photographies
PH1987:0310
architecture
1982
photographies
1982
architecture
photographies
PH1981:0108
ca. 1934
photographies
ca. 1934
photographies
PH2006:0008
2004
photographies
2004
Projet
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
1921-1922
Project for the Kallenbach House, Berlin, Germany (1921-1922)
Actions:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
project
1921-1922
AP140.S2.SS1.D43.P1.1
1975
AP140.S2.SS1.D43.P1.5
1975
AP140.S2.SS1.D43.P3.13
1975
Nordrhein-Westfalen Museum, Dusseldorf, Germany: circulation plan
Actions:
AP140.S2.SS1.D43.P3.13
AP140.S2.SS1.D43.P4.23
1975
AP140.S2.SS1.D43.P4.24
1975
AP140.S2.SS1.D43.P6.5
Description:
perspective drawing on verso of a letter from Francis Booth, architect, to James Stirling. Letter is dated 15 September 1975
1975
Nordrhein-Westfalen Museum, Dusseldorf, Germany: sketch perspective
Actions:
AP140.S2.SS1.D43.P6.5
Description:
perspective drawing on verso of a letter from Francis Booth, architect, to James Stirling. Letter is dated 15 September 1975