12044 Résultats
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Buildings by EGM architects are designed in order to be used. Unfortunately architecture photography usually ignores this aspect. Five photographers have been shooting different buildings while they are being used, and in the process recording architecture at its lively moment. Photographs by Martijn van de Griendt, Frank Hanswijk, Eline Hensen, Ellen Kok, Otto Snoek.
$33.95
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Résumé:
Buildings by EGM architects are designed in order to be used. Unfortunately architecture photography usually ignores this aspect. Five photographers have been shooting different buildings while they are being used, and in the process recording architecture at its lively moment. Photographs by Martijn van de Griendt, Frank Hanswijk, Eline Hensen, Ellen Kok, Otto Snoek.
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
décembre 2005, Amsterdam
décembre 2005, Amsterdam
Titre:
EGM architecten : on a weekday / doordeweeks
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Buildings by EGM architects are designed in order to be used. Unfortunately architecture photography usually ignores this aspect. Five photographers have been shooting different buildings while they are being used, and in the process recording architecture at its lively moment. Photographs by Martijn van de Griendt, Frank Hanswijk, Eline Hensen, Ellen Kok, Otto Snoek.
EGM architecten : on a weekday / doordeweeks
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Buildings by EGM architects are designed in order to be used. Unfortunately architecture photography usually ignores this aspect. Five photographers have been shooting different buildings while they are being used, and in the process recording architecture at its lively moment. Photographs by Martijn van de Griendt, Frank Hanswijk, Eline Hensen, Ellen Kok, Otto Snoek.
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livres
livres
Publication:
décembre 2005, Amsterdam
décembre 2005, Amsterdam
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Titre:
Frank Lloyd Wright
Frank Lloyd Wright
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of(...)
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of(...)
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Frank Lloyd Wright
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of volumes on Wright, the most essential part of his life – his life as an architect, working, as he said, ‘in the cause of architecture’ – remains virtually unexplored. "Frank Lloyd Wright" offers an account of Wright’s life as an architect, the ideas, beliefs and relationships that shaped his life and work, and the manner in which these affected, and are reflected in, his architecture. During a tumultuous life and extensive career which includes such hugely defining buildings as the Guggenheim Museum, Fallingwater, Taliesin, Unity Temple, and the prolific Prairie Houses, Wright endeavoured to shape the emerging and evolving American democracy, its mode of dwelling, and its relation to the traditional conception of the city. Fusing ancient construction geometries with contemporary ideals of Transcendental philosophy, Wright sought to develop an appropriate architecture for the new world of the twentieth century. In doing so, he served as the primary inspiration for the emergence of Modern architecture around the world. Robert McCarter examines how Wright’s architecture crystallized key conceptions of both private dwelling and public citizenship for American society, and relates how, through his work and writings, Wright developed relationships with key leaders of the arts, industry and society. He analyses how and why Wright maintained that architecture was the ‘background or framework’ for daily life, never the literal ‘object’ of our attention, as well as Wright’s belief that architects have the most significant ethical responsibilities to improve the larger society and culture to which they belong. In exploring Wright’s life, times and culture, Robert McCarter shows how Wright was an architect of astonishing ability, whose works continue to shape the world around us, fifty years after his death.
Frank Lloyd Wright
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of volumes on Wright, the most essential part of his life – his life as an architect, working, as he said, ‘in the cause of architecture’ – remains virtually unexplored. "Frank Lloyd Wright" offers an account of Wright’s life as an architect, the ideas, beliefs and relationships that shaped his life and work, and the manner in which these affected, and are reflected in, his architecture. During a tumultuous life and extensive career which includes such hugely defining buildings as the Guggenheim Museum, Fallingwater, Taliesin, Unity Temple, and the prolific Prairie Houses, Wright endeavoured to shape the emerging and evolving American democracy, its mode of dwelling, and its relation to the traditional conception of the city. Fusing ancient construction geometries with contemporary ideals of Transcendental philosophy, Wright sought to develop an appropriate architecture for the new world of the twentieth century. In doing so, he served as the primary inspiration for the emergence of Modern architecture around the world. Robert McCarter examines how Wright’s architecture crystallized key conceptions of both private dwelling and public citizenship for American society, and relates how, through his work and writings, Wright developed relationships with key leaders of the arts, industry and society. He analyses how and why Wright maintained that architecture was the ‘background or framework’ for daily life, never the literal ‘object’ of our attention, as well as Wright’s belief that architects have the most significant ethical responsibilities to improve the larger society and culture to which they belong. In exploring Wright’s life, times and culture, Robert McCarter shows how Wright was an architect of astonishing ability, whose works continue to shape the world around us, fifty years after his death.
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livres
livres
Publication:
mars 2006, London
mars 2006, London
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$31.50
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Frank Lloyd Wright’s Larkin building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building — which housed a Buffalo, New York, soap company — all the more valuable. Quinan’s history draws on engineering documents, personal accounts of the building, and(...)
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Frank Lloyd Wright’s Larkin building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building — which housed a Buffalo, New York, soap company — all the more valuable. Quinan’s history draws on engineering documents, personal accounts of the building, and(...)
Titre:
Frank Lloyd Wright's Larkin building : myth and fact
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Frank Lloyd Wright’s Larkin building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building — which housed a Buffalo, New York, soap company — all the more valuable. Quinan’s history draws on engineering documents, personal accounts of the building, and other papers he acquired from the family of Darwin D. Martin, a Larkin executive who proposed commissioning Wright to design the company’s offices. With access to these rare sources, Quinan reveals how a young Wright landed the commission and traces the evolution of his cutting-edge plans. Quinan then takes Wright studies to a new level, examining the Larkin building as a structure at the center of economic and personal relationships. Illustrated with more than one hundred photographs, floor plans, maps, and diagrams, Frank Lloyd Wright’s Larkin Building provides a concise but complete record of how the building was conceived, built, evaluated, and finally demolished in what has been called a tragic loss for American architecture.
Frank Lloyd Wright's Larkin building : myth and fact
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Frank Lloyd Wright’s Larkin building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building — which housed a Buffalo, New York, soap company — all the more valuable. Quinan’s history draws on engineering documents, personal accounts of the building, and other papers he acquired from the family of Darwin D. Martin, a Larkin executive who proposed commissioning Wright to design the company’s offices. With access to these rare sources, Quinan reveals how a young Wright landed the commission and traces the evolution of his cutting-edge plans. Quinan then takes Wright studies to a new level, examining the Larkin building as a structure at the center of economic and personal relationships. Illustrated with more than one hundred photographs, floor plans, maps, and diagrams, Frank Lloyd Wright’s Larkin Building provides a concise but complete record of how the building was conceived, built, evaluated, and finally demolished in what has been called a tragic loss for American architecture.
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livres
livres
Publication:
mai 2006, Chicago, London
mai 2006, Chicago, London
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Titre:
Prosthetic gods
Prosthetic gods
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How to imagine not only a new art or architecture but a new self or subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and(...)
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How to imagine not only a new art or architecture but a new self or subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and(...)
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Prosthetic gods
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How to imagine not only a new art or architecture but a new self or subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and tribal or futuristic and technological. In this way, Foster argues, two forms came to dominate modernist art above all others: the primitive and the machine. Foster begins with the primitivist fantasies of Gauguin and Picasso, which he examines through the Freudian lens of the primal scene. He then turns to the purist obsessions of the Viennese architect Loos, who abhorred all things primitive. Next Foster considers the technophilic subjects propounded by the futurist Marinetti and the vorticist Lewis. These "new egos" are further contrasted with the "bachelor machines" proposed by the dadaist Ernst. Foster also explores extrapolations from the art of the mentally ill in the aesthetic models of Ernst, Paul Klee, and Jean Dubuffet, as well as manipulations of the female body in the surrealist photography of Brassai, Man Ray, and Hans Bellmer. Finally, he examines the impulse to dissolve the conventions of art altogether in the drip paintings of Jackson Pollock, the scatter pieces of Robert Morris, and the earthworks of Robert Smithson, and traces the evocation of lost objects of desire in sculptural work from Marcel Duchamp and Alberto Giacometti to Robert Gober. Although its title is drawn from Freud, "Prosthetic gods" does not impose psychoanalytic theory on modernist art; rather, it sets the two into critical relation and scans the greater historical field that they share.
Prosthetic gods
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How to imagine not only a new art or architecture but a new self or subject equal to them? In "Prosthetic gods", Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and tribal or futuristic and technological. In this way, Foster argues, two forms came to dominate modernist art above all others: the primitive and the machine. Foster begins with the primitivist fantasies of Gauguin and Picasso, which he examines through the Freudian lens of the primal scene. He then turns to the purist obsessions of the Viennese architect Loos, who abhorred all things primitive. Next Foster considers the technophilic subjects propounded by the futurist Marinetti and the vorticist Lewis. These "new egos" are further contrasted with the "bachelor machines" proposed by the dadaist Ernst. Foster also explores extrapolations from the art of the mentally ill in the aesthetic models of Ernst, Paul Klee, and Jean Dubuffet, as well as manipulations of the female body in the surrealist photography of Brassai, Man Ray, and Hans Bellmer. Finally, he examines the impulse to dissolve the conventions of art altogether in the drip paintings of Jackson Pollock, the scatter pieces of Robert Morris, and the earthworks of Robert Smithson, and traces the evocation of lost objects of desire in sculptural work from Marcel Duchamp and Alberto Giacometti to Robert Gober. Although its title is drawn from Freud, "Prosthetic gods" does not impose psychoanalytic theory on modernist art; rather, it sets the two into critical relation and scans the greater historical field that they share.
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livres
livres
Publication:
avril 2006, Cambridge (MA), London
avril 2006, Cambridge (MA), London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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Cet ouvrage porte sur une forme de culture urbaine et populaire du Montréal fin de siècle, le parc Sohmer, qui tient à la fois du concert-promenade, du café-concert, du cirque et du théâtre de vaudeville. Cette histoire socio-culturelle porte aussi attention sur les signes multiples de l'espace, du bâti, des formes de spectacles. Ce livre contribue, par son sujet(...)
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Cet ouvrage porte sur une forme de culture urbaine et populaire du Montréal fin de siècle, le parc Sohmer, qui tient à la fois du concert-promenade, du café-concert, du cirque et du théâtre de vaudeville. Cette histoire socio-culturelle porte aussi attention sur les signes multiples de l'espace, du bâti, des formes de spectacles. Ce livre contribue, par son sujet(...)
Sujet:
Architecture de Montréal
Architecture de Montréal
Publication:
janvier 1900, Québec
janvier 1900, Québec
Titre:
Le parc Sohmer de Montréal : 1889-1919
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Cet ouvrage porte sur une forme de culture urbaine et populaire du Montréal fin de siècle, le parc Sohmer, qui tient à la fois du concert-promenade, du café-concert, du cirque et du théâtre de vaudeville. Cette histoire socio-culturelle porte aussi attention sur les signes multiples de l'espace, du bâti, des formes de spectacles. Ce livre contribue, par son sujet original, à écrire l'histoire du loisir dans le monde urbain des XlXe et XXe siècles...
Le parc Sohmer de Montréal : 1889-1919
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Cet ouvrage porte sur une forme de culture urbaine et populaire du Montréal fin de siècle, le parc Sohmer, qui tient à la fois du concert-promenade, du café-concert, du cirque et du théâtre de vaudeville. Cette histoire socio-culturelle porte aussi attention sur les signes multiples de l'espace, du bâti, des formes de spectacles. Ce livre contribue, par son sujet original, à écrire l'histoire du loisir dans le monde urbain des XlXe et XXe siècles...
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livres
livres
Publication:
janvier 1900, Québec
janvier 1900, Québec
Sujet:
Architecture de Montréal
Architecture de Montréal
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livres
livres
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$97.95
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the(...)
$97.95
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the(...)
Sujet:
Architecture résidentielle
Architecture résidentielle
Publication:
juillet 2006, Basel Boston Berlin
juillet 2006, Basel Boston Berlin
Titre:
In detail : semi-detached and terraced houses
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the freestanding single-family house, particularly in terms of their use of open space. That they can also be appealing, high-quality houses is shown by the selected international examples in this new volume in the series In Detail. The projects presented are organized by building material and clearly documented with an area map, ground plans, and interrelated sections. The documentation of examples is supplemented by technical articles offering concrete support and assistance for the planner and building sponsor. In addition to analyzing the typology of the high-density, single-family house, the volume introduces different planning and financing models as well as energy-saving building methods and construction with prefabricated parts.
In detail : semi-detached and terraced houses
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the freestanding single-family house, particularly in terms of their use of open space. That they can also be appealing, high-quality houses is shown by the selected international examples in this new volume in the series In Detail. The projects presented are organized by building material and clearly documented with an area map, ground plans, and interrelated sections. The documentation of examples is supplemented by technical articles offering concrete support and assistance for the planner and building sponsor. In addition to analyzing the typology of the high-density, single-family house, the volume introduces different planning and financing models as well as energy-saving building methods and construction with prefabricated parts.
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livres
livres
Publication:
juillet 2006, Basel Boston Berlin
juillet 2006, Basel Boston Berlin
Sujet:
Architecture résidentielle
Architecture résidentielle
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livres
livres
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$84.95
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Since 1992 and the Earth Summit in Rio de Janeiro, the concept of sustainability has been the focus of attention in the building industry and architecture. It requires the use of intelligent technology, innovative construction, ecological materials, and an environmental approach to energy supply. This development is especially urgent in the area of residential housing.(...)
$84.95
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Since 1992 and the Earth Summit in Rio de Janeiro, the concept of sustainability has been the focus of attention in the building industry and architecture. It requires the use of intelligent technology, innovative construction, ecological materials, and an environmental approach to energy supply. This development is especially urgent in the area of residential housing.(...)
Sujet:
Architecture écologique
Architecture écologique
Publication:
juin 2006, Basel / Berlin / Boston
juin 2006, Basel / Berlin / Boston
Titre:
Sustainable living : 25 international examples
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$84.95
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Since 1992 and the Earth Summit in Rio de Janeiro, the concept of sustainability has been the focus of attention in the building industry and architecture. It requires the use of intelligent technology, innovative construction, ecological materials, and an environmental approach to energy supply. This development is especially urgent in the area of residential housing. People increasingly insist on a healthy indoor climate, natural moisture exchange, thermal comfort, and an absence of hazardous substances. The book provides extensive and technically detailed documentation of 25 sustainable residential structures in both the high-tech and low-tech domain. There is a considerable variety among the individual projects in terms of their size and the materials used. The examples are chosen from 18 different countries on five continents and come from both rural regions and urban areas.
Sustainable living : 25 international examples
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$84.95
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Since 1992 and the Earth Summit in Rio de Janeiro, the concept of sustainability has been the focus of attention in the building industry and architecture. It requires the use of intelligent technology, innovative construction, ecological materials, and an environmental approach to energy supply. This development is especially urgent in the area of residential housing. People increasingly insist on a healthy indoor climate, natural moisture exchange, thermal comfort, and an absence of hazardous substances. The book provides extensive and technically detailed documentation of 25 sustainable residential structures in both the high-tech and low-tech domain. There is a considerable variety among the individual projects in terms of their size and the materials used. The examples are chosen from 18 different countries on five continents and come from both rural regions and urban areas.
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livres
livres
Publication:
juin 2006, Basel / Berlin / Boston
juin 2006, Basel / Berlin / Boston
Sujet:
Architecture écologique
Architecture écologique
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livres
livres
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$74.95
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For more than ten years, the celebrated artist Per Arnoldi of Copenhagen has been working together with the world famous London architect Norman Foster. Arnoldi’s contributions range from posters of Foster’s buildings to targeted chromatic interventions in interior spaces to the complex total "chromatic concept” for a massive new structure. His color choices serve to(...)
$74.95
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Résumé:
For more than ten years, the celebrated artist Per Arnoldi of Copenhagen has been working together with the world famous London architect Norman Foster. Arnoldi’s contributions range from posters of Foster’s buildings to targeted chromatic interventions in interior spaces to the complex total "chromatic concept” for a massive new structure. His color choices serve to(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juin 2006, Basel / Boston / Berlin
juin 2006, Basel / Boston / Berlin
Titre:
« Colour is communication » selected projects for Foster+partners
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For more than ten years, the celebrated artist Per Arnoldi of Copenhagen has been working together with the world famous London architect Norman Foster. Arnoldi’s contributions range from posters of Foster’s buildings to targeted chromatic interventions in interior spaces to the complex total "chromatic concept” for a massive new structure. His color choices serve to create atmosphere and also guide the user clearly through the space. This book provides systematic and detailed documentation of this entire collaborative spectrum. Projects include: the Commerzbank in Frankfurt, the Reichstag in Berlin, the Imperial College in London, HM Treasury in London, the National Police Monument in London, the Arag Tower in Düsseldorf, the World Port Center in Rotterdam, and Decaux’s headquarters in London. The photographs were taken specially for this book to capture the specific qualities of the interplay between space and color.
« Colour is communication » selected projects for Foster+partners
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$74.95
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For more than ten years, the celebrated artist Per Arnoldi of Copenhagen has been working together with the world famous London architect Norman Foster. Arnoldi’s contributions range from posters of Foster’s buildings to targeted chromatic interventions in interior spaces to the complex total "chromatic concept” for a massive new structure. His color choices serve to create atmosphere and also guide the user clearly through the space. This book provides systematic and detailed documentation of this entire collaborative spectrum. Projects include: the Commerzbank in Frankfurt, the Reichstag in Berlin, the Imperial College in London, HM Treasury in London, the National Police Monument in London, the Arag Tower in Düsseldorf, the World Port Center in Rotterdam, and Decaux’s headquarters in London. The photographs were taken specially for this book to capture the specific qualities of the interplay between space and color.
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livres
livres
Publication:
juin 2006, Basel / Boston / Berlin
juin 2006, Basel / Boston / Berlin
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$67.50
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What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has(...)
$67.50
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Résumé:
What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has(...)
Titre:
Peter Zumthor : atmospheres : architectural environments - surrounding objects
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What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and “presence” of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.
Peter Zumthor : atmospheres : architectural environments - surrounding objects
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$67.50
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Résumé:
What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and “presence” of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.
Classification:
livres
livres
Publication:
février 2006, Basel
février 2006, Basel
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$35.00
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“The Mexican Roof”, built as an architectural signal for an organisation promoting sustainable agriculture, is one of the few examples where a very ambitious project, conceived in the architecture design studio at the University of Applied Arts Vienna, has been successfully translated into reality. Executed by the students themselves in a remote province in Mexico it is(...)
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“The Mexican Roof”, built as an architectural signal for an organisation promoting sustainable agriculture, is one of the few examples where a very ambitious project, conceived in the architecture design studio at the University of Applied Arts Vienna, has been successfully translated into reality. Executed by the students themselves in a remote province in Mexico it is(...)
Titre:
Prinz Eisenbeton 5 : techo en Mexico / the Mexican roof - 96° 13' W. 16° 33'N
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“The Mexican Roof”, built as an architectural signal for an organisation promoting sustainable agriculture, is one of the few examples where a very ambitious project, conceived in the architecture design studio at the University of Applied Arts Vienna, has been successfully translated into reality. Executed by the students themselves in a remote province in Mexico it is basically a roof made out of bamboo that shelters the new community from the sun and collects water, the basis of any kind of growth. It is a conspicuous landmark that also serves very practical functions. The book presents the building process in Mexico starting with the finished roof and going back in time as well, an index that lists the various notions of the conceptual work in Vienna. Special attention is given to a specific method of teaching that encourages students to go for their visions, even if difficult, by providing methods, experience and determination necessary to solve the problems associated with this endeavour.
Prinz Eisenbeton 5 : techo en Mexico / the Mexican roof - 96° 13' W. 16° 33'N
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Résumé:
“The Mexican Roof”, built as an architectural signal for an organisation promoting sustainable agriculture, is one of the few examples where a very ambitious project, conceived in the architecture design studio at the University of Applied Arts Vienna, has been successfully translated into reality. Executed by the students themselves in a remote province in Mexico it is basically a roof made out of bamboo that shelters the new community from the sun and collects water, the basis of any kind of growth. It is a conspicuous landmark that also serves very practical functions. The book presents the building process in Mexico starting with the finished roof and going back in time as well, an index that lists the various notions of the conceptual work in Vienna. Special attention is given to a specific method of teaching that encourages students to go for their visions, even if difficult, by providing methods, experience and determination necessary to solve the problems associated with this endeavour.
Classification:
livres
livres
Publication:
décembre 2005, Vienna
décembre 2005, Vienna
Sujet:
Architecture écologique
Architecture écologique
