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xvi, 349 pages ; 24 cm.
Stanford, Calif. : Stanford University Press, ©2003.
Mapping Benjamin : the work of art in the digital age / edited by Hans Ulrich Gumbrecht, Michael Marrinan.
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xvi, 349 pages ; 24 cm.
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Stanford, Calif. : Stanford University Press, ©2003.
$36.95
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Cette deuxième édition des Cahiers du Laboratoire d’Étude de l’Architecture Potentielle propose une réflexion sur l’un des problèmes centraux du Mouvement moderne et de la critique postmoderne : la tension entre l’hétéronomie et l’autonomie en architecture. This second edition of the LEAP Research Notebooks examines one of the central problems of the Modern Movement and(...)
Du potentiel de l'hétéronomie et de l'autonomie en architecture / On the potential of heteronomy and autonomy in architecture
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Résumé:
Cette deuxième édition des Cahiers du Laboratoire d’Étude de l’Architecture Potentielle propose une réflexion sur l’un des problèmes centraux du Mouvement moderne et de la critique postmoderne : la tension entre l’hétéronomie et l’autonomie en architecture. This second edition of the LEAP Research Notebooks examines one of the central problems of the Modern Movement and of its subsequent postmodern critique: the tension between heteronomy and autonomy in architecture.
Théorie de l’architecture
Postmodern design complete
$125.00
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Originating as a rebellious movement in philosophy and literature, Postmodernism proclaimed the death of modernism and promoted a new, nonlinear way of approaching architecture and design, spearheaded by Michael Graves, Robert Venturi, Ettore Sottsass, and Alessandro Mendini. It became a style in itself and the defining look of the 1980s. Postmodern Design Complete is(...)
Postmodern design complete
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$125.00
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Originating as a rebellious movement in philosophy and literature, Postmodernism proclaimed the death of modernism and promoted a new, nonlinear way of approaching architecture and design, spearheaded by Michael Graves, Robert Venturi, Ettore Sottsass, and Alessandro Mendini. It became a style in itself and the defining look of the 1980s. Postmodern Design Complete is the comprehensive reference to this period of vibrant design, as it profiles key creators including Graves, Mendini, Sottsass, Venturi, Charles Jencks, and Denise Scott Brown and covers the fields of architecture, furniture, graphic design, textiles, and product and industrial design.
Design, époques et styles
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99 pages : chiefly color illustrations ; 30 cm
Firenze : Maschietto & Musolino, [1996]
La banca di Fornacette / Massimo Mariani ; testi di Remo Buti [and others].
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99 pages : chiefly color illustrations ; 30 cm
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Firenze : Maschietto & Musolino, [1996]
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xii, 404 pages : illustrations ; 26 cm.
London ; New York : Routledge, 2005.
The urban geography reader / edited by Nicholas R. Fyfe and Judith T. Kenny.
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xii, 404 pages : illustrations ; 26 cm.
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London ; New York : Routledge, 2005.
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xiv, 548 pages : illustrations ; 26 cm.
New York : Routledge, 1995.
The consumption of culture, 1600-1800 : image, object, text / edited by Ann Bermingham and John Brewer.
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xiv, 548 pages : illustrations ; 26 cm.
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New York : Routledge, 1995.
Ed Fella : documents
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À plus de soixante-dix ans, Edward Fella (né en 1938 dans le Michigan) est toujours « en activité » (« I’m still running », comme il aime à le dire). Il demeure l’un des auteurs de design graphique les plus emblématiques du postmoderne américain. L’hybridation de matières, de formes, de couleurs, de sujets, et l’aisance avec laquelle il navigue d’un medium à l’autre,(...)
Ed Fella : documents
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À plus de soixante-dix ans, Edward Fella (né en 1938 dans le Michigan) est toujours « en activité » (« I’m still running », comme il aime à le dire). Il demeure l’un des auteurs de design graphique les plus emblématiques du postmoderne américain. L’hybridation de matières, de formes, de couleurs, de sujets, et l’aisance avec laquelle il navigue d’un medium à l’autre, donnent à son art une originalité et une profondeur qui marqueront durablement l’histoire du design graphique.
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Although postmodern architecture reaches giddy heights in the cinema multiplexes and shopping malls on the outskirts of town, its services have been in greatest demand in the centre of London. The fun, brash style dominated architecture from its radical inception at the end of the 1970's to its soggy death by cul-de-sac developments in the 90's. Why did the postmodern(...)
Postmodern architecture in London
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Although postmodern architecture reaches giddy heights in the cinema multiplexes and shopping malls on the outskirts of town, its services have been in greatest demand in the centre of London. The fun, brash style dominated architecture from its radical inception at the end of the 1970's to its soggy death by cul-de-sac developments in the 90's. Why did the postmodern expire? A change of fashion, maybe? It can certainly be too much at times, all those Plaudoh pediments, Lego walls and cheap multicoloured facings. A victim of its own popularity? We live and work in countless postmodern low-rise houses and offices all over the city; so ubiquitous is it that not a street has been spared.
Guides des villes
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30 buildings from the 1970s and 80s, 30 built manifestos, densely gathered in two halves of a divided city: transformer station, hotel and airport terminal, diving tower, school, and animal laboratory. Not only do their functions and purposes differ fundamentally, but their forms and architectural means of expression are even more diverse. What distinguishes the(...)
Postmodern non-residential Berlin
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30 buildings from the 1970s and 80s, 30 built manifestos, densely gathered in two halves of a divided city: transformer station, hotel and airport terminal, diving tower, school, and animal laboratory. Not only do their functions and purposes differ fundamentally, but their forms and architectural means of expression are even more diverse. What distinguishes the architecture of these years is the search for a visualization of content beyond function: of fictions, themes and narratives, of history, typological continuities, and contradictions. While postmodern is the underlying formula, it does not result in a uniform “style”. The building forms are emblematic or rational, familiar or absolutely new. Claudia Kromrei presents these 30 buildings and describes them in their concrete form, their genesis, and against the background of the theoretical imaginary worlds of their designers.
Post-modernisme
livres
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xviii, 520 pages : illustrations, maps ; 25 cm.
London : New York : Routledge, 2003.
The city reader / edited by Richard T. LeGates and Frederic Stout.
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xviii, 520 pages : illustrations, maps ; 25 cm.
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London : New York : Routledge, 2003.