Himalayan vernacular
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For ten years, Austrian architect Carl Pruscha was stationed in Shangri-la, or as close as you can get to it. The UNESCO consultant for regional planning in Nepal from 1964 to 1974, he presided over the opening of Nepal, Bhutan, and Tibet to the rest of the world, and in this passionate Pruscha manifesto, illustrated with his own photographs, argues for preservation of(...)
Himalayan vernacular
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For ten years, Austrian architect Carl Pruscha was stationed in Shangri-la, or as close as you can get to it. The UNESCO consultant for regional planning in Nepal from 1964 to 1974, he presided over the opening of Nepal, Bhutan, and Tibet to the rest of the world, and in this passionate Pruscha manifesto, illustrated with his own photographs, argues for preservation of vernacular architecture.
Arch Moyen-Orient
Naum Gabo
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Russian-born Jewish sculptor Naum Gabo (1890–1977) is one of the 20th century’s most unsung artistic masters. In 1917, Gabo developed the theories and practice of a new art movement he called Constructivism, and, along with his brother, he wrote the Realistic Manifesto of 1920, which promoted art as a part of man’s everyday existence without the confinement of artistic(...)
Naum Gabo
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Russian-born Jewish sculptor Naum Gabo (1890–1977) is one of the 20th century’s most unsung artistic masters. In 1917, Gabo developed the theories and practice of a new art movement he called Constructivism, and, along with his brother, he wrote the Realistic Manifesto of 1920, which promoted art as a part of man’s everyday existence without the confinement of artistic terms and convention.
périodiques
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Includes projects by Patkau Architects (Winnipeg Skating Shelters), Manifesto Architecture PC (Bike Hanger), J.Mayer H. Architects (Metropol Parasol), Nieto Sobejano (San Telmo Museum Extension), Rocco Design Architects (Guangdong Museum), Cino Zucchi Architetti (Turin Automobile Museum), Forma 6 (Tower of Arts), Josep Llinàs (L’Atlantida Performing Arts Center), Alberto(...)
C3 322: walking along the culture, Museum Art Center
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Includes projects by Patkau Architects (Winnipeg Skating Shelters), Manifesto Architecture PC (Bike Hanger), J.Mayer H. Architects (Metropol Parasol), Nieto Sobejano (San Telmo Museum Extension), Rocco Design Architects (Guangdong Museum), Cino Zucchi Architetti (Turin Automobile Museum), Forma 6 (Tower of Arts), Josep Llinàs (L’Atlantida Performing Arts Center), Alberto Campo Baeza (Andalucia’s Museum of Memory and more. Essays by Diego Terna and Julia van den Hout.
périodiques
septembre 2011
Revues
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Inside Smartgeometry can be seen as a retroactive manifesto for SG, examining and contextualising the work of the SG community : the digital spaces, prototypes and buildings designed using bespoke tools created in response to architectural ideas. From interactive crowd-sourcing tools to responsive agent-based systems to complex digitally fabricated structures, it explores(...)
mars 2013
Inside smartgeometry : expanding the architectural possibilities of computational design
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Inside Smartgeometry can be seen as a retroactive manifesto for SG, examining and contextualising the work of the SG community : the digital spaces, prototypes and buildings designed using bespoke tools created in response to architectural ideas. From interactive crowd-sourcing tools to responsive agent-based systems to complex digitally fabricated structures, it explores more than a decade of advances that have been influential for architecture.
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Rather than a catalog of works, 'Solid Objectives: Order, Edge, Aura' is a visual and textual manifesto introducing an attitude towards the design and realization of architecture in an interconnected and global environment. Taking the form of a radical monograph, the book curates SO-IL's content based on conceptual themes, allowing the reader to have a generous,(...)
Architecture, monographies
mai 2017
SO-IL: solid objectives... Order, edge, aura
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Rather than a catalog of works, 'Solid Objectives: Order, Edge, Aura' is a visual and textual manifesto introducing an attitude towards the design and realization of architecture in an interconnected and global environment. Taking the form of a radical monograph, the book curates SO-IL's content based on conceptual themes, allowing the reader to have a generous, multi-dimensional and immersive experience, similar to how one would experience the firm's architecture.
Architecture, monographies
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Inspired by the distinguished painter Paul-Émile Borduas, this collective manifesto serves as an invaluable introduction to the major figures of the Canadian avant-garde scene in the 1970s. Illustrated with photographs from the period, this classic text details the social and political implications of the radical art scene that led up to Quebec’s Quiet Revolution. It is a(...)
Total refusal. Refus Global: the complete manifest
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Inspired by the distinguished painter Paul-Émile Borduas, this collective manifesto serves as an invaluable introduction to the major figures of the Canadian avant-garde scene in the 1970s. Illustrated with photographs from the period, this classic text details the social and political implications of the radical art scene that led up to Quebec’s Quiet Revolution. It is a must read for anyone interested in modernism or contemporary Canadian history.
Théorie de l’art
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The first monograph, design manual, and manifesto by Michael Bierut, one of the world’s most renowned graphic designers—a career retrospective that showcases more than thirty-five of his most noteworthy projects for clients as the Brooklyn Academy of Music, the Yale School of Architecture, the New York Times, Saks Fifth Avenue, and the New York Jets, and reflects eclectic(...)
How to...use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in awhile) change the world
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The first monograph, design manual, and manifesto by Michael Bierut, one of the world’s most renowned graphic designers—a career retrospective that showcases more than thirty-five of his most noteworthy projects for clients as the Brooklyn Academy of Music, the Yale School of Architecture, the New York Times, Saks Fifth Avenue, and the New York Jets, and reflects eclectic enthusiasm and accessibility that has been the hallmark of his career.
But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell(...)
But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is.
Photographie- collections
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A manifesto for the Open City: vibrant, disordered, adaptable. In 1970 Richard Sennett published the ground breaking ''The uses of disorder,'' that the ideal of a planned and ordered city was flawed, likely to produce a fragile, restrictive urban environment. Fifty years later, Sennett returns to these still fertile ideas and alongside campaigner and architect, Pablo(...)
Designing disorder: Experiments and disruptions in the ciity
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A manifesto for the Open City: vibrant, disordered, adaptable. In 1970 Richard Sennett published the ground breaking ''The uses of disorder,'' that the ideal of a planned and ordered city was flawed, likely to produce a fragile, restrictive urban environment. Fifty years later, Sennett returns to these still fertile ideas and alongside campaigner and architect, Pablo Sendra, sets out an agenda for the design and ethics of the Open City.
Théorie de l’urbanisme
livres
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296 pages : illustrations (some color) ; 28 cm
New York : Museum of Modern Art : Distributed by H.N. Abrams, [1999], ©1999
The museum as muse : artists reflect / Kynaston McShine.
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296 pages : illustrations (some color) ; 28 cm
livres
New York : Museum of Modern Art : Distributed by H.N. Abrams, [1999], ©1999