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In an expanding and socially fractious early twentieth-century Winnipeg, Lewis Benjamin Foote (1873-1957) rose to become the city's pre-eminent commercial photographer. Documenting everything from royal visits to deep poverty, from the building of the landmark Fort Garry Hotel to the riots of the 1919 General Strike, Foote's photographs have come to be iconic(...)
Imagining Winnipeg: History through the photographs of L.B. Foote
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In an expanding and socially fractious early twentieth-century Winnipeg, Lewis Benjamin Foote (1873-1957) rose to become the city's pre-eminent commercial photographer. Documenting everything from royal visits to deep poverty, from the building of the landmark Fort Garry Hotel to the riots of the 1919 General Strike, Foote's photographs have come to be iconic representations of early Winnipeg life. In Imagining Winnipeg, historian Esyllt W. Jones takes us beyond the iconic to reveal the complex artist behind the lens and the conflicting ways in which his photographs have been used to give credence to diverse and sometimes irreconcilable views of Winnipeg's past.
Architecture du Canada
After the manifesto
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Does the recent explosion of the architectural manifesto signal a new urgency of the form, or does it represent a hopeless effort to resuscitate something that has outlived its useful lifespan? 'After the Manifesto' brings together architects and scholars to revisit the past, present and future of the manifesto. In what ways have manifestos transformed the field over the(...)
After the manifesto
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Does the recent explosion of the architectural manifesto signal a new urgency of the form, or does it represent a hopeless effort to resuscitate something that has outlived its useful lifespan? 'After the Manifesto' brings together architects and scholars to revisit the past, present and future of the manifesto. In what ways have manifestos transformed the field over the last 50 years, and in what ways has the manifesto itself been transformed by new modes of communication? Authors include Ruben Alcolea, Craig Buckley, Beatriz Colomina, Carlos Labarta, Felicity D. Scott, Bernard Tschumi, Anthony Vidler, Enrique Walker, and Mark Wigley.
Théorie de l’architecture
Philharmonie: Hans Scharoun
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Rising from the ashes of World War II, the new concert hall for the Berlin Philharmonic Orchestra, designed by Hans Scharoun (1893-1972), has become the symbol of democratic Germany. This publication present the drawings from the Scharoun Archive that detail the construction of the Philharmonie's complex composition.
Philharmonie: Hans Scharoun
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Rising from the ashes of World War II, the new concert hall for the Berlin Philharmonic Orchestra, designed by Hans Scharoun (1893-1972), has become the symbol of democratic Germany. This publication present the drawings from the Scharoun Archive that detail the construction of the Philharmonie's complex composition.
Architecture, monographies
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Though stylistically distinct, the architects Solano Benítez (born 1963) and Javier Coravalán (born 1962) are brought together by the cultural context of their mutual homeland, Paraguay. In this publication they demonstrate that, given its natural resources and local economy, Paraguay is ready to project its next phase of development without repeating the failures of(...)
Paraguay : Abu & Font House, Surubi house
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Though stylistically distinct, the architects Solano Benítez (born 1963) and Javier Coravalán (born 1962) are brought together by the cultural context of their mutual homeland, Paraguay. In this publication they demonstrate that, given its natural resources and local economy, Paraguay is ready to project its next phase of development without repeating the failures of modernism's ideals of progress.
Architecture, monographies
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Jovis' Portfolio series presents the work of innovative, international architects in the informal style of a magazine. This new volume is the first monograph, outside of Japan, to examine the ideas of Atsushi Kitagawara (born 1951), known for his expressionistic architectural style that celebrates the experience of space without losing sight of functional requirements.
Atsushi Kitagawara architects
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Jovis' Portfolio series presents the work of innovative, international architects in the informal style of a magazine. This new volume is the first monograph, outside of Japan, to examine the ideas of Atsushi Kitagawara (born 1951), known for his expressionistic architectural style that celebrates the experience of space without losing sight of functional requirements.
Architecture, monographies
Fernand Pouillon
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Fernand Pouillon (1912-1986) est assurément la figure la plus romanesque du XXe siècle. Les fastes de sa vie privée et ses démêlés judiciaires ont défrayé la chronique. Ils ont aussi motivé l'écriture de deux ouvrages cultes, Les Pierres sauvages (1964) et Mémoires d'un architecte (1968), qui révèlent un remarquable conteur. L'oeuvre bâtie, elle, est exceptionnelle par(...)
Fernand Pouillon
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Fernand Pouillon (1912-1986) est assurément la figure la plus romanesque du XXe siècle. Les fastes de sa vie privée et ses démêlés judiciaires ont défrayé la chronique. Ils ont aussi motivé l'écriture de deux ouvrages cultes, Les Pierres sauvages (1964) et Mémoires d'un architecte (1968), qui révèlent un remarquable conteur. L'oeuvre bâtie, elle, est exceptionnelle par son ampleur, ses qualités de composition et de construction. Mis au ban de sa profession pour avoir osé défier l'industrie du béton armé, Fernand Pouillon a démontré, en Provence d'abord, puis en Algérie, dans la région parisienne et en Iran, la compatibilité de la construction en pierre de taille et du logement de masse. La reconstruction du Vieux-Port de Marseille, la résidence Climat de France à Alger, celles du Point-du-Jour à Boulogne-Billancourt et du Parc à Meudon constituent aujourd'hui des repères importants dans l'histoire de l'habitat. Cet ouvrage propose un regard nouveau sur l'architecte et présente des projets, ignorés ou méconnus : maisons industrialisées, plan d'urbanisme de Créteil et projet d'extension de Saint-Tropez... Il apporte quantité d'éléments inédits sur l'oeuvre, qui se révèle plus que jamais d'une extraordinaire riche et d'une étonnante diversité.
Architecture, monographies
GA : Kengo Kuma 2006-2012
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This large-format monograph on the famed Japanese architect covers six years of theory and practice through an exhaustive look at over 60 projects, from large (V at Dundee, Sanlitum SOHO in Beijing) to small (Sake no Hana in London, Lake House). Kengo Kuma is known for achieving a new kind of transparency in architecture, and is not bound by using only traditional light(...)
GA : Kengo Kuma 2006-2012
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This large-format monograph on the famed Japanese architect covers six years of theory and practice through an exhaustive look at over 60 projects, from large (V at Dundee, Sanlitum SOHO in Beijing) to small (Sake no Hana in London, Lake House). Kengo Kuma is known for achieving a new kind of transparency in architecture, and is not bound by using only traditional light materials. Included is his essay, Small Architecture, which gives valuable insight into his view that great disasters, not the progress of technology, have been architectures driving force throughout history, with the most recent example being the Great East Japan Earthquake in 2011.
Architecture, monographies
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This large-format monograph gives an in-depth account of the history, transformation and revitalisation of a 1960s-era residential tower in northern Paris, as seen through the eyes of the French office of Druot, Lacaton & Vassal. It details the architects’ rationales and perspectives regarding recycling architecture in an economic and cost-effective manner, which is(...)
Druot, Lacaton & Vassal : Tour Bois le Prêtre
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This large-format monograph gives an in-depth account of the history, transformation and revitalisation of a 1960s-era residential tower in northern Paris, as seen through the eyes of the French office of Druot, Lacaton & Vassal. It details the architects’ rationales and perspectives regarding recycling architecture in an economic and cost-effective manner, which is ultimately more rewarding than demolishing and rebuilding. With numerous full-colour photographs of both interiors and exteriors, plus drawings, plans, and comparisons of the old and new towers, the book serves as a manifesto to the ideals of reuse and its benefits for architecture and urbanism today.
Architecture, monographies
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Charles Jencks and Nathan Silver's book was a manifesto for a generation that took pleasure in doing things ad hoc, using materials at hand to solve real-world problems. The implications were subversive. Turned-off citizens of the 1970s immediately adopted the book as a DIY guide. The word "adhocism" entered the vocabulary, the concept of adhocism became part of the(...)
Adhocism: the case for improvisation
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Charles Jencks and Nathan Silver's book was a manifesto for a generation that took pleasure in doing things ad hoc, using materials at hand to solve real-world problems. The implications were subversive. Turned-off citizens of the 1970s immediately adopted the book as a DIY guide. The word "adhocism" entered the vocabulary, the concept of adhocism became part of the designer's toolkit, and "Adhocism" became a cult classic. Now "Adhocism" is available again, with new texts by Jencks and Silver reflecting on the past forty years of adhocism and new illustrations demonstrating adhocism's continuing relevance.
Théorie de l’architecture
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Le patrimoine culturel peut-il être autre chose qu’une nostalgie du passé dont un objet ou un héritage immatériel est chargé de témoigner? Cet ouvrage en fait le pari. En explorant les temps forts et les moments oubliés de deux des plus importants « chantiers » de l’histoire du patrimoine au Québec, l’Ile d’Orléans et la place Royale de Québec aux XIXe et XXe siècles, il(...)
Patrimoine, culture et récit : L'île d'Orléans et la place Royale de Québec
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Le patrimoine culturel peut-il être autre chose qu’une nostalgie du passé dont un objet ou un héritage immatériel est chargé de témoigner? Cet ouvrage en fait le pari. En explorant les temps forts et les moments oubliés de deux des plus importants « chantiers » de l’histoire du patrimoine au Québec, l’Ile d’Orléans et la place Royale de Québec aux XIXe et XXe siècles, il présente un visage méconnu de l’héritage culturel, celui qui reconstruit le souvenir du passé pour répondre aux préoccupations de la société du présent. Tour à tour, des idéologies, des manifestations du savoir et des contextes socioéconomiques sont convoqués pour expliquer la construction des deux « berceaux du Canada français » et pour déchiffrer l’élément qui est au centre, la quête du sens et de la durée, une tâche que seul peut accomplir un travail d’interprétation.
Architecture du Québec