929 Résultats
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape(...)
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape(...)
Titre:
Hard as rock, old as stone: Of humans and war
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape and forge, chisel and build, creating as they destroy, rendering beauty and violence alike. What is the relationship of those twin impulses? In these pages, artist Alessandaro Sanna uses the shaping force of his hands to explore the seemingly endless, perversely steadfast human capacity for destruction. Unflinchingly tracing humanity’s long history of war, from the havoc of armies on horseback, to the violence of the conquistadores, to the carnage of the First World War, to the ghastly terror of the atomic bomb, and the cruel, shockingly intentional attack on the Twin Towers, Sanna records our compulsion to destroy. The hands mold clay, streak color across a sky, define a world, give beauty to the eye; and yet fires burn, an acrid smell arises, smoke blots out the sun. For what and why?
Hard as rock, old as stone: Of humans and war
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape and forge, chisel and build, creating as they destroy, rendering beauty and violence alike. What is the relationship of those twin impulses? In these pages, artist Alessandaro Sanna uses the shaping force of his hands to explore the seemingly endless, perversely steadfast human capacity for destruction. Unflinchingly tracing humanity’s long history of war, from the havoc of armies on horseback, to the violence of the conquistadores, to the carnage of the First World War, to the ghastly terror of the atomic bomb, and the cruel, shockingly intentional attack on the Twin Towers, Sanna records our compulsion to destroy. The hands mold clay, streak color across a sky, define a world, give beauty to the eye; and yet fires burn, an acrid smell arises, smoke blots out the sun. For what and why?
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livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Illustration
Illustration
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livres
livres
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Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental ''On Photography'' with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in ''Three Guineas'': How in your opinion are we to prevent war? “For a long time some people believed that if the horror could be made vivid enough, most(...)
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Résumé:
Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental ''On Photography'' with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in ''Three Guineas'': How in your opinion are we to prevent war? “For a long time some people believed that if the horror could be made vivid enough, most(...)
Titre:
Regarding the pain of others, n.e.
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Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental ''On Photography'' with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in ''Three Guineas'': How in your opinion are we to prevent war? “For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war.” One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the suffering of others far away? First published more than twenty years after her now-classic book ''On Photography'', which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.
Regarding the pain of others, n.e.
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Résumé:
Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental ''On Photography'' with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in ''Three Guineas'': How in your opinion are we to prevent war? “For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war.” One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the suffering of others far away? First published more than twenty years after her now-classic book ''On Photography'', which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.
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livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
périodiques
périodiques
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of(...)
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of(...)
Titre:
Texte Zur Kunst 126: mourning
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of loss and mourning in the context of racist and right-wing violence. At the same time, it draws attention to the transformative powers of grief.
Texte Zur Kunst 126: mourning
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of loss and mourning in the context of racist and right-wing violence. At the same time, it draws attention to the transformative powers of grief.
Classification:
périodiques
périodiques
Publication:
juin 2022
juin 2022
Sujet:
Revues
Revues
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livres
livres
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$21.00
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Résumé:
Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and(...)
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and(...)
Publication:
septembre 2009, Montréal
septembre 2009, Montréal
Titre:
Risk colour book: Gustavo Artigas
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and accidents. Through recording, repetition and the staging of action, Artigas exposes the fragility of the body, subjected to a cunningly latent violence.
Risk colour book: Gustavo Artigas
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and accidents. Through recording, repetition and the staging of action, Artigas exposes the fragility of the body, subjected to a cunningly latent violence.
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livres
livres
Publication:
septembre 2009, Montréal
septembre 2009, Montréal
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livres
livres
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The Wretched of the Screen collects a number of Steyerl's landmark essays in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information: on the formal shifts and distortions of accelerated capitalism; the art system as a vast mine(...)
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Résumé:
The Wretched of the Screen collects a number of Steyerl's landmark essays in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information: on the formal shifts and distortions of accelerated capitalism; the art system as a vast mine(...)
Titre:
e-flux journal: The wretched of the screen
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The Wretched of the Screen collects a number of Steyerl's landmark essays in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information: on the formal shifts and distortions of accelerated capitalism; the art system as a vast mine of labor extraction and passionate commitment, structural and literal violence, enchantment and fun, and of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses.
e-flux journal: The wretched of the screen
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The Wretched of the Screen collects a number of Steyerl's landmark essays in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information: on the formal shifts and distortions of accelerated capitalism; the art system as a vast mine of labor extraction and passionate commitment, structural and literal violence, enchantment and fun, and of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses.
Classification:
livres
livres
Publication:
janvier 2013
janvier 2013
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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The escalation of ecological, military, and capitalist destruction has dominated current developments in many places. This issue of TEXTE ZUR KUNST puts forward two psychanalytical concepts that lend themselves to describing destructive tendencies, as well as to possible ways of redirecting aggression away from violence and into creative work: the death drive and(...)
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Résumé:
The escalation of ecological, military, and capitalist destruction has dominated current developments in many places. This issue of TEXTE ZUR KUNST puts forward two psychanalytical concepts that lend themselves to describing destructive tendencies, as well as to possible ways of redirecting aggression away from violence and into creative work: the death drive and(...)
Titre:
Texte zur kunst 137 : Death drive and sublimation
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The escalation of ecological, military, and capitalist destruction has dominated current developments in many places. This issue of TEXTE ZUR KUNST puts forward two psychanalytical concepts that lend themselves to describing destructive tendencies, as well as to possible ways of redirecting aggression away from violence and into creative work: the death drive and sublimation. Contributions subject these concepts to a discursive stress test and set them in relation to historical and contemporary examples of artistic production. Although this does not alleviate structural hopelessness and its affective dimension, it makes these amenable to negotiation.
Texte zur kunst 137 : Death drive and sublimation
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Résumé:
The escalation of ecological, military, and capitalist destruction has dominated current developments in many places. This issue of TEXTE ZUR KUNST puts forward two psychanalytical concepts that lend themselves to describing destructive tendencies, as well as to possible ways of redirecting aggression away from violence and into creative work: the death drive and sublimation. Contributions subject these concepts to a discursive stress test and set them in relation to historical and contemporary examples of artistic production. Although this does not alleviate structural hopelessness and its affective dimension, it makes these amenable to negotiation.
Classification:
livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Nick Cave: Until
Nick Cave: Until
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"Until" takes readers inside Nick Cave's newest work. This illustrated book takes us inside of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities police departments, and death. An installation(...)
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"Until" takes readers inside Nick Cave's newest work. This illustrated book takes us inside of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities police departments, and death. An installation(...)
Publication:
mai 2017
mai 2017
Titre:
Nick Cave: Until
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"Until" takes readers inside Nick Cave's newest work. This illustrated book takes us inside of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities police departments, and death. An installation diary and numerous images reveal how an idea becomes reality. "Until" also incorporates special appearances by dancers, singer/ songwriters, and poets, as well as community forums, and opportunities for public debate and engagement.
Nick Cave: Until
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Résumé:
"Until" takes readers inside Nick Cave's newest work. This illustrated book takes us inside of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities police departments, and death. An installation diary and numerous images reveal how an idea becomes reality. "Until" also incorporates special appearances by dancers, singer/ songwriters, and poets, as well as community forums, and opportunities for public debate and engagement.
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livres
livres
Publication:
mai 2017
mai 2017
Classification:
livres
livres
Titre:
Delirious
Delirious
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$64.95
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Résumé:
Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its(...)
$64.95
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Résumé:
Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its(...)
Publication:
octobre 2017
octobre 2017
Titre:
Delirious
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$64.95
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Résumé:
Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its capability to promote mass destruction—developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means. Disturbing and challenging, these works upended traditional notions of aesthetic harmony.
Delirious
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$64.95
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Résumé:
Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its capability to promote mass destruction—developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means. Disturbing and challenging, these works upended traditional notions of aesthetic harmony.
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livres
livres
Publication:
octobre 2017
octobre 2017
Classification:
livres
livres
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$35.00
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Résumé:
This book documents Tim Clark's photographic and performance/installation work, significant for its engagement with the limits of art, its ritualized violence enacted through intense readings of philosophical and ethical texts, and for a series of table works that served as the site for the redeployment of performance practice in relation to the book, reading and the(...)
$35.00
(disponible sur commande)
Résumé:
This book documents Tim Clark's photographic and performance/installation work, significant for its engagement with the limits of art, its ritualized violence enacted through intense readings of philosophical and ethical texts, and for a series of table works that served as the site for the redeployment of performance practice in relation to the book, reading and the(...)
Titre:
Tim Clark: reading the limits
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$35.00
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This book documents Tim Clark's photographic and performance/installation work, significant for its engagement with the limits of art, its ritualized violence enacted through intense readings of philosophical and ethical texts, and for a series of table works that served as the site for the redeployment of performance practice in relation to the book, reading and the philosophical subject. Essayists raise questions about the development of conceptual art as well as performance art's status as a form of knowledge in relation to the University and its book-based culture.
Tim Clark: reading the limits
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$35.00
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This book documents Tim Clark's photographic and performance/installation work, significant for its engagement with the limits of art, its ritualized violence enacted through intense readings of philosophical and ethical texts, and for a series of table works that served as the site for the redeployment of performance practice in relation to the book, reading and the philosophical subject. Essayists raise questions about the development of conceptual art as well as performance art's status as a form of knowledge in relation to the University and its book-based culture.
Classification:
livres
livres
Publication:
octobre 2008, Montréal
octobre 2008, Montréal
Sujet:
Art canadien
Art canadien
Classification:
livres
livres
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$40.00
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This is the final volume of drawings and photographs from Dansig Baldaev and Sergei Vasiliev, which completes the Russian Criminal Tattoo Encyclopaedia trilogy. Danzig Baldaev documented over three thousand tattoos during a lifetime working as a prison guard. His recording of this esoteric world was reported to the KGB who unexpectedly supported him, realising the(...)
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Résumé:
This is the final volume of drawings and photographs from Dansig Baldaev and Sergei Vasiliev, which completes the Russian Criminal Tattoo Encyclopaedia trilogy. Danzig Baldaev documented over three thousand tattoos during a lifetime working as a prison guard. His recording of this esoteric world was reported to the KGB who unexpectedly supported him, realising the(...)
Titre:
Russian criminal tattoo encyclopedia volume 3
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$40.00
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This is the final volume of drawings and photographs from Dansig Baldaev and Sergei Vasiliev, which completes the Russian Criminal Tattoo Encyclopaedia trilogy. Danzig Baldaev documented over three thousand tattoos during a lifetime working as a prison guard. His recording of this esoteric world was reported to the KGB who unexpectedly supported him, realising the importance of being able to establish facts about convicts by reading images on their bodies. The motifs depicted represent the uncensored lives of the criminal classes, ranging from violence and pornography to politics and alcohol.
Russian criminal tattoo encyclopedia volume 3
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$40.00
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Résumé:
This is the final volume of drawings and photographs from Dansig Baldaev and Sergei Vasiliev, which completes the Russian Criminal Tattoo Encyclopaedia trilogy. Danzig Baldaev documented over three thousand tattoos during a lifetime working as a prison guard. His recording of this esoteric world was reported to the KGB who unexpectedly supported him, realising the importance of being able to establish facts about convicts by reading images on their bodies. The motifs depicted represent the uncensored lives of the criminal classes, ranging from violence and pornography to politics and alcohol.
Classification:
livres
livres
Publication:
septembre 2008, London
septembre 2008, London
