Projet
AP075.S1.1973.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for a proposed playground at the corner of West 38th Street and Hudson Street in Vancouver, British Columbia. Oberlander worked in this project from 1973-1975. This project was not realized. Oberlander's landscape design consisted in a central mound covered in grass, surrounded by tree logs, with swings on top, and two lower grass mounds on the Southeast corner of the playground with other play installations for creative play. The project series contains four sketches, including two digitatized layout sketches, two presentation drawings, a preliminary site plan, a site plan, a topographic survey.
1973-2005
Playground, 38th and Hudson Streets, Vancouver, British Columbia (1973)
Actions:
AP075.S1.1973.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for a proposed playground at the corner of West 38th Street and Hudson Street in Vancouver, British Columbia. Oberlander worked in this project from 1973-1975. This project was not realized. Oberlander's landscape design consisted in a central mound covered in grass, surrounded by tree logs, with swings on top, and two lower grass mounds on the Southeast corner of the playground with other play installations for creative play. The project series contains four sketches, including two digitatized layout sketches, two presentation drawings, a preliminary site plan, a site plan, a topographic survey.
Project
1973-2005
Sous-série
Notebooks and Sketchbooks
CP138.S4.SS1
Description:
Sub-series consists of notebooks, pads of paper and sketchbooks, containing sketches, drawing and texts relating to the following projects: Anarchitecture (1974); Automation House (1972); A W-Hole House (1973); the Caribbean Orange (1978); Day's End (1975); Food (1971); Fresh Air Cart (1972); Garbage Wall (1970); Office Baroque (1977); Photo-Fry (1969); Tree Dance (1971); Untitled Cutting (1978) for Alanna Heiss's Twentieth Century Ruins; and studies for cut drawings. Material in this sub-series was produced between 1969 and 1978. Sub-series contains bound volumes of sketches and texts.
[1969-1978]
Notebooks and Sketchbooks
Actions:
CP138.S4.SS1
Description:
Sub-series consists of notebooks, pads of paper and sketchbooks, containing sketches, drawing and texts relating to the following projects: Anarchitecture (1974); Automation House (1972); A W-Hole House (1973); the Caribbean Orange (1978); Day's End (1975); Food (1971); Fresh Air Cart (1972); Garbage Wall (1970); Office Baroque (1977); Photo-Fry (1969); Tree Dance (1971); Untitled Cutting (1978) for Alanna Heiss's Twentieth Century Ruins; and studies for cut drawings. Material in this sub-series was produced between 1969 and 1978. Sub-series contains bound volumes of sketches and texts.
Sub-series 1
[1969-1978]
documents textuels
ARCH255658
Description:
3 files - requirements and criteria for a command, control, and communications facility from Hoppmann Corporation; unidentified negatives of a group of buildings, file containing photocopy showing sections of a residence by the Toronto office, photograph of trees/site; conference report labelled 'precedent - Seagram Museum'; list of drawings; photocopies of a floor plan showing wall indications and roof; computer printout of notes to drawings
Requirements and criteria for a command, control, and communications facility from Hoppmann Corporation
Actions:
ARCH255658
Description:
3 files - requirements and criteria for a command, control, and communications facility from Hoppmann Corporation; unidentified negatives of a group of buildings, file containing photocopy showing sections of a residence by the Toronto office, photograph of trees/site; conference report labelled 'precedent - Seagram Museum'; list of drawings; photocopies of a floor plan showing wall indications and roof; computer printout of notes to drawings
documents textuels
PH1983:0042.06:036
Description:
In the background is a landscaped palm tree garden.
1900
View of people seated outdoors at café, Tunisian section, Exposition universelle, 1900, Paris, France
Actions:
PH1983:0042.06:036
Description:
In the background is a landscaped palm tree garden.
PH1983:0042.06:037
Description:
In the background is a landscaped palm tree garden.
1900
View of people seated outdoors at café, Tunisian section, Exposition universelle, 1900, Paris, France
Actions:
PH1983:0042.06:037
Description:
In the background is a landscaped palm tree garden.
Projet
AP075.S1.1989.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ottawa City Hall, located on Sussex Drive, on Green Island, surrounded by Ottawa and Rideau Rivers, in Ottawa, Ontario. Oberlander worked on this project in 1989-1994 with architect Moshe Safdie. The old City Hall, a heritage building, was retained, and the new landscape design had to include the old structures. Oberlander landscape concept was to create a park-like space used for strolling as well as public functions. She also designed a courtyard with water features, including a pool, trees and flowers. The project also included a play area for the day care centre of the City Hall. The project was completed in 1994. The project series comprises sketches, design development drawings, such as grading plans, landscape plans, sections, elevations and details for the play area, working drawings, including site grading plans, and presentation drawings. The project is also documented through concept notes by Oberlander, specifications, correspondence, including with architects, clients, and consultants, financial documents and photographs of the construction.
1989-1994
Ottawa City Hall, Ottawa, Ontario (1989)
Actions:
AP075.S1.1989.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ottawa City Hall, located on Sussex Drive, on Green Island, surrounded by Ottawa and Rideau Rivers, in Ottawa, Ontario. Oberlander worked on this project in 1989-1994 with architect Moshe Safdie. The old City Hall, a heritage building, was retained, and the new landscape design had to include the old structures. Oberlander landscape concept was to create a park-like space used for strolling as well as public functions. She also designed a courtyard with water features, including a pool, trees and flowers. The project also included a play area for the day care centre of the City Hall. The project was completed in 1994. The project series comprises sketches, design development drawings, such as grading plans, landscape plans, sections, elevations and details for the play area, working drawings, including site grading plans, and presentation drawings. The project is also documented through concept notes by Oberlander, specifications, correspondence, including with architects, clients, and consultants, financial documents and photographs of the construction.
Project
1989-1994
Projet
AP207.S1.2017.PR01
Description:
The project series documents the installation "Levitazione" designed by Pettena and presented at the Fattoria Montellori in Fucecchio near Florence, in 2017. The installation used the existing wooden roof structure of the exhibition space to hang wood beams from it giving the impression of tree trunks with roots. For Pettena, the installation is "a story telling about the wish for a synthesis in the relationship between nature and artifice as well as between emotion and reason, between project strategies and laws of nature." [1] The project series contains sketches, drawings and two photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-levitation-2017/ (last accessed 28 January 2020)
circa 2017
Levitazione [Levitation] (2017)
Actions:
AP207.S1.2017.PR01
Description:
The project series documents the installation "Levitazione" designed by Pettena and presented at the Fattoria Montellori in Fucecchio near Florence, in 2017. The installation used the existing wooden roof structure of the exhibition space to hang wood beams from it giving the impression of tree trunks with roots. For Pettena, the installation is "a story telling about the wish for a synthesis in the relationship between nature and artifice as well as between emotion and reason, between project strategies and laws of nature." [1] The project series contains sketches, drawings and two photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-levitation-2017/ (last accessed 28 January 2020)
Project
circa 2017
Projet
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
1999, 2001
Edificio de servicios generales para la Universidad de Extremadura, Mérida, Spain (1999-2001)
Actions:
AP164.S1.1999.D4
Description:
The project series documents the design and construction of the general services building for the Universidad de Extremadura. In 1999, Abalos & Herreros in collaboration with Fomento won first prize at a competition held for enterprises. The firm identified this project as number 117. “Giving the hard climatic conditions, the building is wrapped in an artificial and natural dual filter of adjustable lattices surrounded by a ring a trees (Ginkos Bilobas) […] On the roof, two turrets house relaxation rooms for the teaching staff, rooms that open onto a garden surrounded by a training track, thus creating an open-air area with views over the lowlands of the [River] Guadiana and the city” (ARCH270971). In the documentation, the project is often referred to as “Edificio administrativo y de nuevas titulaciones de la Universidad de Extremadura” or “Administration building and new graduate facilities for the University of Extremadura”. The firm worked with Ángel Jaramillo, Uriel Fogué, Renata Sentkiewicz, Jacob Hense and Obiol y Moya for the account of the Consejería de Educación, Ciencia y Tecnología, Junta de Extremadura. Documenting the project are presentation and working drawings, and photographic materials.
Project
1999, 2001
Projet
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
circa 1969-2015
Tavolo “Babele“ [Table “Babele”] (1969)
Actions:
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
Project
circa 1969-2015
Projet
Copper House II
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
2009-2014
Copper House II
Actions:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
Project
2009-2014