36154 Résultats
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livres
livres
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National parks are the places that present ideas of nature to Americans: Zion, Yosemite, Grand Canyon, Yellowstone bring to mind quintessential and awe-inspiring wilderness. By examining how rhetoric - particularly visual rhetoric - has worked to shape our views of nature and the "natural" place of humans, "Observation Points" offers insights into questions of(...)
$29.95
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National parks are the places that present ideas of nature to Americans: Zion, Yosemite, Grand Canyon, Yellowstone bring to mind quintessential and awe-inspiring wilderness. By examining how rhetoric - particularly visual rhetoric - has worked to shape our views of nature and the "natural" place of humans, "Observation Points" offers insights into questions of(...)
Titre:
Observation points : the visual poetics of national parks
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National parks are the places that present ideas of nature to Americans: Zion, Yosemite, Grand Canyon, Yellowstone bring to mind quintessential and awe-inspiring wilderness. By examining how rhetoric - particularly visual rhetoric - has worked to shape our views of nature and the "natural" place of humans, "Observation Points" offers insights into questions of representation, including the formation of national identity.
Observation points : the visual poetics of national parks
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$29.95
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Résumé:
National parks are the places that present ideas of nature to Americans: Zion, Yosemite, Grand Canyon, Yellowstone bring to mind quintessential and awe-inspiring wilderness. By examining how rhetoric - particularly visual rhetoric - has worked to shape our views of nature and the "natural" place of humans, "Observation Points" offers insights into questions of representation, including the formation of national identity.
Classification:
livres
livres
Publication:
mai 2012
mai 2012
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$33.00
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Caroline Constant examines diverse approaches to landscape in the work of architects practicing in Europe and the United States between 1915 and the mid-1980s. Case studies highlight landscapes in the public realm rather than the private garden, which had been a primary focus of much Western landscape theory and practice during the early decades of the century. These(...)
$33.00
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Caroline Constant examines diverse approaches to landscape in the work of architects practicing in Europe and the United States between 1915 and the mid-1980s. Case studies highlight landscapes in the public realm rather than the private garden, which had been a primary focus of much Western landscape theory and practice during the early decades of the century. These(...)
Titre:
The modern architectural landscape
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Caroline Constant examines diverse approaches to landscape in the work of architects practicing in Europe and the United States between 1915 and the mid-1980s. Case studies highlight landscapes in the public realm rather than the private garden, which had been a primary focus of much Western landscape theory and practice during the early decades of the century. These landscapes do more than accommodate the functional needs of the evolving mass society in parks, playgrounds, and places of assembly; they give formal expression to Modern Movement social and political ideologies, engaging the symbolic potential of the modern landscape—particularly in its ability to take on new, more democratic forms of social organization. Approaching landscape as an essential component of modern architecture’s constructive endowment of material with social value, The Modern Architectural Landscape focuses on the precise material forms and ideological underpinnings of landscapes conceived by architects, revealing them as salient to the formulation of both modern architecture and the modern landscape.
The modern architectural landscape
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Caroline Constant examines diverse approaches to landscape in the work of architects practicing in Europe and the United States between 1915 and the mid-1980s. Case studies highlight landscapes in the public realm rather than the private garden, which had been a primary focus of much Western landscape theory and practice during the early decades of the century. These landscapes do more than accommodate the functional needs of the evolving mass society in parks, playgrounds, and places of assembly; they give formal expression to Modern Movement social and political ideologies, engaging the symbolic potential of the modern landscape—particularly in its ability to take on new, more democratic forms of social organization. Approaching landscape as an essential component of modern architecture’s constructive endowment of material with social value, The Modern Architectural Landscape focuses on the precise material forms and ideological underpinnings of landscapes conceived by architects, revealing them as salient to the formulation of both modern architecture and the modern landscape.
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livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$36.00
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Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory,(...)
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Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory,(...)
Titre:
Afterimage of empire: photography in nineteenth-century India
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Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment. The author scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.
Afterimage of empire: photography in nineteenth-century India
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Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment. The author scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$110.00
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L’architecte Le Corbusier (1887-1965) est également connu dans le monde entier pour les meubles qu’il a dessinés. Le fauteuil grand confort LC2 ou la chaise longue LC4 – conçus tous deux en 1928 en collaboration avec Pierre Jeanneret et Charlotte Perriand – comptent parmi les classiques du mobilier moderne et sont produits encore aujourd’hui. De nombreux ouvrages ont été(...)
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L’architecte Le Corbusier (1887-1965) est également connu dans le monde entier pour les meubles qu’il a dessinés. Le fauteuil grand confort LC2 ou la chaise longue LC4 – conçus tous deux en 1928 en collaboration avec Pierre Jeanneret et Charlotte Perriand – comptent parmi les classiques du mobilier moderne et sont produits encore aujourd’hui. De nombreux ouvrages ont été(...)
Titre:
Le Corbusier : Meubles et intérieurs 1905-1965
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L’architecte Le Corbusier (1887-1965) est également connu dans le monde entier pour les meubles qu’il a dessinés. Le fauteuil grand confort LC2 ou la chaise longue LC4 – conçus tous deux en 1928 en collaboration avec Pierre Jeanneret et Charlotte Perriand – comptent parmi les classiques du mobilier moderne et sont produits encore aujourd’hui. De nombreux ouvrages ont été publiés sur les réalisations architecturales de Le Corbusier et les meubles emblématiques de la fin des années 1920, mais ce qu’il a imaginé et créé dans le domaine de l’aménagement d’intérieur n’a jamais été traité dans sa globalité. La présente publication vient combler cette lacune. Les essais du début retracent l’évolution de Le Corbusier en tant qu’architecte d’intérieur, depuis les premiers travaux classicisants jusqu’aux réalisations minimalistes de la maturité, en passant par les célèbres manifestes des années 1920 et 1930. La collaboration avec Pierre Jeanneret et Charlotte Perriand est également analysée en détail.
Le Corbusier : Meubles et intérieurs 1905-1965
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L’architecte Le Corbusier (1887-1965) est également connu dans le monde entier pour les meubles qu’il a dessinés. Le fauteuil grand confort LC2 ou la chaise longue LC4 – conçus tous deux en 1928 en collaboration avec Pierre Jeanneret et Charlotte Perriand – comptent parmi les classiques du mobilier moderne et sont produits encore aujourd’hui. De nombreux ouvrages ont été publiés sur les réalisations architecturales de Le Corbusier et les meubles emblématiques de la fin des années 1920, mais ce qu’il a imaginé et créé dans le domaine de l’aménagement d’intérieur n’a jamais été traité dans sa globalité. La présente publication vient combler cette lacune. Les essais du début retracent l’évolution de Le Corbusier en tant qu’architecte d’intérieur, depuis les premiers travaux classicisants jusqu’aux réalisations minimalistes de la maturité, en passant par les célèbres manifestes des années 1920 et 1930. La collaboration avec Pierre Jeanneret et Charlotte Perriand est également analysée en détail.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Design, monographies
Design, monographies
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livres
livres
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$205.00
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Presenting illustrations gathered together for the first time, Le Corbusier: Furniture and Interiors is a comprehensive account of Le Corbusier’s extensive work in furniture and interior design. As a young architect, Swiss-born Charles-Edouard Jeanneret primarily worked in designed furnishings. After he moved to Paris in the early 1920s and adopted his now famous moniker,(...)
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Presenting illustrations gathered together for the first time, Le Corbusier: Furniture and Interiors is a comprehensive account of Le Corbusier’s extensive work in furniture and interior design. As a young architect, Swiss-born Charles-Edouard Jeanneret primarily worked in designed furnishings. After he moved to Paris in the early 1920s and adopted his now famous moniker,(...)
Titre:
Le Corbusier : furniture and interiors 1905-1965
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$205.00
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Presenting illustrations gathered together for the first time, Le Corbusier: Furniture and Interiors is a comprehensive account of Le Corbusier’s extensive work in furniture and interior design. As a young architect, Swiss-born Charles-Edouard Jeanneret primarily worked in designed furnishings. After he moved to Paris in the early 1920s and adopted his now famous moniker, Le Corbusier developed a particular interest in équipement, a term he coined for the essential furnishings of a residence. He focused specifically on tables, cabinets, and eventually the chrome and leather chairs—designed in collaboration with Pierre Jeanneret and Charlotte Perriand—for which he became famous. These pieces exhibit Le Corbusier’s trademark metal detailing and elegant austerity. After World War II, Le Corbusier shifted to more functional designs for use in everyday life. These wooden pieces resemble packing crates, evoking a rustic design aesthetic rooted in functionality.
Le Corbusier : furniture and interiors 1905-1965
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Presenting illustrations gathered together for the first time, Le Corbusier: Furniture and Interiors is a comprehensive account of Le Corbusier’s extensive work in furniture and interior design. As a young architect, Swiss-born Charles-Edouard Jeanneret primarily worked in designed furnishings. After he moved to Paris in the early 1920s and adopted his now famous moniker, Le Corbusier developed a particular interest in équipement, a term he coined for the essential furnishings of a residence. He focused specifically on tables, cabinets, and eventually the chrome and leather chairs—designed in collaboration with Pierre Jeanneret and Charlotte Perriand—for which he became famous. These pieces exhibit Le Corbusier’s trademark metal detailing and elegant austerity. After World War II, Le Corbusier shifted to more functional designs for use in everyday life. These wooden pieces resemble packing crates, evoking a rustic design aesthetic rooted in functionality.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$37.95
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When we think of segregation, what often comes to mind is apartheid South Africa, or the American South in the age of Jim Crow—two societies fundamentally premised on the concept of the separation of the races. But as Carl H. Nightingale shows us in this history, segregation is everywhere, deforming cities and societies worldwide. Starting with segregation’s ancient(...)
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When we think of segregation, what often comes to mind is apartheid South Africa, or the American South in the age of Jim Crow—two societies fundamentally premised on the concept of the separation of the races. But as Carl H. Nightingale shows us in this history, segregation is everywhere, deforming cities and societies worldwide. Starting with segregation’s ancient(...)
Titre:
Segregation: a global history of divided cities
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When we think of segregation, what often comes to mind is apartheid South Africa, or the American South in the age of Jim Crow—two societies fundamentally premised on the concept of the separation of the races. But as Carl H. Nightingale shows us in this history, segregation is everywhere, deforming cities and societies worldwide. Starting with segregation’s ancient roots, and what the archaeological evidence reveals about humanity’s long-standing use of urban divisions to reinforce political and economic inequality, Nightingale then moves to the world of European colonialism. This publication lays bare our troubled past, and sets us on the path to imagining the better, more equal cities of the future.
Segregation: a global history of divided cities
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When we think of segregation, what often comes to mind is apartheid South Africa, or the American South in the age of Jim Crow—two societies fundamentally premised on the concept of the separation of the races. But as Carl H. Nightingale shows us in this history, segregation is everywhere, deforming cities and societies worldwide. Starting with segregation’s ancient roots, and what the archaeological evidence reveals about humanity’s long-standing use of urban divisions to reinforce political and economic inequality, Nightingale then moves to the world of European colonialism. This publication lays bare our troubled past, and sets us on the path to imagining the better, more equal cities of the future.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$38.95
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Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the(...)
$38.95
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Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the(...)
Titre:
Chicago makes modern: how creative minds changed society
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Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the modern in Chicago continues to thrive, as new generations of artists incorporate its legacy into fresh visions for the future. Chicago Makes Modern boldly remaps twentieth-century modernism from our new-century perspective by asking an imperative question: How did the modern mind—deeply reflective, yet simultaneously directed—help to dramatically alter our perspectives on the world and make it new?
Chicago makes modern: how creative minds changed society
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Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the modern in Chicago continues to thrive, as new generations of artists incorporate its legacy into fresh visions for the future. Chicago Makes Modern boldly remaps twentieth-century modernism from our new-century perspective by asking an imperative question: How did the modern mind—deeply reflective, yet simultaneously directed—help to dramatically alter our perspectives on the world and make it new?
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Machine art, 1934
Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
Titre:
Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
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livres
livres
Publication:
avril 2012
avril 2012
Classification:
livres
livres
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$49.95
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In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century--a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and(...)
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In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century--a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and(...)
Titre:
On the animation of the inorganic: art, architecture, and the extension of life
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In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century--a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Leger, Mies van der Rohe, and Salvador Dali, Papapetros tracks the evolution of the problem of animation from the fin de siecle through the twentieth century. He argues that empathy--the ability to identify with objects of the external world--was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers.
On the animation of the inorganic: art, architecture, and the extension of life
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In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century--a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Leger, Mies van der Rohe, and Salvador Dali, Papapetros tracks the evolution of the problem of animation from the fin de siecle through the twentieth century. He argues that empathy--the ability to identify with objects of the external world--was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$34.95
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Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless(...)
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Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless(...)
Titre:
Venice: a contested bohemia in Los Angeles
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Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless encampments; and upscale boutiques are just a short walk from the (in)famous Venice Beach where artists and carnival performers practice their crafts opposite cafes and ragtag tourist shops. In Venice: A Contested Bohemia in Los Angeles Andrew Deener invites the reader on an ethnographic tour of this legendary California beach community and the people who live there. In writing this book, the ethnographer became an insider; Deener lived as a resident of Venice for close to six years. Here, he brings a scholarly eye to bear on the effects of gentrification, homelessness, segregation, and immigration on this community.
Venice: a contested bohemia in Los Angeles
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Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless encampments; and upscale boutiques are just a short walk from the (in)famous Venice Beach where artists and carnival performers practice their crafts opposite cafes and ragtag tourist shops. In Venice: A Contested Bohemia in Los Angeles Andrew Deener invites the reader on an ethnographic tour of this legendary California beach community and the people who live there. In writing this book, the ethnographer became an insider; Deener lived as a resident of Venice for close to six years. Here, he brings a scholarly eye to bear on the effects of gentrification, homelessness, segregation, and immigration on this community.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
