8496 Résultats
Classification:
dessins
dessins
Numéro de référence:
ARCH276196
Description:
Comprend aussi une perspective du monument.
ARCH276196
Description:
Comprend aussi une perspective du monument.
Personnes et institutions:
Date:
1963, 1980
1963, 1980
Titre:
Études des inscriptions
Actions:
ARCH276196
Description:
Comprend aussi une perspective du monument.
Études des inscriptions
Actions:
ARCH276196
Description:
Comprend aussi une perspective du monument.
Classification:
dessins
dessins
Date:
1963, 1980
1963, 1980
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
Classification:
dessins
Quantité:
17 drawing(s)
dessins
Quantité:
17 drawing(s)
Actions:
Numéro de référence:
DR1993:0002:001-017
Description:
- These sketches show both real and imaginary views of Rome and its surrounding countryside. Among the ancient and modern monuments of Rome represented in these small vedute are the Basilica of St. Peter's (DR1993:0002:002), the Temple of Hercules at Cora (DR1993:0002:004), the Temple of Minerva Medica (DR1993:0002:005), and the Tomb of Cecilia Maetella (DR1993:0002:008). The remaining sketches are imaginary views.
DR1993:0002:001-017
Description:
- These sketches show both real and imaginary views of Rome and its surrounding countryside. Among the ancient and modern monuments of Rome represented in these small vedute are the Basilica of St. Peter's (DR1993:0002:002), the Temple of Hercules at Cora (DR1993:0002:004), the Temple of Minerva Medica (DR1993:0002:005), and the Tomb of Cecilia Maetella (DR1993:0002:008). The remaining sketches are imaginary views.
Personnes et institutions:
Date:
ca. 1785-1791
ca. 1785-1791
Titre:
Sixteen Sketches of Real and Imaginary Sites in Italy with One Frontispiece
Actions:
DR1993:0002:001-017
Description:
- These sketches show both real and imaginary views of Rome and its surrounding countryside. Among the ancient and modern monuments of Rome represented in these small vedute are the Basilica of St. Peter's (DR1993:0002:002), the Temple of Hercules at Cora (DR1993:0002:004), the Temple of Minerva Medica (DR1993:0002:005), and the Tomb of Cecilia Maetella (DR1993:0002:008). The remaining sketches are imaginary views.
Sixteen Sketches of Real and Imaginary Sites in Italy with One Frontispiece
Actions:
DR1993:0002:001-017
Description:
- These sketches show both real and imaginary views of Rome and its surrounding countryside. Among the ancient and modern monuments of Rome represented in these small vedute are the Basilica of St. Peter's (DR1993:0002:002), the Temple of Hercules at Cora (DR1993:0002:004), the Temple of Minerva Medica (DR1993:0002:005), and the Tomb of Cecilia Maetella (DR1993:0002:008). The remaining sketches are imaginary views.
Classification:
dessins
Quantité:
17 drawing(s)
dessins
Quantité:
17 drawing(s)
Date:
ca. 1785-1791
ca. 1785-1791
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Titre:
Design for an altar with an altarpiece showing the Annunciation
Actions:
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Design for an altar with an altarpiece showing the Annunciation
Actions:
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1977:0057:002
Description:
Four people are positioned beside or near the monument, presumably for scale.
PH1977:0057:002
Description:
Four people are positioned beside or near the monument, presumably for scale.
Personnes et institutions:
Date:
between 1866 and 1870
between 1866 and 1870
Titre:
View of Arch of Constantine, Rome, Italy
Actions:
PH1977:0057:002
Description:
Four people are positioned beside or near the monument, presumably for scale.
View of Arch of Constantine, Rome, Italy
Actions:
PH1977:0057:002
Description:
Four people are positioned beside or near the monument, presumably for scale.
Classification:
photographies
photographies
Date:
between 1866 and 1870
between 1866 and 1870
Personnes et institutions:
Classification:
photographies
photographies
Titre:
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Actions:
Numéro de référence:
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
ca. 1864-1869
ca. 1864-1869
Titre:
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Actions:
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Actions:
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
Classification:
photographies
photographies
Date:
ca. 1864-1869
ca. 1864-1869
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH258622
Description:
Photographie en noir et blanc du monument, feuilles d'heures, correspondance, demande de droit d'auteur, dessins du monument, terrain à bâtir dessin (diazotype), échantillon lettrage dessin, une chemise ''Succession Ernest Cormier'' avec une évaluation municipale des propriétés.
ARCH258622
Description:
Photographie en noir et blanc du monument, feuilles d'heures, correspondance, demande de droit d'auteur, dessins du monument, terrain à bâtir dessin (diazotype), échantillon lettrage dessin, une chemise ''Succession Ernest Cormier'' avec une évaluation municipale des propriétés.
Personnes et institutions:
Date:
1963
1963
Titre:
Correspondance sur droit d'auteur, dessins et photographies
Actions:
ARCH258622
Description:
Photographie en noir et blanc du monument, feuilles d'heures, correspondance, demande de droit d'auteur, dessins du monument, terrain à bâtir dessin (diazotype), échantillon lettrage dessin, une chemise ''Succession Ernest Cormier'' avec une évaluation municipale des propriétés.
Correspondance sur droit d'auteur, dessins et photographies
Actions:
ARCH258622
Description:
Photographie en noir et blanc du monument, feuilles d'heures, correspondance, demande de droit d'auteur, dessins du monument, terrain à bâtir dessin (diazotype), échantillon lettrage dessin, une chemise ''Succession Ernest Cormier'' avec une évaluation municipale des propriétés.
Classification:
documents textuels
documents textuels
Date:
1963
1963
Personnes et institutions:
Titre:
Cambridge
Cambridge
Actions:
Numéro de référence:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
ca. 1880
ca. 1880
Titre:
Cambridge
Actions:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Cambridge
Actions:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Date:
ca. 1880
ca. 1880
Personnes et institutions:
Sujet:
architecture
architecture
Actions:
Numéro de référence:
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1872
1872
Titre:
A Book about Bristol; Historical, ecclesiastical, and biographical, from original research
Actions:
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
A Book about Bristol; Historical, ecclesiastical, and biographical, from original research
Actions:
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
Date:
1872
1872
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Personnes et institutions:
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Titre:
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Personnes et institutions:
