3068 Résultats
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
DR1999:0464
Description:
documents include,1VHS cassette, elevators/stairs information, 401 slides, 109 construction photographs (50 of Columbus Convention Center found and relocated), 7 transparencies of drawings, 4 of models, 24 of plans dated: November 1, 1989, 49 of September 15, 1989, 4 of September 2, 1990, 24 undated, 37 (8 X 10) prints, letter, drawings, DAAP program,trade catalogues, sketches, list of drawings, hand written notes, postcards
DR1999:0464
Description:
documents include,1VHS cassette, elevators/stairs information, 401 slides, 109 construction photographs (50 of Columbus Convention Center found and relocated), 7 transparencies of drawings, 4 of models, 24 of plans dated: November 1, 1989, 49 of September 15, 1989, 4 of September 2, 1990, 24 undated, 37 (8 X 10) prints, letter, drawings, DAAP program,trade catalogues, sketches, list of drawings, hand written notes, postcards
Personnes et institutions:
Date:
circa 1955 - 1996
circa 1955 - 1996
Titre:
VHS cassette, elevators/stairs information, slides, construction photographs
Actions:
DR1999:0464
Description:
documents include,1VHS cassette, elevators/stairs information, 401 slides, 109 construction photographs (50 of Columbus Convention Center found and relocated), 7 transparencies of drawings, 4 of models, 24 of plans dated: November 1, 1989, 49 of September 15, 1989, 4 of September 2, 1990, 24 undated, 37 (8 X 10) prints, letter, drawings, DAAP program,trade catalogues, sketches, list of drawings, hand written notes, postcards
VHS cassette, elevators/stairs information, slides, construction photographs
Actions:
DR1999:0464
Description:
documents include,1VHS cassette, elevators/stairs information, 401 slides, 109 construction photographs (50 of Columbus Convention Center found and relocated), 7 transparencies of drawings, 4 of models, 24 of plans dated: November 1, 1989, 49 of September 15, 1989, 4 of September 2, 1990, 24 undated, 37 (8 X 10) prints, letter, drawings, DAAP program,trade catalogues, sketches, list of drawings, hand written notes, postcards
Classification:
documents textuels, photographies
documents textuels, photographies
Date:
circa 1955 - 1996
circa 1955 - 1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Niveau de description archivistique:
Project
Project
Date:
1999-2001
1999-2001
Personnes et institutions:
Classification:
documents textuels
Quantité:
20 file
documents textuels
Quantité:
20 file
Titre:
Intro ANY 23
Intro ANY 23
Numéro de référence:
ARCH240689
Description:
Intro ANY 23 Any 23 - Lawn (American Lawn exhibition review) Any 23 - Benjamin - drafts of article by Andrew Benjamin Any 23 - De Landa - drafts of article by Manuel DeLanda ANY 23 - Greg Lynn - texts and 23 colour exhibition photos Any 23 - Peter Eisenman Any 23 - Allen - drafts of article by Stan Allen Any 23 - Massumi - drafts of article by Brian Massumi Any 23 - Somol - drafts of article by Robert Somol Any 23 - van Berkel & Bos - drafts of article by Ben van Berkel and Carolin Bos Diagram - Texts (VB & Bos) Any 23 - Kwinter - drafts of article by Sanford Kwinter Any 23 - Buci-Glucksman - drafts of article by Christine Buci-Glucksman Any 23 - Karl Chu (3 files) drafts and research material Any 23 - Rakatansky - drafts of article by Mark Rakatansky Any 23 - Weiss - drafts of review by Allen S. Weiss Any 23 - Letter from Athens Any 23 - Letter from Naples
ARCH240689
Description:
Intro ANY 23 Any 23 - Lawn (American Lawn exhibition review) Any 23 - Benjamin - drafts of article by Andrew Benjamin Any 23 - De Landa - drafts of article by Manuel DeLanda ANY 23 - Greg Lynn - texts and 23 colour exhibition photos Any 23 - Peter Eisenman Any 23 - Allen - drafts of article by Stan Allen Any 23 - Massumi - drafts of article by Brian Massumi Any 23 - Somol - drafts of article by Robert Somol Any 23 - van Berkel & Bos - drafts of article by Ben van Berkel and Carolin Bos Diagram - Texts (VB & Bos) Any 23 - Kwinter - drafts of article by Sanford Kwinter Any 23 - Buci-Glucksman - drafts of article by Christine Buci-Glucksman Any 23 - Karl Chu (3 files) drafts and research material Any 23 - Rakatansky - drafts of article by Mark Rakatansky Any 23 - Weiss - drafts of review by Allen S. Weiss Any 23 - Letter from Athens Any 23 - Letter from Naples
Personnes et institutions:
Date:
1998
1998
Titre:
Intro ANY 23
Actions:
ARCH240689
Description:
Intro ANY 23 Any 23 - Lawn (American Lawn exhibition review) Any 23 - Benjamin - drafts of article by Andrew Benjamin Any 23 - De Landa - drafts of article by Manuel DeLanda ANY 23 - Greg Lynn - texts and 23 colour exhibition photos Any 23 - Peter Eisenman Any 23 - Allen - drafts of article by Stan Allen Any 23 - Massumi - drafts of article by Brian Massumi Any 23 - Somol - drafts of article by Robert Somol Any 23 - van Berkel & Bos - drafts of article by Ben van Berkel and Carolin Bos Diagram - Texts (VB & Bos) Any 23 - Kwinter - drafts of article by Sanford Kwinter Any 23 - Buci-Glucksman - drafts of article by Christine Buci-Glucksman Any 23 - Karl Chu (3 files) drafts and research material Any 23 - Rakatansky - drafts of article by Mark Rakatansky Any 23 - Weiss - drafts of review by Allen S. Weiss Any 23 - Letter from Athens Any 23 - Letter from Naples
Intro ANY 23
Actions:
ARCH240689
Description:
Intro ANY 23 Any 23 - Lawn (American Lawn exhibition review) Any 23 - Benjamin - drafts of article by Andrew Benjamin Any 23 - De Landa - drafts of article by Manuel DeLanda ANY 23 - Greg Lynn - texts and 23 colour exhibition photos Any 23 - Peter Eisenman Any 23 - Allen - drafts of article by Stan Allen Any 23 - Massumi - drafts of article by Brian Massumi Any 23 - Somol - drafts of article by Robert Somol Any 23 - van Berkel & Bos - drafts of article by Ben van Berkel and Carolin Bos Diagram - Texts (VB & Bos) Any 23 - Kwinter - drafts of article by Sanford Kwinter Any 23 - Buci-Glucksman - drafts of article by Christine Buci-Glucksman Any 23 - Karl Chu (3 files) drafts and research material Any 23 - Rakatansky - drafts of article by Mark Rakatansky Any 23 - Weiss - drafts of review by Allen S. Weiss Any 23 - Letter from Athens Any 23 - Letter from Naples
Classification:
documents textuels
Quantité:
20 file
documents textuels
Quantité:
20 file
Date:
1998
1998
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
DDR - IAUS
DDR - IAUS
Numéro de référence:
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
Personnes et institutions:
Date:
1968-1978, 1981
1968-1978, 1981
Titre:
DDR - IAUS
Actions:
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
DDR - IAUS
Actions:
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
Classification:
documents textuels
documents textuels
Date:
1968-1978, 1981
1968-1978, 1981
Personnes et institutions:
Numéro de référence:
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
Personnes et institutions:
Date:
1989-2004
1989-2004
Titre:
Various awards and honours to Arthur Erickson
Actions:
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
Various awards and honours to Arthur Erickson
Actions:
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
Date:
1989-2004
1989-2004
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
Personnes et institutions:
Date:
1986-1998
1986-1998
Titre:
Published and unpublished papers (folder 2 of 3)
Actions:
AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
Published and unpublished papers (folder 2 of 3)
Actions:
AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
Classification:
documents textuels
documents textuels
Date:
1986-1998
1986-1998
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Personnes et institutions:
Date:
1890-1911
1890-1911
Titre:
Paul Goesch
Actions:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Paul Goesch
Actions:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Niveau de description archivistique:
series
series
Date:
1890-1911
1890-1911
Personnes et institutions:
Classification:
photographies
Quantité:
22 photograph(s)
photographies
Quantité:
22 photograph(s)
Numéro de référence:
ARCH265118
Description:
The group consist chiefly of views of monuments and statues in Québec, including the statue of de Maisonneuve at the Place d'Armes in Montréal and the Madeleine de Verchères monument in Verchères. There are also several views of monuments in Ottawa and one view of Grand Pré Park in Nova Scotia. Several of the subjects are the work of artist Louis-Philippe Hébert. There is one photograph of the tablet erected at Sainte-Sophie d'Halifax by the Department of Mines and Resources to commemorate the birthplace of Louis-Philippe Hébert (accompanied by a letter from the Lands, Parks and Forests Branch of the Department of Mines and Resources). There is one photograph of the painting by Robert Harris of O.R. Jacobi, accompanied by a letter on letterhead of the National Gallery of Canada. The group includes a memo from the Can.Govt. Motion Picture Bureau dated Feb. 22, 1938. There are stamps and/or inscriptions on several of the photographs.
ARCH265118
Description:
The group consist chiefly of views of monuments and statues in Québec, including the statue of de Maisonneuve at the Place d'Armes in Montréal and the Madeleine de Verchères monument in Verchères. There are also several views of monuments in Ottawa and one view of Grand Pré Park in Nova Scotia. Several of the subjects are the work of artist Louis-Philippe Hébert. There is one photograph of the tablet erected at Sainte-Sophie d'Halifax by the Department of Mines and Resources to commemorate the birthplace of Louis-Philippe Hébert (accompanied by a letter from the Lands, Parks and Forests Branch of the Department of Mines and Resources). There is one photograph of the painting by Robert Harris of O.R. Jacobi, accompanied by a letter on letterhead of the National Gallery of Canada. The group includes a memo from the Can.Govt. Motion Picture Bureau dated Feb. 22, 1938. There are stamps and/or inscriptions on several of the photographs.
Personnes et institutions:
Date:
circa 1927-1946
circa 1927-1946
Titre:
Views of monuments and statues in Québec
Actions:
ARCH265118
Description:
The group consist chiefly of views of monuments and statues in Québec, including the statue of de Maisonneuve at the Place d'Armes in Montréal and the Madeleine de Verchères monument in Verchères. There are also several views of monuments in Ottawa and one view of Grand Pré Park in Nova Scotia. Several of the subjects are the work of artist Louis-Philippe Hébert. There is one photograph of the tablet erected at Sainte-Sophie d'Halifax by the Department of Mines and Resources to commemorate the birthplace of Louis-Philippe Hébert (accompanied by a letter from the Lands, Parks and Forests Branch of the Department of Mines and Resources). There is one photograph of the painting by Robert Harris of O.R. Jacobi, accompanied by a letter on letterhead of the National Gallery of Canada. The group includes a memo from the Can.Govt. Motion Picture Bureau dated Feb. 22, 1938. There are stamps and/or inscriptions on several of the photographs.
Views of monuments and statues in Québec
Actions:
ARCH265118
Description:
The group consist chiefly of views of monuments and statues in Québec, including the statue of de Maisonneuve at the Place d'Armes in Montréal and the Madeleine de Verchères monument in Verchères. There are also several views of monuments in Ottawa and one view of Grand Pré Park in Nova Scotia. Several of the subjects are the work of artist Louis-Philippe Hébert. There is one photograph of the tablet erected at Sainte-Sophie d'Halifax by the Department of Mines and Resources to commemorate the birthplace of Louis-Philippe Hébert (accompanied by a letter from the Lands, Parks and Forests Branch of the Department of Mines and Resources). There is one photograph of the painting by Robert Harris of O.R. Jacobi, accompanied by a letter on letterhead of the National Gallery of Canada. The group includes a memo from the Can.Govt. Motion Picture Bureau dated Feb. 22, 1938. There are stamps and/or inscriptions on several of the photographs.
Classification:
photographies
Quantité:
22 photograph(s)
photographies
Quantité:
22 photograph(s)
Date:
circa 1927-1946
circa 1927-1946
Personnes et institutions:
Quantité:
2 set(s)
2 set(s)
Numéro de référence:
PHCON2002:0016:006:124
Description:
Set includes: a letter from Jürgen Harten to Jane Crawford (dated 12 June 1979); an announcement card for the opening of the exhibition "Gordon Matta-Clark: One for all - all for one" held at the Städtische Kunsthalle Düsseldorf from the 5 May to 4 June 1979; a transcript of an interview between Harten and Crawford (dated 27 March 1979); and 3 photographs of the opening of the exhibition showing Crawford, Florent Bex and Harten.
PHCON2002:0016:006:124
Description:
Set includes: a letter from Jürgen Harten to Jane Crawford (dated 12 June 1979); an announcement card for the opening of the exhibition "Gordon Matta-Clark: One for all - all for one" held at the Städtische Kunsthalle Düsseldorf from the 5 May to 4 June 1979; a transcript of an interview between Harten and Crawford (dated 27 March 1979); and 3 photographs of the opening of the exhibition showing Crawford, Florent Bex and Harten.
Personnes et institutions:
Date:
5 May 1979 - 12 June 1979
5 May 1979 - 12 June 1979
Titre:
Set of documents relating to the exhibition "Gordon Matta-Clark: One for all - all for one" held at the Städtische Kunsthalle Düsseldorf
Actions:
PHCON2002:0016:006:124
Description:
Set includes: a letter from Jürgen Harten to Jane Crawford (dated 12 June 1979); an announcement card for the opening of the exhibition "Gordon Matta-Clark: One for all - all for one" held at the Städtische Kunsthalle Düsseldorf from the 5 May to 4 June 1979; a transcript of an interview between Harten and Crawford (dated 27 March 1979); and 3 photographs of the opening of the exhibition showing Crawford, Florent Bex and Harten.
Set of documents relating to the exhibition "Gordon Matta-Clark: One for all - all for one" held at the Städtische Kunsthalle Düsseldorf
Actions:
PHCON2002:0016:006:124
Description:
Set includes: a letter from Jürgen Harten to Jane Crawford (dated 12 June 1979); an announcement card for the opening of the exhibition "Gordon Matta-Clark: One for all - all for one" held at the Städtische Kunsthalle Düsseldorf from the 5 May to 4 June 1979; a transcript of an interview between Harten and Crawford (dated 27 March 1979); and 3 photographs of the opening of the exhibition showing Crawford, Florent Bex and Harten.
Quantité:
2 set(s)
2 set(s)
Date:
5 May 1979 - 12 June 1979
5 May 1979 - 12 June 1979
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
PHCON2002:0016:001:060
Description:
The text was published in "Artpark: Program in the Visual Arts" (p. 29) and describes Matta-Clark's project Bingo (1974) and the dumping of its debris at Artpark in Lewiston, New York. Rae Tyson, Visual Arts Coordinator at Artpark, asked for such a text in a letter sent to Matta-Clark on 1 May 1975 (PHCON2002:0016:003:070), and Matta-Clark apparently sent such a text on 31 July 1975 (PHCON2002:0016:003:113).
PHCON2002:0016:001:060
Description:
The text was published in "Artpark: Program in the Visual Arts" (p. 29) and describes Matta-Clark's project Bingo (1974) and the dumping of its debris at Artpark in Lewiston, New York. Rae Tyson, Visual Arts Coordinator at Artpark, asked for such a text in a letter sent to Matta-Clark on 1 May 1975 (PHCON2002:0016:003:070), and Matta-Clark apparently sent such a text on 31 July 1975 (PHCON2002:0016:003:113).
Personnes et institutions:
Date:
July 1975
July 1975
Titre:
Text for the publication "Artpark: Program in the Visual Arts"
Actions:
PHCON2002:0016:001:060
Description:
The text was published in "Artpark: Program in the Visual Arts" (p. 29) and describes Matta-Clark's project Bingo (1974) and the dumping of its debris at Artpark in Lewiston, New York. Rae Tyson, Visual Arts Coordinator at Artpark, asked for such a text in a letter sent to Matta-Clark on 1 May 1975 (PHCON2002:0016:003:070), and Matta-Clark apparently sent such a text on 31 July 1975 (PHCON2002:0016:003:113).
Text for the publication "Artpark: Program in the Visual Arts"
Actions:
PHCON2002:0016:001:060
Description:
The text was published in "Artpark: Program in the Visual Arts" (p. 29) and describes Matta-Clark's project Bingo (1974) and the dumping of its debris at Artpark in Lewiston, New York. Rae Tyson, Visual Arts Coordinator at Artpark, asked for such a text in a letter sent to Matta-Clark on 1 May 1975 (PHCON2002:0016:003:070), and Matta-Clark apparently sent such a text on 31 July 1975 (PHCON2002:0016:003:113).
Classification:
dessins
dessins
Date:
July 1975
July 1975
Personnes et institutions:
