8415 Résultats
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287 pages : illustrations (chiefly color) ; 25 x 31 cm.
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287 pages : illustrations (chiefly color) ; 25 x 31 cm.
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Milano : Electa, ©2006.
Milano : Electa, ©2006.
Titre:
Roma, la nuova architettura / Giorgio Ciucci, Francesco Ghio, Piero Ostilio Rossi ; con saggi di Walter Veltroni, Roberto Morassut ; schede progetti, Alessandra Capanna, Francesca Romana Castelli ; fotografie, Andrea Jemolo.
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287 pages : illustrations (chiefly color) ; 25 x 31 cm.
Roma, la nuova architettura / Giorgio Ciucci, Francesco Ghio, Piero Ostilio Rossi ; con saggi di Walter Veltroni, Roberto Morassut ; schede progetti, Alessandra Capanna, Francesca Romana Castelli ; fotografie, Andrea Jemolo.
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Description:
287 pages : illustrations (chiefly color) ; 25 x 31 cm.
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livres
livres
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Milano : Electa, ©2006.
Milano : Electa, ©2006.
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195 pages : illustrations (some color) ; 29 cm
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195 pages : illustrations (some color) ; 29 cm
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Saint-Germain-en-Laye : Presses franciliennes, [2010]
Saint-Germain-en-Laye : Presses franciliennes, [2010]
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Le Château-Neuf de Saint-Germain-en-Laye / sous la direction d'Emmanuel Lurin.
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195 pages : illustrations (some color) ; 29 cm
Le Château-Neuf de Saint-Germain-en-Laye / sous la direction d'Emmanuel Lurin.
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195 pages : illustrations (some color) ; 29 cm
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livres
livres
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Saint-Germain-en-Laye : Presses franciliennes, [2010]
Saint-Germain-en-Laye : Presses franciliennes, [2010]
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livres
livres
Titre:
Public space? Lost and found
Public space? Lost and found
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$52.50
(disponible sur commande)
Résumé:
“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public(...)
$52.50
(disponible sur commande)
Résumé:
“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2017
juillet 2017
Titre:
Public space? Lost and found
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$52.50
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings. "Public Space? Lost and found" combines significant recent projects in art and architecture with writings by historians and theorists. Contributors investigate strategies for responding to underrepresented communities and areas of conflict through the work of Marjetica Potrc in Johannesburg and Teddy Cruz on the Mexico-U.S. border, among others. They explore our collective stakes in ecological catastrophe through artistic research such as atelier d’architecture autogérée’s hubs for community action and recycling in Colombes, France, and Brian Holmes’s theoretical investigation of new forms of aesthetic perception in the age of the Anthropocene. Inspired by artist and MIT professor Antoni Muntadas’ early coining of the term “media landscape,” contributors also look ahead, casting a critical eye on the fraught impact of digital media and the internet on public space. This book is the first in a new series of volumes produced by the MIT School of Architecture and Planning’s Program in Art, Culture and Technology.
Public space? Lost and found
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$52.50
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings. "Public Space? Lost and found" combines significant recent projects in art and architecture with writings by historians and theorists. Contributors investigate strategies for responding to underrepresented communities and areas of conflict through the work of Marjetica Potrc in Johannesburg and Teddy Cruz on the Mexico-U.S. border, among others. They explore our collective stakes in ecological catastrophe through artistic research such as atelier d’architecture autogérée’s hubs for community action and recycling in Colombes, France, and Brian Holmes’s theoretical investigation of new forms of aesthetic perception in the age of the Anthropocene. Inspired by artist and MIT professor Antoni Muntadas’ early coining of the term “media landscape,” contributors also look ahead, casting a critical eye on the fraught impact of digital media and the internet on public space. This book is the first in a new series of volumes produced by the MIT School of Architecture and Planning’s Program in Art, Culture and Technology.
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livres
livres
Publication:
juillet 2017
juillet 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$42.00
(disponible sur commande)
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Art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or(...)
$42.00
(disponible sur commande)
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Art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or(...)
Titre:
An anthropology of images: picture, medium, body
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$42.00
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Art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, this publication presents a challenging and provocative new account of what pictures are and how they function. The book demonstrates these ideas with a series of case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.
An anthropology of images: picture, medium, body
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$42.00
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Résumé:
Art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, this publication presents a challenging and provocative new account of what pictures are and how they function. The book demonstrates these ideas with a series of case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.
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livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
périodiques
périodiques
Titre:
Grey room 32, summer 2008
Grey room 32, summer 2008
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$20.00
(disponible en magasin)
Résumé:
"Grey room" brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. "Grey room" features original articles, translations, interviews, dossiers, and academic exchanges Contributors to this issue : Mark Godfrey, Sven Lütticken, Pepper(...)
$20.00
(disponible en magasin)
Résumé:
"Grey room" brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. "Grey room" features original articles, translations, interviews, dossiers, and academic exchanges Contributors to this issue : Mark Godfrey, Sven Lütticken, Pepper(...)
Sujet:
Revues
Revues
Publication:
août 2008, Cambridge (MA)
août 2008, Cambridge (MA)
Titre:
Grey room 32, summer 2008
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$20.00
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"Grey room" brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. "Grey room" features original articles, translations, interviews, dossiers, and academic exchanges Contributors to this issue : Mark Godfrey, Sven Lütticken, Pepper Stetler, Juan Suárez.
Grey room 32, summer 2008
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$20.00
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Résumé:
"Grey room" brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. "Grey room" features original articles, translations, interviews, dossiers, and academic exchanges Contributors to this issue : Mark Godfrey, Sven Lütticken, Pepper Stetler, Juan Suárez.
Classification:
périodiques
périodiques
Publication:
août 2008, Cambridge (MA)
août 2008, Cambridge (MA)
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Revues
Revues
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livres
livres
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Process : a Tomato project
Process : a Tomato project
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$55.95
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Résumé:
Since 1991, the graphic design firm Tomato has provided an evironment within which people meet to work, collaborate and experiment. In that time, Tomato has revolutionised the look of popular media, and has established an international reputation with work for Adidas, Alberto Aspesi, Coca Cola, IBM, MTV, and Nike among others.
$55.95
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Since 1991, the graphic design firm Tomato has provided an evironment within which people meet to work, collaborate and experiment. In that time, Tomato has revolutionised the look of popular media, and has established an international reputation with work for Adidas, Alberto Aspesi, Coca Cola, IBM, MTV, and Nike among others.
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Process : a Tomato project
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Since 1991, the graphic design firm Tomato has provided an evironment within which people meet to work, collaborate and experiment. In that time, Tomato has revolutionised the look of popular media, and has established an international reputation with work for Adidas, Alberto Aspesi, Coca Cola, IBM, MTV, and Nike among others.
Process : a Tomato project
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$55.95
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Since 1991, the graphic design firm Tomato has provided an evironment within which people meet to work, collaborate and experiment. In that time, Tomato has revolutionised the look of popular media, and has established an international reputation with work for Adidas, Alberto Aspesi, Coca Cola, IBM, MTV, and Nike among others.
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livres
livres
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janvier 1900, Corte Madera
janvier 1900, Corte Madera
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livres
livres
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$95.00
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Résumé:
Bernhard Leitner (born 1938) uses sound to create intimate spaces in which one can physically experience the movement of sound. He integrates media-based art into his architecture, using exhibition visitors as resonating bodies and playing with their acoustic perceptions. This publication is the first to survey Leitner’s visionary sketchbooks.
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Résumé:
Bernhard Leitner (born 1938) uses sound to create intimate spaces in which one can physically experience the movement of sound. He integrates media-based art into his architecture, using exhibition visitors as resonating bodies and playing with their acoustic perceptions. This publication is the first to survey Leitner’s visionary sketchbooks.
Titre:
Bernhard Leitner: sounds spaces. notation sketchbook.
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$95.00
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Bernhard Leitner (born 1938) uses sound to create intimate spaces in which one can physically experience the movement of sound. He integrates media-based art into his architecture, using exhibition visitors as resonating bodies and playing with their acoustic perceptions. This publication is the first to survey Leitner’s visionary sketchbooks.
Bernhard Leitner: sounds spaces. notation sketchbook.
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$95.00
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Résumé:
Bernhard Leitner (born 1938) uses sound to create intimate spaces in which one can physically experience the movement of sound. He integrates media-based art into his architecture, using exhibition visitors as resonating bodies and playing with their acoustic perceptions. This publication is the first to survey Leitner’s visionary sketchbooks.
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livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Acoustique
Acoustique
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livres
livres
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$72.00
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In 2006, residents of Stavanger, Norway, voted on the eight most meaningful locations in the city, then commissioned international artists—including Lars Ramberg, Alfredo Jaar, Raqs Media Collective—to develop site-specific works. This volume documents the project, with essays by Nicholas Bourriaud, Paul O'Neill and Rana Dasgupta, among others.
$72.00
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Résumé:
In 2006, residents of Stavanger, Norway, voted on the eight most meaningful locations in the city, then commissioned international artists—including Lars Ramberg, Alfredo Jaar, Raqs Media Collective—to develop site-specific works. This volume documents the project, with essays by Nicholas Bourriaud, Paul O'Neill and Rana Dasgupta, among others.
Titre:
Neighbourhood secrets: Art as urban processes
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$72.00
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Résumé:
In 2006, residents of Stavanger, Norway, voted on the eight most meaningful locations in the city, then commissioned international artists—including Lars Ramberg, Alfredo Jaar, Raqs Media Collective—to develop site-specific works. This volume documents the project, with essays by Nicholas Bourriaud, Paul O'Neill and Rana Dasgupta, among others.
Neighbourhood secrets: Art as urban processes
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$72.00
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Résumé:
In 2006, residents of Stavanger, Norway, voted on the eight most meaningful locations in the city, then commissioned international artists—including Lars Ramberg, Alfredo Jaar, Raqs Media Collective—to develop site-specific works. This volume documents the project, with essays by Nicholas Bourriaud, Paul O'Neill and Rana Dasgupta, among others.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Espaces Public
Espaces Public
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livres
livres
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$60.00
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Focusing on Sigmar Polke's artistic strategies of the 1970s, this volume retrieves the artist's largely forgotten series Wir Kleinbürger!, also known as We Petty Bourgeois!. This series is situated alongside other works from this era, by the artist and by his contemporaries, in media including photography, film, drawing and paintings.
$60.00
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Résumé:
Focusing on Sigmar Polke's artistic strategies of the 1970s, this volume retrieves the artist's largely forgotten series Wir Kleinbürger!, also known as We Petty Bourgeois!. This series is situated alongside other works from this era, by the artist and by his contemporaries, in media including photography, film, drawing and paintings.
Publication:
juillet 2010
juillet 2010
Titre:
Polke & Co. : We pretty bourgeois
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$60.00
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Résumé:
Focusing on Sigmar Polke's artistic strategies of the 1970s, this volume retrieves the artist's largely forgotten series Wir Kleinbürger!, also known as We Petty Bourgeois!. This series is situated alongside other works from this era, by the artist and by his contemporaries, in media including photography, film, drawing and paintings.
Polke & Co. : We pretty bourgeois
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$60.00
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Résumé:
Focusing on Sigmar Polke's artistic strategies of the 1970s, this volume retrieves the artist's largely forgotten series Wir Kleinbürger!, also known as We Petty Bourgeois!. This series is situated alongside other works from this era, by the artist and by his contemporaries, in media including photography, film, drawing and paintings.
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livres
livres
Publication:
juillet 2010
juillet 2010
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livres
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Description:
458 pages ; 22 cm
Description:
458 pages ; 22 cm
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Paris : Les Belles Lettres, 2017.
Paris : Les Belles Lettres, 2017.
Titre:
Le De architectura de Vitruve / Louis Callebat.
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Description:
458 pages ; 22 cm
Le De architectura de Vitruve / Louis Callebat.
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Description:
458 pages ; 22 cm
Classification:
livres
livres
Publication:
Paris : Les Belles Lettres, 2017.
Paris : Les Belles Lettres, 2017.
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