61975 Résultats
Classification:
photographies
photographies
Numéro de référence:
DR2012:0015:024:003
Description:
File containing photographic materials held in plastic sleeves and glassine, related to the following events, locations, and/or projects: - Melvin Charney’s travels through Italy (118 black-and-white negative frames, 91 contact sheet frames, 1 colour slide); - Corridart project (1 gelatin silver print); - CCA garden (5 colour slides); - Montréal, plus ou moins? (19 black-and-white slides). Materials possibly gathered for inclusion in Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: AIGEUS MORT OSTIA ANTICA 1961
DR2012:0015:024:003
Description:
File containing photographic materials held in plastic sleeves and glassine, related to the following events, locations, and/or projects: - Melvin Charney’s travels through Italy (118 black-and-white negative frames, 91 contact sheet frames, 1 colour slide); - Corridart project (1 gelatin silver print); - CCA garden (5 colour slides); - Montréal, plus ou moins? (19 black-and-white slides). Materials possibly gathered for inclusion in Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: AIGEUS MORT OSTIA ANTICA 1961
Personnes et institutions:
Date:
1960-1961, 1986, 2000
1960-1961, 1986, 2000
Titre:
Photographs of various artworks from Melvin Charney's projects and events
Actions:
DR2012:0015:024:003
Description:
File containing photographic materials held in plastic sleeves and glassine, related to the following events, locations, and/or projects: - Melvin Charney’s travels through Italy (118 black-and-white negative frames, 91 contact sheet frames, 1 colour slide); - Corridart project (1 gelatin silver print); - CCA garden (5 colour slides); - Montréal, plus ou moins? (19 black-and-white slides). Materials possibly gathered for inclusion in Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: AIGEUS MORT OSTIA ANTICA 1961
Photographs of various artworks from Melvin Charney's projects and events
Actions:
DR2012:0015:024:003
Description:
File containing photographic materials held in plastic sleeves and glassine, related to the following events, locations, and/or projects: - Melvin Charney’s travels through Italy (118 black-and-white negative frames, 91 contact sheet frames, 1 colour slide); - Corridart project (1 gelatin silver print); - CCA garden (5 colour slides); - Montréal, plus ou moins? (19 black-and-white slides). Materials possibly gathered for inclusion in Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: AIGEUS MORT OSTIA ANTICA 1961
Classification:
photographies
photographies
Date:
1960-1961, 1986, 2000
1960-1961, 1986, 2000
Personnes et institutions:
Actions:
Numéro de référence:
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1872
1872
Titre:
A Book about Bristol; Historical, ecclesiastical, and biographical, from original research
Actions:
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
A Book about Bristol; Historical, ecclesiastical, and biographical, from original research
Actions:
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
Date:
1872
1872
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Personnes et institutions:
Date:
2005-2015
2005-2015
Titre:
Document d’archives des projets de R&Sie(n)
Actions:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Document d’archives des projets de R&Sie(n)
Actions:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2005-2015
2005-2015
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Education
Education
Numéro de référence:
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Personnes et institutions:
Date:
[1776?]-1868
[1776?]-1868
Titre:
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Niveau de description archivistique:
File 1
File 1
Date:
[1776?]-1868
[1776?]-1868
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed in the 1920s ?
printed in the 1920s ?
Titre:
Layout for the head titles "Music in stone..." and "The treatment of corners"
Actions:
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Layout for the head titles "Music in stone..." and "The treatment of corners"
Actions:
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Classification:
dessins
dessins
Date:
printed in the 1920s ?
printed in the 1920s ?
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Olzweg
Olzweg
Numéro de référence:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Personnes et institutions:
Date:
2006
2006
Titre:
Olzweg
Actions:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Olzweg
Actions:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Niveau de description archivistique:
Series
Series
Date:
2006
2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Personnes et institutions:
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Titre:
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Niveau de description archivistique:
File 87
File 87
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Maison de Verre (1965, 1969)
Maison de Verre (1965, 1969)
Numéro de référence:
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
Personnes et institutions:
Date:
1965-1981
1965-1981
Titre:
Maison de Verre (1965, 1969)
Actions:
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
Maison de Verre (1965, 1969)
Actions:
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
Niveau de description archivistique:
Subseries
Subseries
Date:
1965-1981
1965-1981
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH256690
Description:
17 files - Middle East consultants and contractors; registration and approvals, power of attorney in Abu Dhabi; Combs report on office space market survey in Toronto; Royal Incorporation of Architects in Scotland pocket agenda (unused); Ontario Association of Architects complaint and court file; miscellaneous correspondence including invitations, notes, book correspondence and drafts of some pages, and financial statements; Washington itinerary; Ministry of Government supplier list and vendor information; records of incoming mail; project management and forms; AEA project descriptions; office management and list of project numbers; office management - overseas office.
ARCH256690
Description:
17 files - Middle East consultants and contractors; registration and approvals, power of attorney in Abu Dhabi; Combs report on office space market survey in Toronto; Royal Incorporation of Architects in Scotland pocket agenda (unused); Ontario Association of Architects complaint and court file; miscellaneous correspondence including invitations, notes, book correspondence and drafts of some pages, and financial statements; Washington itinerary; Ministry of Government supplier list and vendor information; records of incoming mail; project management and forms; AEA project descriptions; office management and list of project numbers; office management - overseas office.
Personnes et institutions:
Date:
1987-1989
1987-1989
Titre:
Middle East consultants and contractors
Actions:
ARCH256690
Description:
17 files - Middle East consultants and contractors; registration and approvals, power of attorney in Abu Dhabi; Combs report on office space market survey in Toronto; Royal Incorporation of Architects in Scotland pocket agenda (unused); Ontario Association of Architects complaint and court file; miscellaneous correspondence including invitations, notes, book correspondence and drafts of some pages, and financial statements; Washington itinerary; Ministry of Government supplier list and vendor information; records of incoming mail; project management and forms; AEA project descriptions; office management and list of project numbers; office management - overseas office.
Middle East consultants and contractors
Actions:
ARCH256690
Description:
17 files - Middle East consultants and contractors; registration and approvals, power of attorney in Abu Dhabi; Combs report on office space market survey in Toronto; Royal Incorporation of Architects in Scotland pocket agenda (unused); Ontario Association of Architects complaint and court file; miscellaneous correspondence including invitations, notes, book correspondence and drafts of some pages, and financial statements; Washington itinerary; Ministry of Government supplier list and vendor information; records of incoming mail; project management and forms; AEA project descriptions; office management and list of project numbers; office management - overseas office.
Classification:
documents textuels
documents textuels
Date:
1987-1989
1987-1989
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.028
Description:
File was originally housed in a binder along with content arranged in AP206.S2.024, AP206.S2.025, AP206.S2.026, AP206.S2.027 and AP206.S2.029. This file includes the following papers: "The Sector," 1976 "Prologue" "Shopping," 1976 "Epilogue" "The Lake" "The Educational Zone," 1976 "The Leisure Valley," 1976 "Industry" Untitled poems, 1977-1978 Urdu poems, 1977 "Address of thanks on the release, by Shri Sikander Bakht, Minister of Works & Housing, of book Chandigarh, A Presentation in Free Verse" "Hands of Time," 1978 "The City," 1978 "My Isolation," 1978 "Purpose and Product," 1978
AP206.S2.028
Description:
File was originally housed in a binder along with content arranged in AP206.S2.024, AP206.S2.025, AP206.S2.026, AP206.S2.027 and AP206.S2.029. This file includes the following papers: "The Sector," 1976 "Prologue" "Shopping," 1976 "Epilogue" "The Lake" "The Educational Zone," 1976 "The Leisure Valley," 1976 "Industry" Untitled poems, 1977-1978 Urdu poems, 1977 "Address of thanks on the release, by Shri Sikander Bakht, Minister of Works & Housing, of book Chandigarh, A Presentation in Free Verse" "Hands of Time," 1978 "The City," 1978 "My Isolation," 1978 "Purpose and Product," 1978
Personnes et institutions:
Date:
1972-1978
1972-1978
Titre:
Unpublished papers (folder 5 of 6)
Actions:
AP206.S2.028
Description:
File was originally housed in a binder along with content arranged in AP206.S2.024, AP206.S2.025, AP206.S2.026, AP206.S2.027 and AP206.S2.029. This file includes the following papers: "The Sector," 1976 "Prologue" "Shopping," 1976 "Epilogue" "The Lake" "The Educational Zone," 1976 "The Leisure Valley," 1976 "Industry" Untitled poems, 1977-1978 Urdu poems, 1977 "Address of thanks on the release, by Shri Sikander Bakht, Minister of Works & Housing, of book Chandigarh, A Presentation in Free Verse" "Hands of Time," 1978 "The City," 1978 "My Isolation," 1978 "Purpose and Product," 1978
Unpublished papers (folder 5 of 6)
Actions:
AP206.S2.028
Description:
File was originally housed in a binder along with content arranged in AP206.S2.024, AP206.S2.025, AP206.S2.026, AP206.S2.027 and AP206.S2.029. This file includes the following papers: "The Sector," 1976 "Prologue" "Shopping," 1976 "Epilogue" "The Lake" "The Educational Zone," 1976 "The Leisure Valley," 1976 "Industry" Untitled poems, 1977-1978 Urdu poems, 1977 "Address of thanks on the release, by Shri Sikander Bakht, Minister of Works & Housing, of book Chandigarh, A Presentation in Free Verse" "Hands of Time," 1978 "The City," 1978 "My Isolation," 1978 "Purpose and Product," 1978
Classification:
documents textuels
documents textuels
Date:
1972-1978
1972-1978
Personnes et institutions:
