A large number of working drawings is also present in the file. Photographic materials includes photographs of models by John Donat Photography and Udo Hesse, and of the completed building by photographers Richard Bryant, Reinhard Görner, Waltraud Krase and Klaus Lehnartz. File also contains textual records and a small study model of the research centre.
1974-1993, predominant 1979-1988
Wissenschaftszentrum Berlin Competition and Construction, Berlin, Germany
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AP140.S2.SS1.D57
Description:
File documents a successful competition entry and an executed project for the Wissenschaftszentrum Berlin für Sozialforschung, a social research centre located in Berlin, Germany. An addition to unit E of the Wissenschaftszentrum Berlin für Sozialforschung was built in 1994 and 1995, according to the design by the firm of James Stirling, Michael Wilford, and Associates and based on the 1983 planning permission. Material in this file was produced between 1974 and 1993. File contains reference documents, several conceptual and design development drawings, and presentation drawings submitted for the competition or produced for publication purposes. A large number of working drawings is also present in the file. Photographic materials includes photographs of models by John Donat Photography and Udo Hesse, and of the completed building by photographers Richard Bryant, Reinhard Görner, Waltraud Krase and Klaus Lehnartz. File also contains textual records and a small study model of the research centre.
File 57
1974-1993, predominant 1979-1988
Série(s)
Professional papers
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
circa 1950-2008
Professional papers
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AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Series
circa 1950-2008
Projet
AP140.S2.SS1.D91
Description:
File documents an executed project for a bookshop for the Biennale di Venezia, in Venice, Italy. The scheme, located in the Giardini di Castello, was designed by the office of James Stirling, Michael Wilford Associates in association with the architect Thomas Muirhead, and the firm Building Project. Material in this file was produced between 1989 and 1993. File contains some early conceptual drawings, and several design development and presentation drawings. Photographic materials include views of Italian vernacular architecture by architect Norbert Heyers, views of the completed building by photographer Dida Biggi and of the presentation model by John Donat Photography. Textual documents include correspondence with Francesco Dal Co, director of La Biennale di Venezia, Settore Architettura in 1991, and reprographic copies of working drawings. File also contains a presentation model.
1989-1993
Biennale Bookshop, Venice, Italy
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AP140.S2.SS1.D91
Description:
File documents an executed project for a bookshop for the Biennale di Venezia, in Venice, Italy. The scheme, located in the Giardini di Castello, was designed by the office of James Stirling, Michael Wilford Associates in association with the architect Thomas Muirhead, and the firm Building Project. Material in this file was produced between 1989 and 1993. File contains some early conceptual drawings, and several design development and presentation drawings. Photographic materials include views of Italian vernacular architecture by architect Norbert Heyers, views of the completed building by photographer Dida Biggi and of the presentation model by John Donat Photography. Textual documents include correspondence with Francesco Dal Co, director of La Biennale di Venezia, Settore Architettura in 1991, and reprographic copies of working drawings. File also contains a presentation model.
File 91
1989-1993
documents textuels
ARCH174253
Description:
Contient des photographies de la maquette (10 décembre 1991), une estimation ordre de grandeur. Travaux d'architecture (9 décembre 1991), une ébauche de plan d'escalier circulaire 8.24” x 10”, 2 photocopies de plan 8.5” x 11”, un devis préliminaire du casse-croûte (2 pages 8.5” x 14”), photocopie de la coupe longitudinale (8.5” x 14”), correspondance entre l'atelier de Luc Laporte et des intervenants à Tecsult, Lumitech, Gidev, Cardinal & Hardy, S.V.P.M. et autres, factures diverses et détails de mat.
circa 1991
Correspondance avec ingénieurs, architectes et client, documents financiers, devis, plans, détails et coupes du pavillon, Pavillon du Bassin Bonsecours, Montréal, Québec
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ARCH174253
Description:
Contient des photographies de la maquette (10 décembre 1991), une estimation ordre de grandeur. Travaux d'architecture (9 décembre 1991), une ébauche de plan d'escalier circulaire 8.24” x 10”, 2 photocopies de plan 8.5” x 11”, un devis préliminaire du casse-croûte (2 pages 8.5” x 14”), photocopie de la coupe longitudinale (8.5” x 14”), correspondance entre l'atelier de Luc Laporte et des intervenants à Tecsult, Lumitech, Gidev, Cardinal & Hardy, S.V.P.M. et autres, factures diverses et détails de mat.
documents textuels
circa 1991
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Vitrines
16 février 2012 au 10 juin 2012
Sur les traces de… The Suburbs
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Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Vitrines