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xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
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xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
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Boston : Pearson, ©2012.
Boston : Pearson, ©2012.
Titre:
Urbanization : an introduction to urban geography / Paul L. Knox, Linda McCarthy.
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xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
Urbanization : an introduction to urban geography / Paul L. Knox, Linda McCarthy.
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Description:
xiii, 459 pages : illustrations (some color), maps (some color) ; 29 cm
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livres
livres
Publication:
Boston : Pearson, ©2012.
Boston : Pearson, ©2012.
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livres
livres
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$60.00
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This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with(...)
$60.00
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This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with(...)
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Translations from drawing to building and other essays, re-edition
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This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with building types, aspects of geometry, modes of projection and drawing as a process for generating ideas. The book includes ‘Mies van der Rohe’s Paradoxical Symmetries’ and other essays first published in AA Files. Evans’s writings are supported by a new introduction and an annotated bibliography by Richard Difford. This AA Documents publication is a re-edition of the 1997 essay collection originally published by AA Publications.
Translations from drawing to building and other essays, re-edition
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$60.00
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This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with building types, aspects of geometry, modes of projection and drawing as a process for generating ideas. The book includes ‘Mies van der Rohe’s Paradoxical Symmetries’ and other essays first published in AA Files. Evans’s writings are supported by a new introduction and an annotated bibliography by Richard Difford. This AA Documents publication is a re-edition of the 1997 essay collection originally published by AA Publications.
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livres
livres
Publication:
août 2023
août 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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périodiques
périodiques
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$98.50
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Valerio Olgiati (b 1958) studied architecture at ETH in Zürich and lived and worked first in Zürich and later in Los Angeles for some years. In 1996 he opened his own practice in Zürich and in 2008 with his wife Tamara Olgiati in Flims. Projects include a school in Paspels, the Lake Cauma Project in Flims, the Bardill Studio in Scharans, the Visiting Center of the Swiss(...)
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Valerio Olgiati (b 1958) studied architecture at ETH in Zürich and lived and worked first in Zürich and later in Los Angeles for some years. In 1996 he opened his own practice in Zürich and in 2008 with his wife Tamara Olgiati in Flims. Projects include a school in Paspels, the Lake Cauma Project in Flims, the Bardill Studio in Scharans, the Visiting Center of the Swiss(...)
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El croquis 156: Valerio Olgiati 1996-2011
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Valerio Olgiati (b 1958) studied architecture at ETH in Zürich and lived and worked first in Zürich and later in Los Angeles for some years. In 1996 he opened his own practice in Zürich and in 2008 with his wife Tamara Olgiati in Flims. Projects include a school in Paspels, the Lake Cauma Project in Flims, the Bardill Studio in Scharans, the Visiting Center of the Swiss National Park in Zernez, the white concrete Projection Room Gornergrat located 3100 meter above sea level in Zermatt, Olgiati’s own office in Flims, the Learning Center EPFL in Lausanne, and the new entrance of the Grisons Parliament Building in Chur. Also includes an iconographic autobiography of important images stored in Olgiati’s head. Interview with Olgiati by Markus Breitschmid.
El croquis 156: Valerio Olgiati 1996-2011
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Valerio Olgiati (b 1958) studied architecture at ETH in Zürich and lived and worked first in Zürich and later in Los Angeles for some years. In 1996 he opened his own practice in Zürich and in 2008 with his wife Tamara Olgiati in Flims. Projects include a school in Paspels, the Lake Cauma Project in Flims, the Bardill Studio in Scharans, the Visiting Center of the Swiss National Park in Zernez, the white concrete Projection Room Gornergrat located 3100 meter above sea level in Zermatt, Olgiati’s own office in Flims, the Learning Center EPFL in Lausanne, and the new entrance of the Grisons Parliament Building in Chur. Also includes an iconographic autobiography of important images stored in Olgiati’s head. Interview with Olgiati by Markus Breitschmid.
Classification:
périodiques
périodiques
Publication:
septembre 2011
septembre 2011
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$46.95
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Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary(...)
$46.95
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Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary(...)
Titre:
Retracing the expanded field: encounters between art and architecture
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$46.95
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Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art’s transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss’s hugely influential text and maps the ensuing interactions between art and architecture.
Retracing the expanded field: encounters between art and architecture
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$46.95
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Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art’s transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss’s hugely influential text and maps the ensuing interactions between art and architecture.
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livres
livres
Publication:
septembre 2014
septembre 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Gunite over?
Gunite over?
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$21.95
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GUNITE OVER? Plasticité du béton, titre du premier numéro, reprend la conférence de l’architecture suisse Christian Dupraz présentée à Genève le 8 septembre 2012, lors des journées européennes du patrimoine consacrées à la pierre et au béton. Associée à la réalisation de surfaces concaves et convexes, la gunite est le mélange de béton et de sable permettant la projection(...)
$21.95
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GUNITE OVER? Plasticité du béton, titre du premier numéro, reprend la conférence de l’architecture suisse Christian Dupraz présentée à Genève le 8 septembre 2012, lors des journées européennes du patrimoine consacrées à la pierre et au béton. Associée à la réalisation de surfaces concaves et convexes, la gunite est le mélange de béton et de sable permettant la projection(...)
Publication:
novembre 2014
novembre 2014
Titre:
Gunite over?
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$21.95
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Résumé:
GUNITE OVER? Plasticité du béton, titre du premier numéro, reprend la conférence de l’architecture suisse Christian Dupraz présentée à Genève le 8 septembre 2012, lors des journées européennes du patrimoine consacrées à la pierre et au béton. Associée à la réalisation de surfaces concaves et convexes, la gunite est le mélange de béton et de sable permettant la projection de la matière et sa solidification dans des formes complexes. L’application de cette technique est historiquement liée au développement des coques et à la recherche exigeante d’ingénieurs (Eduardo Torroja, Heinz Isler, Ulrich Müther,…) mais également au formidable questionnement des architectes pour une valorisation de la forme libre (Pascal Haüsermann, Vittorio Giorgini, Jacques Couëlle…). Ce parallélisme entre la démarche maîtrisée des uns et la quête aléatoire des autres nous renseigne sur la grande vitalité de notre histoire.
Gunite over?
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$21.95
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GUNITE OVER? Plasticité du béton, titre du premier numéro, reprend la conférence de l’architecture suisse Christian Dupraz présentée à Genève le 8 septembre 2012, lors des journées européennes du patrimoine consacrées à la pierre et au béton. Associée à la réalisation de surfaces concaves et convexes, la gunite est le mélange de béton et de sable permettant la projection de la matière et sa solidification dans des formes complexes. L’application de cette technique est historiquement liée au développement des coques et à la recherche exigeante d’ingénieurs (Eduardo Torroja, Heinz Isler, Ulrich Müther,…) mais également au formidable questionnement des architectes pour une valorisation de la forme libre (Pascal Haüsermann, Vittorio Giorgini, Jacques Couëlle…). Ce parallélisme entre la démarche maîtrisée des uns et la quête aléatoire des autres nous renseigne sur la grande vitalité de notre histoire.
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livres
livres
Publication:
novembre 2014
novembre 2014
Classification:
livres
livres
Titre:
Halka / Haiti: 18°48'05
Halka / Haiti: 18°48'05
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The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
$46.50
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Résumé:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
Titre:
Halka / Haiti: 18°48'05
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$46.50
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Résumé:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
Halka / Haiti: 18°48'05
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Résumé:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
Classification:
livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$21.95
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Dans l'Antiquité, la sphère est la représentation de la perfection de ce qui n'a ni commencement, ni fin, échappe à la corruption du temps, symbolise le divin qui s'offre à la contemplation. Depuis les Grecs, la totalisation du monde s'opère sous la forme d'un globe, à la fois vision cosmogonique, projection géométrique et spéculation philosophique, mais aussi(...)
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Dans l'Antiquité, la sphère est la représentation de la perfection de ce qui n'a ni commencement, ni fin, échappe à la corruption du temps, symbolise le divin qui s'offre à la contemplation. Depuis les Grecs, la totalisation du monde s'opère sous la forme d'un globe, à la fois vision cosmogonique, projection géométrique et spéculation philosophique, mais aussi(...)
Titre:
Peter Sloterdijk : Globes, sphères II
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Dans l'Antiquité, la sphère est la représentation de la perfection de ce qui n'a ni commencement, ni fin, échappe à la corruption du temps, symbolise le divin qui s'offre à la contemplation. Depuis les Grecs, la totalisation du monde s'opère sous la forme d'un globe, à la fois vision cosmogonique, projection géométrique et spéculation philosophique, mais aussi représentation physique de la souveraineté et attribut des empereurs, monarques ou papes. Quand s'ouvre le monde, quand la circonférence ne le contient plus et que les hiérarchies sont bouleversées, que devient cette représentation dont nous sommes malgré tout les héritiers ? Suffit-il de la déclarer obsolète pour en être affranchi ? Avec son brio habituel de conteur, Peter Sloterdijk nous entraîne dans un voyage passionnant à travers les civilisations et les époques, au gré de la position qu'y occupe le centre de la sphère
Peter Sloterdijk : Globes, sphères II
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Dans l'Antiquité, la sphère est la représentation de la perfection de ce qui n'a ni commencement, ni fin, échappe à la corruption du temps, symbolise le divin qui s'offre à la contemplation. Depuis les Grecs, la totalisation du monde s'opère sous la forme d'un globe, à la fois vision cosmogonique, projection géométrique et spéculation philosophique, mais aussi représentation physique de la souveraineté et attribut des empereurs, monarques ou papes. Quand s'ouvre le monde, quand la circonférence ne le contient plus et que les hiérarchies sont bouleversées, que devient cette représentation dont nous sommes malgré tout les héritiers ? Suffit-il de la déclarer obsolète pour en être affranchi ? Avec son brio habituel de conteur, Peter Sloterdijk nous entraîne dans un voyage passionnant à travers les civilisations et les époques, au gré de la position qu'y occupe le centre de la sphère
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
Michael Webb: two journeys
Michael Webb: two journeys
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$65.00
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Résumé:
The artist Michael Webb, trained as an architect, operates at the intersection of art and architecture and is widely known for creatively exploring the outer limits of drawing techniques, including orthographic and perspectival projection systems. He is a founding member of Archigram, which formed at the Architectural Association in London in the early 1960s. The(...)
$65.00
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Résumé:
The artist Michael Webb, trained as an architect, operates at the intersection of art and architecture and is widely known for creatively exploring the outer limits of drawing techniques, including orthographic and perspectival projection systems. He is a founding member of Archigram, which formed at the Architectural Association in London in the early 1960s. The(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juin 2018
juin 2018
Titre:
Michael Webb: two journeys
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$65.00
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Résumé:
The artist Michael Webb, trained as an architect, operates at the intersection of art and architecture and is widely known for creatively exploring the outer limits of drawing techniques, including orthographic and perspectival projection systems. He is a founding member of Archigram, which formed at the Architectural Association in London in the early 1960s. The legendary avant-garde group is known for their fantastical projects that were often interpreted as critiques of contemporary architectural theory and practice. "Two Journeys" is the first comprehensive monograph on Webb’s oeuvre and assembles sixty years of the artist’s work into a continuously evolving narrative about the multifaceted relationships among the built environment, landscape, and moving vehicles. He investigates these relationships through the act of drawing using notions of time, space, and speed, which are artfully mediated by the precision of mathematics and tempered by abstraction.
Michael Webb: two journeys
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$65.00
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Résumé:
The artist Michael Webb, trained as an architect, operates at the intersection of art and architecture and is widely known for creatively exploring the outer limits of drawing techniques, including orthographic and perspectival projection systems. He is a founding member of Archigram, which formed at the Architectural Association in London in the early 1960s. The legendary avant-garde group is known for their fantastical projects that were often interpreted as critiques of contemporary architectural theory and practice. "Two Journeys" is the first comprehensive monograph on Webb’s oeuvre and assembles sixty years of the artist’s work into a continuously evolving narrative about the multifaceted relationships among the built environment, landscape, and moving vehicles. He investigates these relationships through the act of drawing using notions of time, space, and speed, which are artfully mediated by the precision of mathematics and tempered by abstraction.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Machine paralysis
Machine paralysis
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$28.00
(disponible en magasin)
Résumé:
The Mechanicos (meaning ‘machinic’ in Greek) is a folk dance performed by the sponge divers of Kalymnos island, recording the crippling effects of decompression sickness and paralysis caused by increasing industrial exploitation. Today, a disproportionate number of persons with physical impairments and debilitating conditions remain largely invisible. The writing in this(...)
$28.00
(disponible en magasin)
Résumé:
The Mechanicos (meaning ‘machinic’ in Greek) is a folk dance performed by the sponge divers of Kalymnos island, recording the crippling effects of decompression sickness and paralysis caused by increasing industrial exploitation. Today, a disproportionate number of persons with physical impairments and debilitating conditions remain largely invisible. The writing in this(...)
Titre:
Machine paralysis
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Prix:
$28.00
(disponible en magasin)
Résumé:
The Mechanicos (meaning ‘machinic’ in Greek) is a folk dance performed by the sponge divers of Kalymnos island, recording the crippling effects of decompression sickness and paralysis caused by increasing industrial exploitation. Today, a disproportionate number of persons with physical impairments and debilitating conditions remain largely invisible. The writing in this book points to different experiences of movement, time, and space: Whether through the creation of a vernacular sign language; a different pacing of time and projection of futurity; exchanging forms of care around a healing spring; recording the ways in which 3 generations navigate everyday interactions through a ‘broken telephone line’ of connection; or the friendship between a woman with visual impairment and her dog, Mercy, who helps her navigate the narrow busy sidewalks of central Athens. These stories contribute to imagining a different kind of mobility.
Machine paralysis
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$28.00
(disponible en magasin)
Résumé:
The Mechanicos (meaning ‘machinic’ in Greek) is a folk dance performed by the sponge divers of Kalymnos island, recording the crippling effects of decompression sickness and paralysis caused by increasing industrial exploitation. Today, a disproportionate number of persons with physical impairments and debilitating conditions remain largely invisible. The writing in this book points to different experiences of movement, time, and space: Whether through the creation of a vernacular sign language; a different pacing of time and projection of futurity; exchanging forms of care around a healing spring; recording the ways in which 3 generations navigate everyday interactions through a ‘broken telephone line’ of connection; or the friendship between a woman with visual impairment and her dog, Mercy, who helps her navigate the narrow busy sidewalks of central Athens. These stories contribute to imagining a different kind of mobility.
Classification:
livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Social
Social
Classification:
livres
livres
Titre:
Peter Bialobrezeski : Heimat
Peter Bialobrezeski : Heimat
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$66.00
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Résumé:
Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a(...)
$66.00
(disponible sur commande)
Résumé:
Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 1900, Ostfildern
janvier 1900, Ostfildern
Titre:
Peter Bialobrezeski : Heimat
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$66.00
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Résumé:
Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a home means having roots, which is not the same as being rooted to the spot." And since he is more interested in images than in places, "Heimat" is "not a book about Germany as homeland per se." Rather, it creates a fixed image of "a personalized bit of visual and cultural history." Bialobrzeski's photographs act as projection surfaces for modern man's yearning for nature-an homage to German Romanticism and at the same time bow to the works of contemporary American color photographers.
Peter Bialobrezeski : Heimat
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$66.00
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Résumé:
Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a home means having roots, which is not the same as being rooted to the spot." And since he is more interested in images than in places, "Heimat" is "not a book about Germany as homeland per se." Rather, it creates a fixed image of "a personalized bit of visual and cultural history." Bialobrzeski's photographs act as projection surfaces for modern man's yearning for nature-an homage to German Romanticism and at the same time bow to the works of contemporary American color photographers.
Classification:
livres
livres
Publication:
janvier 1900, Ostfildern
janvier 1900, Ostfildern
Sujet:
Monographies photo
Monographies photo
