4240 Résultats
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xix, 625 pages ; 25 cm
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xix, 625 pages ; 25 cm
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New York : Congdon & Weed ; Chicago, Ill. : Distributed by Contemporary Books, ©1986.
New York : Congdon & Weed ; Chicago, Ill. : Distributed by Contemporary Books, ©1986.
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The intelligent traveller's guide to historic Scotland / Philip A. Crowl.
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xix, 625 pages ; 25 cm
The intelligent traveller's guide to historic Scotland / Philip A. Crowl.
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xix, 625 pages ; 25 cm
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New York : Congdon & Weed ; Chicago, Ill. : Distributed by Contemporary Books, ©1986.
New York : Congdon & Weed ; Chicago, Ill. : Distributed by Contemporary Books, ©1986.
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xlvi, 514 pages : including frontispiece (portrait) illustrations, plates, folded map ; 26 cm
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xlvi, 514 pages : including frontispiece (portrait) illustrations, plates, folded map ; 26 cm
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New York : Harper & Bros., ©1887.
New York : Harper & Bros., ©1887.
Titre:
The ancient cities of the New world : being voyages and explorations in Mexico and Central America from 1857-1882 / by Désiré Charnay ; translated from the French by J. Gonino and Helen S. Conant.
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xlvi, 514 pages : including frontispiece (portrait) illustrations, plates, folded map ; 26 cm
The ancient cities of the New world : being voyages and explorations in Mexico and Central America from 1857-1882 / by Désiré Charnay ; translated from the French by J. Gonino and Helen S. Conant.
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xlvi, 514 pages : including frontispiece (portrait) illustrations, plates, folded map ; 26 cm
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New York : Harper & Bros., ©1887.
New York : Harper & Bros., ©1887.
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$69.95
(disponible en magasin)
Résumé:
Bernard Rudofsky was neither an architect nor a theorist in the usual sense. At the start of his career he completed a number of houses in Italy and Brazil, where he employed the formal language of the Modernists even though his writings appear to indicate he rejected their teachings. From the 1940s onwards, Rudofsky was primarily engaged as a critic and culture(...)
$69.95
(disponible en magasin)
Résumé:
Bernard Rudofsky was neither an architect nor a theorist in the usual sense. At the start of his career he completed a number of houses in Italy and Brazil, where he employed the formal language of the Modernists even though his writings appear to indicate he rejected their teachings. From the 1940s onwards, Rudofsky was primarily engaged as a critic and culture(...)
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Publications du CCA
Publications du CCA
Publication:
juin 2007, Vienne / Montréal / Los Angeles
juin 2007, Vienne / Montréal / Los Angeles
Titre:
Lessons from Bernard Rudofsky : life as a voyage
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$69.95
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Bernard Rudofsky was neither an architect nor a theorist in the usual sense. At the start of his career he completed a number of houses in Italy and Brazil, where he employed the formal language of the Modernists even though his writings appear to indicate he rejected their teachings. From the 1940s onwards, Rudofsky was primarily engaged as a critic and culture theorist who did not just write about architecture and design, but also on topics such as clothing, shoes, eating and bathing. The common element behind all of these activities, though, was the human body, and his lamentation of the loss of sensual awareness. This comprehensive show on Bernard Rudofsky provides detailed information on his life, his travels, his various activities as an architect, designer, exhibition-maker, author and theorist, as well as about the life he shared with his wife, Berta Rudofsky. Bernard Rudofsky made a large number of exhibitions during his widely travelled and cosmopolitan life, however there has never been an exhibition about him and his work. This exhibition, the first on Bernard Rudofsky in the world, has not been conceived as a classical retrospective. The aim is to make the cosmopolitan Rudofsky's complex architectural concept and concept of how to live accessible to a broad public, and to address his relevance for today.
Lessons from Bernard Rudofsky : life as a voyage
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$69.95
(disponible en magasin)
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Bernard Rudofsky was neither an architect nor a theorist in the usual sense. At the start of his career he completed a number of houses in Italy and Brazil, where he employed the formal language of the Modernists even though his writings appear to indicate he rejected their teachings. From the 1940s onwards, Rudofsky was primarily engaged as a critic and culture theorist who did not just write about architecture and design, but also on topics such as clothing, shoes, eating and bathing. The common element behind all of these activities, though, was the human body, and his lamentation of the loss of sensual awareness. This comprehensive show on Bernard Rudofsky provides detailed information on his life, his travels, his various activities as an architect, designer, exhibition-maker, author and theorist, as well as about the life he shared with his wife, Berta Rudofsky. Bernard Rudofsky made a large number of exhibitions during his widely travelled and cosmopolitan life, however there has never been an exhibition about him and his work. This exhibition, the first on Bernard Rudofsky in the world, has not been conceived as a classical retrospective. The aim is to make the cosmopolitan Rudofsky's complex architectural concept and concept of how to live accessible to a broad public, and to address his relevance for today.
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livres
livres
Publication:
juin 2007, Vienne / Montréal / Los Angeles
juin 2007, Vienne / Montréal / Los Angeles
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Publications du CCA
Publications du CCA
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livres
livres
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$44.95
(disponible sur commande)
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En quelque 4 000 vignettes, cet album nous raconte la richesse du monde à la manière des cartes illustrées des grands explorateurs des siècles passés. Chacune de ces images est une invitation à en savoir davantage sur tous ces ailleurs et à aller à la rencontre des autres. 50 cartes, 40 pays provenant des 6 continents, des milliers d'informations essentielles ou insolites.
$44.95
(disponible sur commande)
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En quelque 4 000 vignettes, cet album nous raconte la richesse du monde à la manière des cartes illustrées des grands explorateurs des siècles passés. Chacune de ces images est une invitation à en savoir davantage sur tous ces ailleurs et à aller à la rencontre des autres. 50 cartes, 40 pays provenant des 6 continents, des milliers d'informations essentielles ou insolites.
Titre:
Cartes: voyage parmi mille curiosités et merveilles du monde
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$44.95
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En quelque 4 000 vignettes, cet album nous raconte la richesse du monde à la manière des cartes illustrées des grands explorateurs des siècles passés. Chacune de ces images est une invitation à en savoir davantage sur tous ces ailleurs et à aller à la rencontre des autres. 50 cartes, 40 pays provenant des 6 continents, des milliers d'informations essentielles ou insolites.
Cartes: voyage parmi mille curiosités et merveilles du monde
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$44.95
(disponible sur commande)
Résumé:
En quelque 4 000 vignettes, cet album nous raconte la richesse du monde à la manière des cartes illustrées des grands explorateurs des siècles passés. Chacune de ces images est une invitation à en savoir davantage sur tous ces ailleurs et à aller à la rencontre des autres. 50 cartes, 40 pays provenant des 6 continents, des milliers d'informations essentielles ou insolites.
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livres
livres
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mai 2013
mai 2013
Sujet:
Littérature jeunesse
Littérature jeunesse
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544 pages : illustrations (some color), facsimiles, portraits ; 25 cm
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544 pages : illustrations (some color), facsimiles, portraits ; 25 cm
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[Netherlands] : Fieldwork Museum, [2017], Bruges : Die Keure
[Netherlands] : Fieldwork Museum, [2017], Bruges : Die Keure
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The incomplete writings of Mark Dion : selected interviews, fragments, and miscellany / edited by Roel Arkesteijn.
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544 pages : illustrations (some color), facsimiles, portraits ; 25 cm
The incomplete writings of Mark Dion : selected interviews, fragments, and miscellany / edited by Roel Arkesteijn.
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544 pages : illustrations (some color), facsimiles, portraits ; 25 cm
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[Netherlands] : Fieldwork Museum, [2017], Bruges : Die Keure
[Netherlands] : Fieldwork Museum, [2017], Bruges : Die Keure
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Description:
13 volumes ; 22 cm
Description:
13 volumes ; 22 cm
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Paris : P. Dupont, 1868.
Paris : P. Dupont, 1868.
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Rapports du Jury international / publiés sous la direction de M. Michel Chevalier.
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13 volumes ; 22 cm
Rapports du Jury international / publiés sous la direction de M. Michel Chevalier.
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13 volumes ; 22 cm
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livres
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Paris : P. Dupont, 1868.
Paris : P. Dupont, 1868.
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$21.95
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Résumé:
The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their(...)
$21.95
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Résumé:
The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their(...)
Titre:
Digital odyssey : a new voyage in the Mediterranean
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$21.95
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The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their architecture. This book provides a concise overview of their work, using previously unpublished material. The team IAN+ was formed in 1997 in Rome by Carmelo Baglivo, Luca Galofaro and Stefania Manna.
Digital odyssey : a new voyage in the Mediterranean
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$21.95
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Résumé:
The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their architecture. This book provides a concise overview of their work, using previously unpublished material. The team IAN+ was formed in 1997 in Rome by Carmelo Baglivo, Luca Galofaro and Stefania Manna.
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livres
livres
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août 2003, Basel
août 2003, Basel
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petits formats
petits formats
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288 pages : illustrations (some color) ; 38 cm.
Description:
288 pages : illustrations (some color) ; 38 cm.
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Bruxelles : Editions Safran, 2014.
Bruxelles : Editions Safran, 2014.
Titre:
"La description de l'Egypte" de Jean-Jacques Rifaud (1813-1826) / Marie-Cécile Bruwier, Wouter Claes et Arnaud Quertinmont.
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288 pages : illustrations (some color) ; 38 cm.
"La description de l'Egypte" de Jean-Jacques Rifaud (1813-1826) / Marie-Cécile Bruwier, Wouter Claes et Arnaud Quertinmont.
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288 pages : illustrations (some color) ; 38 cm.
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Bruxelles : Editions Safran, 2014.
Bruxelles : Editions Safran, 2014.
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x, 338 pages : illustrations ; 24 cm.
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x, 338 pages : illustrations ; 24 cm.
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New York : Routledge, Taylor & Francis Group, 2021., ©2021
New York : Routledge, Taylor & Francis Group, 2021., ©2021
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Cinema of exploration : essays on an adventurous film practice / edited by James Leo Cahill and Luca Caminati.
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x, 338 pages : illustrations ; 24 cm.
Cinema of exploration : essays on an adventurous film practice / edited by James Leo Cahill and Luca Caminati.
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x, 338 pages : illustrations ; 24 cm.
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New York : Routledge, Taylor & Francis Group, 2021., ©2021
New York : Routledge, Taylor & Francis Group, 2021., ©2021
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$39.95
(disponible sur commande)
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Pourquoi est-ce que les (bons) tabourets ont trois pieds ? Pourquoi est-ce que la canne de Charlot se plie lorsqu’il s’appuie dessus ? Pourquoi conserve-t-on mieux son équilibre dans un bus en écartant les pieds ? Des questions assez simples dont la réponse permet cependant de comprendre des procédés de construction en apparence très complexes, tels que les ponts(...)
$39.95
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Pourquoi est-ce que les (bons) tabourets ont trois pieds ? Pourquoi est-ce que la canne de Charlot se plie lorsqu’il s’appuie dessus ? Pourquoi conserve-t-on mieux son équilibre dans un bus en écartant les pieds ? Des questions assez simples dont la réponse permet cependant de comprendre des procédés de construction en apparence très complexes, tels que les ponts(...)
Sujet:
Structures d’ingénierie
Structures d’ingénierie
Publication:
novembre 2011
novembre 2011
Titre:
Comment tout ça tient? : voyage au pays des structures
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$39.95
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Pourquoi est-ce que les (bons) tabourets ont trois pieds ? Pourquoi est-ce que la canne de Charlot se plie lorsqu’il s’appuie dessus ? Pourquoi conserve-t-on mieux son équilibre dans un bus en écartant les pieds ? Des questions assez simples dont la réponse permet cependant de comprendre des procédés de construction en apparence très complexes, tels que les ponts suspendus ou la tour Eiffel. Discussions à bâtons rompus de l’élève et du professeur, croquis illustratifs, encadrés historiques et techniques dédiés aux chefs d’oeuvre en matière de conception, exemples humoristiques... Le lecteur est invité à voyager de façon très didactique « au pays des structures ».
Comment tout ça tient? : voyage au pays des structures
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$39.95
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Résumé:
Pourquoi est-ce que les (bons) tabourets ont trois pieds ? Pourquoi est-ce que la canne de Charlot se plie lorsqu’il s’appuie dessus ? Pourquoi conserve-t-on mieux son équilibre dans un bus en écartant les pieds ? Des questions assez simples dont la réponse permet cependant de comprendre des procédés de construction en apparence très complexes, tels que les ponts suspendus ou la tour Eiffel. Discussions à bâtons rompus de l’élève et du professeur, croquis illustratifs, encadrés historiques et techniques dédiés aux chefs d’oeuvre en matière de conception, exemples humoristiques... Le lecteur est invité à voyager de façon très didactique « au pays des structures ».
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Structures d’ingénierie
Structures d’ingénierie
