Sous-série
AP116.S4.SS3
Description:
Sub-series documents the steps in the publication of Bernard Cache's Earth Moves: The Furnishing of Territories, translated by Anne Boyman, edited by Michael Speaks (originally published in French as Terre Meuble in 1983). Material in sub-series was produced between 1995 and 1996. Sub-series contains various editions of the text, related material on diskettes, correspondence, lecture notes, and a copy of the final publication.
1995-1996
Earth Moves: The Furnishing of Territories
Actions:
AP116.S4.SS3
Description:
Sub-series documents the steps in the publication of Bernard Cache's Earth Moves: The Furnishing of Territories, translated by Anne Boyman, edited by Michael Speaks (originally published in French as Terre Meuble in 1983). Material in sub-series was produced between 1995 and 1996. Sub-series contains various editions of the text, related material on diskettes, correspondence, lecture notes, and a copy of the final publication.
Sub-series 3
1995-1996
Sous-série
AP197.S1.SS4
Description:
This subseries documents Kenneth Frampton’s writing of the history textbook "Modern Architecture: A Critical History," first published in 1980. Textual documentation is diverse and ranges from the text’s first edition to drafts of the upcoming 5th edition, early correspondence with the publisher Thames and Hudson Ltd (circa 1969), notes on various chapters, edits for the French translation, magazine clippings, reviews of the publication, and a print of the Lighthouse Cathedral by Alberto Sartoris, which was the image published on the cover of the book.
1969-2016
Modern architecture: a critical history (1968-1980, 2018)
Actions:
AP197.S1.SS4
Description:
This subseries documents Kenneth Frampton’s writing of the history textbook "Modern Architecture: A Critical History," first published in 1980. Textual documentation is diverse and ranges from the text’s first edition to drafts of the upcoming 5th edition, early correspondence with the publisher Thames and Hudson Ltd (circa 1969), notes on various chapters, edits for the French translation, magazine clippings, reviews of the publication, and a print of the Lighthouse Cathedral by Alberto Sartoris, which was the image published on the cover of the book.
Subseries
1969-2016
Sous-série
AP032.S4.D1
Description:
Papers concerning the production of the book Myron Goldsmith Buildings and Concepts published by Rizzoli International Publications Inc., in 1987. Edited by Werner Blaser, the book contains an introduction by Blaser and essays by Goldsmith and Allan Temko. Papers include drafts of texts, book proofs, illustrations, and revisions by SOM architect David Fleener and Architectural History professor Kevin Harrington. Visual documents used to illustrate the book Myron Goldsmith: Buildings and Concepts, as well as publicity material using images of Goldsmith's projects.
1976-1990
Myron Goldsmith: Buildings and Concepts
Actions:
AP032.S4.D1
Description:
Papers concerning the production of the book Myron Goldsmith Buildings and Concepts published by Rizzoli International Publications Inc., in 1987. Edited by Werner Blaser, the book contains an introduction by Blaser and essays by Goldsmith and Allan Temko. Papers include drafts of texts, book proofs, illustrations, and revisions by SOM architect David Fleener and Architectural History professor Kevin Harrington. Visual documents used to illustrate the book Myron Goldsmith: Buildings and Concepts, as well as publicity material using images of Goldsmith's projects.
File 1
1976-1990
Projet
CP 3
AP144.S2.D169
Description:
File documents a project for a book of Cedric Price's works since 1984, edited by Samantha Hardingham, which was eventually published by Wiley-Academy as 'Cedric Price, Opera'. An earlier attempt to publish a version of the book entitled 'Cedric Price: More Works' with the publisher Artemis was unsuccessful. This file also includes material relating to the publication of 'Cedric Price, The Square Book', a Wiley-Academy reprint of the book 'Cedric Price: Works II'. Material in this file was produced between 1975 and 2003. File contains presentation panels and textual records.
1975-2003
CP 3
Actions:
AP144.S2.D169
Description:
File documents a project for a book of Cedric Price's works since 1984, edited by Samantha Hardingham, which was eventually published by Wiley-Academy as 'Cedric Price, Opera'. An earlier attempt to publish a version of the book entitled 'Cedric Price: More Works' with the publisher Artemis was unsuccessful. This file also includes material relating to the publication of 'Cedric Price, The Square Book', a Wiley-Academy reprint of the book 'Cedric Price: Works II'. Material in this file was produced between 1975 and 2003. File contains presentation panels and textual records.
File 169
1975-2003
Projet
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
1986-1991
Woodsworth College, University of Toronto (1986-1991)
Actions:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
Project
1986-1991
Sous-série
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
circa 1970-2015
Comparative critical analysis (1973-2015, 2018)
Actions:
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
Subseries
circa 1970-2015
Série(s)
Publications and Exhibitions
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
1956-1991
Publications and Exhibitions
Actions:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Series 4
1956-1991
archives
Niveau de description archivistique:
Fonds
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
1995-2000
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
archives
Niveau de description archivistique:
Fonds
1995-2000
archives
Niveau de description archivistique:
Fonds
Gianni Pettena fonds
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
1960-2019
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
archives
Niveau de description archivistique:
Fonds
1960-2019
archives
Niveau de description archivistique:
Fonds
Joseph Rykwert fonds
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
1928-2022
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
archives
Niveau de description archivistique:
Fonds
1928-2022