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The architecture of Britain is an art gallery all around us. From our streets to squares, through our cities, suburbs and villages, we are surrounded by magnificent buildings of eclectic styles. ''A Short History of British Architecture'' is story of why Britain looks the way it does, from prehistoric Stonehenge to the lofty towers of today. Historian Simon Jenkins(...)
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The architecture of Britain is an art gallery all around us. From our streets to squares, through our cities, suburbs and villages, we are surrounded by magnificent buildings of eclectic styles. ''A Short History of British Architecture'' is story of why Britain looks the way it does, from prehistoric Stonehenge to the lofty towers of today. Historian Simon Jenkins(...)
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A short history of British architecture: From Stonehenge to The Shard
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The architecture of Britain is an art gallery all around us. From our streets to squares, through our cities, suburbs and villages, we are surrounded by magnificent buildings of eclectic styles. ''A Short History of British Architecture'' is story of why Britain looks the way it does, from prehistoric Stonehenge to the lofty towers of today. Historian Simon Jenkins traces the relentless battles over the European traditions of classicism and gothic- from the gothic cathedrals of Lincoln, Ely and Wells to the ‘'prodigy'’ houses of the Tudor renaissance, and visits the great estates of Georgian London, the docks of Liverpool, the mills of Yorkshire and the chapels of south Wales. The arrival of modernism in the twentieth century politicised public taste, upheaved communities and sought to reconstruct entire cities. It produced Coventry Cathedral and Lloyd’s of London, but also the brutalist monoliths of Sheffield’s Park Hill, Glasgow’s Cumbernauld and London’s South Bank. Only in the 1970s did the public at last give voice to what became the conservation revolution – a movement in which Jenkins played a leading role, both as deputy chairman of English Heritage and chairman of the National Trust, and in the saving of iconic buildings such as St Pancras International and Covent Garden.
A short history of British architecture: From Stonehenge to The Shard
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The architecture of Britain is an art gallery all around us. From our streets to squares, through our cities, suburbs and villages, we are surrounded by magnificent buildings of eclectic styles. ''A Short History of British Architecture'' is story of why Britain looks the way it does, from prehistoric Stonehenge to the lofty towers of today. Historian Simon Jenkins traces the relentless battles over the European traditions of classicism and gothic- from the gothic cathedrals of Lincoln, Ely and Wells to the ‘'prodigy'’ houses of the Tudor renaissance, and visits the great estates of Georgian London, the docks of Liverpool, the mills of Yorkshire and the chapels of south Wales. The arrival of modernism in the twentieth century politicised public taste, upheaved communities and sought to reconstruct entire cities. It produced Coventry Cathedral and Lloyd’s of London, but also the brutalist monoliths of Sheffield’s Park Hill, Glasgow’s Cumbernauld and London’s South Bank. Only in the 1970s did the public at last give voice to what became the conservation revolution – a movement in which Jenkins played a leading role, both as deputy chairman of English Heritage and chairman of the National Trust, and in the saving of iconic buildings such as St Pancras International and Covent Garden.
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livres
livres
Publication:
janvier 2026
janvier 2026
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livres
livres
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$33.95
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Workers are not doomed to be merely the victims of environmental devastation. As Lorenzo Feltrin shows, they can be key actors in preventing it. Because labour supports an unsustainable system of endless growth, it holds a central place in any strategy for our long-term survival. Bringing Italian workerist theory into dialogue with a range of traditions from dependency(...)
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Workers are not doomed to be merely the victims of environmental devastation. As Lorenzo Feltrin shows, they can be key actors in preventing it. Because labour supports an unsustainable system of endless growth, it holds a central place in any strategy for our long-term survival. Bringing Italian workerist theory into dialogue with a range of traditions from dependency(...)
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Workers and the world: Fighting ecological crisis from within
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Workers are not doomed to be merely the victims of environmental devastation. As Lorenzo Feltrin shows, they can be key actors in preventing it. Because labour supports an unsustainable system of endless growth, it holds a central place in any strategy for our long-term survival. Bringing Italian workerist theory into dialogue with a range of traditions from dependency theory to ecofeminism, Feltrin examines the intersection of labour and nature across the globe. By addressing several urgent dimensions of the ecological crisis, such as automation, precarious employment, imperialism and social reproduction, he offers a new framework for understanding how labour struggles and environmental justice are intertwined.
Workers and the world: Fighting ecological crisis from within
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Workers are not doomed to be merely the victims of environmental devastation. As Lorenzo Feltrin shows, they can be key actors in preventing it. Because labour supports an unsustainable system of endless growth, it holds a central place in any strategy for our long-term survival. Bringing Italian workerist theory into dialogue with a range of traditions from dependency theory to ecofeminism, Feltrin examines the intersection of labour and nature across the globe. By addressing several urgent dimensions of the ecological crisis, such as automation, precarious employment, imperialism and social reproduction, he offers a new framework for understanding how labour struggles and environmental justice are intertwined.
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livres
livres
Publication:
juin 2026
juin 2026
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livres
livres
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''Landscapes'' showcases the development and practice of John Berger’s unique way of seeing. Here he surveys the aesthetic landscapes that have informed, challenged and nourished his understanding of the world. Berger pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective(...)
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''Landscapes'' showcases the development and practice of John Berger’s unique way of seeing. Here he surveys the aesthetic landscapes that have informed, challenged and nourished his understanding of the world. Berger pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective(...)
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Landscapes: John Berger on art
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''Landscapes'' showcases the development and practice of John Berger’s unique way of seeing. Here he surveys the aesthetic landscapes that have informed, challenged and nourished his understanding of the world. Berger pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective embraces artistic movements and individual artists – from the Renaissance to the present – while never neglecting the social and political context of their creation.
Landscapes: John Berger on art
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''Landscapes'' showcases the development and practice of John Berger’s unique way of seeing. Here he surveys the aesthetic landscapes that have informed, challenged and nourished his understanding of the world. Berger pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective embraces artistic movements and individual artists – from the Renaissance to the present – while never neglecting the social and political context of their creation.
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livres
livres
Publication:
avril 2026
avril 2026
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$131.00
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"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can(...)
$131.00
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"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can(...)
Titre:
Ka Me Ra: Modern Japanese architecture through the photographer's lens
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$131.00
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"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can documenting buildings in this way ever be entirely neutral? Author and Japanese architecture expert Ari Seligmann examines the post-World War II evolution of architectural photography in Japan as a vehicle for considering both universal and culturally specific concepts of the world through images. Through a veritable feast of exquisitely printed pictures, he grapples with the scope of architectural photography, recognizing that it is more than producing marketable images for architects and magazines, but neither is it a strictly historical record.
Ka Me Ra: Modern Japanese architecture through the photographer's lens
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"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can documenting buildings in this way ever be entirely neutral? Author and Japanese architecture expert Ari Seligmann examines the post-World War II evolution of architectural photography in Japan as a vehicle for considering both universal and culturally specific concepts of the world through images. Through a veritable feast of exquisitely printed pictures, he grapples with the scope of architectural photography, recognizing that it is more than producing marketable images for architects and magazines, but neither is it a strictly historical record.
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livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$24.95
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“Of course, we all want to be happy.” So wrote the Roman statesman, orator, and philosopher Marcus Tullius Cicero. He and his fellow Greek and Roman philosophers agreed that the secret to happiness—or what they called the “good life”—is pursuing the “greatest good.” The only problem is that they couldn’t agree on what the greatest good is. Cicero addressed this dilemma by(...)
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“Of course, we all want to be happy.” So wrote the Roman statesman, orator, and philosopher Marcus Tullius Cicero. He and his fellow Greek and Roman philosophers agreed that the secret to happiness—or what they called the “good life”—is pursuing the “greatest good.” The only problem is that they couldn’t agree on what the greatest good is. Cicero addressed this dilemma by(...)
Titre:
How to find happiness: An ancient guide to the good life
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“Of course, we all want to be happy.” So wrote the Roman statesman, orator, and philosopher Marcus Tullius Cicero. He and his fellow Greek and Roman philosophers agreed that the secret to happiness—or what they called the “good life”—is pursuing the “greatest good.” The only problem is that they couldn’t agree on what the greatest good is. Cicero addressed this dilemma by composing a set of dialogues, ''On the Greatest Good and Evil'' (''De finibus bonorum et malorum''), in which he pitted advocates of different philosophical approaches to happiness against one another. Notably, these include the Epicureans (who believe that the greatest good is pleasure) and the Stoics (according to whom it is moral virtue). Rather than choosing sides, Cicero considers the pros and cons of the different philosophies, ultimately leaving it to his readers to make up their own minds. In ''How to Find Happiness'', Katharina Volk offers a vivid new translation of selections from Cicero’s work, complete with an introduction and the original Latin text on facing pages. The result is a lively and engaging debate that invites each of us to discover our own path to happiness.
How to find happiness: An ancient guide to the good life
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$24.95
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“Of course, we all want to be happy.” So wrote the Roman statesman, orator, and philosopher Marcus Tullius Cicero. He and his fellow Greek and Roman philosophers agreed that the secret to happiness—or what they called the “good life”—is pursuing the “greatest good.” The only problem is that they couldn’t agree on what the greatest good is. Cicero addressed this dilemma by composing a set of dialogues, ''On the Greatest Good and Evil'' (''De finibus bonorum et malorum''), in which he pitted advocates of different philosophical approaches to happiness against one another. Notably, these include the Epicureans (who believe that the greatest good is pleasure) and the Stoics (according to whom it is moral virtue). Rather than choosing sides, Cicero considers the pros and cons of the different philosophies, ultimately leaving it to his readers to make up their own minds. In ''How to Find Happiness'', Katharina Volk offers a vivid new translation of selections from Cicero’s work, complete with an introduction and the original Latin text on facing pages. The result is a lively and engaging debate that invites each of us to discover our own path to happiness.
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livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
Prix:
$24.95
(disponible en magasin)
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Listening is a skill—even an art—and it’s essential to learning and to life. Indeed, as Plutarch writes in ''How to Listen'' : “listening well is the foundation for living well.” In this volume, Jeffrey Beneker presents a vivid and accessible new translation of Plutarch’s classic essay about how to become a skilled listener, complete with an inviting introduction and the(...)
$24.95
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Listening is a skill—even an art—and it’s essential to learning and to life. Indeed, as Plutarch writes in ''How to Listen'' : “listening well is the foundation for living well.” In this volume, Jeffrey Beneker presents a vivid and accessible new translation of Plutarch’s classic essay about how to become a skilled listener, complete with an inviting introduction and the(...)
Titre:
How to listen: An ancient guide to learning from others
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Listening is a skill—even an art—and it’s essential to learning and to life. Indeed, as Plutarch writes in ''How to Listen'' : “listening well is the foundation for living well.” In this volume, Jeffrey Beneker presents a vivid and accessible new translation of Plutarch’s classic essay about how to become a skilled listener, complete with an inviting introduction and the original Greek on facing pages. Plutarch is most famous as the author of ''Parallel Lives'', a series of biographies of Greek and Roman statesmen. But he was also an expert on teaching and learning and How to Listen is arguably one of his best pedagogical works. A proponent of active listening well before its time, Plutarch explains the skills we need—and the obstacles and distractions we must overcome—to become effective listeners. Good listening requires, above all, an acknowledgement of our own ignorance in certain subjects and a commitment to gaining knowledge. We must set aside pride and envy so we can respect the expertise of others. We must also train ourselves to see through style and focus on substance, to discriminate between weak and strong arguments, and to criticize ideas fairly and accurately.
How to listen: An ancient guide to learning from others
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$24.95
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Résumé:
Listening is a skill—even an art—and it’s essential to learning and to life. Indeed, as Plutarch writes in ''How to Listen'' : “listening well is the foundation for living well.” In this volume, Jeffrey Beneker presents a vivid and accessible new translation of Plutarch’s classic essay about how to become a skilled listener, complete with an inviting introduction and the original Greek on facing pages. Plutarch is most famous as the author of ''Parallel Lives'', a series of biographies of Greek and Roman statesmen. But he was also an expert on teaching and learning and How to Listen is arguably one of his best pedagogical works. A proponent of active listening well before its time, Plutarch explains the skills we need—and the obstacles and distractions we must overcome—to become effective listeners. Good listening requires, above all, an acknowledgement of our own ignorance in certain subjects and a commitment to gaining knowledge. We must set aside pride and envy so we can respect the expertise of others. We must also train ourselves to see through style and focus on substance, to discriminate between weak and strong arguments, and to criticize ideas fairly and accurately.
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livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$56.00
(disponible en magasin)
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Flowering currant, ivy, Portuguese laurel, and woad might all have grown in a medieval garden, but it would have taken special expertise to extract and create rich blue and purple pigments from them. Humans have been extracting dyes and inks from natural materials for millennia, and the practice was firmly established during the medieval era, recorded in manuscripts that(...)
$56.00
(disponible en magasin)
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Flowering currant, ivy, Portuguese laurel, and woad might all have grown in a medieval garden, but it would have taken special expertise to extract and create rich blue and purple pigments from them. Humans have been extracting dyes and inks from natural materials for millennia, and the practice was firmly established during the medieval era, recorded in manuscripts that(...)
Titre:
Gold from Newton's Apple Tree: Historical recipes for natural inks, paints, and dyes
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$56.00
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Flowering currant, ivy, Portuguese laurel, and woad might all have grown in a medieval garden, but it would have taken special expertise to extract and create rich blue and purple pigments from them. Humans have been extracting dyes and inks from natural materials for millennia, and the practice was firmly established during the medieval era, recorded in manuscripts that survive today. "Gold from Newton’s Apple Tree" brings together recipes for making natural colors according to season, method, and ingredients. This unique book takes its title from an ink recipe derived from a descendant of Sir Isaac Newton’s apple tree, in which ingredients extracted from the bark are transformed, seemingly by magic, from brown to a yellow gold. But gold pigments can also be extracted from cornflower, crocus, greater celandine, myrrh, and turmeric. Nabil Ali shares his own accessible adaptations for preparing these and other recipes rooted in medieval craft traditions. Along the way, he provides an engaging and informative natural history of the plants used, alongside the broad spectrum of marvelous colors they produce.
Gold from Newton's Apple Tree: Historical recipes for natural inks, paints, and dyes
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$56.00
(disponible en magasin)
Résumé:
Flowering currant, ivy, Portuguese laurel, and woad might all have grown in a medieval garden, but it would have taken special expertise to extract and create rich blue and purple pigments from them. Humans have been extracting dyes and inks from natural materials for millennia, and the practice was firmly established during the medieval era, recorded in manuscripts that survive today. "Gold from Newton’s Apple Tree" brings together recipes for making natural colors according to season, method, and ingredients. This unique book takes its title from an ink recipe derived from a descendant of Sir Isaac Newton’s apple tree, in which ingredients extracted from the bark are transformed, seemingly by magic, from brown to a yellow gold. But gold pigments can also be extracted from cornflower, crocus, greater celandine, myrrh, and turmeric. Nabil Ali shares his own accessible adaptations for preparing these and other recipes rooted in medieval craft traditions. Along the way, he provides an engaging and informative natural history of the plants used, alongside the broad spectrum of marvelous colors they produce.
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livres
livres
Publication:
mars 2026
mars 2026
Classification:
livres
livres
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$52.50
(disponible en magasin)
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Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as(...)
$52.50
(disponible en magasin)
Résumé:
Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as(...)
Titre:
Iconophages: A history of ingesting images
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$52.50
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Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy. "Iconophages" aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
Iconophages: A history of ingesting images
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$52.50
(disponible en magasin)
Résumé:
Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy. "Iconophages" aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
Classification:
livres
livres
Publication:
janvier 2026
janvier 2026
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$82.95
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Of all the visual arts, illustration shares a unique relationship with the written word, often serving to visualize, enhance, or respond to a text. "Reading Pictures" presents a global history of this versatile art form, linking its emergence to modern developments such as the illustrated news, recreational reading, and ad-driven consumer culture. From the advent of(...)
$82.95
(disponible en magasin)
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Of all the visual arts, illustration shares a unique relationship with the written word, often serving to visualize, enhance, or respond to a text. "Reading Pictures" presents a global history of this versatile art form, linking its emergence to modern developments such as the illustrated news, recreational reading, and ad-driven consumer culture. From the advent of(...)
Titre:
Reading pictures: A history of illustration
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$82.95
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Of all the visual arts, illustration shares a unique relationship with the written word, often serving to visualize, enhance, or respond to a text. "Reading Pictures" presents a global history of this versatile art form, linking its emergence to modern developments such as the illustrated news, recreational reading, and ad-driven consumer culture. From the advent of the printing press in the mid-fifteenth century to the modernist artistic and cultural movements of the nineteenth and twentieth centuries, D. B. Dowd traces the development of illustration as an integral part of the reading experience. He examines the move from ancient scrolls to pamphlets and book forms, and a return to the scroll in electronic form on smartphones and tablets. His story begins with relief prints and woodcuts in ancient China and Japan before moving to printing and platemaking in early modern Europe. Dowd discusses how book and periodical publishing rose sharply with the innovations of wood engraving and lithography, leading to a boom in cultural literacy; and how the illustrated press reached its zenith between the 1860s and 1960s, as printed entertainment and the news of the world became commonplace in every household, bringing with them advertising, propaganda, and consumer culture. Richly illustrated with more than four hundred images spanning the iconic to the unexpected, Reading Pictures reframes the story of illustration within the broader histories of race, gender, literacy, and the transmission of cultural memory. It reveals how reading and looking have become increasingly integrated, and that, as images have become ever more prevalent today with the digital revolution, what is meant by literacy has evolved.
Reading pictures: A history of illustration
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$82.95
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Of all the visual arts, illustration shares a unique relationship with the written word, often serving to visualize, enhance, or respond to a text. "Reading Pictures" presents a global history of this versatile art form, linking its emergence to modern developments such as the illustrated news, recreational reading, and ad-driven consumer culture. From the advent of the printing press in the mid-fifteenth century to the modernist artistic and cultural movements of the nineteenth and twentieth centuries, D. B. Dowd traces the development of illustration as an integral part of the reading experience. He examines the move from ancient scrolls to pamphlets and book forms, and a return to the scroll in electronic form on smartphones and tablets. His story begins with relief prints and woodcuts in ancient China and Japan before moving to printing and platemaking in early modern Europe. Dowd discusses how book and periodical publishing rose sharply with the innovations of wood engraving and lithography, leading to a boom in cultural literacy; and how the illustrated press reached its zenith between the 1860s and 1960s, as printed entertainment and the news of the world became commonplace in every household, bringing with them advertising, propaganda, and consumer culture. Richly illustrated with more than four hundred images spanning the iconic to the unexpected, Reading Pictures reframes the story of illustration within the broader histories of race, gender, literacy, and the transmission of cultural memory. It reveals how reading and looking have become increasingly integrated, and that, as images have become ever more prevalent today with the digital revolution, what is meant by literacy has evolved.
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livres
livres
Publication:
avril 2026
avril 2026
Sujet:
Illustration
Illustration
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livres
livres
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$89.95
(disponible en magasin)
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Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the(...)
$89.95
(disponible en magasin)
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Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the(...)
Titre:
Photography as a way of life: Minor White, Aaron Siskind, and Harry Callahan
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$89.95
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Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the emergence of photography as an established field of study in higher education. In this beautifully produced book, Brendan Fay takes readers from the late 1940s through the 1970s to explore how White, Siskind, and Callahan transformed the ways photography was taught, shown, and understood. Inclined toward abstraction and personally expressive images, they modeled a commitment to art in the face of commercial and professional pressures. In classrooms and private workshops and through exhibitions, photobooks, and magazines—including Aperture, with White as its founding editor—they offered training and inspiration while building a devoted audience for their pictures.
Photography as a way of life: Minor White, Aaron Siskind, and Harry Callahan
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(disponible en magasin)
Résumé:
Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the emergence of photography as an established field of study in higher education. In this beautifully produced book, Brendan Fay takes readers from the late 1940s through the 1970s to explore how White, Siskind, and Callahan transformed the ways photography was taught, shown, and understood. Inclined toward abstraction and personally expressive images, they modeled a commitment to art in the face of commercial and professional pressures. In classrooms and private workshops and through exhibitions, photobooks, and magazines—including Aperture, with White as its founding editor—they offered training and inspiration while building a devoted audience for their pictures.
Classification:
livres
livres
Publication:
mai 2026
mai 2026
Sujet:
Théorie de la photographie
Théorie de la photographie
