2755 Résultats
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Chronos 2022
Chronos 2022
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Chronos 2022
Chronos 2022
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3, 2, 331 pages, 6 unnumbered leaves of plates : illustrations (some color) ; 27 cm
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3, 2, 331 pages, 6 unnumbered leaves of plates : illustrations (some color) ; 27 cm
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Pei-ching : Wen wu chʻu pan she : Hsin hua shu tien Pei-ching fa hsing so fa hsing, 1987.
Pei-ching : Wen wu chʻu pan she : Hsin hua shu tien Pei-ching fa hsing so fa hsing, 1987.
Titre:
建筑考古学论文集 / 杨鸿勋著. Chien chu kʻao ku hsüeh lun wen chi / Yang Hung-hsün chu.
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3, 2, 331 pages, 6 unnumbered leaves of plates : illustrations (some color) ; 27 cm
建筑考古学论文集 / 杨鸿勋著. Chien chu kʻao ku hsüeh lun wen chi / Yang Hung-hsün chu.
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3, 2, 331 pages, 6 unnumbered leaves of plates : illustrations (some color) ; 27 cm
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Pei-ching : Wen wu chʻu pan she : Hsin hua shu tien Pei-ching fa hsing so fa hsing, 1987.
Pei-ching : Wen wu chʻu pan she : Hsin hua shu tien Pei-ching fa hsing so fa hsing, 1987.
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1 online resource (77 PDF pages) : illustrations
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Paris : Onestar Press, 2007
Paris : Onestar Press, 2007
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Madame Frankie Stein / Cecilia Jurado
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1 online resource (77 PDF pages) : illustrations
Madame Frankie Stein / Cecilia Jurado
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1 online resource (77 PDF pages) : illustrations
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Paris : Onestar Press, 2007
Paris : Onestar Press, 2007
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$45.00
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Résumé:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with nature. Today, Canada's environmental record is among the poorest when compared to other wealthy nations, a fact that suggests ambivalence, and the actions of competing interests, which are most often exposed in(...)
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In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with nature. Today, Canada's environmental record is among the poorest when compared to other wealthy nations, a fact that suggests ambivalence, and the actions of competing interests, which are most often exposed in(...)
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It's all happening so fast: a counter-history of the modern Canadian environment
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In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with nature. Today, Canada's environmental record is among the poorest when compared to other wealthy nations, a fact that suggests ambivalence, and the actions of competing interests, which are most often exposed in moments of disorder and disregard for the unexpected consequences of managing the country's seemingly endless bounty. The 15 case studies presented here reframe Canada since 1945, and these surprising events are grounded in conversations about cultural myths and the legal environment, changing ideas of natural resources and environmental risk, indigenous engagement with environmentalism and development, and the impacts of the environmentalist movement.
It's all happening so fast: a counter-history of the modern Canadian environment
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$45.00
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In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with nature. Today, Canada's environmental record is among the poorest when compared to other wealthy nations, a fact that suggests ambivalence, and the actions of competing interests, which are most often exposed in moments of disorder and disregard for the unexpected consequences of managing the country's seemingly endless bounty. The 15 case studies presented here reframe Canada since 1945, and these surprising events are grounded in conversations about cultural myths and the legal environment, changing ideas of natural resources and environmental risk, indigenous engagement with environmentalism and development, and the impacts of the environmentalist movement.
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livres
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novembre 2016
novembre 2016
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Publications du CCA
Publications du CCA
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$20.00
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
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Why are they so afraid of the lotus?: A series of open questions
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
Why are they so afraid of the lotus?: A series of open questions
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$20.00
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
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livres
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juillet 2021
juillet 2021
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Social
Social
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119 pages : chiefly color illustrations ; 28 cm
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119 pages : chiefly color illustrations ; 28 cm
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Glendale, Calif. : Balcony Press, 2008., ©2008
Glendale, Calif. : Balcony Press, 2008., ©2008
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Responsive architecture : Moody-Nolan recent work / Morris Newman.
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119 pages : chiefly color illustrations ; 28 cm
Responsive architecture : Moody-Nolan recent work / Morris Newman.
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119 pages : chiefly color illustrations ; 28 cm
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Glendale, Calif. : Balcony Press, 2008., ©2008
Glendale, Calif. : Balcony Press, 2008., ©2008
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204 pages : illustrations (chiefly color), plans ; 34 cm
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204 pages : illustrations (chiefly color), plans ; 34 cm
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Ratingen : Capa Edition, 2011.
Ratingen : Capa Edition, 2011.
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Hospital da Luz e casas da cidade : Complexo integrado de saúde da Luz = Luz Integraded Health Complex / edicao = edition: Carsten Land ; textos = texts: Catherine Slessor [and others] ; fotografias = photographs: Fernando Guerra.
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204 pages : illustrations (chiefly color), plans ; 34 cm
Hospital da Luz e casas da cidade : Complexo integrado de saúde da Luz = Luz Integraded Health Complex / edicao = edition: Carsten Land ; textos = texts: Catherine Slessor [and others] ; fotografias = photographs: Fernando Guerra.
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204 pages : illustrations (chiefly color), plans ; 34 cm
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Ratingen : Capa Edition, 2011.
Ratingen : Capa Edition, 2011.
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128 pages : illustrations ; 27 cm
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128 pages : illustrations ; 27 cm
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[Germany?] : Edition Detail, ©2012.
[Germany?] : Edition Detail, ©2012.
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The international highrise award 2012 = Internationaler Hochhaus Preis 2012 / herausgegeben von = edited by Michaela Busenkell und = and Peter Cachola Schmal.
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128 pages : illustrations ; 27 cm
The international highrise award 2012 = Internationaler Hochhaus Preis 2012 / herausgegeben von = edited by Michaela Busenkell und = and Peter Cachola Schmal.
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128 pages : illustrations ; 27 cm
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[Germany?] : Edition Detail, ©2012.
[Germany?] : Edition Detail, ©2012.
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$49.00
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The installations of the conceptual artist Barbara Bloom (b. 1951) have captivated audiences for decades. Since the 1970s, her work has consistently redefined the way in which viewers understand objects. Bloom siphons meaning from the things with which we surround ourselves, and crafts an experience that is at once personal and universal. In this artist’s book, Bloom(...)
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The installations of the conceptual artist Barbara Bloom (b. 1951) have captivated audiences for decades. Since the 1970s, her work has consistently redefined the way in which viewers understand objects. Bloom siphons meaning from the things with which we surround ourselves, and crafts an experience that is at once personal and universal. In this artist’s book, Bloom(...)
Titre:
As it were... so to speak: a museum collection in dialogue with Barbara Bloom
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The installations of the conceptual artist Barbara Bloom (b. 1951) have captivated audiences for decades. Since the 1970s, her work has consistently redefined the way in which viewers understand objects. Bloom siphons meaning from the things with which we surround ourselves, and crafts an experience that is at once personal and universal. In this artist’s book, Bloom revisits her landmark 2013 solo exhibition at the Jewish Museum, New York. The book features images of the museum’s galleries reconstructed as rooms in a fictive house—the music room, the boudoir, the analyst’s office—formed of objects from the permanent collection. These staged spaces are intertwined with fragments of text and images drawn from intellectuals, artists, and authors, both historical and contemporary. Ranging from the charming (Torah pointers tipped with tiny hands, poised above a piano keyboard; silver spice containers shaped like peaches and pears) to the poignant (an empty, worn velvet case for a shofar horn; a Nazi playing card created from a defaced Torah), each object is infused with profound significance.
As it were... so to speak: a museum collection in dialogue with Barbara Bloom
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$49.00
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The installations of the conceptual artist Barbara Bloom (b. 1951) have captivated audiences for decades. Since the 1970s, her work has consistently redefined the way in which viewers understand objects. Bloom siphons meaning from the things with which we surround ourselves, and crafts an experience that is at once personal and universal. In this artist’s book, Bloom revisits her landmark 2013 solo exhibition at the Jewish Museum, New York. The book features images of the museum’s galleries reconstructed as rooms in a fictive house—the music room, the boudoir, the analyst’s office—formed of objects from the permanent collection. These staged spaces are intertwined with fragments of text and images drawn from intellectuals, artists, and authors, both historical and contemporary. Ranging from the charming (Torah pointers tipped with tiny hands, poised above a piano keyboard; silver spice containers shaped like peaches and pears) to the poignant (an empty, worn velvet case for a shofar horn; a Nazi playing card created from a defaced Torah), each object is infused with profound significance.
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livres
livres
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octobre 2015
octobre 2015
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audio
audio
Titre:
Sound Piles.
Sound Piles.
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2024.
[Place of publication not identified] : Lateral Addition, 2024.
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audio
audio
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[Place of publication not identified] : Lateral Addition, 2024.
[Place of publication not identified] : Lateral Addition, 2024.
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