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This first collection reveals the remarkably eloquent writings and conversations of sculptor Barbara Hepworth (1903–1975). The compilation finally makes available previously out-of-print and inaccessible writings, and includes a significant number of unpublished texts. A surprisingly large body of work, it spans almost the whole of Hepworth’s artistic life. Her gift for(...)
Barbara Hepworth: writings and conversations
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This first collection reveals the remarkably eloquent writings and conversations of sculptor Barbara Hepworth (1903–1975). The compilation finally makes available previously out-of-print and inaccessible writings, and includes a significant number of unpublished texts. A surprisingly large body of work, it spans almost the whole of Hepworth’s artistic life. Her gift for language and desire to communicate to a public are evident throughout. Alongside the writings are Hepworth’s lectures and speeches, a selection of interviews and conversations with writers and journalists, and radio and television broadcasts. The collection sheds new light on Hepworth’s life, her artistic practices, the sources of her inspiration, the breadth of her intellectual interests, and her deep engagement with contemporary politics and society, from the United Nations to St. Ives. Images include replications of the sculptor’s manuscripts and archive photographs from Hepworth’s own collection.
Théorie de l’art
Crystallography
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Crystallography’ means the study of crystals, but also, taken literally, ‘lucid writing.’ The book exists in the intersection of poetry and science, exploring the relationship between language and crystals – looking at language as a crystal, a space in which the chaos of individual parts align to expose a perfect formation of structure. As Bök himself says, ‘a word is a(...)
Crystallography
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Crystallography’ means the study of crystals, but also, taken literally, ‘lucid writing.’ The book exists in the intersection of poetry and science, exploring the relationship between language and crystals – looking at language as a crystal, a space in which the chaos of individual parts align to expose a perfect formation of structure. As Bök himself says, ‘a word is a bit of crystal in formation,’ suggesting there is a space in which words, like crystals, can resonate pure form. Christian Bök is the author of Eunoia, winner of the 2002 Griffin Prize for Poetic Excellence. Bök has created artiflcial languages for two television shows: Gene Roddenberry’s Earth: Final Confiict and Peter Benchley’s Amazon. His conceptual artworks (which include books built out of Rubik cubes and Lego bricks) have appeared at the Marianne Boesky Gallery in New York. He teaches Canadian Literature at York University.
Architecture du Canada
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Like the flute melody from ''Hinterland Who's Who,'' the 1970s haunt Canadian cultural memory. Though the decade often feels lost to history, ''Hinterland Remixed'' focuses on boldly innovative works as well as popular film, television, and music to show that Canada never fully left the 1970s behind. Andrew Burke reveals how contemporary artists and filmmakers have(...)
Hinterland remixed: media, memory and the Canadian 1970s
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Like the flute melody from ''Hinterland Who's Who,'' the 1970s haunt Canadian cultural memory. Though the decade often feels lost to history, ''Hinterland Remixed'' focuses on boldly innovative works as well as popular film, television, and music to show that Canada never fully left the 1970s behind. Andrew Burke reveals how contemporary artists and filmmakers have revisited the era's cinematic and televisual residues to uncover what has been lost over the years. Investigating how the traces of an analogue past circulate in a digital age, Burke digs through the remnants of 1970s Canadiana and examines key audiovisual works from this overlooked decade, uncovering the period's aspirations, desires, fears, and anxieties. He then looks to contemporary projects that remix, remediate, and reanimate the period. Exploring an idiosyncratic selection of works, this book asks key questions about nation, nostalgia, media, and memory.
Architecture du Canada
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Joan Jonas approaches video as a drawing tool, a mirror, and a framing device. Since 1968, she has used video and performance to explore ways of seeing, the rhythms of ritual, and the archetypal authority of objects and gestures. With her influential 1976 work, I Want to Live in the Country (And Other Romances) Jonas nimbly structures an elliptical narrative that(...)
Joan Jonas: I want to live in the country (and other romances)
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Joan Jonas approaches video as a drawing tool, a mirror, and a framing device. Since 1968, she has used video and performance to explore ways of seeing, the rhythms of ritual, and the archetypal authority of objects and gestures. With her influential 1976 work, I Want to Live in the Country (And Other Romances) Jonas nimbly structures an elliptical narrative that unmistakably establishes her voice and visual lexicon. I Want to Live in the Country features two locations—the untamed landscape of Nova Scotia and a television studio in New York City—as it examines themes of loss, displacement, time, and memory through still life compositions and Super-8 footage. Jonas creates a meditation of frames within frames, monitors within monitors, overlaid with poetic musings—a murmured story of the unconscious. Joan Jonas, Professor of Visual Arts at MIT, is known for her pioneering video and performance art.
Théorie de l’art
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Considered one of the most iconic and recognizable examples of mid-century modern homes in the world, it was first envisioned by the owners Buck and Carlotta Stahl, designed by architect Pierre Koenig, and immortalized by photographer Julius Shulman. The book shares the never-before-told inside story by the Stahl family's adult children who grew up there and still(...)
Architecture résidentielle
novembre 2021
The Stahl House: Case study house #22: The making of modernist icon
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Considered one of the most iconic and recognizable examples of mid-century modern homes in the world, it was first envisioned by the owners Buck and Carlotta Stahl, designed by architect Pierre Koenig, and immortalized by photographer Julius Shulman. The book shares the never-before-told inside story by the Stahl family's adult children who grew up there and still graciously give home tours to fans from around the world. Through extensive research and interviews, historical information and personal photos are featured. This includes Buck Stahl's initial vision of the home with his own DIY schematic model for how to build on the complicated site. It also includes blueprints, floor plans, and sketches by Pierre Koenig, as well as Julius Shulman’s renowned photographs. Additionally, photographs of the house used in high-end, fashion ad campaigns and film and television are also included, cementing The Stahl House’s prominence in contemporary culture.
Architecture résidentielle
Technics & civilization
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Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934 —before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its(...)
Technics & civilization
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Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934 —before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial Revolution. Mumford sagely argued that it was the moral, economic, and political choices we made, not the machines that we used, that determined our then industrially driven economy. Equal parts powerful history and polemic criticism, this book was the first comprehensive attempt in English to portray the development of the machine age over the last thousand years — and to predict the pull the technological still holds over us today.
Théorie de l’architecture
livres
Always and Never
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"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its(...)
Always and Never
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"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its public exposure." states curator Kate Fowle in her text for the 2006 "Flow" exhibition catalog. Marcopoulos’s work is often talked about in the context of his engagement with subcultures (skateboarding, art, music). Non-descript skies, anonymous television footage, and unpopulated landscapes counter the action of extreme sports, the stage, or the street, for which he is most known for. The book is published on occasion of the exhibition "Always and Never" at Galleria Patricia Armocida in Milan.
livres
juillet 2008, Zürich
$56.95
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here(...)
The story of graphic design in France
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here are legendary artists, actually some of the world’s most revered: French artists and artists who made Paris their home - Man Ray, Brassai, Cassandre, Leger, Duchamp, Mallarme to name just a few. "Graphic design in France" documents the emergence of graphic design as a culture in France and illustrates how it has come to the fore in recent years with a great burst of vitality in poster art, typography, editorial design, magazine design, information graphics, multimedia and television. This book places the tradition of French graphic design amidst the greater aesthetic languages of fine art, iconography, urban architecture, sculpture, communication art, fashion, literature, and much more.
livres soldés
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"Dutch architects in booming China" presents more than 80 projects (also on show in the exhibition of the same name) which are lavishly illustrated and described in detail. Together, they present a fascinating and unique picture of Dutch design energy for China. Among them are: the State Television in Beijing (Rem Koolhaas, OMA), Guang Dong Museum in Guangzhou (UN(...)
décembre 2005, Amsterdam
Dutch architects in booming China
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"Dutch architects in booming China" presents more than 80 projects (also on show in the exhibition of the same name) which are lavishly illustrated and described in detail. Together, they present a fascinating and unique picture of Dutch design energy for China. Among them are: the State Television in Beijing (Rem Koolhaas, OMA), Guang Dong Museum in Guangzhou (UN Studio), Sleeping Dragon in Hong Kong (Atelier Dutch), Xintian International Kindergarten (NEXT Architects) and Guo Tai Bridge in Tianjin (Verburg Hoogendijk Architecten). The projects are accompanied by four essays, written by China experts. The regional planner Ton Kreukels describes the history of urban development in China. The Shanghai-based architect Kok-Meng Tan discusses Chinese architecture and urbanism at the present moment and takes a look behind the scenes of Chinese architectural practice. Marlies Buurman records the experiences of the more than thirty Dutch offices working in China, and Maarten Kloos gives an introduction to the projects by Dutch architects who are working worldwide.
$134.99
(disponible en magasin)
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Since the era of pre-industrial religious pilgrimages, architecture has beckoned travellers. This book charts the relationship, and even the entanglement, between architecture and tourism. It reveals how architecture is always tied to its physical site, yet is transportable in our imagination—and into the virtual spheres of social media and armchair travel. Illustrated(...)
Architectural tourism: Monumental Itineraries, Cultural Heritage, and Sites of memory
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Since the era of pre-industrial religious pilgrimages, architecture has beckoned travellers. This book charts the relationship, and even the entanglement, between architecture and tourism. It reveals how architecture is always tied to its physical site, yet is transportable in our imagination—and into the virtual spheres of social media and armchair travel. Illustrated with a range of studies of key buildings from history and the present-day, the book engagingly sheds light on topics such as the culture of ruins, the evolution of how tourists capture images of places, the rise of the designer museum, and architecture on television, film, and in other media. It asks why architectural monuments and buildings attract and compel us to visit, why we feel the need to understand cities through architectural sites such as museums, historic sites, and monuments, and how national identity is galvanised through its architecture and tourism. Sightseeing is, whether virtual or actual, site-seeing.
Théorie de l’architecture