2066 Résultats
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Date:
designed 1733-1738
designed 1733-1738
Titre:
A plan and fifteen views of the gardens at Stowe
Actions:
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
A plan and fifteen views of the gardens at Stowe
Actions:
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
Classification:
oeuvres d'art
oeuvres d'art
Date:
designed 1733-1738
designed 1733-1738
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1995:0255:752-881
Description:
tide tables, ordnance maps, drawings, correspondence, meteorological data tables, planning application and appeal forms, appraisal, notes, consultant's reports, work timetables, drafts and final version of Two Tree Island 'Logbook' (May 1973), including notes and drawings, and mock-up of Two Tree Island report (September 1972)
DR1995:0255:752-881
Description:
tide tables, ordnance maps, drawings, correspondence, meteorological data tables, planning application and appeal forms, appraisal, notes, consultant's reports, work timetables, drafts and final version of Two Tree Island 'Logbook' (May 1973), including notes and drawings, and mock-up of Two Tree Island report (September 1972)
Personnes et institutions:
Titre:
Tide tables, ordnance maps, drawings, correspondence
Actions:
DR1995:0255:752-881
Description:
tide tables, ordnance maps, drawings, correspondence, meteorological data tables, planning application and appeal forms, appraisal, notes, consultant's reports, work timetables, drafts and final version of Two Tree Island 'Logbook' (May 1973), including notes and drawings, and mock-up of Two Tree Island report (September 1972)
Tide tables, ordnance maps, drawings, correspondence
Actions:
DR1995:0255:752-881
Description:
tide tables, ordnance maps, drawings, correspondence, meteorological data tables, planning application and appeal forms, appraisal, notes, consultant's reports, work timetables, drafts and final version of Two Tree Island 'Logbook' (May 1973), including notes and drawings, and mock-up of Two Tree Island report (September 1972)
Classification:
dessins, documents textuels
dessins, documents textuels
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP046.S1.1983.PR02.081
Description:
This file includes a hand coloured perspective study for tree plantings along the fence and pathway at Esplanade de la Commune.
AP046.S1.1983.PR02.081
Description:
This file includes a hand coloured perspective study for tree plantings along the fence and pathway at Esplanade de la Commune.
Personnes et institutions:
Date:
1983-1992
1983-1992
Titre:
Landscaping perspective study for Esplanade de la Commune, Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02.081
Description:
This file includes a hand coloured perspective study for tree plantings along the fence and pathway at Esplanade de la Commune.
Landscaping perspective study for Esplanade de la Commune, Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02.081
Description:
This file includes a hand coloured perspective study for tree plantings along the fence and pathway at Esplanade de la Commune.
Classification:
dessins
dessins
Date:
1983-1992
1983-1992
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP075.S4.SS2.004
Description:
Includes predominantly photographs of tree nurseries and flowers. Previously stored in a binder entitled "PHOTOS FOR REFERENCES AND INSPIRATION / 1970s 80s".
AP075.S4.SS2.004
Description:
Includes predominantly photographs of tree nurseries and flowers. Previously stored in a binder entitled "PHOTOS FOR REFERENCES AND INSPIRATION / 1970s 80s".
Personnes et institutions:
Date:
1970s-1980s
1970s-1980s
Titre:
Reference photographs for landscape designs projects
Actions:
AP075.S4.SS2.004
Description:
Includes predominantly photographs of tree nurseries and flowers. Previously stored in a binder entitled "PHOTOS FOR REFERENCES AND INSPIRATION / 1970s 80s".
Reference photographs for landscape designs projects
Actions:
AP075.S4.SS2.004
Description:
Includes predominantly photographs of tree nurseries and flowers. Previously stored in a binder entitled "PHOTOS FOR REFERENCES AND INSPIRATION / 1970s 80s".
Classification:
photographies
photographies
Date:
1970s-1980s
1970s-1980s
Personnes et institutions:
Numéro de référence:
PHCON2003:0005:001
Description:
Beta SP master contains the films "Fire Child" (10:06), "Pig Roast" (21:12) and "Tree Dance" (9:29).
PHCON2003:0005:001
Description:
Beta SP master contains the films "Fire Child" (10:06), "Pig Roast" (21:12) and "Tree Dance" (9:29).
Personnes et institutions:
Date:
1971
1971
Titre:
Video recording of 3 1971 films by Gordon Matta-Clark
Actions:
PHCON2003:0005:001
Description:
Beta SP master contains the films "Fire Child" (10:06), "Pig Roast" (21:12) and "Tree Dance" (9:29).
Video recording of 3 1971 films by Gordon Matta-Clark
Actions:
PHCON2003:0005:001
Description:
Beta SP master contains the films "Fire Child" (10:06), "Pig Roast" (21:12) and "Tree Dance" (9:29).
Date:
1971
1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
Personnes et institutions:
Date:
1997-2001
1997-2001
Titre:
The Waterfall Building, Vancouver, British Columbia (1997)
Actions:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
The Waterfall Building, Vancouver, British Columbia (1997)
Actions:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
Niveau de description archivistique:
Project
Project
Date:
1997-2001
1997-2001
Personnes et institutions:
Classification:
photographies
Quantité:
5 photograph(s)
photographies
Quantité:
5 photograph(s)
Numéro de référence:
ARCH280865
Description:
Group consists of photographs of unidentified buildings including of mosques. There is also a photograph of an unidentified man sitting on the ground in front of a tree.
ARCH280865
Description:
Group consists of photographs of unidentified buildings including of mosques. There is also a photograph of an unidentified man sitting on the ground in front of a tree.
Personnes et institutions:
Date:
between 1907 and 1911
between 1907 and 1911
Titre:
Photographs of unidentified buildings
Actions:
ARCH280865
Description:
Group consists of photographs of unidentified buildings including of mosques. There is also a photograph of an unidentified man sitting on the ground in front of a tree.
Photographs of unidentified buildings
Actions:
ARCH280865
Description:
Group consists of photographs of unidentified buildings including of mosques. There is also a photograph of an unidentified man sitting on the ground in front of a tree.
Classification:
photographies
Quantité:
5 photograph(s)
photographies
Quantité:
5 photograph(s)
Date:
between 1907 and 1911
between 1907 and 1911
Personnes et institutions:
Classification:
dessins, documents textuels, graphique
dessins, documents textuels, graphique
Numéro de référence:
DR2004:0455
Description:
clippings, memorandum, views of Inter-action Centre and BTDB Computer Centre, graphs, poster, notes, and drawing possibly from the Two-Tree Island project
DR2004:0455
Description:
clippings, memorandum, views of Inter-action Centre and BTDB Computer Centre, graphs, poster, notes, and drawing possibly from the Two-Tree Island project
Personnes et institutions:
Titre:
Clippings, memorandum, views of Inter-action Centre and BTDB Computer Centre
Actions:
DR2004:0455
Description:
clippings, memorandum, views of Inter-action Centre and BTDB Computer Centre, graphs, poster, notes, and drawing possibly from the Two-Tree Island project
Clippings, memorandum, views of Inter-action Centre and BTDB Computer Centre
Actions:
DR2004:0455
Description:
clippings, memorandum, views of Inter-action Centre and BTDB Computer Centre, graphs, poster, notes, and drawing possibly from the Two-Tree Island project
Classification:
dessins, documents textuels, graphique
dessins, documents textuels, graphique
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1958 and 1966-1967
1958 and 1966-1967
Titre:
Oberlander Residence (construction and addition), Vancouver, British Columbia (1958 -1967)
Actions:
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Oberlander Residence (construction and addition), Vancouver, British Columbia (1958 -1967)
Actions:
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1958 and 1966-1967
1958 and 1966-1967
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-1996
1995-1996
Personnes et institutions:
