Architecture and cubism
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This collection of essays commissioned by the Canadian Centre for Architecture examines the relationship of avant-garde practices in early twentieth century painting to architecture. Contributions by Jay Bochner, Yve-Alain Bois, Beatriz Colomina, David Cottington, Robert L. Herbert, Dorothée Imbert, Detlef Mertins, Kevin D. Murphy, Irena Zantovska Murrray,(...)
Publications du CCA
juin 1997, Montréal / Cambridge, Mass.
Architecture and cubism
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This collection of essays commissioned by the Canadian Centre for Architecture examines the relationship of avant-garde practices in early twentieth century painting to architecture. Contributions by Jay Bochner, Yve-Alain Bois, Beatriz Colomina, David Cottington, Robert L. Herbert, Dorothée Imbert, Detlef Mertins, Kevin D. Murphy, Irena Zantovska Murrray, Paul Overy, and Bruno Reichlin.
Publications du CCA
livres
Architecture and cubism
$47.95
(disponible sur commande)
Résumé:
This collection of essays commissioned by the Canadian Centre for Architecture examines the relationship of avant-garde practices in early twentieth century painting to architecture. Contributions by Jay Bochner, Yve-Alain Bois, Beatriz Colomina, David Cottington, Robert L. Herbert, Dorothée Imbert, Detlef Mertins, Kevin D. Murphy, Irena Zantovska Murrray,(...)
Publications du CCA
avril 2002, Montréal/Cambridge, Mass.
Architecture and cubism
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This collection of essays commissioned by the Canadian Centre for Architecture examines the relationship of avant-garde practices in early twentieth century painting to architecture. Contributions by Jay Bochner, Yve-Alain Bois, Beatriz Colomina, David Cottington, Robert L. Herbert, Dorothée Imbert, Detlef Mertins, Kevin D. Murphy, Irena Zantovska Murrray, Paul Overy, and Bruno Reichlin. Paperbound edition of the orginal 1997 publication.
livres
avril 2002, Montréal/Cambridge, Mass.
Publications du CCA
$39.95
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco(...)
Autonomy and ideology: positioning an avant-garde in America
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco Dal Co, Detlef Mertins, Mitchell Schwarzer, Sanford Kwinter, Rem Koolhaas, and Beatriz Colomina.
Publications du CCA
Winka Dubbeldam : AT-INdex
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European emigrés have been changing the face of modern American architecture for decades. Winka Dubbeldam surely belongs to that long list of practitioners. Working across scales — from a New York skyscraper to a rural house — the Dutch-born architect has established herself as one of the most provocative figures in the field by seamlessly integrating function and form,(...)
Winka Dubbeldam : AT-INdex
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European emigrés have been changing the face of modern American architecture for decades. Winka Dubbeldam surely belongs to that long list of practitioners. Working across scales — from a New York skyscraper to a rural house — the Dutch-born architect has established herself as one of the most provocative figures in the field by seamlessly integrating function and form, technology and comfort, city and home. Folded glass facades, intelligent building cores, and interactive environments highlight the work of her progressive, process-based studio/laboratory, Archi-Tectonics. As much resource as monograph, "Archi-Tectonics Index" explores Dubbeldam's intense, research-laden approach to over twenty projects, including the highly acclaimed From HardWare to SoftForm exhibition, Aida Hair Salon, and Gipsy Trail Residence. Incisive essays by Detlef Mertins, Javier Barreiro Cavestany, and Michael Speaks complement lush photographs, informative diagrams, and her compelling designs.
Architecture, monographies
livres
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund (...)
Théorie de l’architecture
janvier 2000, Los Angeles
The victory of the new building style
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund and led an articulate and well-orchestrated campaign in support of the Modern Movement. A friend and colleague of Lewis Mumford, he immigrated in 1934 to the United States, where he taught courses on city planning and housing at Dartmouth College and the University of Buffalo. "The Victory of the New Building Style" (1927)—his principal theoretical work in German and the precursor to Modern Building, which he wrote in English—presents a revisionist conception of style that places equal emphasis on form and function. Behrendt calls for architects to return to basic geometries and to articulate explicitly the new social and economic realities. Now available in English for the first time, this incisive treatise boldly advocates international modernism to the general public. Introduction by Detlef Mertins and translation by Harry Francis Mallgrave
livres
janvier 2000, Los Angeles
Théorie de l’architecture