Joseph Beuys and history
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that(...)
Joseph Beuys and history
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that “everyone is an artist” liberating, even revolutionary, others accused him of fostering a dangerous cult of personality. In "Joseph Beuys and History", the first rigorous art historical study of the artist in English, Daniel Spaulding presents a striking new interpretation of Beuys’s work and career. By putting Beuys in the context of Germany’s postwar recovery, Spaulding shows that the artist’s superimposed biological, political, and economic metaphors offered a powerful way to think about the trajectory of human freedom, the place of art in capitalist modernity, and the possibility of an ecological aesthetics. At the same time, his oeuvre’s disquieting echoes of the Nazi past suggest that not everything could be reconciled in what Beuys called “social sculpture.”
Duchamp-isms
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''Duchamp-isms'' is a selection of illuminating quotations from Marcel Duchamp (1887–1968), one of the most important figures in the history of modern art. A painter, sculptor, writer, and chess player, Duchamp changed the very definition of art with his “readymades”—everyday objects such as a bicycle wheel or bottle rack that he titled, signed, and presented as art. He(...)
Duchamp-isms
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''Duchamp-isms'' is a selection of illuminating quotations from Marcel Duchamp (1887–1968), one of the most important figures in the history of modern art. A painter, sculptor, writer, and chess player, Duchamp changed the very definition of art with his “readymades”—everyday objects such as a bicycle wheel or bottle rack that he titled, signed, and presented as art. He provoked critics and the public with works such as the Cubist-Futurist painting ''Nude Descending a Staircase, No. 2'' (1912) and ''Fountain'' (1917), a readymade composed of a men’s urinal signed “R. Mutt.” Prizing the intellectual over the aesthetic, Duchamp inspired later movements like Minimalism, Conceptualism, and Pop Art. Delightful and witty, ''Duchamp-isms'' offers rich insights into the mind of a true icon of modern art.
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In 1995, a scandal erupted when the New York Times revealed that the Smithsonian possessed a century’s worth of nude “posture” photos of college students. In this riveting history, Beth Linker tells why these photos were only a small part of the incredible story of twentieth-century America’s largely forgotten posture panic—a decades-long episode in which it was widely(...)
Slouch: Posture panic in modern America
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In 1995, a scandal erupted when the New York Times revealed that the Smithsonian possessed a century’s worth of nude “posture” photos of college students. In this riveting history, Beth Linker tells why these photos were only a small part of the incredible story of twentieth-century America’s largely forgotten posture panic—a decades-long episode in which it was widely accepted as scientific fact that Americans were suffering from an epidemic of bad posture, with potentially catastrophic health consequences. Tracing the rise and fall of this socially manufactured epidemic, ''Slouch'' also tells how this period continues to feed today’s widespread anxieties about posture. In the early twentieth century, the eugenics movement and fears of disability gave slouching a new scientific relevance. Bad posture came to be seen as an individual health threat, an affront to conventional race hierarchies, and a sign of American decline. What followed were massive efforts to measure, track, and prevent slouching and, later, back pain—campaigns that reached schools, workplaces, and beyond, from the creation of the American Posture League to posture pageants. The popularity of posture-enhancing products, such as girdles and lumbar supports, exploded, as did new fitness programs focused on postural muscles, such as Pilates and modern yoga. By 1970, student protests largely brought an end to school posture exams and photos, but many efforts to fight bad posture continued, despite a lack of scientific evidence.
Social
O'Keefe-isms
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Georgia O’Keeffe was one of the most important and influential artists of the twentieth century. Bridging representation and abstraction, she depicted plants, flowers, cityscapes, and landscapes in iconic paintings whose unique style has become an indelible part of our visual culture. Drawn from her published writings, letters, interviews, and other sources, the quotes in(...)
O'Keefe-isms
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Georgia O’Keeffe was one of the most important and influential artists of the twentieth century. Bridging representation and abstraction, she depicted plants, flowers, cityscapes, and landscapes in iconic paintings whose unique style has become an indelible part of our visual culture. Drawn from her published writings, letters, interviews, and other sources, the quotes in ''O’Keeffe-isms'' provide insights into her artistic philosophy, creative process, and profound connection to the desert landscapes of New Mexico and the American Southwest. Poetic, fearless, and introspective, ''O’Keeffe-isms'' provides a vivid window into the mind of a beloved modernist artist who forged her own path.
Ono-isms
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''Ono-isms'' is a collection of provocative and powerful quotations from influential artist, musician, songwriter, and peace activist Yoko Ono, providing a richer understanding of this important cultural icon. Since emerging on the international art scene in the early 1960s, Ono has made profound contributions to visual and performance art, filmmaking, and music in work(...)
Ono-isms
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''Ono-isms'' is a collection of provocative and powerful quotations from influential artist, musician, songwriter, and peace activist Yoko Ono, providing a richer understanding of this important cultural icon. Since emerging on the international art scene in the early 1960s, Ono has made profound contributions to visual and performance art, filmmaking, and music in work that often radically questions the division between art and the everyday. In recent years she has embraced social media to communicate her artistic and activist messages to even broader audiences around the world.
Obrist-isms
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As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, Hans Ulrich Obrist has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist’s writings, interviews, and other sources, ''Obrist-isms''(...)
Obrist-isms
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As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, Hans Ulrich Obrist has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist’s writings, interviews, and other sources, ''Obrist-isms'' gathers a wealth of fascinating quotations from across his career, offering insights on everything from his approach to curating and his affinity with philosopher Édouard Glissant to his interest in artists’ unrealized projects.
Théorie de l’art
Feminism. Art. Capitalism
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and(...)
Feminism. Art. Capitalism
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and its magic), the historical context and impact of postmodernism, and the question of class and social reproduction. Provocative and uncompromising, Feminism. Art. Capitalism. offers an indispensable guide for art history, theory, and practice – inviting readers to confront what claiming art and feminism as sites of resistance actually entails.
Théorie/ philosophie
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"A lot of work" is a new monograph dedicated to the work of the restlessly inventive Belgian design studio Muller Van Severen. Shaped by 15 years of seminal practice, it is the first to present Fien Muller and Hannes Van Severen both together and as individual artists, charting the energies of their solo trajectories alongside their shared design language. Approaching the(...)
Muller Van Severen: A lot of work
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"A lot of work" is a new monograph dedicated to the work of the restlessly inventive Belgian design studio Muller Van Severen. Shaped by 15 years of seminal practice, it is the first to present Fien Muller and Hannes Van Severen both together and as individual artists, charting the energies of their solo trajectories alongside their shared design language. Approaching the monograph as a collage, the book traces what has unfolded over the past decade and a half, what preceded it, and what may yet come—shaped, as the title suggests, by a lot of work. Raw and ruminative in structure, it draws from their private and public archives to allow "images to speak through adjacency rather than explanation," as Hannes explains in his opening text. The result "feels less like a retrospective and more like a pause," he writes—"A breath."
Design, monographies
Coincidence: Jeremy Liebman
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"Coincidence" is the debut photobook by photographer Jeremy Liebman, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows three generations of the Liebman family, capturing their lives as they unfold in parallel. After more than a decade contributing to(...)
Coincidence: Jeremy Liebman
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"Coincidence" is the debut photobook by photographer Jeremy Liebman, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows three generations of the Liebman family, capturing their lives as they unfold in parallel. After more than a decade contributing to the visual aesthetic of Apartamento magazine across 16 features, Jeremy turns his lens inward to create an intimate family portrait. The book centres on a poignant dialogue between his late father, the photographer Richard Liebman, and his young grandchildren: as they reach out to the world, Jeremy’s father’s grasp on language slowly loosens and his hold on memory slowly wanes. Somewhere between them, Jeremy finds an aperture—the possibility that they are, momentarily, seeing the world in a similar way.
Monographies photo
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Lisbeth Sachs (1914–2002) caused a sensation at the very beginning of her professional career: freshly graduated, she won the 1939 competition for the Kurtheater Baden. With the building, opened in 1952, she expressed her lucid architectural position and experienced what it meant to be one of the first independent Swiss female architects in a male-dominated profession.(...)
Lisbeth Sachs : Animate Architecture
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Lisbeth Sachs (1914–2002) caused a sensation at the very beginning of her professional career: freshly graduated, she won the 1939 competition for the Kurtheater Baden. With the building, opened in 1952, she expressed her lucid architectural position and experienced what it meant to be one of the first independent Swiss female architects in a male-dominated profession. For Sachs, construction was a procedural act that extended from craftsmanship to the suitability of materials and finally to people’s appropriation of spaces. She sought to achieve architecture that floated, emerging organically from the topography and following environmentally and socially compatible principles. Her interdisciplinary understanding of architecture as applied ecology makes her work and thinking more relevant now than ever.
Architecture, monographies