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The photographs by Richard Misrach assembled in this volume are a stark, affecting reminders of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his(...)
Richard Misrach: Destroy this memory
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The photographs by Richard Misrach assembled in this volume are a stark, affecting reminders of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his ongoing "Cancer Alley" project-found himself drawn to the hurricane-inspired graffiti. "Destroy This Memory" presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes.
Public collectors
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The Public Collectors project, operated by Marc Fischer since 2007, encourages collectors of material culture — the kind that most museums won’t collect or exhibit — to “open” their collections to the public. Fischer’s perspective is intrinsically linked to his participation in underground punk and metal scenes in the 1980s, a sensibility that also inflects his practice(...)
Public collectors
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The Public Collectors project, operated by Marc Fischer since 2007, encourages collectors of material culture — the kind that most museums won’t collect or exhibit — to “open” their collections to the public. Fischer’s perspective is intrinsically linked to his participation in underground punk and metal scenes in the 1980s, a sensibility that also inflects his practice as one-third of the celebrated artist collective Temporary Services. This collection meanders from paper ephemera to photography — including a visual tour of Chicago’s famed Swap-O-Rama. The contents also include adult Mexican comic books and postcards from outsider artist John Rininger. This publication is paired with documentation of the artist’s contribution to the 2014 Whitney Biennial plus an interview with punk ephemera collector Stephen Perkins, exploring the politics of collecting materials with little or no conventional cultural value.
Muséologie
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Littérature et poésie
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Denise Scott Brown has shaped the course of contemporary architecture since the 1960s. She is particularly well known for ''Learning from Las Vegas,'' an enormously successful research project with her companion in life and work, Robert Venturi, and Steven Izenour, which challenged the way many architects saw the city. Widely cited and sometimes misunderstood, Scott(...)
Architecture, monographies
mars 2019
Your guide to Downtown Denise Scott Brown, hintergrund 56
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Denise Scott Brown has shaped the course of contemporary architecture since the 1960s. She is particularly well known for ''Learning from Las Vegas,'' an enormously successful research project with her companion in life and work, Robert Venturi, and Steven Izenour, which challenged the way many architects saw the city. Widely cited and sometimes misunderstood, Scott Brown's insistence that we cast a critical eye on modernism ignorant of context, history, and joint creativity remains impactful today. The first book to focus exclusively on Denise Scott Brown, '' Your Guide to Downtown Denise Scott Brown Brown'' takes readers through her childhood in 1930s South Africa and her education in 1950s England, to her well-known work in photography, her writings and studies, and her work as an architect and urban planner on four continents.
Architecture, monographies
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n 1950, a young Vancouver architectural apprentice was handed a small house project that his boss was too busy to take on. The apprentice, Ron Thom, took the simple plan and rectangular foundation that had been roughed in, and transformed it into a groundbreaking work of architecture that gained national fame. Inspired by Frank Lloyd Wright and Richard Neutra, but using(...)
Ron Thom: Copp House. West Coast Modern houses series
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n 1950, a young Vancouver architectural apprentice was handed a small house project that his boss was too busy to take on. The apprentice, Ron Thom, took the simple plan and rectangular foundation that had been roughed in, and transformed it into a groundbreaking work of architecture that gained national fame. Inspired by Frank Lloyd Wright and Richard Neutra, but using local wood and paying careful attention to its verdant oceanside setting, Thom created a landmark for the new architectural movement known as West Coast Modernism. The client, Dr. Harold Copp, was himself a trailblazer, the first head of the physiology department in the University of British Columbia’s new Faculty of Medicine and a research pioneer. Generously illustrated with both vintage and contemporary architectural photography, line drawings, and photographs of the architect and residents, The Copp House is the story of a cultural landmark on the shores of Vancouver.
Architectes canadiens
Adolf Loos: The Looshaus
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When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The(...)
Adolf Loos: The Looshaus
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When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The heated debate that ensued among critics and the public set the project apart, distinguishing it as one of the most important and contentious buildings of the early 20th century. In celebration of the Looshaus's centennial year, Christopher Long, a leading authority on Viennese architectural history, brings to light extensive new research and careful analysis that dispel long-held myths about Loos, his building, and its critical reception. The book, which features new color photography and a vast array of archival materials in print for the first time, tells the remarkable story of the Looshaus's design and construction, the political and social restlessness it reflected, and the building's fundamental role in defining the look of modernism.
Architecture, monographies
Archetypes: David K. Ross
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Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view(...)
Archetypes: David K. Ross
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Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view the practice of architecture by documenting and framing unseen aspects of its emergence. Built at full scale, these architectural fragments—to be removed from construction sites as buildings near completion—ensure that a project can be executed exactly to design, and they provide clients with a simulation of a building that leaves little space for speculation. The task of mock-up documentation is usually left to architects and contractors, who take quick snapshots for their reference during site visits.The book offers a platform to consider what it means to pre-construct fragments of buildings in all their complexity.
Art canadien
The Bungalow
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the(...)
The Bungalow
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the photographs and played with their organization and layering on the computer screen. The resulting alterations and collages saved as screen-shots comprise her experiments with making sense of this voluminous archive. Interspersed between the stories are excerpts from the email correspondence between artist and collector. Kruithof's work has most recently been shown at the Stedelijk, Amersterdam, and is the recipient of the 2014 Charlotte Kohler Prize and ICP Infinity Award, New York. Feuerhelm is a London-based American collector and dealer in vernacular photography. Brief essays on the project by Kruithof and Feuerhelm bookend the image-stories.
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The architectural practice of Hiroshi Sugimoto and Tomoyuki Sakakida is informed by a simple paradox: ''the oldest things are the newest.'' In 2008, Sugimoto and Sakakida founded New Material Research Laboratory with an aim to develop ''new'' materials for construction based upon much older materials and techniques. The NMRL reinvigorates material from ancient times and(...)
Old is new: architectural works by New Material Laboratory
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The architectural practice of Hiroshi Sugimoto and Tomoyuki Sakakida is informed by a simple paradox: ''the oldest things are the newest.'' In 2008, Sugimoto and Sakakida founded New Material Research Laboratory with an aim to develop ''new'' materials for construction based upon much older materials and techniques. The NMRL reinvigorates material from ancient times and the Middle Ages by using it in the context of a distinctly contemporary design sensibility and thus creating a physical connection between the past and the present. This beautiful hardcover volume delves into the art and architecture as well as the archaeological philosophy of the Laboratory. Each project is characterized by the materials used in its construction and is illustrated with rich full-color photography. Sugimoto and Sakakida are the principal authors of the accompanying text, extrapolating on their design ethos and its roots in Japanese aesthetic tradition; supplemental reading provides further historical context. The book also includes an annotated index of materials and classic Japanese techniques with information drawn from the Laboratory’s research.
Architecture, monographies
I numeri / numbers
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Just like "Colors", "Numbers" was originally published in 1945 too. Once again, its graphic refinement makes this book an art project in itself, much more than a mere children’s book. I count from zero to ten with the fingers and with abstract compositions made of coloured shapes scattered on a black background and black & white squares tidily ranged on a white(...)
I numeri / numbers
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Just like "Colors", "Numbers" was originally published in 1945 too. Once again, its graphic refinement makes this book an art project in itself, much more than a mere children’s book. I count from zero to ten with the fingers and with abstract compositions made of coloured shapes scattered on a black background and black & white squares tidily ranged on a white background. A journey from abstract to concrete that gradually reveals through the pages. Lastly, two pages of "abstract additions": number 10 is obtained with every possible combination of numbers by the use of colours. Luigi Veronesi (Milan, 1908-1998) always thought art as an instrument that involves all the aspects of the aesthetic experience, and investigated its relationship with the age of mechanization. Famous for his colour transpositions of music scores, he was a member of the MAC (Movement for Concrete Art) and one of the most “european” among Italian abstract painters. He also was one of the first authors to use photography in childrens’ books.
Littérature jeunesse