698 Résultats
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audio
audio
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Skip Prop Mix.
Skip Prop Mix.
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2020.
[Place of publication not identified] : Lateral Addition, 2020.
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audio
audio
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[Place of publication not identified] : Lateral Addition, 2020.
[Place of publication not identified] : Lateral Addition, 2020.
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livres
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149 pages : illustrations ; 23 x 29 cm.
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149 pages : illustrations ; 23 x 29 cm.
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Toronto : Coles Pub. Co., ©1978.
Toronto : Coles Pub. Co., ©1978.
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Yesterday's Toronto, 1870-1910 / edited by Linda Shapiro.
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Description:
149 pages : illustrations ; 23 x 29 cm.
Yesterday's Toronto, 1870-1910 / edited by Linda Shapiro.
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Description:
149 pages : illustrations ; 23 x 29 cm.
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Toronto : Coles Pub. Co., ©1978.
Toronto : Coles Pub. Co., ©1978.
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livres
livres
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Frank Lloyd Wright : the complete works = das Gesamtwerk = l'œuvre complète / Bruce Brooks Pfeiffer.
Frank Lloyd Wright : the complete works = das Gesamtwerk = l'œuvre complète / Bruce Brooks Pfeiffer.
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3 volumes : illustrations (some color), plans ; 32 x 41 cm
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3 volumes : illustrations (some color), plans ; 32 x 41 cm
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Hong Kong ; Los Angeles : Taschen, ©2009.
Hong Kong ; Los Angeles : Taschen, ©2009.
Titre:
Frank Lloyd Wright : the complete works = das Gesamtwerk = l'œuvre complète / Bruce Brooks Pfeiffer.
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Description:
3 volumes : illustrations (some color), plans ; 32 x 41 cm
Frank Lloyd Wright : the complete works = das Gesamtwerk = l'œuvre complète / Bruce Brooks Pfeiffer.
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3 volumes : illustrations (some color), plans ; 32 x 41 cm
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livres
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Hong Kong ; Los Angeles : Taschen, ©2009.
Hong Kong ; Los Angeles : Taschen, ©2009.
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livres
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104 unnumbered pages : colour illustrations ; 29 cm.
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104 unnumbered pages : colour illustrations ; 29 cm.
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Melbourne, Australia : Published by Perimeter Editions, 2021., The Netherlands : Printed by Wilco Art Books., ©2021.
Melbourne, Australia : Published by Perimeter Editions, 2021., The Netherlands : Printed by Wilco Art Books., ©2021.
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Roosevelt Station / David Rothenberg.
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104 unnumbered pages : colour illustrations ; 29 cm.
Roosevelt Station / David Rothenberg.
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104 unnumbered pages : colour illustrations ; 29 cm.
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livres
livres
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Melbourne, Australia : Published by Perimeter Editions, 2021., The Netherlands : Printed by Wilco Art Books., ©2021.
Melbourne, Australia : Published by Perimeter Editions, 2021., The Netherlands : Printed by Wilco Art Books., ©2021.
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livres
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$34.95
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Résumé:
'There is no alternative to free market liberalism and managerialism', is the orthodoxy of the twenty-first century. All too often, ordinary people across the world are being told that the problem of organization is already solved, or that it is being solved somewhere else, or that it need not concern them because they have no choices. This dictionary provides those who(...)
$34.95
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Résumé:
'There is no alternative to free market liberalism and managerialism', is the orthodoxy of the twenty-first century. All too often, ordinary people across the world are being told that the problem of organization is already solved, or that it is being solved somewhere else, or that it need not concern them because they have no choices. This dictionary provides those who(...)
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Théorie de l’architecture
Théorie de l’architecture
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juillet 2007, London, New York
juillet 2007, London, New York
Titre:
The dictionary of alternatives: utopianism & organization
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'There is no alternative to free market liberalism and managerialism', is the orthodoxy of the twenty-first century. All too often, ordinary people across the world are being told that the problem of organization is already solved, or that it is being solved somewhere else, or that it need not concern them because they have no choices. This dictionary provides those who disagree with the evidence. Using hundreds of entries and cross-references, it proves that there are many alternatives to the way that we currently organize ourselves. These alternatives could be expressed as fictional utopias, they could be excavated from the past, or they could be described in terms of the contemporary politics of anti-corporate protest, environmentalism, feminism and localism. Part reference work, part source book, and part polemic, this dictionary provides a rich understanding of the ways in which fiction, history and today's politics provide different ways of thinking about how we can and should organize for the coming century. Martin Parker is Professor of Organisation and Culture in the Management Centre at the University of Leicester. Valérie Fournier is Senior Lecturer in Organisation Studies in the Management Centre at the University of Leicester. Patrick Reedy lectures in organizational behaviour and human resource management at the Business School of the University of Newcastle upon Tyne.
The dictionary of alternatives: utopianism & organization
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$34.95
(disponible sur commande)
Résumé:
'There is no alternative to free market liberalism and managerialism', is the orthodoxy of the twenty-first century. All too often, ordinary people across the world are being told that the problem of organization is already solved, or that it is being solved somewhere else, or that it need not concern them because they have no choices. This dictionary provides those who disagree with the evidence. Using hundreds of entries and cross-references, it proves that there are many alternatives to the way that we currently organize ourselves. These alternatives could be expressed as fictional utopias, they could be excavated from the past, or they could be described in terms of the contemporary politics of anti-corporate protest, environmentalism, feminism and localism. Part reference work, part source book, and part polemic, this dictionary provides a rich understanding of the ways in which fiction, history and today's politics provide different ways of thinking about how we can and should organize for the coming century. Martin Parker is Professor of Organisation and Culture in the Management Centre at the University of Leicester. Valérie Fournier is Senior Lecturer in Organisation Studies in the Management Centre at the University of Leicester. Patrick Reedy lectures in organizational behaviour and human resource management at the Business School of the University of Newcastle upon Tyne.
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livres
livres
Publication:
juillet 2007, London, New York
juillet 2007, London, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$29.95
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of(...)
$29.95
(disponible sur commande)
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of(...)
Titre:
Light in the dark room : photography and loss
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$29.95
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, "Light in the Dark Room" offers a vision of photography as realization of loss - and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes’s "Camera Lucida", Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss’s last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal - a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society - and the world we have lost in the process.
Light in the dark room : photography and loss
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$29.95
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Résumé:
"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, "Light in the Dark Room" offers a vision of photography as realization of loss - and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes’s "Camera Lucida", Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss’s last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal - a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society - and the world we have lost in the process.
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livres
livres
Publication:
décembre 2005, Minneapolis
décembre 2005, Minneapolis
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Lyle Gomes : imagining Eden
Lyle Gomes : imagining Eden
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$10.00
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Résumé:
What did Eden look like? In "Imagining Eden", the photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus—the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the writings of Sappho, Apollonius, and Virgil, in the imagined period of the Golden Age. We also(...)
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Résumé:
What did Eden look like? In "Imagining Eden", the photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus—the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the writings of Sappho, Apollonius, and Virgil, in the imagined period of the Golden Age. We also(...)
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livres soldés
livres soldés
Publication:
novembre 2005, Charlottesville, London
novembre 2005, Charlottesville, London
Titre:
Lyle Gomes : imagining Eden
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$10.00
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Résumé:
What did Eden look like? In "Imagining Eden", the photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus—the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the writings of Sappho, Apollonius, and Virgil, in the imagined period of the Golden Age. We also recognize this concept in Eden, of course, where it suggests a loss that still haunts our imaginations. It is an idea distinctly different from that of wilderness, for we feel protected in these places—even provided for, though there is no sign of toil. The chance that this Eden might somehow be regained gives the concept its consolatory power. For fifteen years, Gomes has traveled across America and Europe to find examples of this enduring ideal of place in parks, English gardens, even golf courses. Gomes’s search took him to Mount Auburn cemetery, Central Park, Monticello, the San Francisco Presidio, villa gardens near Italy’s Lake Como, Melbourne Hall in Derbyshire, and private gardens such as Biltmore and Dumbarton Oaks. "Imagining Eden" includes an introductory essay in which the landscape historian Denis Cosgrove explores how the concept of the locus amoenus relates to Gomes’s work, and the photographs are accompanied by an evocative selection of quotes by the various settings designers and by inspired observers. The book concludes with an extensive interview in which Gomes discusses how he balances craft and inspiration, the role of research in preparing a shoot, his preference for black-and-white over color (“I was completely, and immediately, enamored with the silver image”), and a sense of discovery as a chief motivation in all his work.
Lyle Gomes : imagining Eden
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$10.00
(disponible sur commande)
Résumé:
What did Eden look like? In "Imagining Eden", the photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus—the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the writings of Sappho, Apollonius, and Virgil, in the imagined period of the Golden Age. We also recognize this concept in Eden, of course, where it suggests a loss that still haunts our imaginations. It is an idea distinctly different from that of wilderness, for we feel protected in these places—even provided for, though there is no sign of toil. The chance that this Eden might somehow be regained gives the concept its consolatory power. For fifteen years, Gomes has traveled across America and Europe to find examples of this enduring ideal of place in parks, English gardens, even golf courses. Gomes’s search took him to Mount Auburn cemetery, Central Park, Monticello, the San Francisco Presidio, villa gardens near Italy’s Lake Como, Melbourne Hall in Derbyshire, and private gardens such as Biltmore and Dumbarton Oaks. "Imagining Eden" includes an introductory essay in which the landscape historian Denis Cosgrove explores how the concept of the locus amoenus relates to Gomes’s work, and the photographs are accompanied by an evocative selection of quotes by the various settings designers and by inspired observers. The book concludes with an extensive interview in which Gomes discusses how he balances craft and inspiration, the role of research in preparing a shoot, his preference for black-and-white over color (“I was completely, and immediately, enamored with the silver image”), and a sense of discovery as a chief motivation in all his work.
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livres
livres
Publication:
novembre 2005, Charlottesville, London
novembre 2005, Charlottesville, London
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livres soldés
livres soldés
Classification:
audio
audio
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1 online resource.
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Publication:
[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
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