Image ecology
$65.00
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A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists(...)
Image ecology
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$65.00
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A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists featured employ experimental and traditional historical processes as well as new technologies. "Image ecology" dissects photography as an ecological practice, a medium that is defined as much by the nexus of material, labor, energy and waste that its production and circulation require as by what it represents. Featuring an extensive essay by environmental historian Jason W. Moore, and contributions by over a dozen international writers, the book even unpacks its own production process: from material supply chains and working conditions to wrapping and postage.
Photographie- collections
$72.00
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How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have(...)
Widening the lens: Photography, ecology, and the contemporary landscape
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$72.00
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How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have endeavored to chart the past, present and potential futures of photography and the landscape. Through a collection of essays, poetry and newly commissioned artwork, "Widening the lens" aims to ignite renewed ecological awareness through visual representations of the environment that reveal underlying historical, social, geological and political processes.
Photographie- collections
$39.50
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This book names and wrestles with design and institutional design education’s pseudo-neutral relationship with colonial capitalist world orders and what it means to teach and design today. It slowly weaves together ideas on designing as a mechanism of maintenance and teaching against bureaucratic inertia. How does design give form to social fictions? How does design and(...)
Through witnessing: Threading the critiquing, making, teaching of design
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This book names and wrestles with design and institutional design education’s pseudo-neutral relationship with colonial capitalist world orders and what it means to teach and design today. It slowly weaves together ideas on designing as a mechanism of maintenance and teaching against bureaucratic inertia. How does design give form to social fictions? How does design and the professionalization of design schooling maintain the priorities of nations and capital? Engaging in pedagogical expressions of rage, generosity, forgiveness, slowness, and chaos; contributions of lecture, essay and interview reflect on the weight of being, the possibilities and sometimes impossibilities towards un-doing and un-maintaining the enduring legacies of colonial powers.
Théorie du design
Commons in design
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The scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods(...)
Commons in design
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The scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods and knowledge. "Commons in design" explores the meaning and impact of commons—especially knowledge-based peer commons—and acts of commoning in design. It discusses networked, participatory, and open procedures based on the commons and commoning, testing models that negotiate the use of commons within design processes. In doing so, it critically engages with questions regarding designers’ positionings, everyday practices, self-understandings, ways of working, and approaches to education.
What design can't do
$37.50
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In focusing on creating preferable conditions, the discipline of design is optimistic by default. And yet, vernacular manifestations of skepticism, dissatisfaction and even resentment toward design abound. Instead of systematically discarding them, can these "sad passions" shed a valuable light on the blind spots of the field? Can disillusion be something more than(...)
What design can't do
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In focusing on creating preferable conditions, the discipline of design is optimistic by default. And yet, vernacular manifestations of skepticism, dissatisfaction and even resentment toward design abound. Instead of systematically discarding them, can these "sad passions" shed a valuable light on the blind spots of the field? Can disillusion be something more than disillusionment? Can it become an emotional method to unveil design’s dysfunctions and contradictions? Author Silvio Lorusso looks into historical and present manifestations of design disillusion to shorten the gap between expectations and reality when it comes to the everyday practice of designers. Using humorous and irreverent visuals, often containing jokes about design, Lorusso constructs thoughtful dichotomies on such topics as synthesis and autonomy, power and impotence, and aspirations and compromise. The result is an amusing yet academic consideration of the design profession and its future.
Théorie du design
2G #91: adamo-faiden
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Founded in 2005, adamo-faiden reformulated their role as architects in the new Argentinian social context upon their return to Argentina after the crisis. Among their first projects were residential and office buildings, others were added to this tried-and-true typology that have consolidated adamo-faiden as one of the reference studios in the Southern Cone. This issue(...)
2G #91: adamo-faiden
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Founded in 2005, adamo-faiden reformulated their role as architects in the new Argentinian social context upon their return to Argentina after the crisis. Among their first projects were residential and office buildings, others were added to this tried-and-true typology that have consolidated adamo-faiden as one of the reference studios in the Southern Cone. This issue includes their recent work, from single family houses to commercial buildings.
Architecture, monographies
2G #90: Johansen Skovsted
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Copenhagen-based firm Johansen Skovsted Arkitekter specializes in public buildings including historic landmarks, pavilions, offices, warehouses and museum installations. The works featured in this 2G issue present their designs as a thoughtful response to current challenges while maintaining the character of a given site.
2G #90: Johansen Skovsted
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Copenhagen-based firm Johansen Skovsted Arkitekter specializes in public buildings including historic landmarks, pavilions, offices, warehouses and museum installations. The works featured in this 2G issue present their designs as a thoughtful response to current challenges while maintaining the character of a given site.
Architecture, monographies
$58.00
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This special issue of "Writingplace" brings together the work of the EU COST Writing Urban Places network. Using narrative approaches to analysis and design, the network highlights the specificity of local urban cultures in contemporary European cities. Drawing on research from a range of disciplines (including architecture, urban studies, literary theory, sociology and(...)
Théorie de l’architecture
septembre 2024
Writingplace journal #8/9 special issue: Writing urban places
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This special issue of "Writingplace" brings together the work of the EU COST Writing Urban Places network. Using narrative approaches to analysis and design, the network highlights the specificity of local urban cultures in contemporary European cities. Drawing on research from a range of disciplines (including architecture, urban studies, literary theory, sociology and media studies), the issue explores spatial approaches that promote responsible, site-specific and socially inclusive design strategies for European cities. The first section offers reflections on the theoretical, methodological and practical outcomes of the Writing Urban Places project. The second part contains case studies of European cities that were studied during the EU COST Action, including Limerick, Almada, Osijek, Tallinn, Tampere, Porto, Canakalle, Skopje and Delft. These collected findings offer important insights for students, scholars and spatial practitioners interested in urban planning and the European city.
Théorie de l’architecture
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A map is a visual story of the world. It feeds our imagination and shapes our view of the world. A standard atlas, however, predominantly tells only one story: that of the nation-state. It depicts a world in which people are uniformly packed into national containers, enclosed by borders, and in which migration is often represented as threatening invasion arrows. "Free the(...)
mars 2024
Free the map: From Atlas to Hermes, a new cartography of borders and migration
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A map is a visual story of the world. It feeds our imagination and shapes our view of the world. A standard atlas, however, predominantly tells only one story: that of the nation-state. It depicts a world in which people are uniformly packed into national containers, enclosed by borders, and in which migration is often represented as threatening invasion arrows. "Free the map" goes beyond this narrow, state-centric cartography. The book argues for a new cartographic story along the lines of Hermes, the grandson of Atlas and the god of mobility and human connections. To this end, it discusses several visually compelling, alternative cartographic representations of borders and migration. "Free the map" ends with a call to action; artists and cartographers offer exciting ready-to-use challenges for educational and public resources.
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From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created(...)
Bijoy Jain / Studio Mumbai: Breath of an architect
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From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created Studio Mumbai in 2005. Exploring the links between art, architecture and materials, this human-scale organization is composed of craftsmen and architects who design and build each project themselves, using local resources. Bijoy Jain / Studio Mumbai participated in many exhibitions around the world, including the Venice (2010, 2016) and Chicago (2017) architecture biennals. For the Fondation Cartier, Bijoy Jain unites man and nature, light and shadow, bamboo, brick and stone to form a meditative landscape taking us into the heart of creation. Sculptures, objects and furniture interact with artworks by Chinese painter Hu Liu and Turkish ceramist Alev Ebüzziya Siesbye, invited by the architect, revealing a shared sensibility and ethos between these artists. The catalog published in conjunction with the exhibition invites readers to discover Bijoy Jain’s aesthetics and philosophy. Conceived as a work-in-progress of the exhibition, this book focuses on the artist’s drawings, photographs of his studio and works in the making.
Architecture, monographies