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In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war(...)
octobre 2005, Cambridge
Tower and office : from Modernist theory to contemporary practice
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In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war was the source of powerful new structural models and construction methods. The authors examine the ways these technologies have been inflected over the last half century by more subjective and integrated processes of spatial organization. In the first part of the book, Abalos and Herreros focus on the work of Le Corbusier, revealing the degree of complexity achieved in his interpretation of the modern skyscraper. In the second part, they look at the intersection of technical and cultural determinants in the design of high-rise structures since World War II. Among the issues they consider are the evolution of the load-bearing frame, the impact of high-tech systems on tall buildings, and the transparent building skin. In the third part, they address developments in office design and planning, tracing an evolution from the repetitive and homogeneous office skyscraper to the present-day mixed-use structure. Overall they demonstrate how the objective technical analysis associated with modernist architectural theory has given way in recent building practice to a variety of flexible, pragmatic, and environmental approaches. These, they suggest, have opened the way to new urban and architectural forms.
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Through a series of fascinating case studies, Hanna Rose Shell uncovers three conceptually linked species of photographic camouflage--the static, the serial, and the dynamic--and shows how each not only reflects the type of photographic reconnaissance it was meant to counter, but also contains aspects of the previously developed species. Hide and Seek develops its(...)
Hide and seek: camouflage, photography, and the media of reconnaissance
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Through a series of fascinating case studies, Hanna Rose Shell uncovers three conceptually linked species of photographic camouflage--the static, the serial, and the dynamic--and shows how each not only reflects the type of photographic reconnaissance it was meant to counter, but also contains aspects of the previously developed species. Hide and Seek develops its argument from the material forms camouflage has left behind: photomontages, paper blankets, stuffed rabbits, ghillie suits, and instructional films. Beginning with natural history and figurative art in the late nineteenth-century, continuing through the rise of aerial warfare in World War I, and onto the cinematic techniques designed to train snipers and civilians during World War II, this book is both a history and a theory of the drive to hide in plain sight.
Théorie de l’architecture
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Made from prefabricated concrete panels, Plattenbauten rose from the ruins of Berlin, providing a quick and inexpensive solution to the severe housing shortage faced by the city after World War II. Although criticized in their day for their sterility and impersonal scale, they nonetheless became an integral part of the city. Drawn from his extensive investigations into(...)
Plattenbau Berlin: A photographic survey of postwar residential architecture
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Made from prefabricated concrete panels, Plattenbauten rose from the ruins of Berlin, providing a quick and inexpensive solution to the severe housing shortage faced by the city after World War II. Although criticized in their day for their sterility and impersonal scale, they nonetheless became an integral part of the city. Drawn from his extensive investigations into Berlin’s urban landscape, Jesse Simon’s texts and photographs offer a convincing argument for the aesthetic and social value of buildings that were once described as “eyesores.”
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In this book, Neil Jackson presents a vibrant profile of the Los Angeles architect Pierre Koenig, who Time magazine said lived long enough to become “cool twice.” From the influences of Koenig’s youth in San Francisco and his military service during World War II to the Case Study Houses and his later award-laden years, Jackson’s study plots the evolution of Koenig’s(...)
Pierre Koenig: a view from the archive
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In this book, Neil Jackson presents a vibrant profile of the Los Angeles architect Pierre Koenig, who Time magazine said lived long enough to become “cool twice.” From the influences of Koenig’s youth in San Francisco and his military service during World War II to the Case Study Houses and his later award-laden years, Jackson’s study plots the evolution of Koenig’s oeuvre against the backdrop of Los Angeles—a city that both shaped and was shaped by his architecture.
Architecture, monographies
306090 14: Making a case
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Making a Case focuses on contemporary housing in the United States and the future of the American home. Like the Case Study program after World War II, it seizes on a critical moment in the history of America as a time to reinvent the single-family dwelling unit-post-crisis rather than post-war. The crisis in this case is the collapse of the housing bubble, with its(...)
306090 14: Making a case
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Making a Case focuses on contemporary housing in the United States and the future of the American home. Like the Case Study program after World War II, it seizes on a critical moment in the history of America as a time to reinvent the single-family dwelling unit-post-crisis rather than post-war. The crisis in this case is the collapse of the housing bubble, with its partnering causes and aftershocks: the reality of less oil, the urge to reurbanize, and the results of economic reorganization. Organized in two sections, design cases and commentary, this periodical draws together international contributors from a variety of disciplines to address this critical moment for housing in America.
Revues
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Over a remarkable career that spanned more than sixty years, Abram Games was a leading voice in 20th-century British graphic design. A modernist who used graphically charged symbols to catch the eye, he designed posters, signage, packaging, and other ephemera for such giants as the BBC, Shell, the Financial Times, Guinness, and the London Underground. During World War II,(...)
septembre 2003, New York
Abram Games : his life and work
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Over a remarkable career that spanned more than sixty years, Abram Games was a leading voice in 20th-century British graphic design. A modernist who used graphically charged symbols to catch the eye, he designed posters, signage, packaging, and other ephemera for such giants as the BBC, Shell, the Financial Times, Guinness, and the London Underground. During World War II, he was England's official war poster designer, a position from which he oversaw the design and production of hundreds of posters calling on Britons to stand fast and support the Allied troops. "Abram Games: His Life and Work" is the first monograph on this design legend whose work helped to define the look of modern English culture.
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In 1979, Georges Perec (1936–1982) wrote a brief entertainment called The Winter Journey for a publisher’s catalogue. It quickly became his most frequently reprinted short story. Set on the eve of World War II, it recounts the discovery of a great literary masterpiece that conceals a scandalous secret at the heart of the whole of modern French literature. Every aspect of(...)
Georges Perec and the Oulipo: winter journeys
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In 1979, Georges Perec (1936–1982) wrote a brief entertainment called The Winter Journey for a publisher’s catalogue. It quickly became his most frequently reprinted short story. Set on the eve of World War II, it recounts the discovery of a great literary masterpiece that conceals a scandalous secret at the heart of the whole of modern French literature. Every aspect of literary history will have to be rewritten. However, the War intervenes, and the work is lost forever. The present volume includes and then extends this brief parable, which turns out to be so resonant with possibilities. The result is a novel of digressions, gradual elaboration and bizarre forays into the totally unexpected.
Théorie de l’art
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Vienna-based architect Martin Feiersinger and his brother, artist and photographer Werner Feiersinger have extensively travelled across Northern Italy in order to document the region’s modern architecture after World War II. Italomodern 1 and 2 is the result of their travels, the most authoritative survey of Northern Italy’s architecture between 1946 and 1976. In their(...)
décembre 2016
Italomodern 2: architecture in northern Italy 1946-1976
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Vienna-based architect Martin Feiersinger and his brother, artist and photographer Werner Feiersinger have extensively travelled across Northern Italy in order to document the region’s modern architecture after World War II. Italomodern 1 and 2 is the result of their travels, the most authoritative survey of Northern Italy’s architecture between 1946 and 1976. In their study, they have focused exclusively on distinctive buildings rather than entire urban structures, and they have selected the projects included as exemplary representations of neorealism, rationalism, brutalism, and organic.
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After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As 'Modernism as Memory' illustrates, these postwar practices undergird the approaches(...)
Modernism as memory: building identity in the Federal Republic of Germany
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After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As 'Modernism as Memory' illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror.
Modernisme
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Although the decades following World War II stand out as an era of rapid growth and construction in the United States, those years were equally significant for large-scale destruction. In order to clear space for new suburban tract housing, an ambitious system of interstate highways, and extensive urban renewal development, wrecking companies demolished buildings while(...)
Bulldozer: demolition and clearance of the postwar landscape
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Although the decades following World War II stand out as an era of rapid growth and construction in the United States, those years were equally significant for large-scale destruction. In order to clear space for new suburban tract housing, an ambitious system of interstate highways, and extensive urban renewal development, wrecking companies demolished buildings while earthmoving contractors leveled land at an unprecedented pace and scale. In this pioneering history, Francesca Russello Ammon explores how postwar America came to equate this destruction with progress.
Théorie de l’architecture