13151 Résultats
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:1015:003
PH1980:1015:003
Personnes et institutions:
Sujet:
architecture
architecture
Date:
between 1923 and 1929
between 1923 and 1929
Classification:
photographies
photographies
Date:
between 1923 and 1929
between 1923 and 1929
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:1015:004
PH1980:1015:004
Personnes et institutions:
Sujet:
architecture
architecture
Date:
between 1923 and 1929
between 1923 and 1929
Classification:
photographies
photographies
Date:
between 1923 and 1929
between 1923 and 1929
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:1015:005
PH1980:1015:005
Personnes et institutions:
Sujet:
architecture
architecture
Date:
between 1923 and 1929
between 1923 and 1929
Classification:
photographies
photographies
Date:
between 1923 and 1929
between 1923 and 1929
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Personnes et institutions:
Date:
1988-1995
1988-1995
Titre:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Niveau de description archivistique:
Project
Project
Date:
1988-1995
1988-1995
Personnes et institutions:
Classification:
articles
articles
Actions:
Texte de Isaac Harrisson, Grace Mortlock, Lindsay Mulligan et David Neustein, Other Architects. Illustrations d’Isaac Harrisson.
Titre:
La vie à l’ère du précariat phymérique : Quelques termes nouvellement inventés comme introduction aux réalités contemporaines.
Texte de Isaac Harrisson, Grace Mortlock, Lindsay Mulligan et David Neustein, Other Architects. Illustrations d’Isaac Harrisson.
Actions:
La vie à l’ère du précariat phymérique : Quelques termes nouvellement inventés comme introduction aux réalités contemporaines.
Texte de Isaac Harrisson, Grace Mortlock, Lindsay Mulligan et David Neustein, Other Architects. Illustrations d’Isaac Harrisson.
Actions:
Classification:
articles
articles
Publié:
31 mai 2021
31 mai 2021
Dossier:
Réinitialiser le social
Réinitialiser le social
Classification:
événements
événements
Actions:
Description:
Comment l’architecture peut-elle établir un lien significatif entre les traditions et les réalités contemporaines ? Rejoignez-nous pour une conférence avec l’architecte Olayinka Dosekun Adjei, cofondatrice et directrice artistique de Studio Contra.
Comment l’architecture peut-elle établir un lien significatif entre les traditions et les réalités contemporaines ? Rejoignez-nous pour une conférence avec l’architecte Olayinka Dosekun Adjei, cofondatrice et directrice artistique de Studio Contra.
Date:
11 juin 2026, 18h à 19h30
11 juin 2026, 18h à 19h30
Titre:
Réinventer les matériaux, l’artisanat et les formes en Afrique de l’Ouest contemporaine avec Olayinka Dosekun Adjei
Actions:
Description:
Comment l’architecture peut-elle établir un lien significatif entre les traditions et les réalités contemporaines ? Rejoignez-nous pour une conférence avec l’architecte Olayinka Dosekun Adjei, cofondatrice et directrice artistique de Studio Contra.
Réinventer les matériaux, l’artisanat et les formes en Afrique de l’Ouest contemporaine avec Olayinka Dosekun Adjei
Actions:
Description:
Comment l’architecture peut-elle établir un lien significatif entre les traditions et les réalités contemporaines ? Rejoignez-nous pour une conférence avec l’architecte Olayinka Dosekun Adjei, cofondatrice et directrice artistique de Studio Contra.
Classification:
événements
événements
Date:
11 juin 2026
18h à 19h30
11 juin 2026
18h à 19h30
Classification:
dessins
dessins
![Sketch and details for Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain](/img-collection/K7PiSpfnjFm6slh85Yv63XR2HUI=/500x368/503582.jpg)
Numéro de référence:
ARCH281992
ARCH281992
Personnes et institutions:
Date:
1990
1990
Classification:
dessins
dessins
Date:
1990
1990
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1974:0002:028:019
DR1974:0002:028:019
Personnes et institutions:
Sujet:
architecture
architecture
Date:
published 1866
published 1866
Classification:
dessins
dessins
Date:
published 1866
published 1866
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
Personnes et institutions:
Date:
2003-2004
2003-2004
Titre:
Correspondence regarding the exhibition "Contemporary techniques = new landscape", held at the Illinois Institute of Technology, Chicago, Illinois, United States
Actions:
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
Correspondence regarding the exhibition "Contemporary techniques = new landscape", held at the Illinois Institute of Technology, Chicago, Illinois, United States
Actions:
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
2003-2004
2003-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Personnes et institutions:
Date:
2003-2006
2003-2006
Titre:
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Niveau de description archivistique:
Project
Project
Date:
2003-2006
2003-2006
Personnes et institutions:
