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Résumé:
''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts,(...)
$45.95
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Résumé:
''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts,(...)
Titre:
Since 1839...: Eleven essays on photography
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.
Since 1839...: Eleven essays on photography
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$45.95
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Résumé:
''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$25.95
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The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by(...)
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Résumé:
The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by(...)
Titre:
Owning the future: Power and property in an age of crisis
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The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by reimagining how our economy is owned and by whom can we address the crises of our time—from the fallout of the pandemic to ecological collapse—at their roots. The authors argue that the systemic change we need hinges on a new era of democratic ownership: a reinvention of the firm as a vehicle for collective endeavour and meeting social needs; against the oligarchy of the platform giants, a digital commons that uses our data for collective good, not private profit; in place of environmental devastation, a new agenda of decommodification—of both nature and needs—with a Green New Deal and collective stewardship of the planet’s natural wealth. Together, these proposals offer a road map to owning the future and building a better world.
Owning the future: Power and property in an age of crisis
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$25.95
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Résumé:
The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by reimagining how our economy is owned and by whom can we address the crises of our time—from the fallout of the pandemic to ecological collapse—at their roots. The authors argue that the systemic change we need hinges on a new era of democratic ownership: a reinvention of the firm as a vehicle for collective endeavour and meeting social needs; against the oligarchy of the platform giants, a digital commons that uses our data for collective good, not private profit; in place of environmental devastation, a new agenda of decommodification—of both nature and needs—with a Green New Deal and collective stewardship of the planet’s natural wealth. Together, these proposals offer a road map to owning the future and building a better world.
Classification:
livres
livres
Publication:
juin 2022
juin 2022
Sujet:
Social
Social
Classification:
périodiques
périodiques
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Description:
1 online resource (volumes)
Auteur:
Sujet:
- Constitutional law Periodicals.,
- International law Periodicals.,
- Political science Periodicals.,
- Droit constitutionnel Périodiques.,
- Derecho constitucional Publicaciones periódicas En línea.,
- Derecho público Publicaciones periódicas En línea.,
- Public law Periodicals Online.,
- Constitutional law,
- International law,
- Political science,
- Geschichte,
- Zeitschrift,
- Kunst,
- Staatsrecht.,
- Bestuursrecht.,
- Openbaar bestuur.,
- Frankfurt am Main,
- Periodicals
Publication:
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Classification:
périodiques
périodiques
Publication:
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Auteur:
Sujet:
- Constitutional law Periodicals.,
- International law Periodicals.,
- Political science Periodicals.,
- Droit constitutionnel Périodiques.,
- Derecho constitucional Publicaciones periódicas En línea.,
- Derecho público Publicaciones periódicas En línea.,
- Public law Periodicals Online.,
- Constitutional law,
- International law,
- Political science,
- Geschichte,
- Zeitschrift,
- Kunst,
- Staatsrecht.,
- Bestuursrecht.,
- Openbaar bestuur.,
- Frankfurt am Main,
- Periodicals
Classification:
périodiques
périodiques
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Description:
1 online resource
Sujet:
- Classical philology Periodicals.,
- Greek World,
- Philology, Classical,
- Classical philology.,
- Literatur,
- Filologie.,
- Klassieke talen.,
- Griechisch.,
- Latein.,
- Czasopismo filologiczne.,
- Periodicals.
Publication:
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
Classification:
périodiques
périodiques
Publication:
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
Sujet:
- Classical philology Periodicals.,
- Greek World,
- Philology, Classical,
- Classical philology.,
- Literatur,
- Filologie.,
- Klassieke talen.,
- Griechisch.,
- Latein.,
- Czasopismo filologiczne.,
- Periodicals.
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Description:
303 pages : illustrations (some color) ; 28 cm
Description:
303 pages : illustrations (some color) ; 28 cm
Auteur:
- Giovanna Melandri -- Maristella Casciato -- Pippo Ciorra -- Barry Bergdoll -- Antoine Picon -- Jean-Louis Cohen -- Nina Rappaport -- Tullia Ioria -- Cristiana Chiorino and Mario Alberto Chiorino -- Patricio del Real -- Anat Falbel -- Mohsen Mostafavi -- Seng Kuan -- José Aragüez -- Luca Di Lorenzo Latini -- Lucia Allais -- Sarah Nichols -- Guy Nordenson -- Gina Morrow --,
- Casciato, Maristella,,
- Ciorra, Pippo,,
- Museo nazionale delle arti del XXI secolo (Italy),
Sujet:
- Structural engineering History Exhibitions.,
- Building History Exhibitions.,
- Buildings Exhibitions.,
- Architecture Exhibitions.,
- Construction Histoire Expositions.,
- Technique de la construction Histoire Expositions.,
- Constructions Expositions.,
- Architecture Expositions.,
- Building.,
- Buildings.,
- Structural engineering.,
- exhibition catalogs.,
- Exhibition catalogs.,
- History.,
- Catalogues d'exposition.
Publication:
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Titre:
Technoscape : the architecture of engineers / edited by Maristella Casciato, Pippo Ciorra ; translations: Matteo Bugiolacchi, Eugénie Antoinette Goedheeer, Valentina Moriconi.
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303 pages : illustrations (some color) ; 28 cm
Technoscape : the architecture of engineers / edited by Maristella Casciato, Pippo Ciorra ; translations: Matteo Bugiolacchi, Eugénie Antoinette Goedheeer, Valentina Moriconi.
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Description:
303 pages : illustrations (some color) ; 28 cm
Classification:
livres
livres
Publication:
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Auteur:
- Giovanna Melandri -- Maristella Casciato -- Pippo Ciorra -- Barry Bergdoll -- Antoine Picon -- Jean-Louis Cohen -- Nina Rappaport -- Tullia Ioria -- Cristiana Chiorino and Mario Alberto Chiorino -- Patricio del Real -- Anat Falbel -- Mohsen Mostafavi -- Seng Kuan -- José Aragüez -- Luca Di Lorenzo Latini -- Lucia Allais -- Sarah Nichols -- Guy Nordenson -- Gina Morrow --,
- Casciato, Maristella,,
- Ciorra, Pippo,,
- Museo nazionale delle arti del XXI secolo (Italy),
Sujet:
- Structural engineering History Exhibitions.,
- Building History Exhibitions.,
- Buildings Exhibitions.,
- Architecture Exhibitions.,
- Construction Histoire Expositions.,
- Technique de la construction Histoire Expositions.,
- Constructions Expositions.,
- Architecture Expositions.,
- Building.,
- Buildings.,
- Structural engineering.,
- exhibition catalogs.,
- Exhibition catalogs.,
- History.,
- Catalogues d'exposition.
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Description:
195 p. : ill. (some col.) ; 23 cm.
Description:
195 p. : ill. (some col.) ; 23 cm.
Auteur:
- Beesley, Philip, 1956-,
- Isaacs, Hayley, 1980-,
- Ohrstedt, Pernilla, 1980-,
- Gorbet, Rob.
Sujet:
- Beesley, Philip, 1956-,
- Interactive art Canada.,
- Kinetic sculpture Canada.,
- Installations (Art) Canada.,
- Art and architecture Canada.,
- Sculpture, Canadian 21st century Exhibitions.,
- Art interactif Canada.,
- Sculpture cinétique Canada.,
- Art et architecture Canada.,
- Art and architecture,
- Installations (Art),
- Interactive art,
- Kinetic sculpture,
- Art and Design.,
- Canada,
- Exhibition publications.,
- Exhibition catalogs
Publication:
[Cambridge, Ont.] : Riverside Architectural Press, c2010.
[Cambridge, Ont.] : Riverside Architectural Press, c2010.
Titre:
Hylozoic ground : liminal responsive architecture : Philip Beesley / contributions by Rob Gorbet ... [et al.] ; edited by Pernilla Ohrstedt & Hayley Isaacs.
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195 p. : ill. (some col.) ; 23 cm.
Hylozoic ground : liminal responsive architecture : Philip Beesley / contributions by Rob Gorbet ... [et al.] ; edited by Pernilla Ohrstedt & Hayley Isaacs.
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195 p. : ill. (some col.) ; 23 cm.
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Publication:
[Cambridge, Ont.] : Riverside Architectural Press, c2010.
[Cambridge, Ont.] : Riverside Architectural Press, c2010.
Auteur:
- Beesley, Philip, 1956-,
- Isaacs, Hayley, 1980-,
- Ohrstedt, Pernilla, 1980-,
- Gorbet, Rob.
Sujet:
- Beesley, Philip, 1956-,
- Interactive art Canada.,
- Kinetic sculpture Canada.,
- Installations (Art) Canada.,
- Art and architecture Canada.,
- Sculpture, Canadian 21st century Exhibitions.,
- Art interactif Canada.,
- Sculpture cinétique Canada.,
- Art et architecture Canada.,
- Art and architecture,
- Installations (Art),
- Interactive art,
- Kinetic sculpture,
- Art and Design.,
- Canada,
- Exhibition publications.,
- Exhibition catalogs
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Description:
255 pages : illustrations (chiefly color) ; 29 cm
Description:
255 pages : illustrations (chiefly color) ; 29 cm
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Sujet:
- Interactive art 21st century.,
- Installations (Art) 21st century.,
- Art and technology 21st century.,
- Multimedia (Art) 21st century.,
- Computer art 21st century.,
- Video art 21st century.,
- Sound in art 21st century.,
- Art interactif 21e siècle.,
- Installations (Art) 21e siècle.,
- Art et technologie 21e siècle.,
- Œuvres multimédias (Art) 21e siècle.,
- Art vidéo 21e siècle.,
- Art and technology.,
- Computer art.,
- Installations (Art),
- Interactive art.,
- Multimedia (Art),
- Sound in art.,
- Video art.,
- Installationer (konst) 2000-talet bildverk.,
- Konst och teknik.,
- Interaktiva multimedier.,
- installasjonskunst,
- installasjoner,
- programmering,
- datateknologi,
- visue,
- lle,
- medier,
- interaktivitet,
- interaksjon,
- ikonisk,
- kunst,
- design,
- digitale,
- teknologi,
- virtuelle,
- maskin-menneske,
- performance,
- lys,
- overflater,
- kommunikasjon
Publication:
Berlin : Gestalten, 2011.
Berlin : Gestalten, 2011.
Titre:
A touch of code : interactive installations and experiences / [edited by Robert Klanten, Sven Ehmann, Verena Hanschke ; preface by Joachim Sauter ; introduction and text by Lukas Feireiss].
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Description:
255 pages : illustrations (chiefly color) ; 29 cm
A touch of code : interactive installations and experiences / [edited by Robert Klanten, Sven Ehmann, Verena Hanschke ; preface by Joachim Sauter ; introduction and text by Lukas Feireiss].
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Description:
255 pages : illustrations (chiefly color) ; 29 cm
Classification:
livres
livres
Publication:
Berlin : Gestalten, 2011.
Berlin : Gestalten, 2011.
Auteur:
Sujet:
- Interactive art 21st century.,
- Installations (Art) 21st century.,
- Art and technology 21st century.,
- Multimedia (Art) 21st century.,
- Computer art 21st century.,
- Video art 21st century.,
- Sound in art 21st century.,
- Art interactif 21e siècle.,
- Installations (Art) 21e siècle.,
- Art et technologie 21e siècle.,
- Œuvres multimédias (Art) 21e siècle.,
- Art vidéo 21e siècle.,
- Art and technology.,
- Computer art.,
- Installations (Art),
- Interactive art.,
- Multimedia (Art),
- Sound in art.,
- Video art.,
- Installationer (konst) 2000-talet bildverk.,
- Konst och teknik.,
- Interaktiva multimedier.,
- installasjonskunst,
- installasjoner,
- programmering,
- datateknologi,
- visue,
- lle,
- medier,
- interaktivitet,
- interaksjon,
- ikonisk,
- kunst,
- design,
- digitale,
- teknologi,
- virtuelle,
- maskin-menneske,
- performance,
- lys,
- overflater,
- kommunikasjon
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livres
livres
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$61.00
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Résumé:
Ernst Schwitters (1918-1996) began his career in photography in his teens, converting the family bathroom into a darkroom with the consent of his parents, Kurt and Helma Schwitters, at the age of 15 - by which time Ernst was already experimenting with photograms, following a visit from family friend Man Ray. His father encouraged him to undergo formal training in(...)
$61.00
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Ernst Schwitters (1918-1996) began his career in photography in his teens, converting the family bathroom into a darkroom with the consent of his parents, Kurt and Helma Schwitters, at the age of 15 - by which time Ernst was already experimenting with photograms, following a visit from family friend Man Ray. His father encouraged him to undergo formal training in(...)
Titre:
The colors of Norway, 1943-1963
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$61.00
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Ernst Schwitters (1918-1996) began his career in photography in his teens, converting the family bathroom into a darkroom with the consent of his parents, Kurt and Helma Schwitters, at the age of 15 - by which time Ernst was already experimenting with photograms, following a visit from family friend Man Ray. His father encouraged him to undergo formal training in photography, but Ernst declined, preferring to teach himself, and by 1930 he was already participating in international exhibitions, having found his preferred subject matter in the landscapes of Norway and England. Having led the Schwitters family's migration from Nazi Germany to Norway, Ernst was to receive great acclaim there for both his landscape and architectural photography, and was also able to establish financial security through assignments for the Norwegian advertising agency SS-UNU-Foto. It is little known that Schwitters is one of color photography's pioneers: he began working with color film in 1943, and within two decades, he had created more than 10,000 slides, many of which have been digitally restored for this new volume. The only monograph on the photographer currently in print, the publication debuts Schwitters' vast oeuvre of color landscape photography, and also includes a fascinating account of the digital restoration process that allowed for their publication here.
The colors of Norway, 1943-1963
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$61.00
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Résumé:
Ernst Schwitters (1918-1996) began his career in photography in his teens, converting the family bathroom into a darkroom with the consent of his parents, Kurt and Helma Schwitters, at the age of 15 - by which time Ernst was already experimenting with photograms, following a visit from family friend Man Ray. His father encouraged him to undergo formal training in photography, but Ernst declined, preferring to teach himself, and by 1930 he was already participating in international exhibitions, having found his preferred subject matter in the landscapes of Norway and England. Having led the Schwitters family's migration from Nazi Germany to Norway, Ernst was to receive great acclaim there for both his landscape and architectural photography, and was also able to establish financial security through assignments for the Norwegian advertising agency SS-UNU-Foto. It is little known that Schwitters is one of color photography's pioneers: he began working with color film in 1943, and within two decades, he had created more than 10,000 slides, many of which have been digitally restored for this new volume. The only monograph on the photographer currently in print, the publication debuts Schwitters' vast oeuvre of color landscape photography, and also includes a fascinating account of the digital restoration process that allowed for their publication here.
Classification:
livres
livres
Publication:
août 2011
août 2011
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Adam Bartos: darkroom
Adam Bartos: darkroom
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$109.95
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Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms(...)
$109.95
(disponible sur commande)
Résumé:
Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms(...)
Titre:
Adam Bartos: darkroom
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Prix:
$109.95
(disponible sur commande)
Résumé:
Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos' recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odour of chemistry, an uncanny stillness hanging in damp air - Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with as much aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been.
Adam Bartos: darkroom
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Prix:
$109.95
(disponible sur commande)
Résumé:
Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos' recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odour of chemistry, an uncanny stillness hanging in damp air - Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with as much aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
The Bauhaus: #itsalldesign
The Bauhaus: #itsalldesign
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Prix:
$95.00
(disponible sur commande)
Résumé:
This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their(...)
$95.00
(disponible sur commande)
Résumé:
This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their(...)
Titre:
The Bauhaus: #itsalldesign
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Prix:
$95.00
(disponible sur commande)
Résumé:
This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their relevance for today's creative practice, these ideas are contrasted to current themes in design such as the digital revolution, and the works of numerous present-day artists and designers. The lavishly illustrated publication features essays by renowned authors such as Arthur Rüegg and Jan Boelen, a glossary of the basic ideas behind design at the Bauhaus, as well as a detailed catalogue section. Among others, Olaf Nicolai, Adrian Sauer, Wilfried Kühn and Joseph Grima have created artistic works on the topic especially for the exhibition. Numerous short articles by distinguished designers, artists and architects from all over the world, who, with their ideas, projects and theories reflect on the topicality of the Bauhaus and its influence on 21st-century design, form part of this new and contemporary look at the movement. With works by Josef Albers, Marcel Breuer, Walter Gropius, Marianne Brandt, Wassily Kandinsky, Ludwig Mies van der Rohe, Herbert Bayer and many others.
The Bauhaus: #itsalldesign
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Prix:
$95.00
(disponible sur commande)
Résumé:
This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their relevance for today's creative practice, these ideas are contrasted to current themes in design such as the digital revolution, and the works of numerous present-day artists and designers. The lavishly illustrated publication features essays by renowned authors such as Arthur Rüegg and Jan Boelen, a glossary of the basic ideas behind design at the Bauhaus, as well as a detailed catalogue section. Among others, Olaf Nicolai, Adrian Sauer, Wilfried Kühn and Joseph Grima have created artistic works on the topic especially for the exhibition. Numerous short articles by distinguished designers, artists and architects from all over the world, who, with their ideas, projects and theories reflect on the topicality of the Bauhaus and its influence on 21st-century design, form part of this new and contemporary look at the movement. With works by Josef Albers, Marcel Breuer, Walter Gropius, Marianne Brandt, Wassily Kandinsky, Ludwig Mies van der Rohe, Herbert Bayer and many others.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Modernisme
Modernisme
